Shows how the young men viewed the war, as well as what they observed both during training and from the trenches in some of the war's bloodiest battles. This title presents correspondence between two officer brothers and their family at home from 1915 to 1919.
Scandalous Bodies is an impassioned scholarly study both of literature by diasporic writers and of the contexts within which it is produced. It explores topics ranging from the Canadian government's multiculturalism policy to media representations of so-called minority groups, from the relationship between realist fiction and history to postmodern constructions of ethnicity, from the multicultural theory of the philosopher Charles Taylor to the cultural responsibilities of diasporic critics such as Kamboureli herself. Smaro Kamboureli proposes no neat or comforting solutions to the problems she addresses. Rather than adhere to a single method of reading or make her argument follow a systematic approach, she lets the texts and the socio-cultural contexts she examines give shape to her reading. In fact, methodological issues, and the need to revisit them, become a leitmotif in the book. Theoretically rigorous and historically situated, this study also engages with close readingnot the kind that views a text as a sovereign world, but one that opens the text in order to reveal the method of its making. Her practice of what she calls negative pedagogya self-reflexive method of learning and unlearning, of decoding the means through which knowledge is producedallows her to avoid the pitfalls of constructing a narrative of progress. Her critique of Canadian multiculturalism as a policy that advocates what she calls "e;sedative politics"e; and of the epistemologies of ethnicity that have shaped, for example, the first wave of ethnic anthologies in Canada are the backdrop against which she examines the various discourses that inform the diasporic experience in Canada. Scandalous Bodies was first published in 2000 and received the Gabrielle Roy Prize for Canadian Criticism.
Blues singer, preacher, cultural critic, exile, Africadian, high modernist, spoken word artist, Canadian poetthese are but some of the voices of George Elliott Clarke. In a selection of Clarkes best work from his early poetry to his most recent, Blues and Bliss: The Poetry of George Elliott Clarke offers readers an impressive cross-section of those voices. Jon Paul Fiorentinos introduction focuses on this polyphony, his influencesDerek Walcott, Amiri Baraka, and the canon of literary English from Shakespeare to Yeatsand his voice throwing, and shows how the intersections here produce a troubling of language. He sketches Clarkes primary interest in the negotiation of cultural space through adherence to and revision of tradition and on the finding of a vernacular that begins in exile, especially exile in relation to African-Canadian communities. In the afterword, Clarke, in an interesting re-spin of Fiorentinos introduction, writes with patented gusto about how his experiences have contributed to multiple sounds and forms in his work. Decrying any grandiose notions of theory, he presents himself as primarily a songwriter.
Described by some as a necropolis for babies, the province of Quebec in the early twentieth century recorded infant mortality rates, particularly among French-speaking Catholics, that were among the highest in the Western world. This bleeding of the nation gave birth to a vast movement for child welfare that paved the way for a medicalization of childbearing. In Babies for the Nation , basing her analysis on extensive documentary research and more than fifty interviews with mothers, Denyse Baillargeon sets out to understand how doctors were able to convince women to consult them, and why mothers chose to follow their advice. Her analysis considers the medical discourse of the time, the development of free services made available to mothers between 1910 and 1970, and how mothers used these services. Showing the variety of social actors involved in this process (doctors, nurses, womens groups, members of the clergy, private enterprise, the state, and the mothers themselves), this study delineates the alliances and the conflicts that arose between them in a complex phenomenon that profoundly changed the nature of childbearing in Quebec. Un Quebec en mal denfants: La medicalisation de la maternite 19101970 was awarded the Clio-Quebec Prize, the Lionel Groulx-Yves-Saint-Germain Prize, and the Jean-Charles-Falardeau Prize. This translation by W. Donald Wilson brings this important book to a new readership.
The World Intellectual Property Organization Development Agenda presents a real opportunity to revolutionize the international governance of intellectual property law and policy. This book brings together a series of incisive essays written by leading thinkers to develop concrete strategies for implementing the agenda.
Environmentalism and social sciences appear to be in a period of disorientation and perhaps transition. In this innovative collection, leading international thinkers explore the notion that one explanation for the current malaise of the "politics of ecology" is that we increasingly find ourselves negotiating "technonatural" space/times.
Transnational Canadas marks the first sustained inquiry into the relationship between globalization and Canadian literature written in English. Tracking developments in the literature and its study from the centennial period to the present, it shows how current work in transnational studies can provide new insights for researchers and students. Arguing first that the dichotomy of Canadian nationalism and globalization is no longer valid in today's economic climate, Transnational Canadas explores the legacy of leftist nationalism in Canadian literature. It examines the interventions of multicultural writing in the 1980s and 1990s, investigating the cultural politics of the period and how they increasingly became part of Canada's state structure. Under globalization, the book concludes, we need to understand new forms of subjectivity and mobility as sites for cultural politics and look beyond received notions of belonging and being. An original contribution to the study of Canadian literature, Transnational Canadas seeks to invigorate discussion by challenging students and researchers to understand the national and the global simultaneously, to look at the politics of identity beyond the rubric of multiculturalism, and to rethink the slippery notion of the political for the contemporary era.
He Was Some Kind of a Man: Masculinities in the B Western explores the construction and representation of masculinity in low-budget western movies made from the 1930s to the early 1950s. These films contained some of the mid-twentieth-century's most familiar names, especially for youngsters: cowboys such as Roy Rogers, Hopalong Cassidy, and Red Ryder. The first serious study of a body of films that was central to the youth of two generations, He Was Some Kind of a Man combines the author's childhood fascination with this genre with an interdisciplinary scholarly exploration of the films influence on modern views of masculinity. McGillis argues that the masculinity offered by these films is less one-dimensional than it is plural, perhaps contrary to expectations. Their deeply conservative values are edged with transgressive desire, and they construct a male figure who does not fit into binary categories, such as insider/outsider or masculine/feminine. Particularly relevant is the author's discussion of George W. Bush as a cowboy and how his aspirations to cowboy ideals continue to shape American policy. This engagingly written book will appeal to the general reader interested in film, westerns, and contemporary culture as well as to scholars in film studies, gender studies, children's literature, and auto/biography.
The Canadian battlefields in Italy are portrayed in revolutionary, new, three-dimensional satellite maps that show the terrain and towns as they have never been seen before. The detailed narrative takes the reader through some of the toughest fighting of the Second World War.
Contains essays which deal with the ways that women are portrayed in relation to violence, whether they are murder victims or killers. This book discusses nationalism and war, feminist media, and the depiction of violence throughout society.
The final volume in the Collected Works of Florence Nightingale, this includes her influential Notes on Hospitals, with its much-quoted musing on the need of a Hippocratic oath for hospitals. Nightingale's anonymous articles on hospital design are also printed here, as are later encyclopedia entries on hospitals.
Volume 15 of the Collected Works of Florence Nightingale, picks up on the previous volume's recounting of Nightingale's famous work during the Crimean War and the comprehensive analysis she did on its high death rates. This volume moves on to the implementation of the recommendations that emerged from that research.
Addresses the sea change in the political economic order of North America and chronicles the attempts of Canada and Mexico, two very different societies, to come to terms with the accumulated and often contradictory effects of micro and macro changes.
What do we as a society, and as parents in particular, owe to our children? Each chapter in Taking Responsibility for Children offers part of an answer to that question. Although they vary in the approaches they take and the conclusions they draw, each contributor explores some aspect of the moral obligations owed to children by their caregivers.
The selected poems in Desire Never Leaves span Tim Lilburn's career, demonstrating the evolution of a unique and careful thinker as he takes his place among the nation's premier writers. This edition of his poetry untangles many of the strands running through his works, providing insight into a poetic world that is both spectacular and humbling. The introduction by Alison Calder situates Lilburn's writing in an alternate tradition of prairie poetry that relies less on the vernacular and more on philosophy and meditation. Examining Lilburn's antecedents in Christian mysticism and the ascetic tradition, Calder stresses the paradoxical nature of Lilburn's writingthe expression of loss through plenitude. The divine in the natural world is glimpsed in brief flashes; nevertheless, the poet, driven by love, continues his quest for what glitters in things. Tim Lilburn's afterword is an evocative meditation grounded in personal history. He speaks of how poetry, a craning quiet, allows one to hear what is alive in the world. He also describes how poetry is resolutely attached to both a historical moment and an individual subjectivity that is inevitably anchored in time. Lilburn's poetry is both a religious undertaking and a political gesture that speaks to the urgency of situating ourselves where we live.
Haiti is a country in the midst of a political, economic, ecological, and social crisis. This book sheds light on the varied and complex roots of the current crisis, dispels misperceptions, and suggests that the situation in Haiti, despite evidence to the contrary, is not completely desperate.
The study of Canadian literatureCanLithas undergone dramatic changes since it became an area of specialization in the 1960s and '70s. As new global forces in the 1990s undermined its nation-based critical assumptions, its theoretical focus and research methods lost their immediacy. The contributors to Trans.Can.Lit address cultural policy, citizenship, white civility, and the celebrated status of diasporic writers, unabashedly recognizing the imperative to transfigure the disciplinary and institutional frameworks within which Canadian literature is produced, disseminated, studied, taught, and imagined.
Calls into question the boundaries that divide the animal kingdom from humanity, focusing on the medical, biological, cultural, philosophical, and ethical concerns between non-human animals and ourselves.
Backpacks Full of Hope: The UN Mission in Haiti describes the experience of a Chilean general as Deputy Force Commander of the United Nations Stabilization Mission in Haiti (MINUSTAH) during the particularly turbulent year September 2005 to September 2006. It details the realities of commanding more than 7,000 men from eleven countries while working to fulfill the mandate of the United Nations in Haitito ensure a secure and stable environment, to support the transitional government in a democratic political process, and to promote and protect the human rights of the Haitian people. Despite the enormous challenges of a complex scenario that included local violence and extreme poverty, the UN command succeeded in its mission, stabilizing the local situation and paving the way for Haiti to hold a presidential election. Originally published as Mision en Haiti, con la mochila cargada de esperanzas , this work provides a new audience with insight on the peace operation and sheds light on the long-term endeavour of civilians, military, and local and international agencies to support Haitis path to prosperity. Co-published with the Centre for International Governance Innovation
Public space remains an evanescent and multidimensional concept that too often escapes scrutiny. The essays in Rites of Way: The Politics and Poetics of Public Space open up multiple dimensions of the concept from architectural, political, philosophical, and technological points of view.
Captures what it meant for young Canadians to inhabit this liminal stage of life in the context of a young nation caught up in the self-formation and historic transformation that would make modern Canada. This book offers a study of adolescence in early-20th-century Canada and demonstrates how young Canadians became the nation's modern teenagers.
A study of the impact of German Pietism on the life and literature of one of the 20th century's most influential writers - Hermann Hesse.
In recent years, breastfeeding has been prominently in the public eye in relation to debates on issues ranging from parental leave policies, work'family balance, public decency, the safety of our food supply, and public health concerns such as health care costs and the obesity "e;epidemic."e; Breastfeeding has officially been considered "e;the one best way"e; for feeding infants for the past 150 years of Canadian history. This book examines the history and evolution of breastfeeding policies and practices in Canada from the end of the nineteenth century to the turn of the twenty-first. The authors' historical approach allows current debates to be situated within a broader social, political, cultural, and economic context. Breastfeeding shifted from a private matter to a public concern at the end of the nineteenth century. Over the course of the next century, the "e;best"e; way to feed infants was often scientifically or politically determined, and guidelines for mothers shifted from one generation to the next. Drawing upon government reports, academic journals, archival sources, and interviews with policy-makers and breastfeeding advocates, the authors trace trends, patterns, ideologies, and policies of breastfeeding in Canada.
A collection of essays in Christology written by friends and colleagues in memory of Joanne McWilliam. McWilliam was a pioneer woman in the academic study of theology, specializing in Patristic studies and internationally recognized for her work on Augustine. These fourteen essays are a fitting tribute to her memory.
Offers a collection of stories from women who went through the diagnosis of ovarian cancer, and treatment for it, only to find that the cancer recurred and any hope of recovery was gone. These women represent a spectrum of ages, ethnic backgrounds, marital circumstances, and professional experiences.
Reflecting diverse methodologies and theoretical approaches, the essays in this volume seek to explicate depictions of "the historical" in individual texts and to explore larger questions relating to historical fiction as a genre with complex and divergent political motivations and goals.
Will Gorlitz: nowhere if not here examines the art, background, and theoretical concerns of contemporary Canadian artist Will Gorlitz. Appreciated especially for his painting and drawing, Gorlitz produces imaginative and highly visual artwork that is further distinguished by its fundamentally restructured and critically extended approach to representational painting. With differing emphases from several contributing writers, this book identifies the contexts, methodologies, and motivations that comprise the artist's practice over the past 25 years. The book is published in conjunction with a major circulating survey exhibition of Gorlitz's work organized by Allan MacKay for the Kitchener-Waterloo Art Gallery in partnership with the Macdonald Stewart Art Centre. Co-published with the Kitchener-Waterloo Art Gallery
The False Laws of Narrative is a selection of Fred Wahs poems covering the poets entire poetic trajectory to date. A founding editor of Tish magazine, Wah was influenced by leading progressive and innovative poets of the 1960s and was at the forefront of the exploration of racial hybridity, multiculturalism, and transnational family roots in poetry. The selection emphasizes his innovative poetic range. Wah is renowned as one of Canadas finest and most complex lyric poets and has been lauded for the musicality of his verse. Louis Cabris introduction offers a paradigm for thinking about how sound is actually structured in Wahs improvisatory poetry and offers fresh insights into Wahs context and writing. In an afterword by the poet himself, Wah presents a dialogue between editor and poet on the key themes of the selected poems and reveals his abiding concerns as poet and thinker.
In early Christianity, many people were inspired to write gospels, treatises, letters, and stories celebrating the new faith, but not all of these writings are found in the New Testament. One such story from an unknown author is the Coptic, gnostic Apocalypse of Paul, a tale of the apostle Paul's ascent to the heavens that was lost for millennia and rediscovered at Nag Hammadi in 1945. In Flora Tells a Story, Michael Kaler discusses the Apocalypse of Paul and how it was shaped by its literary environment. The book takes a behind the scenes look at early Christian literary production, analyzing the ways in which various literary traditions-such as apocalyptic writings, gnostic thought, and understandings of Paul-influenced the author of the Apocalypse of Paul and helped to shape the text. It also includes a new annotated English translation of the Apocalypse of Paul and a fictional account of how it might have come to be written. This work is the most in-depth study of the Apocalypse of Paul to date and the only full-length discussion of it in English. It provides a detailed but accessible account of the literary environment in which its author worked and integrates this little-known work into the broader stream of early Christian writings. This book will be of interest to specialists in Nag Hammadi and gnostic studies and early Christian literature, but will also appeal to the general reader interested in Christianity, mysticism, and gnosticism.
This evocative narrative draws us into the inner life of a young Chinese peasant girl, May-ping, and her first glimmerings of youthful love and idealism under the Maoist regime in China. As she grows into a mature woman, she becomes increasingly aware of the strife around her. An intelligent girl born into a Poor-Class family in a small village in rural China, she is, because of the Maoist policy towards such families, able to pursue her dream of going to university. To her surprise, urban snobbery and "student thought-spying" at university make it essential for her to hide her real thoughts. Such self-protection becomes especially necessary once her idealistic boyfriend Dan â a secret boyfriend because young people were forbidden to be romantically involved â is sent to a labour camp for his outspoken ways. In her village, she learns that everything has value except the lives of girls and women. One of her childhood friends, a landowner's daughter who because of her family's Landlord Class, is not allowed to go to university drowns herself when forced to face an arranged marriage. Hua-Hua, a shy and gentle neighbour, hangs herself after her husband beats her brutally for not bearing him a son. May-ping manages to survive the Cultural Revolution as a member of the Communist party who feels outside the system and keeps her inner self intact. Her story reveals how political change during the Maoist regime left its mark on ordinary people. Employing stories within stories, the narrator carries the reader to a mythological realm to images of the resilient water lilies and the nurturing lily pond.
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