Drawing on ethnographic fieldwork conducted by the author in Trinidad and Tobago, What She Go Do demonstrates how the increased access and agency of women through folk and popular musical expressions has improved inter-gender relations and representation of gender in this nation.
Why do so many American college students tell stories about encounters with ghosts? In Haunted Halls, the first book-length interpretive study of college ghostlore, Elizabeth Tucker takes the reader back to school to get acquainted with a wide range of college spirits.
Bertrand Tavernier (b. 1941) is widely considered to be the leading light in a generation of French filmmakers who launched their careers in the 1970s, in the wake of the New Wave. In this collection, containing numerous interviews translated from French and available in English for the first time, he discusses the arc of his career.
A book featuring miniature dioramas that translate the Vietnam war into art and self-therapy for the artist
A critical biography of the novelist and champion for mental health issues
Peter Kuper (b. 1958), one of America's leading cartoonists, has created work recognized around the world. Among the works examined here are his books The System, Sticks and Stones, Stop Forgetting to Remember, Diario de Oaxaca, and adaptations of Franz Kafka's The Metamorphosis and Upton Sinclair's The Jungle.
A book about Vodou flags and flagmakers that is a striking revelation of the gods (Iwa) that inhabit the Vodou spirit world. The sequined works pictured here combine and juxtapose African symbols with images from Europe and the Americas and form a rich mosaic of ritual art.
William Faulkner remains a historian's writer. A distinguished roster of historians have referenced Faulkner in their published work. They are drawn to him as a fellow historian, a shaper of narrative reflections on the meaning of the past; as a historiographer, a theorist, and dramatist of the fraught enterprise of doing history; and as a historical figure himself, especially following his midcentury emergence as a public intellectual after winning the Nobel Prize for Literature. This volume brings together historians and literary scholars to explore the many facets of Faulkner's relationship to history: the historical contexts of his novels and stories; his explorations of the historiographic imagination; his engagement with historical figures from both the regional and national past; his in uence on professional historians; his pursuit of alternate modes of temporal awareness; and the histories of print culture that shaped the production, reception, and criticism of Faulkner's work.Contributors draw on the history of development in the Mississippi Valley, the construction of Confederate memory, the history and curriculum of Harvard University, twentieth-century debates over police brutality and temperance reform, the history of modern childhood, and the literary histories of antislavery writing and pulp fiction to illuminate Faulkner's work. Others in the collection explore the meaning of Faulkner's fiction for such professional historians as C. Vann Woodward and Albert Bushnell Hart. In these ways and more, Faulkner and History offers fresh insights into one of the most persistent and long-recognized elements of the Mississippian's artistic vision.
In ten essays from the 1998 Faulkner and Yoknapatawpha Conference, held at the University of Mississippi, Faulkner in America looks closely at the exchange between William Faulkner the writer and his national affiliation. Collectively, the essays ask which American ideas, identities, and conflicts we should associate with Mississippi's Nobel Laureate.
In October 2001, an unlikely gathering of musicians calling itself the MuzikMafia took place at the Pub of Love in Nashville, Tennessee. "e;We had all been beat up pretty good by the 'industry' and we told ourselves, if nothing else, we might as well be playing muzik,"e; explains Big Kenny of Big and Rich. For the next year and a half, the MuzikMafia performed each week and garnered an ever-growing, dedicated fan base.Five years, several national tours, six Grammy nominations, and eleven million sold albums later, the MuzikMafia now includes a family of artists including founding members Big and Rich, Jon Nicholson, and Cory Gierman along with Gretchen Wilson, Cowboy Troy, James Otto, Shannon Lawson, Damien Horne (Mista D), Two-Foot Fred, Rachel Kice, and several more in development.This book explores how a set of shared beliefs created a bond that transformed the MuzikMafia into a popular music phenomenon. David B. Pruett examines the artists' coalition from the inside perspective he gained in five years of working with them. Looking at all aspects of the collective, MuzikMafia documents the problems encountered along the ascent, including business difficulties, tensions among members, disagreements with record labels, and miscalculations artists inevitably made before the MuzikMafia unofficially dissolved in 2008. A final section examines hope for the future: the birth of Mafia Nation in 2009.
"He again tops the crowd - he surpasses himself, the old iron brought to the white heat of simplicity." So said Robert Lowell of the poetry of Stanley Kunitz (1905-2006). The interviews contained in this volume touch on aesthetic motifs in his poetry, the roots of his work, his friendships, his interactions with Lowell and Theodore Roethke, and his comments on a host of poets.
Since the publication of Serena in 2008 earned him a nomination for the PEN/Faulkner fiction prize, Ron Rash (b. 1953) has gained attention as one of the South's finest writers. Conversations with Ron Rash collects twenty-two interviews with the award-winning author and provides a look into Rash's writing career from 1994 to 2015.
Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff - past and present.
On Saturday, September 5, 1964, the family of Albert W. "e;Red"e; Heffner Jr., a successful insurance agent, left their house at 202 Shannon Drive in McComb, Mississippi, where they had lived for ten years. They never returned. In the eyes of neighbors, their unforgiveable sin was to have spoken on several occasions with civil rights workers and to have invited two into their home. Consequently, the Heffners were subjected to a campaign of harassment, ostracism, and economic retaliation shocking to a white family who believed that they were respected community members.So the Heffners Left McComb, originally published in 1965 and reprinted now for the first time, is Greenville journalist Hodding Carter's account of the events that led to the Heffners' downfall. Historian Trent Brown, a McComb native, supplies a substantial introduction evaluating the book's significance. The Heffners' story demonstrates the forces of fear, conformity, communal pressure, and threats of retaliation that silenced so many white Mississippians during the 1950s and 1960s. Carter's book provides a valuable portrait of a family who was not choosing to make a stand, but merely extending humane hospitality. Yet the Heffners were systematically punished and driven into exile for what was perceived as treason against white apartheid.
Collects interdisciplinary essays that examine the crucial intersection between whiteness as a privileged racial category and the various material practices (social, cultural, political, and economic) that undergird white ideological influence in America. Contributors examine whiteness from several disciplinary perspectives, including history, communication, law, sociology, and literature.
In this biography, the first to examine General John C. Pemberton's life and career in full scope, Michael Ballard credits Pemberton for military prowess that previous Civil War scholars have denied him. Here his strength is shown to be in administration, not in the theater of combat.
A key concern in postwar America was "e;who's passing for whom?"e; Analyzing representations of passing in Hollywood films reveals changing cultural ideas about authenticity and identity in a country reeling from a hot war and moving towards a cold one. After World War II, passing became an important theme in Hollywood movies, one that lasted throughout the long 1950s, as it became a metaphor to express postwar anxiety.The potent, imagined fear of passing linked the language and anxieties of identity to other postwar concerns, including cultural obsessions about threats from within. Passing created an epistemological conundrum that threatened to destabilize all forms of identity, not just the longstanding American color line separating white and black. In the imaginative fears of postwar America, identity was under siege on all fronts. Not only were there blacks passing as whites, but women were passing as men, gays passing as straight, communists passing as good Americans, Jews passing as gentiles, and even aliens passing as humans (and vice versa).Fears about communist infiltration, invasion by aliens, collapsing gender and sexual categories, racial ambiguity, and miscegenation made their way into films that featured narratives about passing. N. Megan Kelley shows that these films transcend genre, discussing Gentleman's Agreement, Home of the Brave, Pinky, Island in the Sun, My Son John, Invasion of the Body-Snatchers, I Married a Monster from Outer Space, Rebel without a Cause, Vertigo, All about Eve, and Johnny Guitar, among others.Representations of passing enabled Americans to express anxieties about who they were and who they imagined their neighbors to be. By showing how pervasive the anxiety about passing was, and how it extended to virtually every facet of identity, Projections of Passing broadens the literature on passing in a fundamental way. It also opens up important counter-narratives about postwar America and how the language of identity developed in this critical period of American history.
Presents the history of the US's forgotten Dutch slave community and free Dutch-speaking African Americans from seventeenth-century New Amsterdam to nineteenth-century New York and New Jersey. This book also develops a provocative new interpretation of one of America's most intriguing black folkloric traditions, Pinkster.
The marvelous story of innovators C. C. Beck and Otto Binder and their mighty American hero
This revised and updated edition gathers interviews and profiles covering the entire forty-five year span of Woody Allen's career as a filmmaker, including detailed discussions of his most popular as well as his most critically acclaimed works. The present collection is a complete update of the volume that first appeared in 2006. In the years since, Allen has continued making movies, including Midnight in Paris and the Oscar-winning Blue Jasmine.While many interviews from the original edition have been retained in the present volume, ten new entries extend the coverage of Allen's directorial career through 2015. In addition, there are two new, in-depth interviews from the period covered in the first edition. Most of the interviews included in the original volume first appeared in such widely known publications and venues as the New York Times, the Washington Post, Time Magazine the New Yorker, Rolling Stone, and Playboy. A number of smaller and lesser-known venues are also represented, especially in the new volume. Several interviews from non-American sources add an international perspective on Allen's work.Materials for the new volume include pieces focusing primarily on Allen's films as well as broader profiles and interviews that also concentrate on his literary talent. Perhaps Stephen Mamber best describes Allen's distinctiveness, especially early in his career: "Woody Allen is not the best new American comedy director or the best comedy writer or the best comedy actor, he's simply the finest combination of all three."Robert E. Kapsis, Great Neck, New York, is professor of sociology and film studies at Queens College and the Graduate Center of the City University of New York. He is author of Hitchcock: The Making of a Reputation and editor of several volumes in the Conversations with Filmmakers Series. Currently, Kapsis is collaborating with the Museum of the Moving Image and the Academy of Motion Pictures Arts and Sciences in developing a major career retrospective on Steve Martin.
Brings together nine of the best new works on the populist movement in the US South that grapple with several larger themes - the nature of political insurgency, the relationship between African Americans and whites, electoral reform, new economic policies and producerism, and the relationship between rural and urban areas - in case studies that centre on several states and at the local level.
Although food and stories may be two of the most prominent cultural products associated with the US South, the connections between them have not been thoroughly explored until now. This volume explores the relationship between food and literature and makes a major contribution to the study of both southern literature and of southern foodways and culture more widely.
The first study solely dedicated to exploring the power of African American haiku
In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender has shaped the way that music is made and heard.
Since the publication of his first novel, The Mysteries of Pittsburgh, launched him to fame, Michael Chabon (b. 1963) has become one of contemporary literature's most acclaimed novelists. Conversations with Michael Chabon collects eighteen revealing interviews with the renowned author that shed new light on the central concerns of Chabon's fiction.
In The Black Carib Wars, Christopher Taylor offers the most thoroughly researched history of the struggle of the Garifuna people to preserve their freedom on the island of St. Vincent.Today, thousands of Garifuna people live in Honduras, Belize, Guatemala, Nicaragua and the United States, preserving their unique culture and speaking a language that directly descends from that spoken in the Caribbean at the time of Columbus. All trace their origins back to St. Vincent where their ancestors were native Carib Indians and shipwrecked or runaway West African slaves--hence the name by which they were known to French and British colonialists: Black Caribs.In the 1600s they encountered Europeans as adversaries and allies. But from the early 1700s, white people, particularly the French, began to settle on St. Vincent. The treaty of Paris in 1763 handed the island to the British who wanted the Black Caribs' land to grow sugar. Conflict was inevitable, and in a series of bloody wars punctuated by uneasy peace the Black Caribs took on the might of the British Empire. Over decades leaders such as Tourouya, Bigot, and Chatoyer organized the resistance of a society which had no central authority but united against the external threat. Finally, abandoned by their French allies, they were defeated, and the survivors deported to Central America in 1797.The Black Carib Wars draws on extensive research in Britain, France, and St. Vincent to offer a compelling narrative of the formative years of the Garifuna people.
Contributions by Barbara Bennett, Thomas Ærvold Bjerre, Erik Bledsoe, Linda Byrd Cook, Thomas E. Dasher, Robert Donahoo, Peter Farris, Richard Gaughran, William Giraldi, Rebecca Godwin, Joan Wylie Hall, Marcus Hamilton, Gary Hawkins, David K. Jeffrey, Emily Langhorne, Shawn E. Miller, Wade Newhouse, L. Lamar Nisly, bes Stark Spangler, Joe Samuel Starnes, and Scott Hamilton SuterEssays in Rough South, Rural South describe and discuss the work of southern writers who began their careers in the late twentieth and early twenty-first centuries. They fall into two categories. Some, born into the working class, strove to become writers and learned without benefit of higher education, such writers as Larry Brown and William Gay. Others came from lower- or middle-class backgrounds and became writers through practice and education: Dorothy Allison, Tom Franklin, Tim Gautreaux, Clyde Edgerton, Kaye Gibbons, Silas House, Jill McCorkle, Chris Offutt, Ron Rash, Lee Smith, Brad Watson, Daniel Woodrell, and Steve Yarbrough. Their twenty-first-century colleagues are Wiley Cash, Peter Farris, Skip Horack, Michael Farris Smith, Barb Johnson, and Jesmyn Ward.In his seminal article, Erik Bledsoe distinguishes Rough South writers from such writers as William Faulkner and Erskine Caldwell. Younger writers who followed Harry Crews were born into and write about the Rough South. These writers undercut stereotypes, forcing readers to see the working poor differently.The next pieces begin with those on Crews and Cormac McCarthy, major influences on an entire generation. Later essays address members of both groups--the self-educated and the college-educated. Both groups share a clear understanding of the value of working-class southerners. Nearly all of the writers hold a reverence for the South's landscape and its inhabitants as well as an affinity for realistic depictions of setting and characters.Jean W. Cash, Broadway, Virginia, is professor emerita of English at James Madison University. She is the author of Flannery O'Connor: A Life; coeditor with Keith Perry of Larry Brown and the Blue Collar South: A Collection of Critical Essays; and author of Larry Brown: A Writer's Life, which won the Eudora Welty Prize and the C. Hugh Holman Award. Keith Perry, Ringgold, Georgia, is associate professor of English at Dalton State College. He is the author of The Kingfish in Fiction: Huey P. Long and the Modern American Novel.
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