Böcker utgivna av Wits University Press

D.D.T. Jabavu's account of his journey to India in 1949, in the original isiXhosa and with an English translation by Cecil Wele Manona. Chapters by the volume editors provide biographical context for the travelogue, and commentary on its contribution to the archive of African-language literature and thought.

Pelong ya ka is a volume of twenty essays and stories written by Sophonia Machabe Mofokeng and first published in 1962 in the Bantu (later, African) Treasury Series by the University of the Witwatersrand Press. In his short life Mofokeng, an expert on African folklore, was also regarded as a gifted exponent of African languages, in particular Southern Sesotho, and this assessment is still valid today.The essays and stories in this collection are largely autobiographical, with the author being both the writer and the main character in them. Their style is in turn meditative, descriptive, narrative and polemic, and the tone of voice of the narrator is characterised by melancholy, humour and satire. The themes span a wide range of human experiences, and reflect Mofokeng's deep personal convictions and passion for freedom, as well as his Christian beliefs . As he says in 'Nako' ('Time'), 'we are worried because we want to live for a long time, as if the most important thing is to live for many decades, but the fact is that we must live our life to the fullest'.His descriptions of his time spent in hospital are filled with insights into the experiences of the patients, doctors and workers he met there, and reflect his gift for observing the details of everyday life, and recounting them with both depth and simplicity.

A tragic play adapted from Sotho folk narrative. The play is regarded as a classic of Sesotho literature. Seen as one of the greatest essayists and dramatists writing in Southern Sotho, Senkatana was S. Machabe Mofokeng's first book.

Social science researchers in the global South, and in South Africa particularly, utilise research methods in innovative ways in order to respond to contexts characterised by diversity, racial and political tensions, socioeconomic disparities and gender inequalities. These methods often remain undocumented - a gap that this book starts to address. Written by experts from various methodological fields, Transforming Research Methods in the Social Sciences is a comprehensive collation of original essays and cutting-edge research that demonstrates the variety of novel techniques and research methods available to researchers responding to these context-bound issues. It is particularly relevant for study and research in the fields of applied psychology, sociology, ethnography, biography and anthropology. In addition to their unique combination of conceptual and application issues, the chapters also include discussions on ethical considerations relevant to the method in similar global South contexts. Transforming Research Methods in the Social Sciences has much to offer to researchers, professionals and others involved in social science research both locally and internationally.

The first study to probe the primary features, and possible effects, of some major literary genres as they pertain to elephants south of the Zambezi over three centuries: indigenous forms, early European travelogues, hunting accounts, novels, game ranger memoirs, scientists' accounts, and poems.

In 1937, a group of young Capetonians embarked on a remarkable public education and cultural project called the New Era Fellowship (NEF). By shining a contemporary light on the NEF, Crain Soudien shows how its members were at the forefront of redefining the debate about social difference in a racially divided society.

In this history of more than 3,000 years, beginning with Ancient Egypt, Marcus Byrne and Helen Lunn capture the diversity of dung beetles and their unique behaviour patterns. Outlining the development of science from the point of view of the humble dung beetle makes this charming story of immense interest to general readers and entomologists alike.

Presents the stories of South Africans, some Gauteng-born, others from neighbouring provinces, striving to realise the promises of democracy. They are also the stories of newcomers, from neighbouring countries and from as far afield as Pakistan and Rwanda, seeking a secure future.

Shaping markets through competition and economic regulation is at the heart of addressing the development challenges facing countries in southern Africa. The contributors to Competition Law and Economic Regulation critically assess the efficacy of the competition and economic regulation frameworks, including the impact of a number of the regional competition authorities.

Despite the transition from apartheid to democracy, South Africa is the most unequal country in the world. This collection of essays demonstrate how the consequences of inequality extend throughout society and the political economy, crippling the quest for social justice, polarising the politics, skewing economic outcomes and bringing devastating environmental consequences in their wake.

What does friendship have to do with racial difference, settler colonialism and post-apartheid South Africa? While histories of apartheid and colonialism in South Africa have often focused on the ideologies of segregation and white supremacy, Ties that Bind explores how the intimacies of friendship create vital spaces for practices of power and resistance.

In 2013, Edward Snowden leaked secret documents revealing that state agencies had spied on the communications of millions of innocent citizens. Jane Duncan assesses the relevance of Snowden's revelations for South Africa. In doing so she questions the extent to which South Africa is becoming a surveillance society governed by a surveillance state.

The 2017 publication of Betrayal of the Promise, the report that detailed the systematic nature of state capture, marked a key moment in South Africa's most recent struggle for democracy. Shadow State is an updated version of that original, explosive report that changed South Africa's recent history.

The Gordonia region of the Northern Cape Province has received relatively little attention from historians. Martin Legassick explores aspects of the generally unknown "brown" and "black" history of the region. Emphasising the lives of ordinary people, his writing is also in part an exercise in "applied history" - historical writing with a direct application to people's lives in the present.

This collection of essays and talks by activist and former judge Albie Sachs is the culmination of more than 25 years of thought about constitution-making and non-racialism. We, the People offers an intimate insider's view of South Africa's Constitution by a writer who has been deeply entrenched in its historical journey.

Percival Kirby was one of the greatest South African musicologists and ethnomusicologists. Born in Scotland in 1887, after completing his studies at the Royal College of Music in London he came out to South Africa as the Music Organiser to the Natal Education Department.

This is the first publication in the Democratic Marxism Series , which seeks to elaborate the social theorising and politics of Democratic Marxism. This edited volume introduces some contemporary approaches to Marxism and explores some of the ways in which Marxism has been used in Africa.

Scholar and writer Leon de Kock offers a lively and wide-ranging analysis of post-apartheid South African writing which, he contends, has morphed into a far more flexible and multifaceted entity than its predecessor.

The first full-length study of slave memory in the South African context, this examines the relevance and effects of slave memory for contemporary negotiations of South African gendered and racialised identities. It reads memory as one way of processing t

Drawing on interviews with mothers who have been diagnosed HIV-positive, this title provides a perspective of motherhood from the mother's point of view. It explores the situation in which two very powerful identities, those of motherhood and of being HIV-positive, collide in the same moment.

Tells the story of two brothers, of sibling rivalry, of exile, of memory and reconciliation, and of perplexities of freedom.

In the twenty years of transitional and democratic politics in South Africa, Susan Booysen constantly traversed two worlds, as direct observer and analyst-researcher.

Steve Biko, the founder of the Black Consciousness philosophy, was killed in prison on 12 September 1977. Biko was only thirty years old, but his ideas and political activities changed the course of South African history and helped hasten the end of apartheid. The year 2007 saw the thirtieth anniversary of Biko's death. To mark the occasion, the then Minister of Science and Technology, Dr Mosibudi Mangena, commissioned Chris van Wyk to compile an anthology of essays as a tribute to the great South African son. Among the contributors are Minister Mangena himself, ex-President Thabo Mbeki, writer Darryl Accone, journalists Lizeka Mda and Bokwe Mafuna, academics Jonathan Jansen, Mandla Seleoane and Saths Cooper, a friend of Biko's and former president of Azapo. We Write What We Like proudly echoes the title of Biko's seminal work, I Write What I Like. It is a gift to a new generation which enjoys freedom, from one that was there when this freedom was being fought for. And it celebrates the man whose legacy is the freedom to think and say and write what we like.

Explores the images of Africa and Africans that evolved in ancient Egypt, in classical Greece and imperial Rome, in the early Mediterranean world, and in the early domains of Christianity. This book provides a survey of the special place that Aksumite Ethiopia has held in European and African conceptual worlds as the site of 'worthy Ethiopia'.

African headrests have been moved out of the category of functional objects and into the more rarefied category of 'art' objects. Styles in African headrests are usually defined in terms of western art and archaeological discourses, but this book interrogates these definitions of style through a case study of headrests of the 'Tellem' of Mali.