Böcker utgivna av University Press of Mississippi

Across the Creek, a collection of affectionate reminiscences, adds to the common lore about William Faulkner and his community. Jim Faulkner recounts stories abounding in folklore, humor, family history, and fictionalized history, and these offer an insider's view of the Faulkner family's life in the small southern town of Oxford, Mississippi. A sense of adventure and misadventure colors these personal accounts. "e;Aunt Tee and Her Two Monuments"e; explains the mystery of why the town has two Confederate statues. "e;Roasting Black Buster"e; tells how Faulkner's hired man mistakenly killed the prize bull for a family barbecue. "e;The Picture of John and Brother Will"e; recounts how Phil Mullen happened to take his well-known snapshot of the famous Faulkner brother novelists-John and William-one of the few pictures ever taken of them together. Here in this entertaining book are more family stories about a major American author whose life, family, and writing have generated continuing appeal and ever-renewed appreciation.

Contains thirty-two interviews with this major writer, who during his long career enjoyed both the celebrity and the controversy that his books generated. These collected interviews include what is apparently his first, given in 1929 before the publication of The Bastard, to one of the very last, given just before his death in April 1987.

Written by a descendant of the Hollow, this book recounts graphic episodes of the feuds and fights that made this region in south Mississippi famous.

A thematic tour of the complete works from this exceptional southern writer

This informative study helps to complete the saga of the Choctaw by documenting the life and culture of those who escaped removal. It is an account that until now has been left largely untold.

This collection of seventeen interviews covers fifty years. In all the interviews Graham Greene granted over the years, the reader hears very clearly the voice of a man whose conversation is as painfully honest and unpretentious as is his written prose.

Chesnutt wrote this novel at the beginning of the Harlem Renaissance, but set it in a time and place favoured by George Washington Cable. Published now for the first time, Paul Marchand: Free Man of Color examines the system of race and caste in nineteenth-century New Orleans.

This first book to make a detailed exploration of the system of riverboat traffic of the Delta region, Steamboats and the Cotton Economy is also the first balanced study showing how steamboats in the early years of the republic performed essentially the same role that railroads would later perform in revolutionizing the interior of America.

This collection of thirty years of interviews with America's only Nobel Prize dramatist records his encounters with the press and gives a striking portrait of the man and the process of his public mythologizing.

In 1862, in one of the South's most amazing secret operations, a Confederate team, using newly invented explosive mines, blew up the USS Cairo, one of the Union's most feared ironclad gunboats. Here, for the first time, in a carefully documented study is the entire story of the Confederate Secret Service team that sank the USS Cairo.

This collection of interviews captures the conversation of one of the most prominent prose writers in the Unites States. These interviews reveal her uncompromising and frequently contradictory attitudes toward the luxuries and necessities of gastronomy, the idea that sensual appreciation, in all aspects of life, is or should be necessary.

Literary journalist, "lowly social historian", "chronicler of his times", and "champion of realism" are among the many epithets heaped upon Tom Wolfe. In this collection of interviews spanning his richly productive career, Wolfe is seen as a writer imitating no one and riding the crest of each latest wave in contemporary America.

Here are more than two hundred oral tales from some of Louisiana's finest storytellers. In this comprehensive volume of great range are transcriptions of narratives in many genres, from diverse voices, and from all regions of the state.

Focuses on Choctaw history prior to 1830, when the tribe forfeited territorial claims and was removed from native lands in Mississippi. The editors have included essays emphasizing Choctaw anthropology, Choctaw beliefs, and the Choctaw experience with the US government prior to the tribe's removal to Oklahoma.

The Communist Party was the only political movement on the left in the late 1920s and 1930s to place racial justice and equality at the top of its agenda and to seek, and win, sympathy among African Americans. This historic effort to fuse red and black offers a rich vein of experience and constitutes the theme of The Cry Was Unity.

This collection of interviews reveals the intellectual and creative life of one of America's contemporary masters of fiction writing. In spanning his richly productive career, these conversations reveal a savvy, thoughtful man who shows great intelligence, confidence, and wit, as well as an admirable sense of humility and tact.

Bernard Malamud gave his first interview in 1958, his last in 1986. During the intervening twenty-eight years he was formally interviewed at least forty times. This book collects twenty-eight of the best interviews, ranging from brief conversations with journalists to more extended and leisurely conversations with academics and writers.

Here is the inimitable Henry Miller (1891-1980) speaking candidly about himself and his robust fiction. In this enticing collection he argues convincingly for the things that have mattered in his full and exhilarating life.

Readers cannot help coming away from this book with a new appreciation of the nature and richness of African American folklore. For those with little or no previous knowledge of this heterogeneous and spellbinding lore Mother Wit from the Laughing Barrel will be an eye-opening encounter.

What are super-devoted fans of comic books really like? What draws them together and energizes them? What do the denizens of this pop-culture world have in common? This book provides answers as it scrutinizes the fans whose profiles can be traced at their conventions, in pages of fanzines, on websites, and before the racks in comic-book stores.

Arthur Miller clearly enjoys militantly civil conversation. Perhaps the most remarkable feature of Miller in interview is his willingness to answer question after question with grace and substance, with a sense of social commitment and metaphysical curiosity.

Cajun food has become a popular "ethnic" food throughout America during the last decade. This fascinating book explores the significance of Cajun cookery on its home turf in south Louisiana, a region marked by startling juxtapositions of the new and the old, the nationally standard and the locally unique.

Explores the cultural and political exchanges between African Americans, Asian Americans, and Asians over the last four decades. To do so, Crystal S. Anderson examines such cultural productions as novels, films and Japanese animation, all of which feature cross-cultural conversations.

Offers a close examination and interpretation of Absalom, Absalom!. Here difficult words and cultural terms that might prove to be a problem for general readers are explained and keyed to page numbers in the definitive Faulkner text (Library of America and Vintage editions). The authors place Faulkner's novel in its historical context, while also connecting it to his other works.

Records reflections on the fieldwork conducted in French Louisiana by a group of anthropologists and folklorists from Louisiana, the United States, Canada, and France between the 1970s and 2000. Contributors cast a critical look at the core anthropological concepts of field informants, and knowledge.

The Second Great Migration, the movement of African Americans between the South and the North that began in the early 1940s and tapered off in the late 1960s, transformed America. Over seven years, Lisa Krissoff Boehm gathered oral histories with women migrants and their children. In extended excerpts from the oral histories, this book offers a unique window into African American women's history.

This collection of interviews with James Baldwin covers the period 1961 to 1987, from the year of the publication of Nobody Knows My Names, his fourth book, to just a few weeks before his death. It includes the last formal conversation with him.

Throughout his long and productive life, whether he was talking with Virginia Woolf, Peter Quenell, Jorge Luis Borges, Alan Sillitoe, Edwin Newman, or Gina Lollobrigida, the voice of Robert Graves remained clear and distinct - attracting and repelling a variety of interviewers with its surety.