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Richard Mallinson's Fast Fiction

- Volume Two

Om Richard Mallinson's Fast Fiction

At only a page each in length, Richard Mallinson's elegantly structured short stories are a pithy fast fiction for a modern multimedia age. A rapid succession of carefully worked observations, the stories read like a dynamic anthology of life's collisions and interactions, its projected plans and unexpected rotations. There is a great joy in the subverted (the interviewer becomes the interviewee; the private detective becomes the conspirator) as well as an interest in the open-ended. Possibility abounds, for these are always tales of the present; the past is unclear and the future unwritten. Adhering to the strict one-page format, the writing is marvelously precise: it is highly disciplined, but infinitely rich, conjuring the most unique and sharply observed characters with remarkably few words. If indeed "we read fiction . . . in order to meet individuals" as the character Tolson declares in Mallinson's "Tolson's Creed," then in this anthology we are introduced to a plethora of distinct personalities, rendered all the more compelling by their relentless unpredictability.

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  • Språk:
  • Engelska
  • ISBN:
  • 9781481781299
  • Format:
  • Inbunden
  • Sidor:
  • 530
  • Utgiven:
  • 23. januari 2013
  • Mått:
  • 152x229x33 mm.
  • Vikt:
  • 929 g.
Leveranstid: 2-4 veckor
Förväntad leverans: 1. oktober 2025

Beskrivning av Richard Mallinson's Fast Fiction

At only a page each in length, Richard Mallinson's elegantly structured short stories are a pithy fast fiction for a modern multimedia age. A rapid succession of carefully worked observations, the stories read like a dynamic anthology of life's collisions and interactions, its projected plans and unexpected rotations. There is a great joy in the subverted (the interviewer becomes the interviewee; the private detective becomes the conspirator) as well as an interest in the open-ended. Possibility abounds, for these are always tales of the present; the past is unclear and the future unwritten.
Adhering to the strict one-page format, the writing is marvelously precise: it is highly disciplined, but infinitely rich, conjuring the most unique and sharply observed characters with remarkably few words. If indeed "we read fiction . . . in order to meet individuals" as the character Tolson declares in Mallinson's "Tolson's Creed," then in this anthology we are introduced to a plethora of distinct personalities, rendered all the more compelling by their relentless unpredictability.

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