Böcker utgivna av University of Wisconsin Press

The story of Don Juan first appeared in writing in seventeenth-century Spain, reaching Russia about a century later. Its real impact, however, was delayed until Russia's most famous poet, Alexander Pushkin, put his own, unique, and uniquely inspirational, spin on the tale. Published in 1830, TheStone Guest is now recognized, with other Pushkin masterpieces, as part of the Russian literary canon. Alexander Burry traces the influence of Pushkin's brilliant innovations to the legend, which he shows have proven repeatedly fruitful through successive ages of Russian literature, from the Realist to the Silver Age, Soviet, and contemporary periods. Burry shows that, rather than creating a simple retelling of an originally religious tale about a sinful, consummate seducer, Pushkin offered open-ended scenes, re-envisioned and complicated characters, and new motifs that became recursive and productive parts of Russian literature, in ways that even Pushkin himself could never have predicted.

Literary scholars largely agree that the Romantic period altered the definition of tragedy, but they have confined their analyses to Western European authors. Maksim Hanukai introduces a new, illuminating figure to this narrative, arguing that Russia's national poet, Alexander Pushkin, can be understood as a tragic Romantic poet, although in a different mold than his Western counterparts. Many of Pushkin's works move seamlessly between the closed world of traditional tragedy and the open world of Romantic tragic drama, and yet they follow neither the cathartic program prescribed by Aristotle nor the redemptive mythologies of the Romantics. Instead, the idiosyncratic and artistically mercurial Pushkin seized upon the newly unstable tragic mode to develop multiple, overlapping tragic visions. Providing new, innovative readings of such masterpieces as The Gypsies, Boris Godunov, The Little Tragedies, and The Bronze Horseman, Hanukai sheds light on an unexplored aspect of Pushkin's work, while also challenging reigning theories about the fate of tragedy in the Romantic period.

Equals in Learning and Piety is an intellectual history of the 'Yan Taru (Associates) movement, a women-led Islamic educational organization that continues to this day in both northern Nigeria and in the United States. Drawing on extensive scholarship across disciplines including history, Islamic studies, anthropology, gender and women's studies, and literary studies-and alongside rigorous ethnographic research and interviews with leading Nigerian Muslim scholars-Beverly Mack argues that this formidable Muslim women's movement consolidated the religious and social order established by the Sokoto Jihad in the early nineteenth century. Mack shows how women scholars instructed rural Hausa and Fulani women in Muslim ethics, doctrine, traditions, and behavior that followed and replaced the traumatic experience of warfare unleashed by the Jihad. She shows that these unique social engagements shaped people's agency in the dynamic process of social change throughout the nineteenth century. Women imaginatively reconciled Muslim reformist doctrines and traditional practices in Nigeria, and these doctrines have continued to be influential in the diaspora, especially among Black American Muslims in the United States in the twenty-first century. With this major investigation of a little-studied phenomenon, Mack demonstrates the importance of women to the religious, political, and social transformation of Nigerian Muslim society.

As state economic policies promote integration under a single logic of modernist development, many impoverished groups remain on the margins. Development in Spirit explores the practices employed by communities on the fringes of such nation-building projects. Using an everyday political economy lens, Seb Rumsby demonstrates how seemingly powerless actors actively engage with larger forces, shaping their experience of development in ways that are underexamined but have far-reaching consequences. Following state-led market reforms in the 1980s, Vietnam experienced stunning economic transformation. But for the Hmong communities of the country's north and central highlands, the benefits proved elusive. Instead, the Hmong people have pursued their own alternative paths to development. Rumsby shows how mass conversion to Christianity led to a case of "unplanned development" that put the Hmong on a trajectory of simultaneous integration into the market economy and resistance to state authority. Many of the strategies community members employ are tied to the Christianization of everyday life. Religious actors play complex and often contradictory roles in facilitating networks of exchange, challenging or enforcing gender norms, promoting communalism and enforcing discipline, and shaping local ideas about progress. They are influenced by national and transnational religious networks, especially US-produced radio broadcasts by Hmong American Christians and local converts. This compelling account provides fresh theoretical and empirical insights into the interplay of religion, neoliberal development, and marketization across the world.

The internet brings new urgency to the study of folklore. The digital networks we use every day amplify the capacity of legends to spread swiftly, define threats, and inform action. Using the case of a particularly popular digital bogeyman known as the Slender Man, Andrew Peck brings the study of legends into the twenty-first century. Peck explains not only how legends circulate in the digital swirl of the internet but also how the internet affects how legends seep into our offline lives and into the mass media we consume. What happens, he asks, when legends go online? How does the internet enable the creation of new legends? How do these ideas go viral? How do tradition and technology interact to construct collaborative beliefs? Peck argues that the story of the Slender Man is really a story about the changing nature of belief in the age of the internet. Widely adopted digital technologies, from smartphones to social media, offer vast potential for extending traditional and expressive social behaviors in new ways. As such, understanding the online landscape of contemporary folklore is crucial for grasping the formation and circulation of belief in the digital age. Ultimately, Peck argues that advancing our comprehension of legends online can help us better understand how similar belief genres-like fake news, conspiracy theories, hoaxes, rumors, meme culture, and anti-expert movements-are enabled by digital media.

Chasing leads, Sheriff Dave Cubiak suddenly finds himself amid a troupe of live-action role players living in an ersatz Camelot. In a setting where pretense in the norm, Cubiak must determine if suspects are who they say they are or if their made-up identities conceal a ruthless killer.

Redeeming Objects traces the afterlives of things. Out of the rubble of World War II and the Holocaust, the Federal Republic of Germany emerged, and with it a foundational myth of the "economic miracle." In this narrative, a new mass consumer society based on the production, export, and consumption of goods would redeem West Germany from its Nazi past and drive its rebirth as a truly modern nation. Turning this narrative on its head, Natalie Scholz shows that West Germany's consumerist ideology took shape through the reinvention of commodities previously tied to Nazism into symbols of Germany's modernity, economic supremacy, and international prestige. Postwar advertising, film, and print culture sought to divest mass-produced goods-such as the Volkswagen and modern interiors-of their fascist legacies. But Scholz demonstrates that postwar representations were saturated with unacknowledged references to the Nazi past. Drawing on a vast array of popular and highbrow publications and films, Redeeming Objects adds a new perspective to debates about postwar reconstruction, memory, and consumerism.

Newly divorced, Virginia Bigelow is struggling with pressing financial debt, the frustration of a stalled teaching career, an increasingly isolated and lonely existence, and the challenges of being a single parent to an autistic child. When she learns that Travis Lee Hilliard, the man who murdered her father in the 1980s, has been released from prison, she drops everything and sets out on an ill-conceived journey to confront him in order to mete out the justice she feels he deserves.Meanwhile, having spent three decades serving a life sentence for murdering the California preacher who rescued him from the streets, Travis thinks of himself as a reformed man. Traveling from Folsom Prison to his new home in the Mojave Desert, a remote location with minimal temptations, he struggles to reconcile his past and embrace his newfound freedom. But there are more challenges to staying on the straight and narrow than he ever could have imagined.Virginia's and Travis's braided narratives slowly tighten as they approach their inevitable collision. Unflinching, compassionate, and gripping, this bold novel evocatively examines the ambiguities wrought by both violence and redemption.

Opening with "Hors d'oeuvres" and closing with a "Feast," the stories in Cravings pulse with longing, missed opportunities, recriminations, and joy. Garnett Kilberg Cohen leads readers through acutely crafted explorations of the way events shape and change our lives, sometimes for the better and sometimes in ways that haunt us forever. Love, friendship, childhood, parenthood, and leaving home-all these experiences of desire, driven by the unrelenting passage of time-form the heart of this charismatic collection. Kilberg Cohen's captivating and vulnerable characters often recognize their shortcomings and past mistakes, but cannot always rise above them. One woman learns to forgive her husband's ex; another fears her love of salty snacks caused a family tragedy. A stoic rural community drives a newcomer out of town; a young man's entire life is colored by a traumatic childhood event at a zoo. Focusing on the specific, unforgettable moments that reveal our connections to one another, Cravings offers an expansive vision of humanity that lingers long after the final page is turned.

In 2010, Blake Geoffrion became the first player from the University of Wisconsin hockey team to receive the Hobey Baker Award, recognizing him as the best player in men's college hockey. Blake was a rising scion of hockey royalty, descendant of legendary Canadian players Howie Morenz and Bernie "Boom Boom" Geoffrion, and he would soon be the first fourth-generation player to reach the NHL. His professional career promised to cement his family's storied legacy on ice. But in 2012, while playing for the Montreal Canadiens' minor league team beneath Morenz's and Boom Boom's retired numbers, Geoffrion suffered a devastating injury that ended his career-and nearly his life. With sure-footed and swift-moving prose, Sam Jefferies tells Geoffrion's story against the backdrop of modern North American hockey. Thorough research and scores of interviews fuel this tale of soaring success and terrible tragedy, offering insight not only into one man's athletic journey but also into the rise of American hockey on the national and international stage. Geoffrion's brief career, marked by tribulation and triumph, illustrates the subtle but omnipresent currents of American media, sports labor, and the interplay between college and professional athletics. It tells the story of what was, what is, and what may yet be for the fastest game on earth.

The characters-young and old, queer and straight, contemporary and historical-who inhabit Lynn C. Miller's stories often find themselves in defining moments and crisis situations. As they search through the archives of memory, truth, and experience, they seek to understand not only the past and present but themselves.Stretching the definition of "archive," Miller builds interconnected webs that surprise, much like the seemingly random papers collected in a box of materials. Fraught relationships, mistaken identities, mysterious disappearances, and the search for love play out in these stories. Friendships are celebrated, ex-husbands cross the line, and Gertrude Stein attempts to write her memoir. An unusual collection that proves greater than the sum of its parts, The Lost Archive will haunt readers with the intensity of its vision.

The characters who inhabit Sarah Layden's short story collection are on the verge of change-if only they could see themselves and their situations with greater clarity. Caught in the midst of crises, they stumble toward the future without fully understanding their past. Layden's deft, spare prose sketches worlds and lives with telling details, juggling disparate strands of identity and often revealing the deeper truths in unexpected moments of epiphany.A bride-to-be puts on her detective hat when her groom goes missing. A woman returns to college after escaping an abusive marriage, only to discover her professor is a fraud. Reunited at a high school reunion, two former classmates completely misinterpret a critical incident from a decade prior. These and other characters find themselves lonely and in limbo, their self-identity as blurry as the old photographs they cling to with stubborn intensity.Set mostly in the Midwest and upstate New York, Imagine Your Life Like This captures everyday Americans in all their discontent, misunderstandings, and dogged determination for a better world.

Ronya Othmann's debut novel narrates the coming of age of Leyla, a Yazidi-Kurdish-German girl. She spends the school year in her mother's home country of Germany but travels every summer to her father's home village in Syria, near the Turkish border. She knows its smells and tastes. She knows its stories. She knows where the Yazidi villagers keep their suitcases hidden, should they need to escape again. And she watches from afar, horrified, as ISIS troops move on the village, threatening the lives of her grandparents, aunts, uncles, cousins, and friends.Leyla's sexual awakening proves far less traumatic than her growing disenchantment with her German classmates and friends, who appear completely indifferent to the fate of her Yazidi community. Thoughtful and poignant, The Summers addresses issues of gender, sexuality, cultural difference, politics, and identity. Othmann draws readers into multiple worlds, ultimately revealing the hopes and dreams that bind us all together when forces threaten to tear us apart.

While trying to drum up additional work, down-on-his-luck handyman Don Lank spies an imitation Tiffany lamp shining in the front window of a house. He offers the elderly widow who answers the door $800 for it-knowing he can sell it to a dealer for several hundred dollars more than that. Only the lamp turns out to be real-and worth at least $15,000.Feeling both delighted by and guilty about his good fortune, Don returns most of the money to the original owner, Millie Prall. He also offers to make a few repairs around her deteriorating house-making it easier and safer for her to navigate the space in the wake of her husband's death. As Millie's dementia worsens, Don finds his life more and more enmeshed with hers, driving her to medical appointments, shopping for her groceries, cooking her meals, handling her finances, and increasingly overseeing her care-while simultaneously trying to repair his relationships with his father, his ex-wife, and his stepkids.In this quietly mesmerizing novel, no one, including the protagonist, is ever entirely sure of their motivations. Existing in the liminal spaces between altruism and greed, This Room Is Made of Noise deftly explores the shades of gray that lie between our desires and our demons.

For more than 150 years, individuals have traveled the countryside with pen, paper, tape recorders, and even video cameras to document versions of songs, music, and stories shared by communities. As technologies and methodologies have advanced, the task of gathering music has been taken up by a much broader group than scholars. The resulting collections created by these various people can be impacted by the individual collectors' political and social concerns, cultural inclinations, and even simple happenstance, demonstrating a crucial yet underexplored relationship between the music and those preserving it.Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre Ní Chonghaile argues for a culturally equitable framework that considers negotiation, collaboration, canonization, and marginalization to fully understand the immensely important process of musical curation. In presenting four substantial, historically valuable collections from the nineteenth and twentieth centuries, she illustrates how understanding the motivations and training (or lack thereof) of individual music collectors significantly informs how we should approach their work and contextualize their place in the folk music canon.

Witty, incisive essays on nature, fatherhood, climate change, illness, and the future from Bob Smith, the pioneering gay comedian and award-winning writer.

Named for its mythical leader "Captain Rock," avenger of agrarian wrongs, the Rockite movement of 1821-24 in Ireland was notorious for its extraordinary violence. In Captain Rock, James S. Donnelly, Jr., offers both a fine-grained analysis of the conflict and a broad exploration of Irish rural society after the French revolutionary and Napoleonic wars.

Winner of France's 2004 Prix de Flore for his memoir The Romanian: Story of an Obsession, Bruce Benderson has gained international respect for his controversial opinions and original take on contemporary society. In this collection of essays, Benderson directs his exceptional powers of observation toward some of the most debated, as well as some of the most neglected, issues of our day. In Sex and Isolation, readers will encounter eccentric street people, Latin American literary geniuses, a French cabaret owner, a transvestite performer, and many other unusual characters; they'll visit subcultures rarely described in writing and be treated to Benderson's iconoclastic opinions about culture in former and contemporary urban society. Whether proposing new theories about the relationship between art, entertainment, and sex, analyzing the rise of the Internet and the disappearance of public space, or considering how religion and sexual identity interact, each essay demonstrates sharp wit, surprising insight and some startling intellectual positions. This is the first American volume of Benderson's collected essays, featuring both new work and some of his best-known writings, including his famous essay "Toward the New Degeneracy."

In a thoughtful, well-informed study exploring fiction from throughout Stephen King's immense oeuvre, Heidi Strengell shows how this popular writer enriches his unique brand of horror by building on the traditions of his literary heritage. Tapping into the wellsprings of the gothic to reveal contemporary phobias, King invokes the abnormal and repressed sexuality of the vampire, the hubris of Frankenstein, the split identity of the werewolf, the domestic melodrama of the ghost tale. Drawing on myths and fairy tales, he creates characters who, like the heroic Roland the Gunslinger and the villainous Randall Flagg, may either reinforce or subvert the reader's childlike faith in society. And in the manner of the naturalist tradition, he reinforces a tension between the free will of the individual and the daunting hand of fate. Ultimately, Strengell shows how King shatters our illusions of safety and control: "King places his decent and basically good characters at the mercy of indifferent forces, survival depending on their moral strength and the responsibility they may take for their fellow men."

Filled with Curt Leviant's signature blend of humor and drama, these two enchanting and original novellas lure readers into a dazzling storybook world. "Ladies and Gentlemen, the Original Music of the Hebrew Alphabet" is set in Budapest during the Communist era. The story focuses on the tenuous seesaw between Dr. Isaac Gantz, a musicologist, and engineer Ferdinand Friedman, a Holocaust survivor who believes that he possesses one of the greatest manuscripts of the ages, a Rosetta Stone of Judaica. Friedman is willing to share it--but there is a "but." In pursuing this prize, Gantz enters a world of strange human relationships filled with doubts and surprises. A vibrant cast of characters adds dimension to this gripping story in which Jewish folklore, music, and history coalesce. "Weekend in Mustara" unfolds on the fictional island of Mustara in southern Europe, a mountainous, totalitarian country that tolerates Judaism. Its few Jews cling to their heritage, embodied in their beautiful but sparsely attended synagogue and their museum, where a great memorial book is inscribed with the names of all Mustara Jews martyred during World War II. A scholar of medieval Hebrew manuscripts comes to the island, searching for traces of Yehuda Halevi, the great Hebrew poet of the Spanish Golden Age. He is soon enmeshed among elusive personalities and tangled loyalties, but only when he finds himself displaced in time--in a kind of theater of the absurd--are the purposes of his journey finally realized.

Uganda has attracted much attention and political visibility for its significant economic recovery after a catastrophic decline. In her groundbreaking book, Aili Mari Tripp provides extensive data and analysis of patterns of political behavior and institutions by focusing on the unique success of indigenous women's organizations. Tripp explores why the women's movement grew so dramatically in such a short time after the National Resistant Movement took over in 1986. Unlike many African countries where organizations and institutions are controlled by a ruling party or regime, the Ugandan women's movement gained its momentum by remaining autonomous.