Böcker utgivna av W. W. Norton & Company

On April 19, 1995, terrorism struck the heartland of America: A cataclysmic explosion destroyed the Oklahoma City federal building, took the lives of 168 people, and injured more than 500 others. It was not the work of a secret foreign cabal or a maniacal suicide bomber. Instead, death drove a rented truck, and behind the wheel was a young white American male with the barest of knowledge at his fingertips--a driver's license to rent a van and a recipe for mixing farm fertilizer and fuel oil to make a bomb. Timothy McVeigh--son of the working class, an army hero, the kid next door--was about to become the worst mass-murderer in American history. Richard Serrano, a Los Angeles Times reporter, arrived in Oklahoma City with the fire engines still racing to the blast site, and he has never left the story. On the basis of hundreds of interviews, including an in-depth exclusive with McVeigh himself, Serrano takes us along on that wild ride crisscrossing America, as the bomb components are collected and a seemingly normal young man hardens his resolve to save the country he loves at the expense of the government he hates.

In February 1793 France declared war on Britain, and for the next twenty-two years the Revolutionary and Napoleonic Wars raged. This was to be the longest, cruelest war ever fought at sea, comparable in scale only to the Second World War. New naval tactics were brought to bear, along with such unheard-of weapons as rockets, torpedoes, and submarines. The war on land saw the rise of the greatest soldier the world had ever known-Napoleon Bonaparte-whose vast ambition was thwarted by a genius he never met in person or in battle: Admiral Horatio Nelson.Noel Mostert's narrative ranges from the Mediterranean to the West Indies, Egypt to Scandinavia, showing how land versus sea was the key to the outcome of these wars. He provides details of ship construction, tactics, and life on board. Above all he shows us the extraordinary characters that were the raw material of Patrick O'Brian's and C. S. Forester's magnificent novels.

Third in the series of Key books, this volume offers newly drawn plans and color photographs of a wide range of buildings by out-standing architects arranged by plan: centralized and radial plans; linear structures; terraced houses; stacked plans; orthogonal and eccentric courtyards; special cityscape responses; and infills, additions, and extensions.

Raised by her father, Janet is shocked when she learns that she has inherited a house from her mother, long thought dead. The key in hand, Janet travels north to an old stone cottage at the sea's edge.Tom hides away in an old stone cottage at the sea's edge, waiting. He was raised by his mother, traveling from one place to another, his only stability the stories she told him-stories of shape-shifters, danger, impossible love....When Janet arrives, she is surprised to find Tom and to find herself mysteriously drawn to him.In Erica Wagner's "haunting debut novel" (San Diego Union-Tribune), lives and stories become so interwoven that, in the end, all distinctions are lost. Reading group guide included.

It is harsh exercise to put into cold print and to bare all the faults of such subjective things as letters written 'in great haste' in the middle of a busy active life, and it requires the kindness and tolerance of the reader. Nuances in the handwriting, or insertion of omitted words and afterthoughts, or positioning of postscripts, are all lost in printing; while irregularities in spelling, punctuation, abbreviations and repetitious phrases are exaggerated. The few of Yeat's letters to Maud Gonne that have survived were scattered through old bundles of correspondence. The only two kept particularly safe were together in an envelope, one marked 'last letter from W. B. Y.' which was written on 16 June 1938 from Steyning, Sussex, and the other a letter concerning the death of William Sharp which he had asked her to keep safely and which she must have put in a separate place, and so it survived. The letters he received from her before her marriage of 10 and 24 February 1903, had been very crumpled as if carried around in his pocket and reread many times, then smoothed out to be put away with the others.

The authors have delved into archival research, diaries, and memoirs, and conducted numerous interviews to recreate through brilliantly detailed vignettes the story of Berlin and its resilient inhabitants: the soldiers and ordinary citizens pounded by Allied bombing but maintaining their gallows humor; the endless procession of refugees; the 5,000 Jews who foiled the Nazi's rabid attempt to "purify" the capital; people like Dietrich Bonhoeffer who gave their lives in heroic anti-Nazi resistance while film stars and the well-connected lived in precarious luxury; the Third Reich's leaders jockeying for power in Hitler's underground bunker even as a ragged army of children, invalids, and old men confronted Soviet tanks in the rubble above; and of course, Hitler himself, trapped beneath a city he hated, waiting for the miracle promised him in horoscope readings. Not since Is Paris Burning? has a book so vividly evoked the daily struggle for survival and dignity in the nightmarish center of total war.

The story "Thief" begins: "When my mother removed her shirt in front of third-period honors English, I was in the classroom next door taking a test." Her reason --her students were reading The Awakening and she had stopped taking her medication. The battle against self-destruction, the struggle to transform loss into meaning, and the difficulty of connecting with others, especially those closest to our hearts, are part of what make up these beautifully crafted and, in turns, incisively humorous and deeply wrenching stories. In the title story, a man who transports organs for transplants breaks in a trainee and ruminates on his sometimes futile life-and-death existence. In "Dog Lover," a son has a quiet but smoldering battle of wills with his blind Vietnam-vet father over the fate of their dying dog. In "Sadness of the Body," an adolescent boy spends a deliriously hot summer with his alcoholic uncle and the uncle's young girlfriend, and observes the sometimes surreal schism between the body and the mind. Brown plumbs the hearts and minds of characters trying to make sense of their lives. He is a new and exquisitely talented voice in American fiction.

In the title story, a young man waiting in the Hotel Eden discovers-as others have-that Eden is not a permanent domicile. In "Zanduce at Second," a baseball player turned killer-by-accident undergoes a surprising transformation. We root for escaped felon Ray ("A Note on the Type") as he carves his name on a culvert wall. We drive the sweltering summer streets of Phoenix as a nineteen-year-old narrator goes through an unsettling sexual awakening ("Oxygen"). In these and other stories, whether his characters are getting sabotaged by nightcaps or encountering nudists on a rafting trip, Carlson takes us to new places in a new way.

Here are men and women in the middle--of life, of relationships. There is a difference between what they set out for and what they get. A single mother keeps house on an aircraft carrier. A new father finds himself seduced by a motorcycle. A lonely professor is forced to face a few truths. Braced by honesty and lifted by affection for the world, these stories are a stunning showcase for a writer tackling universal themes in new ways. Get ready: when Plan A breaks down, Ron Carlson is here.

Richard Zimler's The Angelic Darkness is an unforgettable, tender, and magical portrait of San Francisco in the mid-80s as well as its lost souls, struggling to find love and intimacy in a city whose buoyancy has been eclipsed by the shadows of gloom. Offering them a way out of these shadows is a storyteller whose mysterious tales skirt the boundary between good and evil.

Whether it is a husband trying to bring his marriage back together or Bigfoot finally coming forward, Carlson's characters speak with radical honesty that is disarming. They are the men and women all around us who open the refrigerator at two in the morning and see the faces of missing children on the milk carton. The world is a large dose sometimes, and they wonder whether they can measure up to its danger and its magic.

'What is it to love another person?' This is to raise one of the deepest, and most puzzling, questions we can put to ourselves. Love is a central theme in the autobiography we each write as we try to understand our lives; but we may feel that we become only more confused the more we reflect upon it. Love is closely connected with our vision of happiness; yet there is no one we are more likely to hurt, or be hurt by, than the person we love. If love is something we all want, why is it so hard to find and harder to keep? Love is one of humanity's most persistent and most esteemed ideals, but it is hard to say exactly what this ideal is and how-if at all-it relates to real life.

For over a hundred years the artistic reputation of Frédéric Chopin has suffered not only from the sentimental and romantic legends which surround his name but also from the distortions and misinterpretations of his works by performers. In this book, Alan Walker and ten leading composers, performers, and scholars offer detailed analyses of the works and present an honest historical portrait of their composer. The result is a comprehensive book giving a fresh view of Chopin as man and artist.

"After killing the red-haired man, I took myself off to Quinn's for an oyster supper." So begins the "enthralling" (Booklist, starred review) and "ingenious" (Boston Globe) story of Edward Glyver, booklover, scholar, and murderer. As a young boy, Glyver always believed he was destined for greatness. A chance discovery convinces him that he was right: greatness does await him, along with immense wealth and influence. Overwhelmed by his discovery, he will stop at nothing to win back a prize that he knows is rightfully his.Glyver's path to reclaim his prize leads him from the depths of Victorian London, with its foggy streets, brothels, and opium dens, to Evenwood, one of England's most beautiful and enchanting country houses, and finally to a consuming love for the beautiful but enigmatic Emily Carteret. His is a story of betrayal and treachery, of death and delusion, of ruthless obsession and ambition. And at every turn, driving Glyver irresistibly onward, is his deadly rival: the poet-criminal Phoebus Rainsford Daunt.The Meaning of Night is an enthralling novel that will captivate readers right up to its final thrilling revelation.

A century ago, while feminism began to alter our perception of the roles of women, a very different movement transformed the American ideal of manhood. Its defining terms were most clearly set forth at Harvard University in the decades following the Civil War. During those years, more than ever before in our culture, men became conscious of themselves as men. Kim Townsend introduces us to the men at Harvard who were the most influential supporters and vocal critics of the new ideal of manhood. At the center was Harvard psychologist and philosopher William James, whose own personal perspective was very much a man's perspective, a masculine or manly one. His career and writing mirrored the ways Harvard responded to the pressures of the era. Manhood at Harvard has a rich and varied cast of characters - indeed, some of the most influential thinkers of the time. There is Charles William Eliot, the university president who transformed a somewhat provincial college that seemed almost an extension of a New England prep school into a world-class university that was taking its first steps towards America's ethnic diversity. W. E. B. Dubois pointed out the racial and gender assumptions implicit in Harvard's ideal, while George Santayana, another Harvard outsider, recognized James's "masculine directness" but turned away from his philosophy. Townsend's fascinating study penetrates a distinctive culture, the legacy of which has reverberated powerfully - and provocatively - in education, politics, and society throughout the twentieth century.

The movement transcends political parties, has no formal structure, no acknowledged leaders, and no sworn loyalty except to God, whose will it interprets according to its fears and desires. Yet it is not an abstraction. It elects our presidents and legislatures and informs their decisions while in office.The movement started at the end of World War II when nuclear weapons, the Holocaust, and then the Cold War led to the fear of mass death that infected American views of justice, ethics, and global politics. It gradually replaced the New Deal.As conversations with religious and political leaders, churchgoers, and pollsters make clear, after 9/11 the nation became increasingly pessimistic. Americans more than ever embraced simplistic, self-serving solutions to questions of personal and national destiny.To regain the best in the American character, we must recognize the existence of a new national movement, define it, and learn how it grows. This book is a first step.

Since H. G. Wells' 1895 classic The Time Machine, readers of science fiction have puzzled over the paradoxes of time travel. What would happen if a time traveler tried to change history? Would some force or law of nature prevent him? Or would his action produce a "new" history, branching away from the original?In the last decade of the twentieth century a group of theoretical physicists at the California Institute of Technology undertook a serious investigation of the possibility of pastward time travel, inspiring a serious and sustained study that engaged more than thirty physicists working at universities and institutes around the world.Many of the figures involved are familiar: Einstein, Stephen Hawking and Kip Thorne; others are names known mostly to physicists. These are the new time travelers, and this is the story of their work--a profoundly human endeavor marked by advances, retreats, and no small share of surprises. It is a fantastic journey to the frontiers of physics.

The first practical and accessible guide to the art of punctuation for creative writers. Punctuation reveals the writer: haphazard commas, for example, reveal haphazard thinking; clear, lucid breaks reveal clear, lucid thinking. Punctuation can be used to teach the writer how to think and how to write. This short, practical book shows authors the benefits that can be reaped from mastering punctuation: the art of style, sentence length, meaning, and economy of words. There are full-length chapters devoted to the period, the comma, the semicolon, the colon, quotation marks, the dash and parentheses, the paragraph and section break, and a cumulative chapter on integrating them all into "The Symphony of Punctuation." Filled with exercises and examples from literary masters (Why did Poe and Melville rely on the semicolon? Why did Hemingway embrace the period?), A Dash of Style is interactive, highly engaging, and a necessity for creative writers as well as for anyone looking to make punctuation their friend instead of their mysterious foe.

Eye-opening essays by esteemed writers about the rich and complicated lives of American stepfamilies: with the U.S. divorce rate hovering around 50 percent, most people recognize remarriage as a now-familiar occurrence. And remarriage often means stepfathers, -mothers, -brothers, and -sisters, and the formation of a new type of blended family. Jacquelyn Mitchard, Barbara Kingsolver, Roxana Robinson, Susan Cheever, and others share experiences of being stepdaughters, stepmothers, or ex-wives. Andrew Solomon writes about his relationship with his stepmother. Kate Christensen celebrates the stepfather who brought guidance to her life. There are essays from writers in the same family, each with a different take on his or her postnuclear situation: Phyllis Rose discusses her second husband's qualities as a stepfather, while her son, Ted Rose, writes about his tumultuous relationship with his stepbrother from his own father's remarriage. These poignant, heartfelt, sometimes biting tales remind us of the outdated myth of the perfect nuclear family while shedding light on what it means to forge relationships with stepfamily members.

This story of two men locked in a war of wills that threatens their very existence is vintage Irvine Welsh. Troubled restaurant inspector Danny Skinner is on a quest to find the mysterious father his mother will not identify. Unraveling this hidden information is the key to understanding the crippling compulsions that threaten to wreck his young life. His ensuing journey takes him from the festival city of Edinburgh to the foodie city of San Francisco. But the hard-drinking, womanizing Skinner has a strange nemesis in the form of mild-mannered fellow inspector Brian Kibby. It is Skinner's unfathomable, obsessive hatred of Kibby that takes over everything, threatening to destroy not only Skinner and his mission but also those he loves most dearly. When Kibby contracts a horrific, undiagnosable illness, Skinner understands that his destiny is inextricably bound to that of his hated rival, and he is faced with a terrible dilemma. Irvine Welsh's work is a transgressive parable about the great obsessions of our time: food, sex, and celebrity.

Forced to perform a delicate balancing act of offering the best possible care for their clients while carefully adhering to various managed care policies and procedures, providers in particular often wince at the prospect of having to deal with managed care companies, or MCOs. Fearing burdensome paperwork, low reimbursement rates, and denials of care, it's not surprising that a number of mental health professionals choose to limit their involvement with managed care companies-or eliminate it altogether."My clients are all on different health plans; how can I keep the policies straight?""Getting services approved is so time-consuming that I'm better off accepting only self-paying clients, aren't I?""Do the benefits of working with MCOs really outweigh the drawbacks?"The answer, according to two industry insiders, is yes. If you know how to work with the system, the system can work for you. Mental Health Provider's Guide to Managed Care is the first handbook of its kind to offer clinicians a window into the inner-workings of MCOs. Authors Reich and Kolbasovsky candidly draw on their combined 37 years experience in the field to walk readers through all the major elements of how to successfully work within the system: marketing yourself and your practice to an MCO, getting onto a MCO's network, maintaining a good relationship and communicating with MCOs for quick service approval, reducing your liability, understanding your rights and responsibilities, getting paid, and more. Every issue-big and small-is covered, from capitation versus fee-for-service payment arrangements to evaluating which MCOs are a good fit to join, and everything in between. After explaining how to work with the system, the authors reveal how to put the system to work for you. Tips for building your practice through referrals, generating business through doctor collaboration, and understanding future practice opportunities are all covered.By demystifying the complexities of managed care and offering a unique, inside view of the process, this book mitigates the negative connotations associated with MCOs and exposes the hidden benefits of a seemingly burdensome process. Exceedingly reader-friendly and packed with insightful tips and vignettes, Mental Health Provider's Guide to Managed Care is one clinician's guide you won't want to be without.

The text presents a modern view of classical mechanics and electromagnetism for today's science and engineering students, including coverage of optics and quantum physics and emphasizing the relationship between macroscopic and microscopic phenomena. Organized to address specific concepts and then build on them, this highly readable text divides each chapter into short, focused sections followed by review questions. Using real-world examples, the authors offer a glimpse of the practical applications of physics in science and engineering, developing a solid conceptual foundation before introducing mathematical results and derivations (a basic knowledge of derivatives and integrals is assumed).

Kayla Williams is one of the 15 percent of the U.S. Army that is female, and she is a great storyteller. With a voice that is "funny, frank and full of gritty details" (New York Daily News), she tells of enlisting under Clinton; of learning Arabic; of the sense of duty that fractured her relationships; of being surrounded by bravery and bigotry, sexism and fear; of seeing 9/11 on Al-Jazeera; and of knowing she would be going to war.With a passion that makes her memoir "nearly impossible to put down" (Buffalo News) Williams shares the powerful gamut of her experiences in Iraq, from caring for a wounded civilian to aiming a rifle at a child. Angry at the bureaucracy and the conflicting messages of today's military, Williams offers us "a raw, unadulterated look at war" (San Antonio Express News) and at the U.S. Army. And she gives us a woman's story of empowerment and self-discovery.