Böcker utgivna av University Press of Mississippi

California teacher Clarice T. Campbell wrote detailed letters to family and friends about her "small adventure" while studying at the universities of Alabama and Mississippi and teaching at black Mississippi and South Carolina colleges until 1965.cParticipant and observer, she challenged segregated bus stations, restaurants, churches, and mindsets.

Although he did not start publishing until middle age, Anthony Burgess (1917-1993) had over sixty published books to his credit by the time of his death. Conversations with Anthony Burgess captures, through in-depth interviews, a writer of tremendous energy, inventiveness, and self-discipline. The collection brings together interviews from 1971 to 1989.

Few Hollywood directors had a higher profile in the 1930s than Frank Capra (1897-1991). The interviews collected in this volume portray the Capra legend vividly and demonstrate why the warm relations between Capra and his audiences continue to inspire acclaim and admiration.

This edited collection challenges a long sacrosanct paradigm. Since the establishment of Caribbean literary studies, scholars have exalted an elite cohort of emigre novelists based in postwar London, a group often referred to as -the Windrush writers- in tribute to the SS Empire Windrush, whose 1948 voyage from Jamaica inaugurated large-scale Caribbean migration to London. In critical accounts this group is typically reduced to the canonical troika of V. S. Naipaul, George Lamming, and Sam Selvon, effectively treating these three authors as the tradition's founding fathers. These -founders- have been properly celebrated for producing a complex, anticolonial, nationalist literature. However, their canonization has obscured the great diversity of postwar Caribbean writers, producing an enduring but narrow definition of West Indian literature.Beyond Windrush stands out as the first book to reexamine and redefine the writing of this crucial era. Its fourteen original essays make clear that in the 1950s there was already a wide spectrum of West Indian men and women--Afro-Caribbean, Indo-Caribbean, and white-creole--who were writing, publishing, and even painting. Many lived in the Caribbean and North America, rather than London. Moreover, these writers addressed subjects overlooked in the more conventionally conceived canon, including topics such as queer sexuality and the environment. This collection offers new readings of canonical authors (Lamming, Roger Mais, and Andrew Salkey); hitherto marginalized authors (Ismith Khan, Elma Napier, and John Hearne); and commonly ignored genres (memoir, short stories, and journalism).

In America, saddlemaking can be regarded as one of the most complex and distinctly regional of western crafts. One of the most famous saddlemakers is Donald L. King of Sheridan, Wyoming. This fascinating study of the Sheridan saddle and its creator not only highlights King's contributions but also traces the origins of the western saddle.

The true story of mob vengeance on two innocent Native American teenagers in Oklahoma

Scarce attention has been paid to the dimension of sound and its essential role in constructing image, culture, and identity in Chinese film and media. China in the Mix fills a critical void as the first book to examine the sound, languages, scenery, media, and culture of post-Socialist China.

The most comprehensive and authoritative source on this subject. Comics Art in China covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present. This volume encompasses political, social, and gag cartoons, lianhuanhua, comic books, humorous drawings, cartoon and humor periodicals, and donghua.

Jack Kirby (1917-1994) is one of the most influential and popular artists in comics history. With Stan Lee, he created the Fantastic Four and defined the drawing and narrative style of Marvel Comics from the 1960s to the present day. Kirby is credited with creating or cocreating a number of Marvel's mainstay properties, among them the X-Men, the Hulk, Thor, and the Silver Surfer. His earlier work with Joe Simon led to the creation of Captain America, the popular kid gang and romance comic genres, and one of the most successful comics studios of the 1940s and 1950s. Kirby's distinctive narrative drawing, use of bold abstraction, and creation of angst-ridden and morally flawed heroes mark him as one of the most influential mainstream creators in comics. In this book, Charles Hatfield examines the artistic legacy of one of America's true comic book giants. He analyzes the development of Kirby's cartooning technique, his use of dynamic composition, the recurring themes and moral ambiguities in his work, his eventual split from Lee, and his later work as a solo artist. Against the backdrop of Kirby's earlier work in various genres, Hand of Fire examines the peak of Kirby's career, when he introduced a new sense of scope and sublimity to comic book fantasy.

After a robust career in the Netherlands as the country's most successful director, Paul Verhoeven built an impressive career in the US with controversial blockbusters. Paul Verhoeven: Interviews covers every phase of the director's career, beginning with six newly translated Dutch newspaper interviews and ending with a set of previously unpublished interviews dedicated to his most recent work.

Taken from a variety of sources including academic journals, mainstream newspapers, and independent bloggers, Danny Boyle: Interviews is one of the first books available on this director. As an interviewee, Boyle displays an engaging honesty and openness. His success proves that classical storytelling artists still resonate with audiences.

In 1991, John Singleton rocketed from obscurity to the top ranks of Hollywood with the release of his debut film, "Boyz N the Hood". This book spans his transformation from film school sensation to seasoned director and producer, and includes lengthy interviews, in-depth profiles, and up-close glimpses of the renowned director on set.

This collection of interviews follows Ridley Scott over twenty-five years as he perfects the Ridley Scott look, builds his media empire, and reacts to the twenty-year cult status of Blade Runner. Throughout, he discusses the triumphs and challenges involved in working with A-list actors and big-budget special effects.

From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim and his collaborators have challenged the conventions of American musical theatre. This text places Stephen Sondheim's work in two contexts: the exhaustion of the musical play and the postmodernism that, by the 1960s, deeply influenced all the American arts.

Since its original publication in 1984, Manning Marable's Race, Reform, and Rebellion has become widely known as the most crucial political and social history of African Americans since World War II. Aimed at students of contemporary American politics and society and written by one of the most articulate and eloquent authorities on the movement for black freedom, this acclaimed study traces the divergent elements of political, social, and moral reform in nonwhite America since 1945. This third edition brings Marable's study into the twenty-first century, analyzing the effects of such factors as black neoconservatism, welfare reform, the Million Man March, the mainstreaming of hip-hop culture, 9/11, and Hurricane Katrina. Marable's work, brought into the present, remains one of the most dramatic, well-conceived, and provocative histories of the struggle for African American civil rights and equality. Through the 1950s and 1960s, Marable follows the emergence of a powerful black working class, the successful effort to abolish racial segregation, the outbreak of Black Power, urban rebellion, and the renaissance of Black Nationalism. He explores the increased participation of blacks and other ethnic groups in governmental systems and the white reaction during the period he terms the Second Reconstruction. Race, Reform, and Rebellion illustrates how poverty, illegal drugs, unemployment, and a deteriorating urban infrastructure hammered the African American community in the 1980s and early 1990s.

Roger Corman (b 1926) is known by many names - craftsman, artist, maverick, mentor, and cheapskate. He learned his craft at the end of the studio system, only to rebel against Hollywood and define himself as the true independent. Spanning his career, this collection of interviews brings into focus Corman's legacy and commitment to filmmaking.

Offers the first full-length examination of Lewis H. Hine (1874-1940), the intellectual and aesthetic father of social documentary photography. Kate Sampsell-Willmann assesses Hine's output through the lens of his photographs, his political and philosophical ideologies, and his social and aesthetic commitments to the dignity of labour and workers.

The vampire, with roots in medieval European folklore, and the zombie, with origins in Afro-Caribbean mythology, have both undergone significant transformations in global culture, proliferating as deviant representatives of the zeitgeist. As this volume demonstrates, distribution of vampires and zombies across time and space has revealed these undead figures to carry multiple meanings.

Walter Brennan (1894-1974) was one of the greatest character actors in Hollywood history. He appeared in over two hundred motion pictures and became the subject of a Norman Rockwell painting. In this biography, Carl Rollyson reveals Brennan's mastery of virtually every kind of role while playing against and often stealing scenes from such stars as Gary Cooper and John Wayne.

Michael Allred stands out for his blend of spiritual and philosophical approaches with an art style reminiscent of 1960s era superhero comics, which creates a mixture of both postmodernism and nostalgia. Michael Allred: Conversations features interviews with the cartoonist from the early days of Madman's success through to his current mainstream work for Marvel Comics.

While the success of Disneyland is largely credited to Walt and Roy Disney, there was a third, mostly forgotten dynamo instrumental to the development of the park - fast-talking Texan C.V. Wood. Three Years in Wonderland presents the never-before-told, full story of "the happiest place on earth".

In 2000, readers voted Willie Morris (1934-1999) Mississippi's favorite nonfiction author of the millennium. After conducting over fifty interviews and combing through over eighty boxes of papers in the archives at the University of Mississippi, many of which had never been seen before by researchers, Teresa Nicholas provides new perspectives on a Mississippi writer and editor who changed journalism and redefined what being southern could mean. More than fifty photographs-some published here for the first time, including several by renowned photographer David Rae Morris, Willie's son-enhance the exploration. From an early age, Willie demonstrated a talent for words. At the University of Texas at Austin, he became a controversial editor of the Daily Texan. He later studied history as a Rhodes Scholar in Oxford, England, but by 1960 he was back in Austin, working as editor for the highly regarded Texas Observer. In 1967 Willie became the youngest editor of the nation's oldest magazine, Harper's. His autobiography, North Toward Home, achieved critical as well as artistic success, and it would continue to inspire legions of readers for decades to come. In the final tally, he published hundreds of newspaper and magazine articles, along with twenty-three books. His work covered the gamut from fiction to nonfiction, for both adults and children, often touching on the personal as well as the historical and the topical, and always presented in his lyrical prose. In 1980, he returned to his home state as writer-in-residence at the University of Mississippi. In 1990, he married his editor at the University Press of Mississippi, JoAnne Prichard, and they made a home in Jackson. With his broad knowledge of history, his sensitivity, and his bone-deep understanding of the South, he became a celebrated spokesman for and interpreter of the place he loved.

A pioneer of the New Queer Cinema, Todd Haynes (b. 1961) is a leading American independent filmmaker. He has garnered numerous awards and nominations and an expanding fan base for his provocative and engaging work. Gathering interviews from 1989 to 2012, this collection presents a range of themes, films, and moments in the burgeoning career of Todd Haynes.

Grenada experienced much turmoil in the 1970s and 1980s, culminating in an armed Marxist revolution, a bloody military coup, and finally in 1983 Operation Urgent Fury, a United States-led invasion. Wendy C. Grenade combines various perspectives to tell a Caribbean story about this revolution, weaving together historical accounts and contemporary analysis.

Never before have comics seemed so popular or diversified, proliferating across a broad spectrum of genres, experimenting with a variety of techniques, and gaining recognition as a legitimate, rich form of art. Maaheen Ahmed examines this trend by taking up philosopher Umberto Eco's notion of the open work of art, whereby the reader-or listener or viewer, as the case may be-is offered several possibilities of interpretation in a cohesive narrative and aesthetic structure. Ahmed delineates the visual, literary, and other medium-specific features used by comics to form open rather than closed works, methods by which comics generate or limit meaning as well as increase and structure the scope of reading into a work. Ahmed analyzes a diverse group of British, American, and European (Franco-Belgian, German, Finnish) comics. She treats examples from the key genre categories of fictionalized memoirs and biographies, adventure and superhero, noir, black comedy and crime, science fiction and fantasy. Her analyses demonstrate the ways in which comics generate openness by concentrating on the gaps essential to the very medium of comics, the range of meaning ensconced within words and images as well as their interaction with each other. The analyzed comics, extending from famous to lesser known works, include Will Eisner's The Contract with God Trilogy, Jacques Tardi's It Was the War of the Trenches, Hugo Pratt's The Ballad of the Salty Sea, Edmond Baudoin's The Voyage, Grant Morrison and Dave McKean's Arkham Asylum, Neil Gaiman's Sandman series, Alan Moore and Eddie Campbell's From Hell, Moebius's Arzach, Yslaire's Cloud 99 series, and Jarmo Makila's Taxi Ride to Van Gogh's Ear.

Tells the story of one of the most notorious figures in the history of popular music, Morris Levy. At nineteen, he cofounded the nightclub Birdland in Hell's Kitchen, which became the home for a new musical style, bebop. Levy operated one of the first integrated clubs on Broadway and helped build the careers of Dizzy Gillespie and Bud Powell and most notably aided the reemergence of Count Basie.

Taiwanese born, Ang Lee has produced diverse films in his award-winning body of work. Sometimes working in the West, sometimes in the East, he creates films that defy easy categorization. Ang Lee humbly reveals here a personal journey that brought him from Taiwan to his chosen home in the United States as he struggled and ultimately triumphed in his quest to become a superb filmmaker.

With a career spanning more than forty years, Barbara Kopple (b. 1946) long ago established herself as one of the most prolific and award-winning American filmmakers of her generation. Her projects have ranged from labor union documentaries to fictional feature films to an educational series for kids on the Disney Channel. Through it all, Kopple has generously made herself available for a great many print and broadcast interviews. The most revealing and illuminating of these are brought together in this collection.Here, Kopple explains her near-constant struggles to raise money (usually while her films are already in production) and the hardships arising from throwing her own money into such projects. She makes clear the tensions between biases, objectivity, and fairness in her films. Her interviewers raise such fundamental questions as what is the relationship between real people in documentaries and characters in fictional films? Why does she embrace a cinéma vérité style in some films but not others? Why does she seem to support gun ownership in Harlan County, U.S.A., only to take a decidedly more neutral view of the issue in her film Gun Fight?Kopple's concern for people facing crises is undeniable. So is the affection she has for her more famous subjects--Woody Allen playing a series of European jazz concerts, Gregory Peck on tour, and the Dixie Chicks losing a fan base but making a fresh start.GREGORY BROWN, Valdosta, Georgia, is an assistant professor of mass media at Valdosta State University. A former newspaper reporter and editor, he has served both as a juror for the Broadcast Education Association's annual student documentary film festival as well as a member of the screening committee of the Hot Springs Documentary Film Festival in Arkansas.

A noted comics artist himself, Santiago Garca follows the history of the graphic novel from early nineteenth-century European sequential art, through the development of newspaper strips in the United States, to the development of the twentieth-century comic book and its subsequent crisis. He considers the aesthetic and entrepreneurial innovations that established the conditions for the rise of the graphic novel all over the world. Garca not only treats the formal components of the art, but also examines the cultural position of comics in various formats as a popular medium. Typically associated with children, often viewed as unedifying and even at times as a threat to moral character, comics art has come a long way. With such examples from around the world as Spain, France, Germany, and Japan, Garca illustrates how the graphic novel, with its increasingly global and aesthetically sophisticated profile, represents a new model for graphic narrative production that empowers authors and challenges longstanding social prejudices against comics and what they can achieve.

Superheroes such as Superman and Spider-Man have spread all over the world. As this edited volume shows, many national cultures have created or reimagined the idea of the superhero, while the realm of superheroes now contains many icons whose histories borrow from local folklore and legends. Consequently, the superhero needs reconsideration.