Böcker utgivna av University of Wisconsin Press

Wisconsin is one of the most linguistically rich places in North America. An engaging survey for both general readers and language scholars, Wisconsin Talk brings together perspectives from linguistics, history, cultural studies, and geography to illuminate why language matters in our everyday lives.

Offers a provocative interpretation of a relatively neglected tragedy, Aeschylus's Suppliant Women. Although the play's subject is a venerable myth, it frames the flight of the daughters of Danaus from Egypt to Greece in starkly contemporary terms, emphasising the encounter between newcomers and natives. Although some scholars read Suppliant Women as modelling successful social integration, Geoffrey W. Bakewell argues that the play demonstrates, above all, the difficulties and dangers noncitizens brought to the polis.

Features a collection of poems that travel into mythic ancestral landscapes in southern Italy and Sicily, on a psychic journey of self-discovery.

This reference documents linguistic variations in Pennsylvania German (also known as Pennsylvania Dutch), the dialect now spoken primarily by Old Order Amish and Old Order Mennonite communities in the US. More than 160 maps show regional variants for a word or grammatical form.

This study examines sports as both a symbol of American culture and a formative force that shapes American values. Leverett T. Smith Jr. uses high culture, in the form of literature and criticism, to analyze the popular culture of baseball and professional football.

When Joe Leaphorn and Jim Chee, Tony Hillerman's oddly matched tribal police officers, patrol the mesas and canyons of their Navajo reservation, they join a tradition of Southwestern detectives. In this book, a group of literary critics tracks the mystery and crime novel from the Painted Desert to Death Valley and Salt Lake City.

A perspective on the gothic novel in America, this study engages underlying currents that define American culture as one of consumption through the rereading of canonical texts by Hawthorne, Poe, James and Faulkner, and contemporary gothic novels of Toni Morrison, Joyce Carol Oates and Anne Rice.

The reactions of ordinary people to unusual events reveal the general psychology of a society. These essays are footage in the human action of coping with the phenomena of everyday life. They are accounts of ourselves in the human quest for comfort and safety in a world that is short on both.

Is it possible to understand genres such as drama and theatre without considering the influence of television? This work argues that television's dominance of the entertainment industry demands a continual negotiation of subject position from all other cultural forms and institutions.

Elements of popular culture (such as literature and films) are major industries. This work shows how the methods of popular culture scholarship can be merged with those of marketing and consumer research.

The 15 essays in this volume show the way in which phenomenological approaches can illuminate popular culture studies, and in so doing they take on the entire range of popular culture - television, popular literature, popular vacation sites, and advertising.

This collection of essays articulates the pedagogical strategies of using detective fiction texts to investigate the politics of difference.

The vampire has proliferated in literature in a variety of guises - some antagonistic, some heroic, and many falling into a fascinating ""In between.

Ritual occasions in the movies can bring us to laughter and tears and hope and regret; the chords they strike suggest the complex intersection between American movies and our lives. Major ritual occasions of weddings, baptisms, bar mitzvahs, funerals, graduations, and birthday parties appear in hundreds of popular films produced by Hollywood throughout the 20th century. This study suggests that these stock scenes are more significant to American film than we might have thought.

To this structural analysis, the author adds a new account of the genre's history and its relationship to the myths of the West which have played such an influential role in American history.

Portrayed as dubious moneylenders, underworld operatives, megalomaniacs, Bolshevik saboteurs, or unscrupulous war-profiteers, Jewish characters have surfaced in English detective fiction from the very beginning. Starting with Conan Doyle, and focusing on the Golden Age of the genre, Tunrbull uses multiple examples to trace the evolution of Jewish caricature in British crime writing, and examines fictional representations of Jews in relation to burgeoning antisemitic sentiment within British society. Attention is paid to crime writers as wide-ranging as Baroness Orczy, Sydney Horler, R. Austin Freeman, Ngaio Marsh, and S. T. Haymon, and the depiction of Jews by Golden Age giants Dorothy L. Sayers, Agatha Christie, and Anthony Berkeley Cox.

Traditionally, romance novels have a reputation as being no more than trashy, sex-filled fantasy escapes for frustrated housewives. But books in this genre account for nearly half of the paperbacks published. Contributors examine the patterns used by the romance authors to tell their stories.

The Popular Culture Association/American Culture Association found a fixed canon and revolutionized the study of the humanities and social sciences in the United States and around the world by making that canon fluid. The full ramifications of this revolt against traditional academia not finished nor fully understood. This is a record of the goals and accomplishments of the pioneers in this field. The essays recall the barriers that the first pop culture scholars faced and tracks their achievements.

In a world that is witnessing the explosive forces of individualism, tribalism, cultism, religion, nationalism, and regionalism, can the "global village" concept as envisioned by Marshall McLuhan have any meaning or hope for fruition? Do the media merely electronically override the stronger forces of basic human expression without in any way changing them?

This title looks at the evolution and cultural significance of daytime talk shows, concluding that they are more than harmless entertainment.

This book shows how Ford's first large automotive plant - the Crystal Palace - transformed the sleepy village of Highland Park, Michigan, into an industrial boomtown that later became an urban ghetto, and the first American city whose life and well-being depended entirely upon the employment and production policies of the automotive industry. It shows how in the process of attempting to create a workforce in the likeness of Henry Ford himself, the Ford Motor Company used "scientific management" as the basis for redefining the relations between labor and management, and as the basis for attempting to manage the quality of life of those who worked in the factory, and of those who lived in its shadows. This innovative work makes an important contribution to the study of the quality of life of the pioneers of modern industrial production. Given the recent developments in the automotive industry, Life in the Shadows provides a timely examination of this important episode in the history of American workers, along with significant details and interpretation of the earliest mass production facility and the local community that resulted from it. The author discusses such issues as what the community was like before the coming of the Crystal Palace, the evolution of the production processes, the development of a new "manager class", and the work of Ford's Sociological Department.

"Rednecks" have long been subjects of scorn and ridicule, especially in the South because of an antebellum caste and class system, parts of which persist to this day. In A Question of Class, Carr probes the historical and sociological reasons for the descent of "rednecks" into poverty, their inability to rise above it, and their continuing subjugation to a stereotype developed by others and too often accepted by themselves. Carr also records the progress in southern fiction of this negative stereotype - from antebellum writers who saw "rednecks" as threats to the social order, to post-Civil War writers who lamented the lost potential of these people and urged sympathy and understanding, to modern writers who reverted, in some sense, to Old South attitudes, and finally, to contemporary writers who point toward a more democratic acceptance of this much maligned group.

Gift Giving brings together 21 scholars from a variety of disciplines - including consumer behavior, communications, and sociology - who are dedicated to the understanding of what motivates gift selection, presentation, and incorporation of a gift into a person's life. The text explores the role of values in gift exchange; the influence of ethnic, generational, and subcultural differences in gift exchange; how gifts to the self are manifested; and new directions and topics in gift giving. In these essays, gift giving occasions are probed for the meanings that can be illuminated with respect to this pervasive, yet not always positive, phenomenon. For anyone interested in gift giving behavior, this volume should prove both enlightening and provocative.

The Great Depression was one of the most traumatic eras of recent American history. The author has analyzed, and provided context for, the vast collection of poetry and song lyrics in the Hoover and Roosevelt presidential libraries to assess another aspect of American public opinion. The poets voiced their opinions about New Deal agencies.

The educational opportunities of the new millennium are endless if our efforts are informed. If not, they will be catalogs of failures or half-successes. The essays in this collection, written by some of the leading scholars in Popular Culture Studies, turn the page on the new millennium to see what are the directions of approach and the opportunities to be gained in recognition of the compelling need for studies in everyday cultures. These essays help chart the course for themes and directions of such studies into the new world that is waiting to be born. Their value is indispensable.

The author of this book describes in detail the chronology of the year 1927, when the great New York Yankees became The Wonder Team - probably baseball's best team ever. That club included Babe Ruth, Lou Gehrig, Waite Hoyt, Tony Lazzeri, Earle Combs, Herb Pennock, Bob Meusel, and Wilcy Moore. Also part of the narrative are owner Colonel Jacob Ruppert, manager Miller Huggins, business manager Ed Barrow, and scout Paul Krichell. No participant of that great team is omitted. The author's chronicle is thoroughly buttressed by interviews, research, and records. In detailing the events leading to the 1927 World Series, Trachtenberg weaves players' profiles and histories, along with those of the Yankee owner, management, coaches, scouts, trainer, and batboy/mascot. The reader becomes acquainted with players' personalities, baseball skills, records, and hijinks on and off the field. Players' backgrounds, how they became involved in the great ball club, how they were viewed by the press, how their careers flourished and waned - all of this is covered in The Wonder Team. Also included are 1927 stats, photos from Yankee archives, and biographical sketches.