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Performer Training Reconfigured

- Post-Psychophysical Perspectives for the Twenty-First Century

Om Performer Training Reconfigured

Offering a radical re-evaluation of current approaches to performer training, this is a text that equips readers with a set of new ways of thinking about and ultimately 'doing' training. Stemming from his extensive practice and incorporating a review of prevailing methods and theories, Frank Camilleri focuses on how material circumstances shape and affect processes of training, devising, rehearsing and performing. Frank Camilleri puts forward the 'post-psychophysical' as a more extended form of psychophysical discussion and practice that emerged and dominated in the 20th century. The 'post-psychophysical' updates the concept of an integrated bodymind in various ways, such as the notion of a performer's bodyworld that incorporates technology and the material world. Offering invaluable introductions to a wide range of theories around which the book is structured - including postphenomenological, sociomaterial, affect and situated cognition - this volume provides readers with an enticing array of critical approaches to training and creative processes.

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  • Språk:
  • Engelska
  • ISBN:
  • 9781350149229
  • Format:
  • Häftad
  • Sidor:
  • 288
  • Utgiven:
  • 6. februari 2020
  • Mått:
  • 215x138x17 mm.
  • Vikt:
  • 368 g.
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Beskrivning av Performer Training Reconfigured

Offering a radical re-evaluation of current approaches to performer training, this is a text that equips readers with a set of new ways of thinking about and ultimately 'doing' training. Stemming from his extensive practice and incorporating a review of prevailing methods and theories, Frank Camilleri focuses on how material circumstances shape and affect processes of training, devising, rehearsing and performing. Frank Camilleri puts forward the 'post-psychophysical' as a more extended form of psychophysical discussion and practice that emerged and dominated in the 20th century. The 'post-psychophysical' updates the concept of an integrated bodymind in various ways, such as the notion of a performer's bodyworld that incorporates technology and the material world. Offering invaluable introductions to a wide range of theories around which the book is structured - including postphenomenological, sociomaterial, affect and situated cognition - this volume provides readers with an enticing array of critical approaches to training and creative processes.

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