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  • av Rudyard Kipling
    95,-

    This edition of the poetry of Rudyard Kipling contains all of his verse. His poetry uses many rhythms and popular forms of speech, ranging from dramatic monologues to extended ballads. Often mistakenly branded as a fascist, Kipling's attitudes changed over the years, revealing a darker side.

  • av William Wordsworth
    95,-

    This full edition of Wordsworth's poetical works shows how the poet was much influenced by the events of the French revolution in his youth, breaking away from the artificial diction of the Augustan and neo-classical traditions of the 18th century.

  • av Virginia Woolf
    85 - 125,-

    With an Introduction and Notes by Merry M. Pawlowski, Professor and Chair, Department of English, California State University,Bakersfield.Virginia Woolf's singular technique in Mrs Dalloway heralds a break with the traditional novel form and reflects a genuine humanity and a concern with the experiences that both enrich and stultify existence.Society hostess, Clarissa Dalloway is giving a party. Her thoughts and sensations on that one day, and the interior monologues of others whose lives are interwoven with hers gradually reveal the characters of the central protagonists. Clarissa's life is touched by tragedy as the events in her day run parallel to those of Septimus Warren Smith, whose madness escalates as his life draws toward inevitable suicide.

  • av J.M. Barrie
    85,-

    The magical Peter Pan comes to the night nursery of the Darling children, Wendy, John and Michael. He teaches them to fly, then takes them through the sky to Never-Never Land, where they find Red Indians, wolves, Mermaids and... Pirates. The leader of the pirates is the sinister Captain Hook. His hand was bitten off by a crocodile, who, as Captain Hook explains 'liked me arm so much that he has followed me ever since, licking his lips for the rest of me'. After lots of adventures, the story reaches its exciting climax as Peter, Wendy and the children do battle with Captain Hook and his band.Peter Pan in Kensington Gardens is the magical tale that first introduces Peter Pan, the little boy who never grows any older. He escapes his human form and flies to Kensington Gardens, where all his happy memories are, and meets the fairies, the thrushes, and Old Caw the crow. The fairies think he is too human to be allowed to stay in after Lock-out time, so he flies off to an island which divides the Gardens from the more grown-up Hyde Park - Peter's adventures, and how he eventually meets Mamie and the goat, are delightfully illustrated by Arthur Rackham.

  • av Elizabeth Gaskell
    85,-

    Follows the story of the heroine's movement from the tranquil but moribund ways of southern England to the north. This book uses a love story to show how personal and public lives were woven together in a industrial society. It traces the origins of problems and possibilities which are still challenging a hundred and fifty years later.

  • av Jules Verne
    85,-

    Describes the journey made as a wager by the Victorian gentleman Phileas Fogg, who succeeds - but only just - in circling the globe within eighty days. Fogg's obsession with his timetable is complemented by versatility of his French manservant, Passepartout, whose talent for getting into scrapes brings colour to the race against time.

  • av James Joyce
    85,-

    Introduction and Notes by Laurence Davies, Dartmouth College, New Hampshire.Living overseas but writing, always, about his native city, Joyce made Dublin unforgettable. The stories in Dubliners show us truants, seducers, gossips, rally-drivers, generous hostesses, corrupt politicians, failing priests, amateur theologians, struggling musicians, moony adolescents, victims of domestic brutishness, sentimental aunts and poets, patriots earnest or cynical, and people striving to get by.In every sense an international figure, Joyce was faithful to his own country by seeing it unflinchingly and challenging every precedent and piety in Irish literature.

  • av Charles Dickens
    85,-

    With an Introduction and Notes by Peter Merchant, Principal Lecturer in English, Canterbury Christ Church University College.Illustrations by Hablot K. Browne (Phiz).A Tale of Two Cities (1859), Dickens' greatest historical novel, traces the private lives of a group of people caught up in the cataclysm of the French Revolution and the Terror. Dickens based his historical detail on Carlyle's great work - The French Revolution - and also on his own observations and investigations during numerous visits to Paris.'The best story I have written' was Dickens' own verdict on A Tale of Two Cities, and the reader is unlikely to disagree with this judgement of a story which combines historical fact with the author's unsurpassed genius for poignant tales of human suffering, self-sacrifice, and redemption.

  • av William Shakespeare
    85,-

    Blends the supernatural and the mundane, the illusory and the substantial. This work treats love as tragic, poignant, absurd and farcical.

  • av Jane Austen
    85 - 121,99

    With an Introduction and Notes by Dr Nicola Bradbury, University of Reading.Jane Austen teased readers with the idea of a 'heroine whom no one but myself will much like', but Emma is irresistible. 'Handsome, clever, and rich', Emma is also an 'imaginist', 'on fire with speculation and foresight'. She sees the signs of romance all around her, but thinks she will never be married.Her matchmaking maps out relationships that Jane Austen ironically tweaks into a clearer perspective. Judgement and imagination are matched in games the reader too can enjoy, and the end is a triumph of understanding.

  • av Charles Dickens
    85,-

    Introduction and Notes by Dr Adrienne Gavin, Canterbury Christ Church University College. Illustrations by Hablot K. Browne (Phiz).Dickens wrote of David Copperfield: 'Of all my books I like this the best'. Millions of readers in almost every language on earth have subsequently come to share the author's own enthusiasm for this greatly loved classic, possibly because of its autobiographical form.Following the life of David through many sufferings and great adversity, the reader will also find many light-hearted moments in the company of a host of English fiction's greatest stars including Mr Micawber, Traddles, Uriah Heep, Creakle, Betsy Trotwood, and the Peggoty family.Few readers, arriving at the end of David Copperfield, will not wish to echo Thackeray's famous praise, having read the first monthly part - 'Bravo Dickens'.

  • av Charlotte Brontë
    85 - 199,-

    Ranked as one of the greatest and most perennially popular works of English fiction, this title portrays the heroine, who although poor and of plain appearance, possesses an indomitable spirit, a sharp wit and great courage. She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order.

  • av William Shakespeare
    85,-

    Desdemona's love for Othello, the Moor, transcends racial prejudice; but the envious Iago conspires to devastate their lives. This novel renders racism, sexism, contested identities, and the savagery lurking within civilisation.

  • av Jane Austen
    85 - 125,-

    Introduction and Notes by Professor Stephen Arkin, San Francisco University.'Young women who have no economic or political power must attend to the serious business of contriving material security'. Jane Austen's sardonic humour lays bare the stratagems, the hypocrisy and the poignancy inherent in the struggle of two very different sisters to achieve respectability.Sense and Sensibility is a delightful comedy of manners in which the sisters Elinor and Marianne represent these two qualities. Elinor's character is one of Augustan detachment, while Marianne, a fervent disciple of the Romantic Age, learns to curb her passionate nature in the interests of survival.This book, the first of Austen's novels to be published, remains as fresh a cautionary tale today as it ever was.

  • av Sir Walter Scott
    85,-

    From its first publication in 1816, "Rob Roy" has been recognised as containing some of Scott's finest writing and most engaging, fully realised characters.

  • av Charlotte Brontë
    85,-

    Based on the author's personal experience as a teacher in Brussels, this work presents a tale of repressed feelings and subjection to cruel circumstance and position, borne with heroic fortitude.

  • av Antoine De Saint-Exupéry
    249,-

    The Little Prince is a modern fable, and for readers far and wide both the title and the work have exerted a pull far in excess of the book's brevity. Written and published first by Antoine de St-Exupéry in 1943, only a year before his plane disappeared on a reconnaissance flight, it is one of the world's most widely translated books, enjoyed by adults and children alike. In the meeting of the narrator who has ditched his plane in the Sahara desert, and the little prince, who has dropped there through time and space from his tiny asteroid, comes an intersection of two worlds, the one governed by the laws of nature, and the other determined only by the limits of imagination. The world of the imagination wins hands down, with the concerns of the adult world often shown to be lamentably silly as seen through the eyes of the little prince. While adult readers can find deep meanings in his various encounters, they can also be charmed back to childhood by this wise but innocent infant. This popular translation contains the author's own delightful illustrations, bringing to visual life the small being at the tale's heart, and a world of fantasy far removed from any quotidian reality. It is also a sort of love story, in which two frail beings, the downed pilot and the wandering infant-prince who has left behind all he knows, share their short time together isolated from humanity and finding sustenance in each other. This is a book which creates a unique relationship with each reader, whether child or adult.

  • av Sir Arthur Conan Doyle
    125,-

    The stories, in which the master sleuth receives a stream of clients presenting him with baffling and bizarre mysteries in his consulting room at 221B Baker Street, were instantly popular and by the time of the publication of the final story, 'The Copper Beeches', they had become the mainstay of The Strand Magazine.

  • av Sir Arthur Conan Doyle
    125,-

    The Hound of the Baskervilles is the classic detective chiller. It features the world's greatest detective, Sherlock Holmes, in his most challenging case. The Baskerville family is haunted by a phantom beast "with blazing eyes and dripping jaws" which roams the mist-enshrouded moors around the isolated Baskerville Hall on Dartmoor. Now the hound seems to be stalking young Sir Henry, the new master of the Baskerville estate. Is this devilish spectre the manifestation of the family curse? Or is Sir Henry the victim of a vile and scheming murderer? Only Sherlock Holmes can solve this devilish affair. The Valley of Fear is a dark, powerful tale, which provides the great detective with a most perplexing case and opens with a vile murder: "Lying across his chest was a most curious weapon, a shotgun with the barrel sawn off in front of the triggers. It was clear that it had been fired at close range, and that he had received the whole charge in the face, blowing his head almost to pieces". Sherlock Holmes' arch enemy, the criminal genius Professor Moriarty, is back! But the solution to the riddle, found after many surprising twists and high dramas, lies far away, half across the world in a location known as 'The Valley of Fear'. This is Conan Doyle's last Holmes novel and in the opinion of many of his fans, it is the best!

  • av Sir Arthur Conan Doyle
    121,-

    This collection includes such stories as 'The Adventure of the Resident Patient' and 'The Adventure of the Greek Interpreter', which Doyle would list later as amongst his favourites.

  • av Sir Arthur Conan Doyle
    121,-

    'Doctor Watson, Mr Sherlock Holmes' - The most famous introduction in the history of crime fiction takes place in Sir Arthur Conan Doyle's A Study in Scarlet, bringing together Sherlock Holmes, the master of science detection, and John H. Watson, the great detective's faithful chronicler. This novel not only establishes the magic of the Holmes myth but also provides the reader with a dramatic adventure yarn which ranges from the foggy, gas-lit streets of London to the burning plains of Utah. The Sign of the Four, the second Holmes novel, presents the detective with one of his greatest challenges. The theft of the Agna treasure in India forms a catalyst for treachery, deceit and murder. With these two classic novels, A Study in Scarlet and The Sign of the Four, you have the brilliant foundation of the Sherlock Holmes canon. Reading pleasure rarely comes any finer.

  • av Lucy Montgomery
    95,-

    Anne, red-headed, pugnacious and incurably romantic, causes chaos at Green Gables and in the village, but her wit and good nature delight the fictional community of Prince Edward Island, Canada, and ensure that Anne of Green Gables continues to be a firm favourite with readers worldwide.

  • av George Orwell
    85,-

    Orwell's subjects in Down and Out in Paris and London and The Road to Wigan Pier are the political and social upheavals of his time. He focusses on the sense of profound injustice, incipient violence, and malign betrayal that were ubiquitous in Europe in the 1930s.

  • av Flora Annie Steel
    85,-

    This book contains not only over 40 fairy tales, such as "Jack and the Beanstalk", "The Babes in the Woods", but stories from different traditions also make an appearance, including "The Three Bears" and "Little Red Riding Hood".

  • av Rudyard Kipling
    95 - 121,99

  • av H.G. Wells
    85,-

    Brought together for the first time in this new Wordsworth edition, The Invisible Man and The Food of the Gods are two of Wells's most entertaining and thought-provoking works.

  • av H.G. Wells
    85,-

    This volume unites four of Wells' liveliest and most engaging tales of the strange evolution and behaviour of animals - including human beings. The Island of Doctor Moreau is followed by three fantastic yet chillingly plausible short stories of human-animal encounters.

  • av L. Frank Baum
    85,-

    In the The Wonderful Wizard of Oz, a huge cyclone transports the orphan Dorothy and her little dog Toto from Kansas to the Land of Oz, and she fears that she will never see Aunt Em and Uncle Henry ever again. But she meets the Munchkins, and they tell her to follow the Yellow Brick Road to the Emerald City where the Wonderful Wizard of Oz will grant any wish. On the way, she meets the brainless Scarecrow, the Tin Woodman and the Cowardly Lion. The four friends set off to seek their heart's desires, and in a series of action packed adventures they encounter a deadly poppy field, fierce animals, flying monkeys, a wicked witch, a good witch, and the Mighty Oz himself.In Glinda of Oz, the last of the original 'Oz' books, Dorothy and Princess Ozma seek the help of Glinda, the Good Witch of the South, when they find themselves in peril on the Magic Isle of the Skeezers.

  • av James Joyce
    85,-

    Finnegans Wakeis Joyce's last great work, and is formulated as one dense, tongue-twisting soundscape. It also remains the mosthilarious, 'obscene', book of innuendos ever to be imagined.

  • - Volume Two
    av E.F. Benson
    85,-

    With an Introduction and Notes by Dr Keith Carabine, University of Kent at Canterbury.These three wonderful comic novels drolly record the battle between Lucia and Elisabeth Mapp for social and cultural supremacy in the village of Tilling (based on Rye). Their constant skirmishes ensure that every game of bridge, tea or dinner-party, church service, council meeting or art-exhibition are thrilling encounters that ensure Tilling is always on 'a very agreeable rack of suspense'. Both Elisabeth and Lucia are gross hypocrites, snobs and bullies, the huge differences in temperament and style ensure the battle is usually unequal. Elisabeth is incurably mean-spirited and Lucia suffers from splendid delusions of grandeur and personal prestige. Driven by demons of revenge, Elisabeth always acts impulsively, and therefore every revelation of her meanness allows Lucia, the consummate actress, to kill her ally with a sickening kindness.In his insightful Introduction Keith Carabine shows that these books are excruciatingly funny because Benson, like Jane Austen, invites the reader to view the world through the self-deluded chronic anger and jaundiced suspicions of Elisabeth and through the self-deluded fabrications and day-dreams of Lucia. Carabine also concentrates on the novels' disturbing, bitchy, 'camp' humour whenever 'that horrid thing which Freud calls sex is raised'

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