Böcker utgivna av Unnamed Press

"Rude Talk in Athens is brave, brilliant, and incredibly funny. There are loads of very specific characters, including Mark himself. It's the Mark Haskell Smith version of hanging out with Stanley Tucci and Anthony Bourdain, but in present day and ancient Greece. I agree with everything he says about comedy and have never read anything like it." -Barry Sonnenfeld, Film Director and author of Barry Sonnenfeld, Call Your Mother: Memoirs of a Neurotic FilmmakerIn ancient Athens, thousands would attend theatre festivals that turned writing into a fierce battle for fame, money, and laughably large trophies. While the tragedies earned artistic respect, it was the comedies¿the raunchy jokes, vulgar innuendo, outrageous invention, and barbed political commentary¿that captured the imagination of the city. The writers of these comedic plays feuded openly, insulting one another from the stage, each production more inventive and outlandish than the last, as they tried to win first prize. Of these writers, only the work of Aristophanes has survived and it¿s only through his plays that we know about his peers: Cratinus, the great lush; Eupolis, the copycat; and Ariphrades, the sexual deviant. It might have been the golden age of Democracy, but for comic playwrights, it was the age of Rude Talk. Watching a production of an Aristophanes play in 2019 CE and seeing the audience laugh uproariously at every joke, Mark Haskell Smith began to wonder: what does it tell us about society and humanity that these ancient punchlines still land? When insults and jokes made thousands of years ago continue to be both offensive and still make us laugh? Through conversations with historians, politicians, and other writers, the always witty and effusive Smith embarks on a personal mission (bordering on obsession) exploring the life of one of these unknown writers, and how comedy challenged the patriarchy, the military, and the powers that be, both then and now. A comic writer himself and author of many books and screenplays, Smith also looks back at his own career, his love for the uniquely dynamic city of Athens, and what it means for a writer to leave a legacy.

¿A significant new voice in fiction, Norris has written what may be one of the defining novels of the era at the intersection between Black Lives Matter and COVID-19.¿ ¿BuzzFeedOne of Publishers Weekly's Best Novels of the Summer ¿ One of The Millions' Most Anticipated Books of June ¿ One of ALTA's Recommended Reads for June ¿ One of BuzzFeed's Amazing Small Press Books To Add To Your Summer Reading ListCopeland Cane V, the child who fell outta Colored People Time and into America, is a fugitive¿He is also just a regular teenager coming up in a terrifying world. A slightly eccentric, flip-phone loving kid with analog tendencies and a sideline hustling sneakers, the boundaries of Copeland¿s life are demarcated from the jump by urban toxicity, an educational apparatus with confounding intentions, and a police state that has merged with media conglomerates¿the highly-rated Insurgency Alert Desk that surveils and harasses his neighborhood in the name of anti-terrorism.Recruited by the nearby private school even as he and his folks face eviction, Copeland is doing his damnedest to do right by himself, for himself. And yet the forces at play entrap him in a reality that chews up his past and obscures his future. Copeland¿s wry awareness of the absurd keeps life passable, as do his friends and their surprising array of survival skills. And yet in the aftermath of a protest rally against police violence, everything changes, and Copeland finds himself caught in the flood of history. Set in East Oakland, California in a very near future, The Confession of Copeland Cane introduces us to a prescient and contemporary voice, one whose take on coming of age in America becomes a startling reflection of our present moment.

Motivated by a haunting graffito in the desert, journalist Dale Maharidge explores the realities of being poor in America in the coming decade, as pandemic, economic crisis and social revolution up-end the country.

Biting poetry and bold translation theory from a Taiwanese feminist poet and her translator

A book of mourning told through a coolly evocative series of life (and death) vignettes, from a lauded French writer, now in English for the first time; #34;Six Feet Under" meets Georges Perec

The Yets Best Writing on Whats Next for People Technology and the Planet.

The son of an Algerian immigrant, Idir is a disappointment to his doctor father. Torn between his wealthy school friends and his neighborhood pals, who range from petty thieves to professional criminals, Idir operates easily between worlds, and yet is at home nowhere. Without much effort, Idir becomes one of the Parisian upper crust’s most sought-out private dicks, thanks to his understanding of the needs of his privileged clients. The only thing standing in his way is Idir's unfortunate habit of crying uncontrollably.Things change when Oscar Crumley, a wealthy media scion that Idir knew at university, reappears in Idir's life, hiring him to find his missing younger half-brother, Thibaut. Idir assumes it is an open and shut case. But when Idir discovers that Thibaut was hiding his homosexuality from his conservative family, his disappearance takes on sinister connotations.Distracted by his intense affair with the wife of a wealthy friend, Idir ultimately becomes embroiled in a war of lies and corruption between two of France's most powerful media conglomerates. Inspired by Chandler and the American greats, Guez uses the familiar tropes of noir to create an entirely new language.

"Stephens' darkly comic, sharply irreverent, undeniably wise 'Great Adoption Novel' is an unexpectedly timely, not-to-be-missed, epic wild ride." ¿Booklist, *Starred Review*Lisa Pearl is an American teaching English in Japan and the situation there¿thanks mostly to her spontaneous, hard-partying ways¿has become problematic. Now she¿s in Seoul, South Korea, with her childhood best-friend Mindy. The young women share a special bond: they are both Korean-born adoptees into white American families. Mindy is in Seoul to track down her birth mom, and wants Lisa to do the same. Trouble is, Lisa isn¿t convinced she needs to know about her past, much less meet her biological mother. She¿d much rather spend time with Harrison, an almost supernaturally handsome local who works for the MotherFinder¿s agency. When Lisa wakes up inside a palatial mountain compound, the captive of a glamorous, surgically-enhanced blonde named Honey, she soon realizes she is going to learn about her past whether she likes it or not. What happens next only could in one place: North Korea.

Rus is a creature of habit. His mother left him an apartment and a debit card, from which he withdraws money everyday to purchase a drink at Starbucks. Until Rus is told by a government agency that his apartment is illegal and that he owes taxes. Lots of taxes. Rus panics and his cash is stolen by a smooth talking Russian submarine captain.Meanwhile, as Rus capitulates to the demands of society and finds an office job with the help of a micro-managing new girlfriend, the neighborhood's local postal worker surveys the lives of its other residents with an omniscient eye: Mrs. Blue compulsively steals hand creams; a secretary struggles to make conversation (much less human connections); a delivery man desperately seeks to make a name for himself but struggles with his immigrant status; and an aging bachelor, hampered by extreme paranoia, will finally have the chance to meet the Queen (if he can just hold it together long enough).With Rus at the head of this lonely ensemble's search for meaning in a complicated and alienating world, debut novelist Adriaanse weaves together intersecting lives to create a mini-epic, one that charts a hidden resistance to corporate sameness and artificial relationships.

Michael was only 15 when a mysterious accident changed his life forever. He was rebuilt out of paper by his father, and ten years later he is still trapped in the paper version of his teenage body. To escape his stagnant life at home, he runs away to the city by the sea, which promises art and adventure. Instead, Michael discovers the city is tearing at the seams.With rumors swirling that a militarized north will annex the city, newcomer Michael has more to worry about than the unpredictable seaside weather. After being rescued from a rainstorm by Maiko, an unemployed fur model, Michael’s cruel high school sweetheart Mischa suddenly reappears. Michael becomes torn between loyalty to Maiko and Mischa's decadent underground art world. But when he finds himself drawn to the city's most notorious artist, David Doppelmann, Michael begins another dangerous transformation, one that will either lead to uncovering his true self, or destroy him and everyone he cares about. Part fable, part surrealistic journey, Gallagher Lawson’s impressive debut is a gripping narrative about the nature of artistic identity and its tenuous relationship to the greater good, Lawson has created a visionary, allegorical novel of our time.

It's war at the School of Visual Arts, and nobody's art is safe. Not even Jackson Pollock's!Your archenemy taunts you with clandestine bacon frying. Your boss feverishly cyberstalks an aging romance novel cover model. Your husband unexpectedly takes in a wayward foreign national. Your best friend reveals a secret relationship with your longstanding workplace crush.Welcome to the life of Nina Lanning, lone and floundering administrator of a prestigious Midwestern art school. Her colleagues are pioneers of contemporary art movements, inspirational orators, creative virtuosos and the source of constant headaches as they rage against the authority Nina represents. They also happen to be her closest friends.When once-a-century flooding threatens to destroy the art building, and the priceless Jackson Pollock trapped inside, Nina and her ragtag band of faculty members undertake to rescue the early work of the splatter master. Propelled by disasters both natural and personal, Nina must confront her colleagues, her husband, and most importantly, herself. Cate Dicharry's debut novel is a painfully hysterical examination of what is truly worth saving, and mastering the art of letting go.