Böcker utgivna av Wayne State University Press

The field notes of a pioneering folklorist who collected the songs, stories, and cultural history of Great Lakes sailors in the 1930s.

Examines the ways in which the American experience influenced some of the major leaders of the yishuv, the Jewish settlement in Palestine, during and between the world wars. In six biographical chapters, Michael Brown studies Vladimir Jabotinsky, Chaim Nahman Bialik, Berl Katznelson, Henrietta Szold, Golda Meir, and David Ben-Gurian.

Focuses on two central elements: textual research to examine the aesthetic qualities of the narrative, their division into genres, the various versions and their parallels, and acculturation in Israel, as well as contextual research to examine the performance art of the narrator and the role of the narrative as a communicative process in the narrating society.

Spans a half-century of scholarly inquiry by the noted anthropologist and biblical scholar Raphael Patai. He essays collected in this volume, some of which are presented for the first time in English translation, provide a rich harvest of Jewish customs and traditional beliefs, gathered from all over the world and from ancient to modern times.

Between 1977 and 1992, practically all Ethiopian Jews migrated to Israel. As the sole Jewish community from sub-Sahara Africa in Israel, the Ethiopian Jews have met with unique difficulties. Based on fieldwork conducted over several years, For Our Soul describes the ongoing process of adjustment and absorption that the Ethiopian Jewish immigrants experienced in Israel.

The life and times of Sunnie Wilson reflected on the changes in Detroit over the last sixty years.

Unfolds the history of Jewish immigration, segregation, and integration; of Jewry's cultural exclusiveness and assimilation; of its internal division and indivisible unity; and of its role in the making of America. In the fourth and final volume of this set, Marcus deals with the coming and challenge of the East European Jews from 1852 to 1920.

An imposing literary figure in America and Europe during the first half of the twentieth century, Ludwig Lewisohn (1882-1955) struggled with feelings of alienation in Christian America that were gradually resolved by his developing Jewish identity, a process reflected in hundreds of works of fiction, literary analysis, and social criticism. This second volume portrays Lewisohn's last decades.

An imposing literary figure in America and Europe during the first half of the twentieth century, Ludwig Lewisohn (1882-1955) struggled with feelings of alienation in Christian America that were gradually resolved by his developing Jewish identity, a process reflected in hundreds of works of fiction, literary analysis, and social criticism.

Brook Farm, Oneida, Amana, and Nauvoo are familiar names in American history. Far less familiar are New Odessa, Bethlehem-Jehudah, Cotopaxi, and Alliance - the Brook Farms and Oneidas of the Jewish people in North America. A small group of immigrant Jews chose to ignore urbanization and industrialization and devote themselves to experiments in collective farming in America.

Examines the historical, cultural, and social history of the Canadian portion of the Detroit River community in the first half of the nineteenth century.

Riv-Ellen Prell spent eighteen months of participant observation field research studying a countercultural havurah to determine why these groups emerged in the United States during the 1970s. In her book, she explores the central questions posed by the early havurot and their founders. She also examines the havurah as a development of American Judaism.

Analyses the migration of American Jews to Palestine between the two world wars and explores the contribution of these settlers to the building of Palestine. From New Zion to Old Zion draws on international archival correspondence, newspapers, maps, photographs, interviews, and fieldwork to provide a well-researched portrait of Aliyah.

A history of Jewish fraternities and sororities in the early-twentieth-century United States.

Presents a critical reading of themes and stylistic strategies of major American Holocaust fiction to determine its capacity to render the prelude, progress, and aftermath of the Holocaust. The unifying critical approach is the textual explication of themes and literary method, comparative references to international Holocaust literature, and a discussion of extra-literary Holocaust sources.

Traces the ways utopian visions of communication have played themselves out in particular contexts of Israeli society through the twentieth century, encapsulating central trends in the evolving Israeli cultural conversation over the years.

A vivd and detailed portrait of serial murder brothers Luke Karamazov and Tommy Searl.

Letters to America features the work of poets who have had the courage to write about race with honesty and passion. Speakign from the experience of Black, Native American, Asian, Arabic, Indian, Hispanic, and white culture, their diverse voices unite in a dialogue of poems which acknowledge and celebrate our differences while exploring America's shameful history of racial intolerance. The poets in this anthology include Gwendolyn Brooks, Charles Bukowski, Joy Harjo, Langstong Hughes, Sharon Olds, James Wright, Etheridge Knight, Gary Soto, Garrett Kaoru Hongo, Audre Lorde, David Ignatwo, and others.

The lively ferment in Etruscan studies, generated in part by recent archaeological discoveries and fostered by new trends in interpretation, has produced a wealth of information about the people historians traditionally considered as inaccessible. Now, scholars are reconstructing a portrait of the wealthy, sophisticated Etruscans whose territory once extended from the Po River to the Bay of Naples.Unfortunately, the wider English-speaking public has had no single resource which synthesizes these new findings and interpretations about the Etruscans. In fact, some sources continue to propagate the traditional myth of the "enigmatic and isolated Etruscans." In response, the eminent Etruscan scholar Larissa Bonfante asked seven other internationally known classicists to join her in providing this "handbook" for thenon-specialist as an authoritative and readable guide to the burgeoning Etruscan scholarship.As Bonfante explains in the introductory chapter, "The Etruscans provide an excellent opportunity of turning archaeology into history: this we tried to do, in our chapters, according to our individual directions. Nancy Thomson de Grummond traces the interest in and knowledge of the Etruscans from the earliest days. Mario Torelli provides an independent account of Etruscan history, based on monuments and sources. Jean MacIntosh Turfa belies the cliche of the Etruscans' traditional 'isolation' by surveying the material evidence for their trade with thePhoenicians, Greeks, and other neighbors in the Mediterranean. Marie-Françoise Briguet, Friedhelm Prayon, David Tripp, and I survey Etruscan art, architecture, coinage, and daily lives, respectively, Emeline Richardson contributes what she calls a 'primer' in the Etruscan language, a basic archaeological introduction to the Etruscan language, meant to help newcomers read the inscriptions on many of the monuments illustrated and to see these with the interdisciplinary approach so characteristic of, and necessary in, Etruscan studies."The book is profusely illustrated with over 300 photos and maps. Notes and bibliographic references lead to standard texts on the Etruscans and to the more specialized literature in the field. The result is a reliable and lively volume which brings readers into the mainstream of the latest Etruscan scholarship.

This third edition of this anthology of modern Yiddish poetry has been enhanced with the addition of 20 new poems, a new preface, and a revised introduction on the history of the development of Yiddish poetry. The poems are presented both in the original Yiddish and in English translation.

Voices of the Holocaust and the act of memory.

In the thirteenth century, an anonymous scribe compiled sixty-nine tales that became Sefer ha-ma'asim, the earliest compilation of Hebrew tales known to us in Western Europe. The author writes that the stories encompass "e;descriptions of herbs that cure leprosy, a fairy princess with golden tresses using magic charms to heal her lover's wounds and restore him to life; a fire-breathing dragon . . . a two-headed creature and a giant's daughter for whom the rind of a watermelon containing twelve spies is no more than a speck of dust."e; In Tales in Context: Sefer ha-ma'asim in Medieval Northern France, Rella Kushelevsky enlightens the stories' meanings and reflects the circumstances and environment for Jewish lives in medieval France. Although a selection of tales was previously published, this is the first publication of a Hebrew-English annotated edition in its entirety, revealing fresh insight. The first part of Kushelevsky's work, "e;Cultural, Literary and Comparative Perspectives,"e; presents the thesis that Sefer ha-ma'asim is a product of its time and place, and should therefore be studied within its literary and cultural surroundings, Jewish and vernacular, in northern France. An investigation of the scribe's techniques in reworking his Jewish and non-Jewish sources into a medieval discourse supports this claim. The second part of the manuscript consists of the tales themselves, in Hebrew and English translation, including brief comparative comments or citations. The third part, "e;An Analytical and Comparative Overview,"e; offers an analysis of each tale as an individual unit, contextualized within its medieval framework and against the background of its parallels. Elisheva Baumgarten's epilogue adds social and historical background to Sefer ha-ma'asim and discusses new ways in which it and other story compilations may be used by historians for an inquiry into the everyday life of medieval Jews. The tales in Sefer ha-ma'asim will be of special value to scholars of folklore and medieval European history and literature, as well as those looking to enrich their studies and shelves.

Provides a comprehensive introduction for the English reader to the poetry of Friedrich Hoelderlin.

Although it lasted only four seasons and just forty-four episodes, The Killing attracted considerable critical notice and sparked an equally lively debate about its distinctive style and innovative approach to the television staple of the police procedural. A product of the turn toward revisionist "e;quality"e; television in the post-broadcast era, The Killing also stands as a pioneering example of the changing gender dynamics of early twenty-first-century television. Author John Alberti looks at how the show's focus shifts the police procedural away from the idea that solving the mystery of whodunit means resolving the crime, and toward dealing with the ongoing psychological aftermath of crime and violence on social and family relationships. This attention to what creator and producer Veena Sud describes as the "e;real cost"e; of murder defines The Killing as a milestone feminist revision of the crime thriller and helps explain why it has provoked such strong critical reactions and fan loyalty. Alberti examines the history of women detectives in the television police procedural, paying particular attention to how the cultural formation of the traditionally male noir detective has shaped that history. Through a careful comparison with the Danish original, Forbrydelsen, and a season-by-season overview of the series, Alberti argues that The Killing rewrites the masculine lone wolf detective-a self-styled social outsider who sees the entanglements of relationships as threats to his personal autonomy-of the classic noir. Instead, lead detective Sarah Linden, while wary of the complications of personal and social attachments, still recognizes their psychological and ethical inescapability and necessity. In the final chapter, the author looks at how the show's move to ever-expanding niche markets and multi-viewing options, along with an increase in feminist reconstructions of various television genres, makes The Killing a perfect example of cult television that lends itself to binge-watching in the digital era. Television studies scholars and fans of police procedurals should own this insightful volume.

In this anthology, filmmakers, psychoanalysts, film scholars and cultural historians use a psychoanalytic approach to examine Bernardo Bertolucci's film ""The Last Emperor"" (1988). The book is divided into four parts entitled ""Filmcraft"", ""Psychoanalysis"", ""Film Scholarship"" and ""Cultural History"".