Böcker av Ciro Plateroti

Questo metodo è la rivoluzione dell'apprendimento IL METODO PIÙ FACILE DEL MONDO PER IMPARARE A SUONARE LA BATTERIAè progettato con un approccio pratico ed efficace, affinché i primi passi nell'instrumento siano sicuri, comodi e soprattutto veloci. Utilizzando concetti di trasmissione orale tradizionale, ma applicati alla combinazione di aspetti uditivi e motori, si aprono nuovi percorsi nell'apprendimento e vengono superate le difficoltà tecniche che solitamente portavano alla frustrazione nell'apprendimento. Ora è molto facile iniziare a suonare la batteria! Il libro è rivolto a batteristi di tutte le età e di tutti i livelli, sia insegnanti che utilizzano gli strumenti e il contenuto per le loro lezioni, studenti, principianti e intermedi, fino a batteristi professionisti che desiderano sviluppare le proprie idee musicali a partire da concetti sillabici-motori. È importante sottolineare che possono imparare facilmente anche coloro che non sono batteristi! Il contenuto si basa sull'apprendimento di 23 pattern di batteria scritti in un linguaggio grafico molto chiaro e facile da capire, che include audio cantati e suonati, che aiutano a rendere la comprensione estremamente veloce. Va notato che il metodo include spartiti che sono opzionali per chi desidera avvicinarsi alla lettura, collegando la notazione tradizionale con gli audio cantati e suonati. In diversi contesti legati all'apprendimento della percussione, i metodi utilizzati sono di trasmissione orale. Solitamente si canta un ritmo X con sillabe che rappresentano i diversi suoni di uno strumento, e in generale si cerca di imitare o emulare il più fedelmente possibile tali suoni. Questa tecnica è estremamente utile perché centralizza l'attenzione su come si sente il ritmo che si sta per suonare. Un approccio simile è quello usato in questo metodo, ma sebbene il sistema sia composto da sillabe che sono associate uditivamente ai diversi suoni della batteria, il focus dell'attenzione, oltre al suono dello strumento, è anche sul movimento delle mani e dei piedi, rappresentando vocalmente movimenti o colpi alternati o simultanei. In modo molto, molto semplice, con questo metodo riusciremo a suonare in molto poco tempo pattern ritmici che vanno da livelli semplici a complessi.

THE EASIEST METHOD IN THE WORLD TO LEARN TO PLAY THE DRUMS Is designed with a practical and effective approach, so that our first steps on the instrument are secure, comfortable, and, above all, quick. Using concepts from traditional oral transmission, but applied to the combination of auditory and motor aspects, new paths in learning are opened, and technical difficulties that used to lead to frustration in learning are overcome. Now it's very easy to start playing the drums!The book is aimed at drummers of all ages and levels, whether teachers who use the tools and content for their classes, students, beginners, and intermediates, to professional drummers who want to develop their own musical ideas based on syllabic-motor concepts. It's worth noting that evennon-drummers can learn very easily!The content is based on learning 23 drum patterns written in a very clear and easy-to-understand graphic language, which includes sung and played audio, aiding in extremely rapid comprehension. It's important to mention that the method includes optional sheet music for those who want to delve into reading, relating traditional notation to the sung and played audio.In different contexts related to percussion learning, oral transmission methods are commonly used.A rhythm X is usually sung with syllables representing the different sounds of an instrument, and the goal is generally to imitate or emulate these sounds as faithfully as possible. This technique is extremely useful as it centralizes attention on how the rhythm feels before playing.A similar approach is used in this method, but while the system consists of syllables associated auditorily with the different sounds of the drums, the focus of attention, in addition to the sound of the instrument, is also on the movement of hands and feet, vocally representing movements or strokes that are alternating or simultaneous.In a very, very simple way, with this method, we will be able to play rhythmic patterns ranging from simple to complex in a very short time.

THE BOOK OF MOVEMENTS (Vol.1) DOUBLE BINARY MOTOR SYSTEM 8/8 This is a comprehensive rhythmic learning method that incorporates modern practice tools and concepts for musical creation. The backbone of this method is a powerful system of body coordination called the "Double Binary Motor System" (DBMS), mainly composed of thousands of rhythmic movement patterns in 8/8 meter. Movement Patterns (MP) are binary motor instructions for hands or feet containing combinations of letters (R and L) representing both sides of the body.By experientially engaging with MPs on our instrument or set, rhythmic phrases that are highly organic and musical emerge everywhere, which are then modified, embellished, and combined through ornamental techniques and syntactic formulas, all included in this book.The context of this creative production line brings forth highly nourishing musical inspirations and ideas to create thousands of musical phrases organically in a short amount of time. Drummers and percussionists clearly have a great musical treasure here, and as rhythm is a common factor in all musical areas, the material can be well-utilized by musicians in general, whether professional or amateur, composers, music producers, performers, improvisers, music teachers, and students of all levels and instruments.The method starts with simple approaches that lead to results of high complexity without the need for traditional musical notation knowledge for its implementation. RHYTHM, through the repetition, emission, and sustained omission of sound events, creates the STRUCTURAL FORM of either a single musical note or a phrase.Let's think about a melodic or harmonic phrase without rhythm; it becomes completely amorphous. Starting from this conception, our musical approach is renewed and takes different directions; now we are aware that the more rhythmic movements we learn and control, the more musical forms we create. This method provides multiple tools to create and embellish countless "musical objects" in various forms.Our creativity and musical production will be maximized. All this material is ideal for creating musical phrases on any instrument, drums, percussion sets, drums of all kinds, Hang, Handpan, Congas, Bongos, Timbales, as well as melodic and harmonic instruments such as the piano, guitar, bass, or electronic music. ATTENTION: After practicing this 1st volume of THE BOOK OF MOVEMENTS, you will experience changes in your body self-perception as bothbrain hemispheres are exercised.

"The Book of Movements (Vol.11) Palindromic Counterpoints for Two Voices (70 pages) This volume proves to be a true oxymoron of concepts. The rhythmic models contained here have two main characteristics: they are contrapuntal and, at the same time, palindromic. This means that they contain rhythmic instructions for playing two simultaneous voices and, at the same time, exhibit symmetrical features that mirror the two halves of a movement pattern, shaping a question and an answer within the same pattern. The palindromic counterpoints for two voices, also referred to as "Palindromic Two-Voice Motifs" in this book, are organized in four different metrics: 5/8, 6/8, 7/8, and 8/8. Within these metrics, all possible patterns and combinations are included. Finally, we find two very interesting chapters with complementary exercises: Rhythmic Plasticity and Contextualization of Movement Patterns. This method, in addition to taking our motor skills to unknown extremes, provides access to a world of rhythmic possibilities, renewing the contribution of new forms to the musical language, facilitating inspiration and creativity. Starting with a single fingering, we will experiment with two different rhythmic lines, one rhythmic line for each hand. Once these lines are independent of each other, we can make them interact, and by playing with them on the instrument, they will acquire a strong rhythmic and melodic character. The patterns themselves are very simple, but the method's didactic approach, for its implementation and subsequent embellishment and musical contextualization treatments, makes them musically special. "The Palindromic Two-Voice Motifs" are applicable to musical phrases on any type of instrument: drums, percussion sets, drums of all kinds, Hang, Handpan, congas, bongos, timbales, as well as on instruments such as piano, guitar, bass, or electronic music instruments. The method is aimed at: Musicians in general, drummers, percussionists, composers, music producers, improvisers, and performers who want to create and enrich their language of rhythmic movement, understanding the vital and structural importance of rhythm in music. Of course, it is also intended for music teachers and students of all levels and instruments." Rhythm is form; the more forms you learn, the greater your musical creative and productive capacity

NUEVA FUENTE DE INSPIRACION MUSICAL PARA MUSICOS CREATIVOS. EL LIBRO DE LOS MOVIMIENTOS (Vol.6) PALÍNDROMOS 2 (104 páginas) Los palíndromos o formas palindrómicas son secuencias de caracteres que se leen igual de izquierda a derecha que de derecha a izquierda. Representadas en una palabra, frase, número o secuencia que mantiene su significado o estructura incluso cuando se invierte-Existe incluso desde hace miles de años la escritura palindrómica, y en la música sucede lo mismo, grandes compositores de la historia han compuesto obras con palíndromos, melódicos, rítmicos y armónicos. Musicalmente hablando, la razón por la cual los palíndromos suenan tan bien, se debe a la forma espejada que caracteriza cada uno de estos patrones, estas dos mitades simétricas, producen auditiva y sintácticamente, una pregunta y una respuesta, muy familiares entre sí, la respuesta es igual a la pregunta pero en sentido opuesto. Este ejemplar del "El Libro de los movimientos", "Palíndromos 2" contiene los mismos 1020 patrones de movimiento que su antecesor "Palíndromos 1" en diferentes métricas que van de 1/8 a 16/8 PERO este nuevo volumen se diferencia del anterior en un cambio rotundo en el enfoque de movimientos corporales para interpretar los palíndromos. A diferencia de "Palíndromos 1" el cual se basa en el enfoque "ACENTUACIONES" en "Palíndromos 2" utilizamos otra clase de movimiento corporal el cual denominamos "MOVIMIENTO LIBRE".Este es un enfoque de movimiento de brazos el cual no contiene figuras de relleno (figuras fantasmas) en su lugar, el movimiento está compuesto de "Ataque y silencio".En los gráficos con las que se presentan los palíndromos en este método Las celdas de color, se interpretan con un ataque, mientras que las celdas blancas se interpretan como silencio.Esta diferencia nos plantea un desafío corporal MUY DIFERENTE E IMPORTANTE, ya que se ejercitan y adquieren nuevos equilibrios motrices y por lo tanto diferentes formas de sentir y tocar, renovando y potenciando profundamente nuestro sentido kinestésico. Las posibilidades de digitaciones en este tipo de movimiento son muy amplias y también muy variadas, por tal razón están presentadas y explicadas aparte, en este segundo volumen. (MOSTRAR PIRAMIDES) Los patrones de movimiento palindrómico (palíndromos) al ser de fácil visualización e interpretación, no requieren de conocimientos de lectura para tocarlos.Además, en este ejemplar se presentan ejercicios con plantillas y formulas sintácticas para armar frases con sentido discursivo, incluso combinando palíndromos de distintas métricas entre sí, lo cual genera frases de nuevas métricas. y exóticas sonoridades.Con este tipo de información motriz, podremos expandir nuestras capacidades musicales sobre nuestro instrumento experimentando otro tipo de libertad, tanto anímica como corporal. Los Palíndromos aplicados a Movimientos LibresSon aplicables a frases musicales en todo tipo instrumento, batería, set de percusión, tambores de todo tipo, Hang, Handpan, congas, bongo, timbales, también sobre instrumentos como Piano guitarra bajo, o bien de música electrónica El método está dirigido a: Músicos en general, Bateristas, percusionistas, compositores, productores musicales, improvisadores e intérpretes que desean crear y nutrir su lenguaje de movimiento rítmico, entendiendo la importancia vital y estructural del ritmo en la música.Por supuesto también a docentes de música y estudiantes de todos los niveles e instrumentos.

MULTIMETRIC SYSTEM is a music pedagogical method designed based on sets of rhythmic movement patterns of different metrics: binary, ternary, and irregular. By combining patterns of such characteristics, new rhythmic forms of varied metrics emerge in composite, irregular, and additive measures. In a straightforward manner, we learn to play rhythms in metrics ranging from 1/8 to 8/8 that, when combined, result in new metrics such as 15/8, 14/16, 13/8, 12/16, 11/8, 10/8, etc. Thanks to another system of body coordination called the "Double Binary Motor System" (which is also used in the first 4 volumes of the collection), irregular metrics, which have always required significant intellectual effort to approach, can be easily learned and combined with as organic a feeling as musical. In this way, exotic yet highly musical rhythms emerge through simple combinations of the right hand and the left hand. And the best part is that no knowledge of traditional musical notation is required. Once a movement pattern (MP) is physically incorporated, another creative process begins, involving modification through a series of adjustments, expression parameters, and ornamentations for embellishment. The discourse can also be influenced through syntactic formulas. **CREATIVITY FOR INSTRUMENTALISTS, COMPOSERS, AND IMPROVISERS**Movement patterns have always been part of the secret treasure of professional drummers, but today they are adopted by different instrumentalists, whether rhythmic, melodic, or harmonic. Pianists, guitarists, bassists, electronic music producers, and percussionists playing drums with both hands (such as Hang, Congas, etc.), as well as multi-timbral sets, find here a source of inspiration and training with powerful creative triggers to compose highly original musical phrases. UNLOCK A FRESH MUSICAL IDEA EVERY DAY AT YOUR FINGERTIPSDue to the inherent automatism in our nature, we often resort to the same ideas. However, if we have thousands of tangible possibilities within our sight, we can easily find inspiration. By experimenting with this conception, we can quickly renew our musical language, giving shape and life to our solos, phrases, compositions, and improvisations. ATTENTION: After practicing the 9th volume of THE BOOK OF MOVEMENTS, you will notice changes in your self-perception as both hemispheres of the brain are exercised.**