Böcker utgivna av W W Norton & Co Ltd

Tom Iremonger, self-proclaimed Greatest Resource of Ireland, returns home for Christmas after blowing his grandfather's legacy abroad, only to find himself fighting for his spot atop Dublin's trendy new elite, and trying to win back the beautiful daughter of a supermarket magnate.

The authors have put the top 15 baseball teams of the 20th century through a statistical analysis in their quest to discover which was the greatest team in the history of baseball. They offer anecdotes, facts and statistics to back their results.

This "devastating rebuttal to Fatal Vision" (Boston Phoenix) demonstrates that the jury was not privy to crucial evidence in the case of Jeffrey MacDonald, the Green Beret Captain convicted of the murders of his wife and two young daughters.

Richard Bausch gets deep inside of people's lives. Richard Bausch gets deep inside of people's lives. He speaks eloquently for and to all of us about the intricacies of relationships-their fragility and their inherent possibility for explosion. His work has been published in The New Yorker, Esquire, and the Atlantic Monthly; two of the stories in this collection were chosen for Best American Short Stories.

These narratives are set against a variety of backdrops - from the teeming banks of the Ganges to a homeless shelter in New York. In "Ate/Menos" or "The Miracle", a young man takes advantage of a woman who mistakes him for someone else. In "The Siege", a wealthy recluse falls in love.

The authors conclude that in the games of hierarchical respect, no class can emerge the victor; and that true egalitarianism can be achieved only by rediscovering diverse concepts of human dignity. Examining personal feelings in terms of a totality of human relations, and looking beyond the struggle for economic survival, The Hidden Injuries of Class takes an important step forward in the sociological critique of everyday life.

In Excellence, Mr. Gardner discusses the strengths and failings of our educational system, our confusion over the idea of equality, and the nature of leadership in a free society.

This introductory history of Sparta gives readers a welcome overview of the intense and brilliant history of the great Greek city state.

What did it mean for Germany, and the world, to have William II on the throne for the First World War? In The Kaiser and His Times, Michael Balfour analyzes the social, constitutional, and economic forces at work in imperial Germany, and sets the complex and disputed character of the Kaiser, who occupied such a central position in the three decades before 1918, in the context of his family background and the history of Germany.

Once in a decade comes an account of war that promises to be a classic.

This remarkable memoir is written with extraordinary care, intelligence, and honesty. . . . In short, it s fully alive. Phillip Lopate"

Addressing both physical and emotional concerns, this guidebook discusses the full spectrum of adolescent issues. It also features a comprehensive reference section that details the typical health problems teenagers experience and how parents can deal with them.

Published in 1952 as "Cast the First Stone", this is Chester Himes's first autobiographical novel. It is a sardonic tale of an African-American's debasement and transfiguration in an American penitentiary.

May Sarton's eagerly awaited journals have recorded her life as a single, woman writer--and, in later years, as a woman confronting old age. This chronicle of her pilgrimage through her 82nd year was completed a few months before she died in 1995. Illustrations.

The last month or so of the life of novelist Iris Murdoch, the wife of the author, provides the framework for this biography. Within this structure the author enters into extensive memories of the past.

Writing with the sparkling wit and insight of his highly praised debut, Seduction Theory ("Brilliantly captures the great expectations and recurring ambivalence of youth."-The New York Times), Thomas Beller continues to plumb the adventures of his hero, Alex Fader, a youthful existentialist and sensualist with an insatiable appetite for trouble. The Sleep-Over Artist is an account of critical stages in Alex's life, mapping his progress from youthful delinquent to filmmaker whose career begins when he makes a documentary film exposing the prep school from which he has been expelled. Alex longs for the taste of family life that the early death of his father has denied him. As a young boy he sleeps over at his friends' houses and ingratiates himself with their families; as a young man he extends his sleep-overs to the lives of women, culminating in the ultimate sleep-over-an affair in England with a glamorous, slightly older woman, the mother of a young boy. Beller has a pitch-perfect ear for emotional nuance and a microscopic eye for rendering the wordless moments when a relationship catches fire and all too often begins to falter. The high-wire tension that electrifies The Sleep-Over Artist is Beller's ingenious portrait of a young man who longs to disappear and belong all at the same time."Hilarious....captures perfectly the myriad stages of fear, discovery and elation that mark one's first sexual experience."-The New York Times Book Review, Katherine Dieckmann, 16 July 2000 "[W]ell-crafted stories recall the witty phrasing of Updike, the poignant nostalgia of Cheever, the earnest but confused innocence of Salinger."-Library Journal "Featuring a New York that, like Kundera's Prague, is a vast hive of seductions....A moving portrait."-Publishers Weekly, 17 April 2000  "The gentle humor and delicacy of Sleep-Over Artist remind me of the stories of another young cosmopolite, F. Scott Fitzgerald."-Stewart O'Nan, author of A Prayer for the Dying "Fresh, sophisticated and most of all utterly readable...strikes a perfect balance between timely ironies and perennial emotional truths."-Eva Hoffman "Tom Beller is gifted with a wry, dry appreciation of life's sweet and unlikely subtleties."-Elizabeth Wurtzel, author of Prozac Nation and Bitch "A fine novel of Manhattan manners."-New York Observer

In this timely gathering, Patricia Hampl, one of our most elegant practitioners, "weaves personal stories and grand ideas into shimmering bolts of prose" (Minneapolis Star Tribune) as she explores the autobiographical writing that has enchanted or bedeviled her. Subjects engaging Hampl's attention include her family's response to her writing, the ethics of writing about family and friends, St. Augustine's Confessions, reflections on reading Walt Whitman during the Vietnam War, and an early experience reviewing Sylvia Plath. The word that unites the impulse within all the pieces is "Remember!"-a command that can be startling. For to remember is to make a pledge: to the indelible experience of personal perception, and to history itself.

During the thirteen days in October 1962 when the United States confronted the Soviet Union over its installation of missiles in Cuba, few people shared the behind-the-scenes story as it is told here by the late Senator Robert F. Kennedy. In this unique account, he describes each of the participants during the sometimes hour-to-hour negotiations, with particular attention to the actions and views of his brother, President John F. Kennedy. In a new foreword, the distinguished historian and Kennedy adviser Arthur Schlesinger, Jr., discusses the book's enduring importance and the significance of new information about the crisis that has come to light, especially from the Soviet Union.

The Essays Before a Sonata was conceived by Ives as a preface of sorts to the composition. Ives's musings also explore the nature of music, discuss the source of a composer's impulses and inspiration, and offer some biting comments on celebrated masters. The writings in this collection-now featuring a comprehensive index-allow readers entry into the brilliant mind that produced some of America's most innovative musical works.

Here are Sarton's observations and reflections, many of which came to her as if by magic during the small hours of the morning. Along with the daily events of writing a letter, appreciating her flowers, taking care of her car Pierrot, these poems wrestle with the larger questions of life and death, the difficulties and rewards of living alone.

A delightful period piece of Paris in the late 1880's, We'll to the Woods No More (Les lauriers sont coupés) retains its importance as the first use of the monologue intérieur and the inspiration for the stream-of-consciousness technique perfected by James Joyce. Dujardin's charming tale, told with insight and irony, recounts what goes on in the mind of a young man-about-town in love with a Parisian actress. Mallarmé described the poetry of the telling as "the instant seized by the throat." Originally published in France in 1887, the first English translation (by Joyce scholar Stuart Gilbert) was published by New Directions in 1938. In 1957 Leon Edel's perceptive historical essay reintroduced the book as "the rare and beautiful case of a minor work which launched a major movement."

So that readers could more fully understand the extent of Williams' radical simplicity, all of his published poetry, excluding Paterson, was reissued in two definite volumes, of which this is the first.

In this fresh look at the American Revolution, Hibbert portrays the realities of a war that thousands of George Washington's fellow countrymen condemned and one he came close to losing. This work presents a vivid picture of the "cruel, accursed" war that changed the world forever.

This book is something new in psychoanalytical exposition-both in its subject matter and its form of presentation. It attempts to convey, in everyday language understandable to the layman, some of the unconscious mental processes which underlie the feelings and action of normal, adult men and women.The characteristic feature of human psychology is the intense and continual interplay of the impulses of love on the one hand and hatred and agression on the other. Joan Riviere opens this joint study with an analysis of hate, greed, and aggression, and in the second section Melanie Klein talks about the forces of love, guilt, and reparation. Tracing the impulses in question back to their origins in infancy, the authors point out many features of adult mental life which evidence the persistence of earlier modes of thinking. Then they discuss some of the "infinitely various, subtle and complicated adaptations" by means of which each individual tries, all his life, to keep a balance between the life-brining and the destructive elements of his nature in order to achieve the maximum of security and gratification.

"I had always imagined a philosophical journal of my seventy-ninth year, dealing with the joys and problems, the doors opening out from old age to unknown efforts and surprises. I looked forward to the year as a potent harvest," May Sarton writes. Assailed by debilitating illnesses, Sarton found herself instead using much of her energy battling for health. Yet, as this record shows, she did after all do what she had wanted to, as she persevered in work, friendships, and love of nature, discovering in the process new landscapes in the country of old age.

The Writer on Her Work I, a ground-breaking collection of personal essays about what it means to be a woman who writes, was published to high praise in 1980. Now, in a second volume, Janet Sternburg has again commissioned essays from novelists, poets, and nonfiction writers from the United States and abroad.