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The Sleeper Agent in Post-9/11 Media

Om The Sleeper Agent in Post-9/11 Media

This book examines the figure of the sleeper agent as part of post-9/11 political, journalistic and fictional discourse. There is a tendency to discuss the terroristic threat after 9/11 as either a faraway enemy to be hunted down by military force or, on the other hand, as a ubiquitous, intangible threat that required constant alertness at home. The missing link between these two is the sleeper agent ¿ the foreign enemy hiding among US citizens. By analyzing popular television shows, several US comic books, and a broad variety of Hollywood films that depict sleeper agents direct or allegorically, this book explores how a shift in perspective¿from terrorist to sleeper agent¿brings new insights into our understanding of post-9/11 representations of terrorism. The book¿s interdisciplinary focus between media studies, cultural studies, and American studies, suggests that it will find an audience in a variety of fields, including historical research, narratology, popular culture, as well asmedia and terrorism studies.

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  • Språk:
  • Engelska
  • ISBN:
  • 9783031115158
  • Format:
  • Inbunden
  • Sidor:
  • 323
  • Utgiven:
  • 2. januari 2023
  • Utgåva:
  • 2022
  • Mått:
  • 219x155x24 mm.
  • Vikt:
  • 546 g.
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Beskrivning av The Sleeper Agent in Post-9/11 Media

This book examines the figure of the sleeper agent as part of post-9/11 political, journalistic and fictional discourse. There is a tendency to discuss the terroristic threat after 9/11 as either a faraway enemy to be hunted down by military force or, on the other hand, as a ubiquitous, intangible threat that required constant alertness at home. The missing link between these two is the sleeper agent ¿ the foreign enemy hiding among US citizens. By analyzing popular television shows, several US comic books, and a broad variety of Hollywood films that depict sleeper agents direct or allegorically, this book explores how a shift in perspective¿from terrorist to sleeper agent¿brings new insights into our understanding of post-9/11 representations of terrorism. The book¿s interdisciplinary focus between media studies, cultural studies, and American studies, suggests that it will find an audience in a variety of fields, including historical research, narratology, popular culture, as well asmedia and terrorism studies.

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