Social justice requires that people have both food security and food sovereignty. Eat Local, Taste Global offers solutions to identified contradictions that include making farmers' markets more inclusive, improving conditions for migrant farm workers, and making alternative forms of agriculture more feasible.
Broadens and deepens our understanding of metropolitan governance through an innovative comparative project that engages with Anglo-American, French, and German literatures on the subject of regional governance.
Nelson Ball has had a significant impact on contemporary Canadian poetry not only as a poet but as an editor, with his Weed/Flower Press in the 1960s and 70s. Certain Details provides a major overview of the breadth and many paths of Ball's poetry over six decades. This selection of his work includes his trademark minimalist poems in addition to longer works and sequences; it spans nature poems, homages, meditations, narratives, found poems, and visual poems. The book contains selections from all of Ball's major collections as well as works that have previously appeared only in chapbook or ephemeral form. In a generous and thoughtful afterword, and for the first time in print, Ball discusses his processes, influences, and aesthetics. The book is introduced by editor and poet Stuart Ross, who offers a personal entry point into Nelson Ball's extraordinary oeuvre.
Cubism and futurism were closely related movements that vied with each other in the economy of renown. Perception, dynamism, and the dynamism of perceptionthese were the issues that passed back and forth between the two. Cubism and Futurism: Spiritual Machines and the Cinematic Effect shows how movement became, in the traditional visual arts, a central factor with the advent of the cinema: gone were the days when an artwork strived merely to lift experience out the realm of change and flow. The cinema at this time was understood as an electric art, akin to X-rays, coloured light, and sonic energy. In this book, celebrated filmmaker and author Bruce Elder connects the dynamism that the cinema made an essential feature of the new artwork to the new science of electromagnetism. Cubism is a movement on the cusp of the transition from the Cartesian world of standardized Cartesian coordinates and interchangeable machine parts to a Galvanic world of continuities and flows. In contrast, futurism embraced completely the emerging electromagnetic view of reality. Cubism and Futurism examines the similarity and differences between the two movements' engagement with the new science of energy and shows that the notion of energy made central to the new artwork by the cinema assumed a spiritual dimension, as the cinema itself came to be seen as a pneumatic machine.
My Basilian Priesthood is a memoir of Michael Quealey's six years in the order in the 1960s. During his priesthood, Quealey was director of the Newman Centre at the University of Toronto and engaged in reforming the mass and in other theological matters. The 1960s was a time of questioning traditions, including the role of Biblical criticism, the nature of liturgy, the place of women in the Church and in society, and the power of community living and decision-making. Quealey was deeply involved in all these matters, and sought to fulfill his commitment to service and balance that with his faith and vows of obedience to the institution of the Church. Written decades after the events he describes, the book is his reflection on the excitement of the times and the tensions created when tradition encountered new ideas and new forms of communal living. Here's a story that blends Toronto history with Catholic Church history and an inside look at 1960s counterculture.
Provides an in-depth understanding of parenting in academia, from diverse perspectives - gender, age, race/ethnicity, marital status, sexual orientation - and at different phases of a parent's academic career. The book reveals the shifting ideologies surrounding the challenges of negotiating work and family balance in this context.
Loyal Gunners uniquely encapsulates the experience of Canadian militia gunners and their units into a single compelling narrative that centres on the artillery units of New Brunswick. The story of those units is a profoundly Canadian story: one of dedication and sacrifice in service of great guns and of Canada. The 3rd Field Regiment (The Loyal Company), Royal Canadian Artillery, is Canadas oldest artillery unit, dating to the founding of the Loyal Company in Saint John in 1793. Since its centennial in 1893, 3rd Fieldin various permutations of medium, coastal, and anti-aircraft artilleryhas formed the core of New Brunswicks militia artillery, and it has endured into the twenty-first century as the last remaining artillery unit in the province. This book is the first modern assessment of the development of Canadian heavy artillery in the Great War, the first look at the development of artillery in general in both world wars, and the first exploration of the development and operational deployment of anti-tank artillery in the Second World War. It also tells a universal story of survival as it chronicles the fortunes of New Brunswick militia units through the darkest days of the Cold War, when conventional armed forces were entirely out of favour. In 1950 New Brunswick had four and a half regiments of artillery; by 1970 it had one3rd Field. Loyal Gunners traces the rise and fall of artillery batteries in New Brunswick as the nature of modern war evolved. From the Great War to Afghanistan it provides the most comprehensive account to date of Canadas gunners.
Beyond its research findings, this pioneering book considers the past, present, and potential role of schools in supporting children who have been affected by military deployments. It also assesses the broader human costs to Canadian Armed Forces families of their enforced participation in the volatile overseas missions of the twenty-first century.
The Syrian Civil War has created the worst humanitarian disaster since the end of World War II, sending shock waves through Syria, its neighbours, and the European Union. Calls for the international community to intervene in the conflict, in compliance with the UN-sanctioned Responsibility to Protect (R2P), occurred from the outset and became even more pronounced following President Assad's use of chemical weapons against civilians in August 2013. Despite that egregious breach of international convention, no humanitarian intervention was forthcoming, leaving critics to argue that UN inertia early in the conflict contributed to the current crisis Syria, Press Framing, and The Responsibility to Protect examines the role of the media in framing the Syrian conflict, their role in promoting or, on the contrary, discouraging a robust international intervention. The media sources examined are all considered influential with respect to the shaping of elite views, either directly on political leaders or indirectly through their influence on public opinion. The volume provides a review of the arguments concerning appropriate international responses to events in Syria and how they were framed in leading newspapers in the United States, Great Britain, and Canada during the crucial early years of the conflict; considers how such media counsel affected the domestic contexts in which American and British decisions were made not to launch forceful interventions following Assad's use of sarin gas in 2013; and offers reasoned speculation on the relevance of R2P in future humanitarian crises in light of the failure to protect Syrian civilians.
Increasingly known as the poets poet, Governor Generals Awardwinner Phil Hall has long been a constructor of intricate sequences, collecting and arranging lines and phrases, artifacts, and small revelations. He writes on influences, literary and local; he writes of rural Ontario, attempting to comprehend a deeply personal family violence; he stitches together lines and tall tales and fables from his life and the stories that float around the ethos of his variety of Ontario wilds. Halls isnt a poetry carved into perfect diamond form but a poetry whittled from scores of found materials pulled apart and rearranged. This volume is not so much a selected poems as it is a reshuffle, a sampler from the span of Halls published work. Guthrie Clothing is a collage-selection by Hall. Lines, stanzas, and poem-fragments are reworked and patterned into a new sequence, a fresh structure. The afterword consists of an important new essay-poem by Hall as well. It argues against irony from a rural perspective and amounts to Halls ars poetica. In an encompassing introduction, rob mclennan explores Halls four-plus decades of bricolage.
First published in 1947, In Due Season broke new ground with its fictional representation of women and of Indigenous people. Set during the dustbowl 1930s, this tersely narrated prize-winning novel follows Lina Ashley, a determined solo female homesteader who takes her family from drought-ridden southern Alberta to a new life in the Peace River region. Here her daughter Poppy grows up in a community characterized by harmonious interactions between the local Mtis and newly arrived European settlers. Still, there is tension between mother and daughter when Poppy becomes involved with a Mtis lover. This novel expands the patriarchal canon of Canadian prairie fiction by depicting the agency of a successful female settler and, as noted by Dorothy Livesay, was "e;one of the first, if not the first Canadian novel wherein the plight of the Native Indian and the Mtis is honestly and painfully recorded."e; The afterword by Carole Gerson and Janice Dowson provides substantial information about author Christine van der Mark and situates her under-acknowledged book within the contexts of Canadian social, literary, and publishing history.
A collection of essays in honour of Professor Raleigh Whitinger, a well-loved scholar of German literature. The book's chapters explore new perspectives on translation and German studies as they inform processes of identity formation, gendered representations, visual and textual mediations, and teaching and learning practices.
Offers an exploration of storytelling as a tool for knowledge production and sharing to build new connections between people and their histories, environments, and cultural geographies. The collection pays particular attention to the significance of storytelling in Indigenous knowledge frameworks.
This collection brings together representative work from Sina Queyras's poetic oeuvre. Queyras is at the forefront of contemporary discussions of genre, gender, and criticism of poetry. Her influential blog-turned-literary-magazine, Lemon Hound , published up-and-coming writers as well as work by established literary figures in Canada and abroad. The title, Barking & Biting, makes reference to the tagline of Lemon Hound: "e;more bark than bite."e; Erin Wunker's introduction situates Queyras's poetry within ongoing debates around genre and gender. It suggests that Queyras's writing, be it literary critical, poetic, or prose, is precise and probing but avoids toothless critical positioning. It pays particular attention to Queyras's poetic innovations and intertextual references to other women writers, and suggests that read together Queyras's oeuvre embodies an engaged feminist attentionwhat Joan Retallack has called a "e;poethics,"e; where poetry and ethics are bound together as a mode of inquiry and aesthetics. Queyras's poems trace a consistent concern with both poetic genealogies and the status of women. Thus far, twenty-first century poetics have been preoccupied with two ongoing conversations: the perceived divide between lyric and conceptual writing, and the underrepresentation of women and other non-dominant subjects. While these two topics may seem epistemologically and ethically separate, they are in fact irrevocably intertwined. Questions of form are, at their root, questions of visibility and recognizability. Will the reader know a poem when she sees it? And will that seeing alter her perception of the world? And how is the form of the poem altered, productively or un-, by the identity politics of its author? These are the questions that undergird Queyras's poetry and guide the editorial selections. Queyras's poetics pay dogged attention to questions of both representation and genre. In each of her poetry collections she inhabits tenets of the traditional lyric but leverages the genre open to let conceptualism in. This is demonstrated in her afterword, "e;Lyric Conceptualism, a Manifesto in Progress,"e; which was first published on the Poetry Foundation's Harriet the Blog . In it Queyras puts forward a set of maxims about the possibilities of a new hybrid, the conceptual lyric poem.
What is the relationship between literature and the society in which it incubates? Are there common political, social, and economic factors that predominate during periods of heightened literary activity? This book considers these questions.
Gives readers the tools to understand why antisemitism is such a controversial subject. The book acquaints readers with the ambiguities inherent in the historical relationship between Jews and Christians and shows these ambiguities in play in the unfolding relationship between Jews and Canadians of other religions and ethnicities.
Jews and French Quebecers recounts a saga of intense interest for the whole of Canada, let alone societies elsewhere. This work, now translated into English, represents the viewpoints of two friends from differing cultural and religious traditions. One is a French Quebecer and a Christian; the other is Jewish and also calls Quebec his home. Both men are bilingual. Jacques Langlais and David Rome examine the merging through alterations of close co-operation and socio-political clashes of two Quebec ethno-cultural communities: one French, already rooted in the land of Quebec and its religio-cultural tradition; the other, Jewish, migrating from Europe through the last two centuries, equally rooted in its Jewish-Yiddish tradition. In Quebec both communities have learned to build and live together as well as to share their respective cultural heritages. This remarkable experience, two hundred years of intercultural co-vivance, in a world fraught with ethnic tensions serves as a model for both Canada and other countries.
In retrospect it is difficult to accept that Western democracies have implicitly supported, or at least tolerated, apartheid in South Africa. Renate Pratt explains why the Christian churches were among the first to publicly protest, and why they provided such cogent and determined international support for the struggle against apartheid.
So, it was January the 18 and it was the middle of the night. And it was very, very cold. Snow was we went just about knee deep in snow And we went on the road going toward Posen, capital of Wartegau. And so we said, Let s take that direction. Just going by the moon and the stars. (Katja Enns) Going by the Moon and the Stars tells the stories of two Russian Mennonite women who emigrated to Canada after fleeing from the Soviet Union during World War II. Based on ethnographic interviews with the author the women recount, in their own words, their memories of their wartime struggle and flight, their resettlement in Canada and their journey into old age. Above all, they tell of the overwhelming importance of religion in their lives. Through these remarkable stories Pamela Klassen challenges conventional understandings of religion. The women s voices, intimate and powerful, testify to the importance of religion in the construction of personal history, as well as to its oppressive and liberating potential. Going by the Moon and the Stars will be of great value to all those interested in the Mennonites and Mennonite history, religion, women s studies, ethnic studies and life history.
This elaborate work provides serious students of psychology, religion and mythology with a detailed account and analysis of what has been accomplished in the spychological interpretation of the Eros and Psyche myth to date.
Vladimir Solov'ev and the Knighthood of the Divine Sophia tells how at the turn of the century an intimate alliance of philosophers, poets and theologians discovered the incarnation of their aspirations for a spiritually transformed world in the symbol of Sophia, the Divine Wisdom of God.Under her various aliases as the Divine Feminine, the Wisdom Clothed in the Sun and the Beautiful Lady, this feminine archetype usurped the traditional role of Christ as the mediator between heaven and earth. She was, however, primarily the inspiration of the Russian philosopher-poet, Vladimir Solov'ev (1853-1900), who created of her the cornerstone for both his metaphysical and aesthetic systems. This spiritual courtship of the Divine Sophia deeply patterned the literary works and interrelationships not only of such prominent symbolist writers as Aleksandr Blok and Andrej Belyj, but brought to light religious eccentrics like Anna Schmidt in a scandalous fashion. Sophia's influence ranged far beyond the narrower confines of literature and eventually provoked one of the most fascinating debates within the modern émigré Russian Orthodox Church through the offices of Sergej Bulakov, an apparent student of Solovev's Sophiology.
When poet and essayist Kenneth Sherman was diagnosed with cancer, he began keeping a notebook of observations that blossomed into this powerful memoir. With incisive and evocative language, Sherman presents a clear-eyed view of what the cancer patient feels and thinks. His narrative voice is personal but not confessional, practical but not cold, thoughtful and searching but not self-pitying or self-absorbed. The authors wait time for surgery on a malignant tumour was exceptionally long and riddled with bureaucratic bumbling; thus he asks our health-care providers and administrators if our system cannot be made efficient and more humane. While he is honest about what is good and bad in our system, he is not stridently political or given to directing blame. His narrative is interwoven with engaging ruminations on the meaning of illness in society, and is peppered with references to other writers thoughts on the subject. A widely published poet, Sherman helps the reader understand the deep connection between disease and creativitythe ways in which we write out of our suffering. Wait Time will be of special interest to anyone facing a serious illness as well as to health-care providers, social workers, and psychologists working in the field. Its thoughtful observations on health, life priorities, time, and mortality will make it of interest to all readers.
A collection of classic and newly commissioned essays about the study of Indigenous literatures in North America. The contributing scholars include some of the most venerable Indigenous theorists, settler scholars foundational to the field, and newer voices.
Tells the story of the 75th Battalion (later the Toronto Scottish Regiment) and the five thousand men who formed it - most from Toronto - from all walks of life. Timothy Stewart undertook exhaustive research for this first-ever history of the 75th, drawing from archival sources, diaries, letters, newspaper accounts, and interviews.
Presents critical essays on contemporary Canadian cartoonists working in graphic life narrative, from confession to memoir to biography. The contributors draw on literary theory, visual studies, and cultural history to show how Canadian cartoonists have become so prominent in the international market for comic books based on real-life experiences.
Explores the experience of reading-what reading feels like, how it makes people feel, how people read and under what conditions, what drives people to read, and, conversely, what halts the individual in the pursuit of the pleasures of reading.
Focuses on the role that music, film, visual art, and Indigenous cultural practices play in Canada's Truth and Reconciliation Commission on Indian Residential Schools. Contributors examine the impact of aesthetic and sensory experience in residential school history, at TRC events, and in artwork and exhibitions not affiliated with the TRC.
Focuses on the varied and complex roles that editors have played in the production of literary and scholarly texts in Canada. Contributors offer incisive analyses of the cultural and publishing politics of editorial practices that question inherited paradigms of literary and scholarly values.
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