Böcker utgivna av William B Eerdmans Publishing Co

This lavishly illustrated guide to iconography explains through words and pictures the history, meaning, and purpose of Christian icons as well as the traditional methods that religious painters use to create these luminous, spiritually enlivened works of art. Solrunn Nes, one of Europe's most admired iconographers, illuminates the world of Christian icons, explaining the motifs, gestures, and colors common to these profound symbols of faith. Nes explores in depth a number of famous icons, including those of the Greater Feasts, the Mother of God, and a number of the better-known saints, enriching her discussion with references to Scripture, early Christian writings, and liturgy. She also leads readers through the process and techniques of icon painting, showing each step with photographs, and includes more than fifty of her own original works of art. Deeply inspiring and utterly unique, The Mystical Language of Icons will inform both those who are familiar with the rich tradition of religious art and those who are not. It also serves as a powerful devotional resource in its own right, one that Christians everywhere can turn to again and again.

"This volume is a commentary on Luke in the Two Horizons New Testament Commentary series. The author uses an approach that bridges the gap between biblical studies and systematic theology, offering section-by-section exegesis of the New Testament texts in close conversation with theological concerns"--

While Americans still profess to be one of the most religious people in the industrialized world, many aspects of American culture have long been secular and materialistic. That is just one of the many paradoxes, contradictions, and surprises in the relationship between Christianity and American culture. In this book George Marsden, a leading historian of American Christianity and award-winning author, tells the story of that relationship in a concise and thought-provoking way.Surveying the history of religion and American culture from the days of the earliest European settlers right up through the elections of 2016, Marsden offers the kind of historically and religiously informed scholarship that has made him one of the nation's most respected and decorated historians. Students in the classroom and history readers of all ages will benefit from engaging with the story Marsden tells.

Traditional scholarly commentaries aspire to open up biblical texts in the light of their ancient social and cultural contexts. In this commentary Robin Parry seeks to take the insights of such works seriously yet also move far beyond them by considering Lamentations within ever-expanding canonical and contemporary contexts. How do the words of Lamentations resonate when read in the context of Jeremiah? Or in the contexts of Isaiah 40-55, the New Testament, the history of Christian anti-Semitism, or the suffering of victims today? The question at the heart of this unusual engagement with the text is "How can Lamentations function as Christian scripture?" Parry argues that the key to answering this question is to follow the ancient liturgical tradition of the church and to see the text in the light of the death and resurrection of Israel''s Messiah -- Jesus. According to Parry, Lamentations is Israel''s Holy Saturday literature -- the cries of those caught between the death of Jerusalem and its resurrection. In this context Christians are able to make connections between this anguished Israelite poetry, the sufferings of Jesus, and the sufferings of the world. These biblical-theological links have the potential to open up fresh and imaginative theological, doxological, and pastoral encounters with a sadly neglected biblical book.