Böcker utgivna av WW Norton & Co

This new book comes so unmistakably out of Bonaro Overstreet's long intimacy with her physical and human environment that, as one segment of her emotional experience is added to another, the whole has almost the impact of an autobiography. But the quality of the poetry itself is what will give the book an assured place.By her own report, Mrs. Overstreet has, since childhood, found poetry to be an indispensable companion. She knows it so comfortably that as she moves from style to style in her own writing she does so not as a stranger. Blank verse and the ballad stanza, rhymed forms of her own designing, and a diversity of irregular, unrhymed, but always rhythmic, structures: each serves her need to report, as the case may be, a passing incident, a sudden conversion of experience into symbol, the subtle humor and tragedy of our estate, or a struggle with the interminable questions that haunt our species. Here is a book of poetry by one who moves through the world with mind, heart, and senses alert.

This book introduces to the Norton imprint a new poet with a strong original voice. Robert Morgan writes out of the central tradition of American poetry. His lyrics, rooted though they are in the specifics of the everyday--in earth and leaves, lakes and stones--reach through and beyond these to transcendence, to mystery; they intertwine animate and inanimate, inner and outer, idea and object. As David Kalstone puts it, Morgan is "faithful to the natural facts and yet so aware of the mysterious instincts which allow us in the first place to see, hear, observe such facts."

In detailing the social and economic costs of sex discrimination, the book argues that outmoded notions about women are a heavy burden for society. The major challenges of the years ahead, concerning population growth, the provision of basic needs, income distribution, and employment, all are problems that cannot be solved without women's full participation. Leaders have for years ignored the justice of women's claim to equal opportunity; it is becoming more and more difficult for them to ignore its practicality.

Such As Us: Southern Voices of the Thirties

In this provocative analysis of the New England town before the Revolution, and of its enduring impact on the American character, Michael Zuckerman makes a major contribution toward a reinterpretation of the nature of American society and the origins of the non-liberal tradition in America. Arguing that the true concern of these towns was not the individual rights or liberties of the citizen, but rather the homogeneity and tranquility of the community, Mr. Zuckerman opens a new perspective on the phenomenon of American "town-meeting democracy."

John D. Buenker describes the boss-immigrant-machine complex of nineteenth-century America, how it developed, and the services it provided for the newly-arrived immigrant. His important new finding is that the so-called "urban political machine" and "boss," long objects of disdain, were in fact major sources of support for a vast amount of reform legislation during the Progressive Era. The outlook and philosophy of programs that are now considered liberal, Mr. Buenker concludes, largely originated with the urban machine politician and what today would be called the ethnic working class.

Europeans, Native Americans, and Africans in the Virginia colony. Reprint of the edition published by the University Press of Virginia, Charlottesville, in series: Richard lectures for 1970-71.

In a major new study of the peace-making after the Second World War, not only in Europe but in the Far East, Sir John Wheeler-Bennett and Anthony Nicholls examine the policies set out in wartime conferences, and the gradually changing aims from the Atlantic Charter through the abortive Morgenthau Plan to the Yalta Conference, comparing them with the actual outcome in the five peace treaties that were eventually signed and the situation of a divided Germany. The Semblance of Peace is an important work of recent history, illuminating the questions of peace-keeping and of political forces in the post-war world and providing new insights into the origins of the Cold War.

The Shakespeare industry, one reviewer has remarked, seems to be one in which there is no unemployment. Each year new interpretations are put forth as hundreds of books and articles are added to the list of critical studies of Shakespeare. Now Arthur M. Eastman's A Short History of Shakespearean Criticism, a descriptive and analytical survey, fills the needs for an authoritative introduction to the major criticism of Shakespeare from his own time to the present.

In this volume, Dr. Ruesch develops the challenging idea that communication is the basic medium of mental healing. If abnormal behavior frequently is the result of disturbed communication, the remedial measures, both verbal and nonverbal, aim at restoring a gratifying exchange between people. Dr. Ruesch discusses the communicative approaches known in psychiatry-the psychotherapeutic procedures used by professionals and also the informal ways in which family and friends help each other.

After the editor's introduction, devoted to an overall view of Beethoven's significance, there are essays by Joseph Kerman and Boris Schwarz concerning the composer's sketches. Alan Tyson discusses the oratorio Christus am Oelberge; Philip Downes, the Eroica Symphony; F. E. Kirby, the Pastoral Symphony; Warren Kirkendale, the Missa Solemnis; and Myron Schwager, and arrangement of the Septet. Lewis Lockwood explores the question of the unfinished piano concerto of 1815; Alfred Mann takes up Beethoven's counterpoint studies with Haydn, and Alexander Ringer discusses Beethoven and the London Pianoforte School. Other topics include "Beethoven and Romantic Irony," by Rey M. Longyear; "Beethoven's Birth Year," by Maynard Solomon; "On Beethoven's Thematic Structure," by Dénes Bartha; and Edward T. Cone examines a striking instance of Beethoven's influence on Schubert.

America's passion for "liberty," writes Alexander Meiklejohn, has blinded her to the real meaning of "freedom." It is freedom, not liberty, that lies at the heart of democracy, and we may be in danger of losing both. Our fetish of independence has permitted us to condone slavery, the betrayal of Indians and Blacks, and "the humiliation of the spirit of women . . . the crowning insult which a society has offered to the personalities of its own members." In this challenging essay, sensitively and scrupulously argued, one of America's most original social philosophers sums up the fallacies that have confused our purpose and recalls us to the methods of inquiry that led Socrates and Jesus to their supreme insights, "Know yourself" and "Love your neighbor."

This new series of Norton books, devoted to informed discussion of contemporary music, draws principally upon articles first published in Perspectives of New Music, which Richard Kostelanetz has described as "among the most consistently interesting magazines in America." The Perspectives books will comprise a repository of the clearest thinking and most serious writing about twentieth-century music, forming an essential addition to the libraries of both professionals and amateurs concerned with understanding recent developments.

Despite our constitutional guarantees of such absolute rights as "life, liberty, and the pursuit of happiness," there are always pressures from certain segments of our society to limit personal freedom, to lessen self-government, to deny equality to all citizens. The civil libertarian-a person who believes that the Constitution is worth preserving and is willing to fight for the ideals it expresses-is active on a multitude of fronts today: freedom of speech and press, censorship, religion, police power, civil rights, democracy within unions, the right of privacy, academic freedom.This book deals with some of the major concerns of civil liberties today. It is not an attempt to make headlines or interpret the headlines; its eight chapters provide background information and lend perspective. The essays, written by men and women who have been active in the American Civil Liberties Union, range widely in theme. Elmer Rice, for example, writes about the stranglehold of censorship.; Michael Harrington examines the problems of democracy within unions; Walter Millis discusses the legacy of the cold war. The opinions they express are their own, and if their perspectives happen to coincide with official policy of the ACLU it is because these authors in many cases helped shape those policies.

The Private Memoirs, first published in 1824, is an early psychological novel, in which the phenomena of the split personality and the obsessed character are described with extraordinary insight. Set in the gloomy world of 18th-century Scottish Calvinism, the novel is a story of moral fanaticism, of a mind darkened by and overpowering conviction of its own righteousness. The story concerns two brothers: one murders the other and is in turn destroyed - or destroys himself. It is a book, Andre Gide wrote, "fitted to arouse passionate interest both in those who are attracted by religious and moral questions, and for quite other reasons, in psychologists and artists, and above all in surrealists who are so particularly drawn by the demoniac in every shape."The book contains vivid pictures of the manners and morals of a chiaroscuro society remarkably similar in some ways to Dostoevsky's, but seen from the outside by a man whose rebellious, independent disposition enabled him to survive in defiance of his own Establishment. It draws on some of the traditions and techniques of the "Gothic" school, but more importantly, it is an early exercise in narrative technique - in its deliberate manipulation of point-of-view - and in psychological realism.The text of this edition has been carefully collated with the first edition. It contains an introduction by Robert M. Adams, an afterword by Gide, and a glossary of Scottish words and phrases prepared by Mr. Adams.

The anthology is compiled by Charles C. Mish, a leading authority on English seventeenth-century fiction, and contains ten pieces published between 1609 and 1700. In addition to a beast fable, an anti-romance, and a utopian fantasy, Mr. Mish includes and comments on: a moral tale, in which just retribution is visited upon the wicked; a "jest-biography," or jest-book cum biography forming a satirical roman a clef; and a frame story imitating Chaucer's Canterbury Tales.

Europe's Future analyzes Europe's struggle to forge a new political community to deal with itself, the United States, Russia, and the world at large. It is a penetrating assessment of the conflicting ideals, motives, and programs that are causing the present turmoil in the Atlantic Alliance and Western Europe. David P. Calleo has distilled a long period of first-hand study and observation, during which he interviewed European political and intellectual leaders. He as cut through the slogans, clichés, and accumulated misunderstandings which have obscured the issues and hampered recent efforts to develop the new relationships and institutions. He compares the ideals of nationalism and federalism and their relation to schemes for Europe, and analyzes the Common Market, and the ideals and aims of the Eurocrats of Brussels. The author's discussion of the philosophy and policy of General de Gaulle provides fresh perspective on de Gaulle's role in modern Europe.

Professor Ford concentrates on the critical century and a half ushered in by the Peace of Westphalia and brought to a violent close by the French Revolution. This was a period of transition in Strasbourg, as French elements were introduced and combined with German tradition to produce not a national, but a uniquely continental culture. Professor Ford examines in detail the political and economic life of the free Imperial city, the gradual economic and cultural changes under French rule in the early part of the eighteenth century, and the rapid cultural and social alterations during the thirty or forty years before the French Revolution--when Strasbourg became a city more than half catholic, essentially bilingual, and dominated by French rather than by German standards. He has made full use of both French and German sources--published and unpublished--to provide a new interpretation of the life of early modern Europe from the vantage point of a single, strategically located community.

The book arose out of the authors' experiences in a project which was itself unique: The Cornell-Tompkins Committee for Free and Fair Elections in Fayette County, Tennessee. The project entailed six to eight weeks of living in Fayette County by forty-five volunteers, mostly students from Cornell University, in the summer of 1964. The project was financed entirely, to an amount exceeding fifteen thousand dollars, by the contributions of students, faculty, and townspeople in and around Cornell University, and by contributions from more distant places solicited by those involved at Cornell.Of the many things learned from the Cornell project, one of the most important was how responsive a community can become when confronted with a concrete civil rights program, one with which it can identify, one small enough to be feasible and intelligible, but still compelling in terms of the needs involved.The authors believe that many thousands of Americans can find no good answer to the questions "What can I do." not because they are unwilling to do much, nor because there is little to be done, but because they lack the knowledge of what is needed where, and how and with whom one can go about responding to such needs. The book therefore undertakes, step by step, to describe and explain the development of the project at Cornell and its workings during the summer in Tennessee, and reasons that similar steps can be taken by others, with appropriate variations. It concludes with a detailed appendix listing civil rights projects and organizations desperately in need of help, whether in terms of money or volunteers or both.

As Crane Brinton wrote in the Christian Science Monitor at the time of its publication, "This is the long-awaited master work of a man who...must certainly figure in any list of great American historians." Turner was interested in the two decades between 1830 and 1850 because he felt they constituted a distinct era in which regional geography played a significant role in the development of the country. "Whether we consider politics, inventions, industrial processes, social changes, journalism, or even literature and religion, the outstanding fact is that, in these years, the common man grew in power and confidence, the peculiarly American conditions and ideals gained strength and recognition. An optimistic and creative nation was forming and dealing with democracy and with things, in vast new spaces, in an original, practical, and determined way and on a grand scale." This, in Professor Turner's works, is the theme of United States 1830-1850.

Mr. Glowry was a very consolate widower with one small child. That child, a son, was named Scythrop after a maternal ancestor who had hanged himself one rainy day in a fit of tedium. The coroner's jury eulogized him and Mr. Glowry held his memory in high honor, and made a punchbowl of his skull.