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Line, Form, Qi: Calligraphic Art from the Fondation INK Collection

Om Line, Form, Qi: Calligraphic Art from the Fondation INK Collection

Exquisite works of contemporary Asian calligraphy and the written wordFeaturing more than 30 artists, Line, Form, Qi highlights contemporary works that range from the traditional to the deeply experimental. The publication features predominantly Chinese artists, along with Vietnamese, Taiwanese, Japanese and Korean artists working mainly with Chinese characters. The themes reflect significant trends and innovations in contemporary calligraphic art, including abstraction of the character, performance and phenomenological practice, and the exploration of alternative or nontraditional materials and calligraphy methods such as incense burn drawing and lithography. This publication also addresses different through lines from premodern calligraphy to contemporary practice, reflecting the evolution of the Chinese language from pictograph to ideograph and beyond. This book was published in conjunction with Los Angeles County Museum of Art

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  • Språk:
  • Engelska
  • ISBN:
  • 9781636811581
  • Format:
  • Inbunden
  • Sidor:
  • 184
  • Utgiven:
  • 12. juni 2025
  • Mått:
  • 216x298x0 mm.
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Leveranstid: Kan förbeställas
  • Boken kan förbeställas tidigast 3 månader innan utgivningsdatumet

Beskrivning av Line, Form, Qi: Calligraphic Art from the Fondation INK Collection

Exquisite works of contemporary Asian calligraphy and the written wordFeaturing more than 30 artists, Line, Form, Qi highlights contemporary works that range from the traditional to the deeply experimental. The publication features predominantly Chinese artists, along with Vietnamese, Taiwanese, Japanese and Korean artists working mainly with Chinese characters. The themes reflect significant trends and innovations in contemporary calligraphic art, including abstraction of the character, performance and phenomenological practice, and the exploration of alternative or nontraditional materials and calligraphy methods such as incense burn drawing and lithography. This publication also addresses different through lines from premodern calligraphy to contemporary practice, reflecting the evolution of the Chinese language from pictograph to ideograph and beyond. This book was published in conjunction with Los Angeles County Museum of Art

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