Böcker utgivna av University of Wisconsin Press

Inspired by thrift store knit sleeves, punk rock record sleeves, and, of course, print book sleeves, Angela Sorby explores how the concrete world hails us in waves of color and sound. She asks implicitly, "What makes the sleeve wave? Is it the body or some force larger than the self?” As Sorby's tough, ironic, and subtly political voice repeatedly insists, we apprehend, use, and release more energy than we can possibly control.

Winner of the 2014 Four Lakes Poetry Prize These poems enact the kinds of arguments we have with ourselves--between control and relinquishment, grief and ecstasy, regret and acceptance, faith and skepticism--grounded in the music of experience.

Part memoir, part history and travelogue, Coming Out Swiss is a marvelous voyage on a search for community and culture.

Winner of the 2014 Brittingham Prize in Poetry Crossing many geographies and eras, the poems of My Favorite Tyrants lyrically explore why tyranny is so compelling, even seductive. Joanne Diaz's powerful and provocative collection is marked by the exploration of desire, grief, and loss in a world where private relationships are always illuminated by larger, more despotic forces.

More than one hundred years before Barack Obama, George Edwin Taylor made presidential history. Born in the antebellum South, Taylor became the first African American ticketed as a political party's nominee for president. Bruce L. Mouser follows Taylor's life and career in Arkansas, Illinois, Wisconsin, Iowa, and Florida, giving life to a figure representing a generation of African American idealists.

Banned shortly after its publication in 1907, the Russian novel ""Sanin"" scandalized readers with the sexual exploits of its eponymous hero. This book offers an analysis of the scandal's coverage in the provincial press and the reactions of young people who appealed to their peers to resist the novel's nihilistic message.

Young Air Force veteran Edward Field, fresh from combat in WWII, threw himself into New York's literary bohemia, searching for fulfillment as a gay man and poet. This memoir opens the closet door to reveal some of the most important writers of his time. It brings back a forgotten era, postwar Bohemia, bawdy, comical, romantic, sad, and heroic.

This is a book for historians, journalists and for all of us who need to remember this turbulent time on our nation's past, and its lessons for today."

From Walt Whitman forward, a century and a half of radical experimentation and bold speech by gay and lesbian poets has deeply influenced the American poetic voice. In Our Deep Gossip, Christopher Hennessy interviews eight gay men who are celebrated American poets and writers. The interviews showcase the complex ways art and life intertwine.

Norman Itzkowitz was professor of Near Eastern Studies at Princeton University until his retirement in 2001, and published more than a dozen books in three languages focusing on Ottoman history and psychobiography. This collection of articles is authored by the students and colleagues of Norman Itzkowitz.

Traces the development of the Russian historical novel from its inception in the romantic era to the emergence of Modernism on the eve of the Revolution. This book examines the variety of approaches by which writers combined fact with fiction and explores the range of subjects that inspired the Russian historical imagination.

Offers a wingshooter's odyssey to the wild places where, at the end of the day, the companionship of faithful gun dogs and good friends matters more than a bulging game bag. In this sometimes humorous and sometimes poignant collection of essays, Dave Books celebrates a time-honoured connection to the land and the hard-earned hunting rewards of an outdoor life.

A collection of readings offering new interpretations of Wagner's ideological position in German history. The issues discussed range from the biographical to the aesthetic and ideological, and topics include his treatment of medieval Nuremberg, his anti-Semitism and his musical heirs.

Ranging from Hellenistic pastoral to the contemporary counterculture activities of the "Greens," the essays in this volume underscore the complexity of simplicity. Whether the simple life is located in a culture's past or in its future, in a secluded corner or beyond society's boundaries, it remains a fascinating subject for discussion.

In this encyclopedic work of intellectual history, Philip D. Curtin sought to discover the British image of Africa for the years 1780-1850. This work is in two volumes.

In this encyclopedic work of intellectual history, Philip D. Curtain sought to discover the British image of Africa for the years 1780 1850."

"Vasiliev's survey of Byzantine history is unique in the field. It is complete, including a sketch of literature and art for each period, while all other works of the kind, even the most recent, either are restricted to a shorter time, or neglect some side of eastern civilization. . . ." - The Catholic Historical Review

"No narrow work. [The authors] have made signal contributions both to the history of higher education in the United States and to the intellectual history of the Middle West. In short, this is a distinguished history of a distinguished university."--Saturday Review of Literature

In 1917 a bomb exploded in a Milwaukee police station, killing nine officers and a civilian. Those responsible never were apprehended, but police, press, and public all assumed that the perpetrators were Italian. Days later, eleven alleged Italian anarchists went to trial on unrelated charges involving a fracas that had occurred two months before. Against the backdrop of World War I, and amidst a prevailing hatred and fear of radical immigrants, the Italians had an unfair trial. The specter of the larger, uncharged crime of the bombing haunted the proceedings and assured convictions of all eleven. Although Clarence Darrow led an appeal that gained freedom for most of the convicted, the celebrated lawyer's methods themselves were deeply suspect. The entire case left a dark, if hidden, stain on American justice. Largely overlooked for almost a century, the compelling story of this case emerges vividly in this meticulously researched book by Dean A. Strang. In its focus on a moment when patriotism, nativism, and terror swept the nation, "Worse than the Devil" exposes broad concerns that persist even today as the United States continues to struggle with administering criminal justice to newcomers and outsiders."

Forgotten for more than a century in an old cardboard box, these are the letters of Guy Carlton Taylor, a farmer who served in the Thirty-Sixth Wisconsin Volunteer Infantry Regiment in the American Civil War. From March 23, 1864, to July 14, 1865, Taylor wrote 165 letters home to his wife Sarah and their son Charley. From the initial mustering and training of his regiment at Camp Randall in Wisconsin, through the siege of Petersburg in Virginia, General Lee's surrender at Appomattox, and the postwar Grand Review of the Armies parade in Washington, D.C., Taylor conveys in vivid detail his own experiences and emotions and shows himself a keen observer of all that is passing around him. While at war, he contracts measles, pneumonia, and malaria, and he writes about the hospitals, treatments, and sanitary conditions that he and his comrades endured during the war. Amidst the descriptions of soldiering, Taylor's letters to Sarah are threaded with the concerns of a young married couple separated by war but still coping together with childrearing and financial matters. The letters show, too, Taylor's transformation from a lonely and somewhat disgruntled infantryman to a thoughtful commentator on the greater ideals of the war. This remarkable trove of letters, which had been left in the attic of Taylor's former home in Cashton, Wisconsin, was discovered by local historian Kevin Alderson at a household auction. Recognizing them for the treasure they are, Alderson bought the letters and, aided by his wife Patsy, painstakingly transcribed the letters and researched Taylor's story in Wisconsin and at historical sites of the Civil War. The Aldersons' preface and notes are augmented by an introduction by Civil War historian Kathryn Shively Meier, and the book includes photographs, maps, and illustrations related to Guy Taylor's life and letters.

With the end of the global Cold War, the struggle for human rights has emerged as one of the most controversial forces of change in Latin America. Many observers seek the foundations of that movement in notions of rights and models of democratic institutions that originated in the global North. Challenging that view, this volume argues that Latin American community organizers, intellectuals, novelists, priests, students, artists, urban pobladores, refugees, migrants, and common people have contributed significantly to new visions of political community and participatory democracy. These local actors built an alternative transnational solidarity from below with significant participation of the socially excluded and activists in the global South. Edited by Jessica Stites Mor, this book offers fine-grained case studies that show how Latin America's re-emerging Left transformed the struggles against dictatorship and repression of the Cold War into the language of anti-colonialism, socioeconomic rights, and identity.

In early nineteenth-century Russia, members of jocular literary societies gathered to recite works written in the lightest of genres: the friendly verse epistle, the burlesque, the epigram, the comic narrative poem, the prose parody. In a period marked by the Decembrist Uprising and heightened state scrutiny into private life, these activities were hardly considered frivolous; such works and the domestic, insular spaces within which they were created could be seen by the Russian state as rebellious, at times even treasonous. Joe Peschio offers the first comprehensive history of a set of associated behaviors known in Russian as "shalosti," a word which at the time could refer to provocative behaviors like practical joking, insubordination, ritual humiliation, or vandalism, among other things, but also to literary manifestations of these behaviors such as the use of obscenities in poems, impenetrably obscure allusions, and all manner of literary inside jokes. One of the period's most fashionable literary and social poses became this complex of behaviors taken together. Peschio explains the importance of literary shalosti as a form of challenge to the legitimacy of existing literary institutions and sometimes the Russian regime itself. Working with a wide variety of primary texts--from verse epistles to denunciations, etiquette manuals, and previously unknown archival materials--Peschio argues that the formal innovations fueled by such "prankish" types of literary behavior posed a greater threat to the watchful Russian government and the literary institutions it fostered than did ordinary civic verse or overtly polemical prose.