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Listening with the Eye - An Asemic Notebook - Volume 2

Om Listening with the Eye - An Asemic Notebook - Volume 2

These works might be called automatic writing or visual writing or asemic writing. There is no intention to tell a story or to use any recognizable language or symbols. Rather the works function freely with intuition rather than thought, allowing the hand to just do what the hand does; make marks. There is a kind of visual vocabulary however, such as letter-like marks, punctuation-like marks such as chevrons, commas, accents, dashes and dots, the organization for the most part is in lines of markings to suggest a reading of progression. Some are lyrical and look almost like what a visual music score might look like. I experimented with different rhythmic motions, different ways of holding the tool, sometimes in silence and at other times while listening to music. Sometimes I would watch closely as the work unfolded and at other times allowing my hand to move along the page unobserved in order to see what would happen.

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  • Språk:
  • Engelska
  • ISBN:
  • 9781794706507
  • Format:
  • Häftad
  • Sidor:
  • 116
  • Utgiven:
  • 17. december 2019
  Fri leverans
Leveranstid: 2-4 veckor
Förväntad leverans: 24. december 2024
Förlängd ångerrätt till 31. januari 2025

Beskrivning av Listening with the Eye - An Asemic Notebook - Volume 2

These works might be called automatic writing or visual writing or asemic writing. There is no intention to tell a story or to use any recognizable language or symbols. Rather the works function freely with intuition rather than thought, allowing the hand to just do what the hand does; make marks. There is a kind of visual vocabulary however, such as letter-like marks, punctuation-like marks such as chevrons, commas, accents, dashes and dots, the organization for the most part is in lines of markings to suggest a reading of progression. Some are lyrical and look almost like what a visual music score might look like.
I experimented with different rhythmic motions, different ways of holding the tool, sometimes in silence and at other times while listening to music. Sometimes I would watch closely as the work unfolded and at other times allowing my hand to move along the page unobserved in order to see what would happen.

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