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  • av Nancy-Lou Patterson
    505,-

    278 pp., bibliography, index, 2 appendixes. Editors Emily E. Auger and Janet Brennan Croft. Cover illus. by Patrick H. Wynne, inside illus. by Sarah Beach and Bonnie Callahan, and numerous illus. of Tarot cards. Essays include "The Triumph of Love: Interpretations of the Tarot in Charles Williams's The Greater Trumps," "The Jewels of Messias: Images of Judaism and Anti-semitism in the Novels of Charles Williams," and "Charles Williams."Nancy-Lou Patterson taught at the U. of Waterloo from 1962 until 1992 and was an active artist, poet, fiction writer, and Inklings scholar.

  • - Papers on C.S. Lewis's Space Trilogy, Chronicles of Narnia, and Other Works Volume II
    av Nancy-Lou Patterson
    355,-

    294 pp. bib, index, 4 illus. by the author. Eds. Emily E. Auger & Janet Brennan Croft. TOC From Here to There: Time, Travel, & Transformation 1. Narnia and the North: The Symbolism of Northerness in the Fantasies of C.S. Lewis 2. "Always Winter & Never Christmas": Symbols of Time in C.S. Lewis's Chronicles of Narnia 3. "Halfe Like a Serpent": The Green Witch in The Silver Chair 4. The Holy House of Ungit Other Places, Other Beings, & Other Futures 5. The "Jasper-Lucent Landscapes" of C.S. Lewis 6. The Green Lewis: Inklings of Environmentalism in the Writing of C.S. Lewis 7. Lord of the Beasts: Animal Archetypes in C.S. Lewis 8. The Bolt of Tash: The Figure of Satan in C.S. Lewis's The Horse and His Boy & The Last Battle 9. Letters from Hell: The Symbolism of Evil in The Screwtape Letters Nancy-Lou Patterson taught at the University of Waterloo, Ontario, from 1962 until 1992. She was an active artist, poet, fiction writer, and enthusiastic Inklings scholar.

  • av Nancy-Lou Patterson
    395,-

    404 pp. bib, index, 5 illus. by author. Eds. Emily E. Auger and Janet Brennan Croft. TOC Arthurian & Biblical Themes 1. Thesis, Antithesis, & Synthesis in the Space Trilogy 2. Adventure & Exchange in the Space Trilogy 3. Waste Land & Fisher King in the Space Trilogy 4. Miraculous Bread ... Miraculous Wine. A Hierarchy of Beings 5. The Host of Heaven: Astrological & Other Images of Divinity 6. This Equivocal Being: The Un-Man in Perelandra 7. Some Kind of Company in That Hideous Strength 8. Banquet at Belbury: The Company of the Damned. The Unfathomable Feminine Principle 9. Guardaci Ben: The Visionary Woman in That Hideous Strength and the Chronicles of Narnia 10. Some Women in That Hideous Strength 11. Archetypes of the Feminine in That Hideous Strength. Nancy-Lou Patterson taught at the U Waterloo 1962-1992. She was an active artist, poet, & fiction writer, & enthusiastic Inklings scholar.

  • av Emily E Auger
    785,-

    ISBN 978-1-987919-07-3. 410 pages. Includes entries for 199 films, b/w illus. from over 30 cartomancy decks, and an index of cross-references between films. A Filmography of Cartomancy and Tarot 1940-2010 is a companion to Cartomancy and Tarot in Film 1940-2010 (Intellect 2016).

  • av Emily E Auger
    659,-

    Tarot in Culture (ed. Emily E. Auger) is a well-illustrated (260 illus.) two-volume multi-author anthology of papers on Tarot with a foreword by Rachel Pollack. Contributions range from original, in-depth, thoroughly documented studies of Tarot history, art, and literature to artists' statements and other primary source documents. Volume Two (526 pp) contributors include Ed Buryn, Julie Cuccia-Watts, Tabitha Dial, Joyce Goggin, Mary K. Greer, Bruce Hersch, Brian Johnson, Danny Jorgensen, Jeana Jorgensen, Carol S. Matthews, Robert Place, Christine Parkhurst, Casey J. Rudkin, Leslie Stratyner, Catherine Waitinas, Batya Susan Weinbaum, and Emily E. Auger. Tarot in Culture is both accessible to the Tarot student and of interest to scholars of other fields, including historians and theorists of art, esotericism, literature, the occult, and popular culture and genres.

  • av Emily E Auger
    655,-

    Tarot in Culture (ed. Emily E. Auger) is a well-illustrated (260 illus.) two-volume multi-author anthology of papers on Tarot with a foreword by Rachel Pollack. Contributions range from original, in-depth, thoroughly documented studies of Tarot history, art, and literature to artists' statements and other primary source documents. Volume One (416 pp) contributors include Michael Dummett, Helen S. Farley, Mary K. Greer, Richard Kaczynski, Marcus Katz, June Leavitt, Paul Mountfort, and Robert Place. Tarot in Culture is both accessible to the Tarot student and of interest to scholars of other fields, including historians and theorists of art, esotericism, literature, the occult, and popular culture and genres.

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