Böcker utgivna av University Press of Mississippi

Along the banks of the Mississippi River across from New Orleans, Camille Zeringue transformed a mediocre colonial plantation into a thriving gem of antebellum sugar production. The privileged master nurtured his own family, but enslaved many others. This book tells both of Zeringue's climb to the top and of his legacy's eventual ruin.

The nine essays in The Press and Race illuminate the broad array of print journalists' responses to the civil rights movement in Mississippi, a state that was one of the US's major civil rights battlegrounds. Three of the journalists covered won Pulitzer prizes and one was the first woman editorial writer to earn that coveted prize.

Argues that such writers as A. Philip Randolph, Langston Hughes, and Richard Wright, who often saw the world in terms of class struggle, did more to advance the anti-racist politics of African American letters than writers such as Countee Cullen, Alain Locke, and Marcus Garvey, who remained enmeshed in nationalist and racialist discourse.

As Gender and the Southern Body Politic examines literature and art, labour and law, manhood and womanhood, the historians contributing to this volume argue that politics is not limited to the machinations of parties, candidates, and voters. Instead, they suggest that private matters -- family, home, and sexuality -- are integral to the construction of public power.

Defining creolization as a process by which European, African, Amerindian, Asian, and American cultures are amalgamated to form new hybrid cultures, Nicole King uses this process as a means to understand C.L.R. James' work and life. She argues that James articulated his attempt to produce radical discourses with a consistent methodology.

This exciting study of two discrete yet kindred areas gives an affirmative answer. It comes to terms with what many have considered distinct yet fluctuating boundaries that separate and bond southern peoples. These papers from the Chancellor's Symposium at the University of Mississippi in 1998 focus on and examine the strong connections.

Traces a long cultural and literary history of the ways African Americans, Asian Americans, Jewish Americans, Chicanos, gays, and lesbians have challenged the shape and meaning of so-called white identities.

This book, the first to focus on the integration of the Gulf Coast, is Dr. Gilbert R. Mason's eyewitness account of harrowing episodes that occurred there during the civil rights movement. Newly opened by court order, documents from the Mississippi Sovereignty Commission's secret files enhance this riveting memoir.

The essays in Faulkner and the Craft of Fiction, first presented at the 1987 Faulkner and Yoknapatawpha Conference at the University of Mississippi, focus on Faulkner's narrative inventiveness, on how Faulkner, like his character Benjy in The Sound and the Fury, relentlessly kept "trying to say".

From slave times to the present the proverb has been a mainstay in African-American communication. This study of African-American proverbs is the first to probe deeply into these meanings and contexts.

Tells of the development and progress of the Order of Patrons of Husbandry, beginning with Oliver Hudson Kelley's first activities on behalf of the farmer organisation. This is the first scholarly work devoted to the history of the Grange.

In this biography of Joseph E. Davis, elder brother of and adviser to Jefferson Davis, award-winning author Janet Sharp Hermann provides a fascinating instrument through which to observe nearly a century of American history, from the Revolution and the War of 1812 through the Civil War and Reconstruction.

Comprehensively examines the demographic growth, cultural evolution, and political involvement of Louisiana's large Acadian community between the time of the Louisiana Purchase (1803) and 1877, the end of Reconstruction in Louisiana, when traditional distinctions between Acadians and neighbouring groups had ceased to be valid.

Known today primarily as the author of Our Town, probably America's most beloved and widely produced play, Thornton Wilder is the only writer ever to be honored with Pulitzer Prizes in both fiction and drama. This collection of interviews with Wilder covers the full range of his sixty-year career as one of America's leading men of letters.

Salt water is inundating coastal Louisiana, transforming precious wetlands into backwaters of the Gulf of Mexico. Science may hold the key to reversing the problem. But what will the cost be? And will the plan work? These are the quandaries reported in Saving Louisiana? The Battle for Coastal Wetlands.

After several years of silence and seclusion in Beetlecreek's black quarter, a carnival worker named Bill Trapp befriends Johnny Johnson, a Pittsburgh teenager living with relatives in Beetlecreek. Bill is white. Johnny is black. Both are searching for acceptance, something that will give meaning to their lives. Bill tries to find it through good will in the community. Johnny finds it in the Nightriders, a local gang. David Diggs, the boy's dispirited uncle, aspires to be an artist but has to settle for sign painting. David and Johnny's new friendship with Bill kindles hope that their lives will get better. David's marriage has failed; his wife's shallow faith serves as her outlet from racial and financial oppression. David's unhappy routine is broken by Edith Johnson's return to Beetlecreek, but this relationship will be no better than his loveless marriage. Bill's attempts to unify black and white children with a community picnic is a disaster. A rumor scapegoats him as a child molester, and Beetlecreek is titillated by the imagined crimes.This novel portraying race relations in a remote West Virginia town has been termed an existential classic. "e;It would be hard,"e; said The New Yorker, "e;to give Mr. Demby too much praise for the skill with which he has maneuvered the relationships in this book."e; During the 1960s Arna Bontemps wrote, "e;Demby's troubled townsfolk of the West Virginia mining region foreshadow present dilemmas. The pressing and resisting social forces in this season of our discontent and the fatal paralysis of those of us unable or unwilling to act are clearly anticipated with the dependable second sight of a true artist."e;First published in 1950, Beetlecreek stands as a moving condemnation of provincialism and fundamentalism. Both a critique of racial hypocrisy and a new direction for the African American novel, it occupies fresh territory that is neither the ghetto realism of Richard Wright nor the ironic modernism of Ralph Ellison. Even after fifty years, more or less, William Demby said in 1998, "e;It still seems to me that Beetlecreek is about the absence of symmetry in human affairs, the imperfectability of justice the tragic inevitability of mankind's inhumanity to mankind."e;

Characteristically, William Faulkner minimized his familiarity with the theories of psychology that were current during the years of his apprenticeship as a writer, especially those of Freud. Yet, Faulkner's works prove to be a trove for psychological study. These original papers from the annual Faulkner and Yoknapatawpha Conference, held in 1991 at the University of Mississippi, vary widely in their approaches to recent psychological speculation about Faulkner's texts. In recent years psychological analysis of literature has shifted largely from investigation of a writer's life to a focus on the work itself. Whether applying the theories of Freud and Lacan, drawing upon theoretical work in women's studies and men's studies, or emphasizing the rigid determinacy of psychological pressure, the essays included in this collection show Faulkner's works to be unquestionably rich in psychological materials.

Whether we travel to foreign lands or just across the city, we all journey, and from our journeying we shape ourselves, our history, and the stories we tell. In essays written by some of the most respected contemporary scholars, this anthology brings together some of the best informed convictions about travel.

A study of William Faulkner's final phase as a period in which he faced up to America's rigid protocols of racial ideology This study argues that Faulkner's writings about racial matters interrogated rather than validated his racial beliefs and that, in the process of questioning his own ideology, his fictional forms extended his reach as an artist. After winning the Nobel Prize in 1950, Faulkner wrote what critics term "e;his later novels."e; These have been almost uniformly dismissed, with the prevailing view being that as he became a more public figure, his fiction became a platform rather than a canvas. Within this context Faulkner on the Color Line redeems the novels in the final phase of his career by interpreting them as Faulkner's way of addressing the problem of race in America. They are seen as a series of formal experiments Faulkner deliberately attempted as he examined the various cultural functions of narrative, most particularly those narratives that enforce American racial ideology. The first chapters look at the ways in which the ability to assert oneself verbally informs matters of individual and cultural identity in both the widely studied works of Faulkner's major phase and those in his later career. Later chapters focus on the last works, providing detailed readings of Intruder in the Dust, Requiem for a Nun, the Snopes trilogy, A Fable, and The Reivers. The book examines Faulkner as he confronted the vexing questions of race in these novels and assesses the identity of Faulkner as the Nobel Prize winner who claimed on many occasions that he was "e;tired,"e; maybe "e;written out."e; In his decision not to speak in the identity of the black people represented in his fiction, in his decision to write instead about the complexities of all racial constructions, he produced a host of characters suffering within the rigid protocols on race that had been enforced in America for centuries. As a private, white individual, he could never be other than what he was. Rather than attempt to reconcile Faulkner the public man with the private one, however, this study concludes that through his fiction Faulkner the artist questioned himself and came to understand others across the color line.

Musicians and music scholars rightly focus on the sounds of the blues and the stories of blues performers. Inadequately studied until now are the lyrics. The contributors to this book explore this aspect of the blues and establish the significance of African American popular song as a neglected form of oral history.

In 1968, Winthrop D. Jordan published his groundbreaking work White Over Black: American Attitudes toward the Negro, 1550-1812 and opened up new avenues for thinking about sex, slavery, race, and religion in American culture. Written by former students, these essays are a tribute to the career of one of America's great thinkers.

Grenada experienced much turmoil in the 1970s and 1980s, culminating in an armed Marxist revolution, a bloody military coup, and finally in 1983 Operation Urgent Fury, a United States-led invasion. Wendy C. Grenade combines various perspectives to tell a Caribbean story about this revolution, weaving together historical accounts and contemporary analysis.

Called the greatest Civil War historian, Shelby Foote began his career as a novelist whose powerful works of fiction rose out of his closeness to life and culture in his native region, the Mississippi Delta country. This perceptive study fills the genuine need for a sound critical appreciation of Foote the novelist.

That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. This critical study by one of the most acclaimed international Faulkner scholars takes its cue from Nietzsche's concept of "truth as a mobile army of metaphors" and from Ricoeur's dynamic view of metaphor and treats the wearing of masks not as an ontological issue but as a matter of discourse.

Each year thousands are told they suffer from anemia, but most have only a vague understanding of the condition. In fact, "e;anemia"e; is a generic term that includes myriad specific diseases, each of which has its own story regarding cause, manifestations, and treatments.Understanding Anemia gently builds upon elementary knowledge of biology to provide the general reader with a fairly sophisticated understanding of the various causes of anemia, of the methods used to make diagnoses, and of the principles of treatment. The book begins with a definition of anemia and a brief history of the scientific study of blood. It explains how the doctor makes the diagnosis and details the main types of anemia. Since the different conditions result from the failure of various organs, the reader will come away with a surprisingly broad understanding of human anatomy and physiology, encompassing the digestive, circulatory, and immune systems, nutrition, biochemistry, and heredity.Features:Specific anemias: iron deficiency, vitamin deficiencies, hemolytic anemias, hereditary anemias, and othersHelpful appendices: a practical guide to the metric system, a brief review of general cell biology, a table of normal values in commonly ordered lab tests, a description of the bone marrow biopsy procedure, a list of pitfalls a doctor faces during the evaluation of the anemic patient, resources for further study (both in print and on the Internet)

In the early twentieth century, two wealthy white sisters, cousins to a North Carolina governor, wrote identical wills that left their substantial homeplace to a black man and his daughter. Revealing the details of this case and of the lives of the people involved in it, Gene Stowe presents a story that sheds light on and complicates our understanding of the Jim Crow South.

This richly detailed outline of William Faulkner's life is written by an eminent French scholar who brings new insights to the Nobel Laureate's career and writings. This book is intended to be a quick reference guide to Faulkner's works as they relate to his life. Principally an outline of a literary career, it will serve as a useful aid for students beginning a study of Faulkner's novels.

This biographical portrait by a well known Civil War historian brings much deserved attention to an exceptional Confederate military figure who became one of the New South's most progressive leaders.Herman Hattaway's clear, swift narrative depicts Lee in brilliant performance at Second Manassas, Chickasaw Bayou, Nashville, and after the war as a leader who used his military skills and discipline to work in bringing prosperity and education into the defeated South.After the war Lee established a home in Mississippi and found fulfillment in his calling to be the first president of Mississippi A & M College (today Mississippi State University), where he preached the message of applying brain power to farming. His admirers bestowed upon him the title "e;Father of Industrial Education in the South."e;Though the significance of Stephen D. Lee was long overlooked in historical perspectives of the Civil War and the development of the New South, Hattaway's appreciative study has remedied a case of unintended neglect by previous historians.