Böcker utgivna av University Press of Florida

In 1840, twenty-three-year-old George Long Brown migrated from New Hampshire to north Florida, a region just emerging from the devastating effects of the Second Seminole War. This volume presents over seventy of Brown's previously unpublished letters to illuminate day-to-day life in pre-Civil War Florida.

Offers a fascinating interdisciplinary investigation of how ancient Andean people understood their world and the nature of being. Exploring pre-Hispanic ideas of time, space, and the human body, these essays highlight a range of beliefs across the region's different cultures, emphasizing the relational aspects of identity in Andean worldviews.

Investigating what life was like for African Americans north of the Mason-Dixon Line during the eighteenth and nineteenth centuries, James Delle presents the first overview of archaeological research on the topic in this book, debunking the notion that the "e;free"e; states of the Northeast truly offered freedom and safety for African Americans. Excavations at cities including New York and Philadelphia reveal that slavery was a crucial part of the expansion of urban life as late as the 1840s. Slaves cleared forests, loaded and unloaded ships, and manufactured charcoal to fuel iron furnaces. The case studies in this book also show that enslaved African-descended people frequently staffed suburban manor houses and agricultural plantations. Moreover, for free blacks, racist laws such as the Fugitive Slave Act of 1850 limited the experience of freedom in the region. Delle explains how members of the African diaspora created rural communities of their own and worked in active resistance against the institution of slavery, assisting slaves seeking refuge and at times engaging in violent conflicts. The book concludes with a discussion on the importance of commemorating these archaeological sites, as they reveal an important yet overlooked chapter in African American history. Delle shows that archaeology can challenge dominant historical narratives by recovering material artifacts that express the agency of their makers and users, many of whom were written out of the documentary record. Emphasizing that race-based slavery began in the Northeast and persisted there for nearly two centuries, this book corrects histories that have been whitewashed and forgotten. A volume in the series the American Experience in Archaeological Perspective, edited by Michael S. Nassaney

Reexamines modernist theorizations of the body, opening up artistic, political, and ethical possibilities at the intersection of affect theory and ecocriticism, two recent directions in literary studies not typically brought into conversation.

This book provides a fresh assessment of the works of British-born poet and painter Mina Loy. Laura Scuriatti shows how Loy's "e;eccentric"e; writing and art celebrate ideas and aesthetics central to the modernist movement while simultaneously critiquing them, resulting in a continually self-reflexive and detached stance that Scuriatti terms "e;critical modernism."e;Drawing on archival material, Scuriatti illuminates the often-overlooked influence of Loy's time spent amid Italian avant-garde culture. In particular, she considers Loy's assessment of the nature of genius and sexual identity as defined by philosopher Otto Weininger and in Lacerba, a magazine founded by Giovanni Papini. She also investigates Loy's reflections on the artistic masterpiece in relation to the world of commodities; explores the dialogic nature of the self in Loy's autobiographical projects; and shows how Loy used her "e;eccentric"e; stance as a political position, especially in her later career in the United States. Offering new insights into Loy's feminism and tracing the writer's lifelong exploration of themes such as authorship, art, identity, genius, and cosmopolitanism, this volume prompts readers to rethink the place, value, and function of key modernist concepts through the critical spaces created by Loy's texts.

Demonstrates that looking at nature through the lens of the marketplace is a surprisingly effective approach to protecting the environment. Barbara Jones argues that nature should be viewed as a capital asset in order for environmental preservation to be a competitive alternative to construction projects.

The years 1500-1700 AD were a time of dramatic change for the indigenous inhabitants of southeastern North America. Using archaeology to enhance our knowledge of the period, this book presents new research on the ways Native societies responded to early contact with Europeans.

Using bioanthropological case studies from around the world, this volume explores how people in the past created, maintained, or changed their identities while living on the edge between two or more different spheres of influence.

Uses archaeological and historical evidence to reconstruct daily life at Betty's Hope plantation on the island of Antigua, one of the largest sugar plantations in the Caribbean. The book demonstrates the rich information that multidisciplinary studies can provide about the effects of sugarcane agriculture on the region and its people.

In this book, Cecilia Tossounian reconstructs different representations of modern femininity from 1920s and 1930s Argentina, a time in which the country saw new economic prosperity, a growing cosmopolitan population, and the emergence of consumer culture.

Dancing with Merce Cunningham is a buoyant, captivating memoir of a talented dancer's lifelong friendship with one of the choreographic geniuses of our time. Marianne Preger-Simon's story opens amid the explosion of artistic creativity that followed World War II. While immersed in the vibrant arts scene of postwar Paris during a college year abroad, Preger-Simon was so struck by Merce Cunningham's unconventional dance style that she joined his classes in New York. She soon became an important member of his brand new dance troupe-and a constant friend. Through her experiences in the Merce Cunningham Dance Company, Preger-Simon offers a rare account of exactly how Cunningham taught and interacted with his students. She describes the puzzled reactions of audiences to the novel non-narrative choreography of the company's debut performances. She touches on Cunningham's quicksilver temperament-lamenting his early frustrations with obscurity and the discomfort she suspects he endured in concealing his homosexuality and partnership with composer John Cage-yet she celebrates above all his dependable charm, kindness, and engagement. She also portrays the comradery among the company's dancers, designers, and musicians, many of whom-including Cage, David Tudor, and Carolyn Brown-would become integral to the avant-garde arts movement, as she tells tales of their adventures touring in a VW Microbus across the United States. Finally, reflecting on her connection with Cunningham throughout the latter part of his career, Preger-Simon recalls warm moments that nurtured their enduring bond after she left the dance company and, later, New York. Interspersed with her letters to friends and family, journal entries, and correspondence from Cunningham himself, Preger-Simon's memoir is an intimate look at one of the most influential companies in modern American dance and the brilliance of its visionary leader.

One of the most prevalent misconceptions about the architecture of Native Americans is that they all lived in teepees or wigwams. In Thatched Roofs and Open Sides, Carrie Dilley reveals the design, construction, history, and cultural significance of the chickee, the unique Seminole structure made of palmetto and cypress.

Looking closely at nineteenth-century texts and twentieth-century novels written by African American women about antebellum America, Resistance Reimagined highlights examples of black women's activism within a society that spoke so much of freedom but granted it so selectively.

As law enforcement officer and game manager for the Florida Game and Fresh Water Fish Commission, Lt. Tom Shirley was the law in one of the last true frontiers in the nation--the Florida Everglades.In Everglades Patrol, Shirley shares the stories from his beat--an ecosystem larger than the state of Rhode Island. His vivid narrative includes dangerous tales of hunting down rogue gladesmen and gators and airboat chases through the wetlands in search of illegal hunters and moonshiners.During his thirty-year career (1955-1985), Shirley saw the Glades go from frontier wilderness to "e;ruination"e; at the hands of the Army Corps of Engineers. He watched as dikes cut off the water flow and controlled floods submerged islands that had supported man and animals for 3,000 years, killing much of the wildlife he was sworn to protect.

This title analyzes the controversial language policies passed by the Puerto Rican government in the 1990s. It also explores the connections between language and cultural identity and politics on the Caribbean island.

Transnational in scope, this much-needed volume explores how modernist writers and artists address and critique dramatic changes to food systems that took place in the early twentieth century. The diverse topics and methodologies assembled here illustrate how food studies can enrich research in the literary and visual arts.

Presents teaching strategies for helping students think critically about the meanings of the past today. In these case studies, experienced teachers discuss ways to integrate heritage studies values into archaeology curricula, illustrating how the fields enrich each other.

Drawing on evidence from daily life in a coal-mining town, this book offers an up-close view of the political economy of the United States over the course of the twentieth century. This community's story illustrates the great ironies of this era, showing how modernist progress and plenty were inseparable from the destructive cycles of capitalism.

The two volumes of Perspectives on American Dance are the first anthologies in over twenty-five years to focus exclusively on American dance practices across a wide span of American culture. They show how social experience, courtship, sexualities, and other aspects of life in America are translated through dancing into spatial patterns, gestures, and partner relationships.

"e;A masterful and revelatory examination of Reconstruction populated by a cast of compelling characters who leap to life in all their glory, gore, and pathos."e;--Lawrence N. Powell, author of The Accidental City: Improvising New Orleans"e;Illuminates a complex period, city, and state and advances a reinterpretation of Reconstruction politics that is both welcome and overdue."e;--Paul D. Escott, author of Uncommonly Savage: Civil War and Remembrance in Spain and the United StatesThe chaotic years after the Civil War are often seen as a time of uniquely American idealism--a revolutionary attempt to rebuild the nation that paved the way for the civil rights movement of the twentieth century. But Adam Fairclough rejects this prevailing view, challenging prominent historians such as Eric Foner and James McPherson. He argues that Reconstruction was, quite simply, a disaster, and that the civil rights movement triumphed despite it, not because of it.Fairclough takes readers to Natchitoches, Louisiana, a majority-black parish deep in the cotton South. Home to a vibrant Republican Party led by former slaves, ex-Confederates, and free people of color, the parish was a bastion of Republican power and the ideal place for Reconstruction to have worked. Yet although it didn't experience the extremes of violence that afflicted the surrounding region, Natchitoches fell prey to Democratic intimidation. Its Republican leaders were eventually driven out of the parish.Reconstruction failed, Fairclough argues, because the federal government failed to enforce the rights it had created. Congress had given the Republicans of the South and the Freedmen's Bureau an impossible task--to create a new democratic order based on racial equality in an area tortured by deep-rooted racial conflict. Moving expertly between a profound local study and wider developments in Washington, The Revolution That Failed offers a sobering perspective on how Reconstruction affected African American citizens and what its long-term repercussions were for the nation.

Ideal for readers new to Ulysses and written with a depth of knowledge invaluable to scholars, Ulysses Unbound is a clear and comprehensive guide to James Joyce's masterpiece from one of the foremost Dublin-based Joyce experts.

After the end of the Mexican Revolution in 1917, postrevolutionary leaders hoped to assimilate the country's racially diverse population into one official mixed-race identity. This book shows that as part of this vision, the Mexican government believed it could modernize 'primitive' Indigenous peoples.

The Victorian illustrated book came into being, flourished, and evolved during the nineteenth century. Catherine Golden offers a new framework for viewing the arc of this vibrant form and surveys the fluidity in styles of illustration in serial instalments, British and American periodicals, adult and children's literature, and graphic novels.

After the American Revolution, enslaved and free blacks who had been loyal to the British cause arrived in the Bahamas, drawn by British promises of liberty and land. Freedom and Resistance shows how black loyalists struggled to find freedom, clashing with white loyalists who tried either to bind them to illegal indentured contracts or to enslave them.

Alongside Memphis, Detroit, New Orleans, Macon, and Muscle Shoals, Florida has a rich soul music history - an important cultural legacy that has often gone unrecognized. Florida Soul celebrates great artists of the Sunshine State who have produced some of the most electric, emotive soul music America has ever heard.

Florida Book Awards, Bronze Medal for Florida NonfictionFlorida Historical Society Charlton Tebeau AwardBeloved raconteur, environmentalist, and down-home philosopher, Gamble Rogers (1937-1991) ushered in a renaissance of folk music to a place and time that desperately needed it. In this book, Bruce Horovitz tells the story of how Rogers infused Florida's rapidly commercializing landscape with a refreshing dose of homegrown authenticity and how his distinctive music and personality touched the nation. As a college student, motivated by personal advice from William Faulkner to stay true to himself, Rogers broke away from his family's prestigious architecture business. Rogers was a skilled guitar player and storyteller who soon began performing extensively on the national folk music circuit alongside Pete Seeger, Doc Watson, and Jimmy Buffett. He discovered a special knack for public radio, appearing frequently as a guest commentator on NPR's All Things Considered.Rogers was known across the country for his intricate fingerpicking guitar style and rapid-fire stage act. Audiences welcomed his humorous homespun tales set in the fictitious Oklawaha County, which was based on places from his own upbringing and populated by a cast of unforgettable characters. His stories evoked rural life in Florida, celebrated the state's natural resources, and called attention to life's many small ironies. As Florida was experiencing colossal growth embodied by the new Kennedy Space Center and Disney World, Rogers's folksy style cheered and reassured listeners in the state who worried that their traditional livelihoods and locales were disappearing. Horovitz shows that even beyond his genius as a performing artist, Rogers was loved for his compassion, integrity, connection with people, and courage. Rogers displayed these widely admired traits for the last time when-on a camping trip to the beach-he tried to save a drowning stranger despite back problems that made it almost impossible for him to swim. This heroic effort led to his untimely death. The life of Gamble Rogers is a window into an important creative subculture that continues to flourish today as contemporary folk artists take on roles similar to the one Rogers established for himself. A modern-day troubadour, Rogers delighted in entertaining audiences with what was familiar and real-by championing the ordinary people of his home community who were closest to his heart.

The years between 1880 and 1930 are usually seen as a time in which American writers replaced values and traditions of the Victorian era, and the turn of the century is typically used as a dividing line between the old and the new. This volume argues that this entire time span should rather be studied as a coherent and complex literary field.

In this one-of-a-kind memoir, Jack Clemons takes readers behind the scenes and into the inner workings of the Apollo and Space Shuttle programs during their most exciting years. Discover the people, the events, and the risks involved in one of the most important parts of space missions: bringing the astronauts back home.