Böcker utgivna av University of Wisconsin Press

A rich multivoiced anthology of folktales, legends, joik songs, proverbs, riddles, and other verbal art, this is a comprehensive collection of Sami oral tradition in English. Collected by August Koskimies and Toivo Itkonen in the 1880s, the material reveals a complex web of social relations that existed both inside and beyond the community.

A proud Armenian who claimed a distant link to nobility, born in what was then part of czarist Russia, Rouben Mamoulian (1897-1987) was one of the most astonishing and confounding figures in American film and theater, directing the original stage productions of Porgy and Bess, Carousel, and Oklahoma!, as well as films including Love Me Tonight, Queen Christina, City Streets, and Silk Stockings. He was famously fired from the film version of Porgy and Bess in a dispute over publicity and quit Cleopatra after arguments over a single scene. Mamoulian's mercurial confidence and autocratic tendencies were among the reasons he had a reputation for being uncompromising. This frustrating mix of genius and stubbornness, of critical successes and financial flops, has proven challenging for biographers.Kurt Jensen's magisterial volume, extensively researched and filled with trenchant observations, brings to life this charming, flawed, and fascinating man-and demonstrates how the wellspring of his art contained the seeds of his own destruction. Drawing upon Mamoulian's unfinished memoir and voluminous diaries, as well as interviews with the director's surviving collaborators, Jensen delivers fresh and informative insider stories from seminal productions. Meanwhile, he explores Mamoulian's aesthetic principles and strategies as manifested in lighting, choreography, and sound design. A tour de force, Peerless offers readers a multifaceted, in-depth look at an idiosyncratic genius.

Originally published by Howard Fertig, Inc. under the title Masses and Man, copyright Ã1980.

In November 2020, B.J. Hollars answered a call from his father-in-law while teaching. "When will you be home?" Steve asked. "I have news."So began the Hollars family's year of plenty-a cancer diagnosis on top of the ongoing COVID pandemic, then feelings of falling short as parents, partners, and people. While Hollars traces his family's daily devastations alongside his father-in-law's decline, he recounts the small mercies along the way: birthdays, campfires, fishing trips, kayaking, and fireflies. As he, his wife, Meredith, and their three young children grapple with how best to say goodbye to the person they love, they are forced to reassess their own lives. How can we make the most of our time, they wonder, when time feels so short?Written in vignettes and accompanied by photographs and family interviews, Year of Plenty provides a poignant and unflinching account of how death separates us not only from the people we love but from places and memories too. Hollars explores how death's all-consuming weight has the potential to fracture-rather than strengthen-even those relationships we think we know the best. Ultimately, he cracks wide personal moments from his own life and allows the world to peer in.

Hart Island has served as a potter's field for more than a century, holding over a million indigent, unclaimed, or unknown New Yorkers' bodies-and yet it is little-known even among locals. In this absorbing and elegiac story, on this island shaped like a miniature boot of Italy, Gary Zebrun explores overlapping connections of family, crime, sexuality, and human decency.Driven out of the Coast Guard during the days of "Don't Ask, Don't Tell," Sal Cusumano hauls coffins to Hart Island with a burial crew of Rikers Island inmates and guards. Only there can he fully leave his family troubles on Staten Island behind: Justin, his adopted brother and lover; his mother, Ida, slipping rapidly into dementia; the memory of Francesco, his father, a bookie gunned down on his stoop; and his brother Antony, a Manhattan homicide detective moonlighting with the mob. But the island ceases to be his sanctuary after Antony ensnares him-and others-in a crime that involves a nocturnal visit to the potter's field. This compelling and intricately plotted novel moves through the shadows as its characters yearn for belonging and forgiveness. Set on the eve of the COVID pandemic, it is part love story, part crime novel, and part mystery.

When Tave wakes up alone in the hospital, she barely remembers the car wreck. Far from home, dazed, and despondent, she struggles to face the challenges of her new paralysis-all while worrying about her partner, Les, also severely injured in the accident, now cared for by her homophobic parents who refuse to allow contact.In rehab, Tave relearns life skills and comes to recognize that her future will be completely different than she'd imagined. Where will she live? How will she find the help she needs? Can her friends rise to the occasion? Or will she be forced to move back in with her mother, putting up with endless talk of faith healers? Her one beacon of hope is Beth, her physical therapist. But Beth's relationship problems with her own girlfriend push her toward overinvolvement-and risk damaging both her career and Tave's recovery.A story of courage, resilience, and love, Unswerving challenges readers' preconceived notions of disability, of limitations, and of the inevitability of fate.

A chicken lives for eighteen months after its head is cut off. Tourists pose with an inflatable sex doll at the 9/11 memorial. A sex-reveal party starts a wildfire in a forest named for a conquistador. The author's cancer treatments are intertwined with the rise of domestic fascism. "Is that something I should put in a poem?" asks Nick Lantz; the resounding answer is yes! Mixing sincerity with irony, lyric with vernacular, Lantz's collisions of style and subject are at their most vibrant in the long sequence at the center of the collection, a series of poems that brilliantly capture the disruption and disorder of our lives during the COVID-19 pandemic in breathless, unpunctuated verse. Depicting the uncanny dissonance of living during and beyond events that feel world ending, this volume reminds us of the ways in which we carry our own traumas and the traumas of history with us in our daily lives. Life is all gilded frescoes > at the clubhouse until Titus and his men pass through with torches, until Cortés and his men > and his men and so on, until men forget what their hands looked like without torches. --Excerpt from "Ruin"

Daniel Khalastchi boldly strides across a landscape of smoldering fires, unmarked boxes, and pictures of senators in airplane bathrooms. Exhilarating and innovative, The Story of Your Obstinate Survival collapses genre and upends narrative convention with dazzling wordplay and thrilling imagery. Inhabiting a world trapped somewhere between dreams and reality, these poems fuse the political and personal, public and private, pleasing and piquant, to examine both calamities and the dogged persistence required to endure. On display throughout is Khalastchi's exceptional capacity for detail and specificity, filling up this world to the point of breaking but never beyond, insisting on survival despite it all.

In raw, lyrical poems, Host explores parasitic relationships--between men and women, sons and mothers, and humans and the earth--and consideres their consequences.

Originally published in 1970, Germans and Jews brings together George L. Mosse's thoughts on a critical time in German history when thinkers on both the left and the right shared a common goal. In the late nineteenth and early twentieth centuries, intellectuals across the political spectrum aimed to solve the problems of contemporary society by creating a force that would eliminate both state Marxism and bourgeois society: a "third force" beyond communism and capitalism. This pervasive turn in ideology had profound effects on German history. In Mosse's reading, left-wing political efforts became increasingly unrelated to reality, while the right finally discovered in fascism the force it had been seeking. This innovative perspective has implications for understanding not only the rise of fascism and Nazism in Germany but also the rise and fall of the New Left in the United States and Europe, which was occurring at the time of Mosse's writing. A new critical introduction by Sarah Wobick-Segev, research associate at the University of Hamburg, places Mosse's work in its historical and intellectual contexts and draws lessons for students and scholars today.

The political rupture caused by the ascension of Augustus Caesar in ancient Rome, which ended the centuries-old Republic, had drastic consequences for the performance and understanding of masculinity in a markedly androcentric society. Previously, masculinity was established and maintained through the frame of competition, in both public and private spheres-but the total accumulation of power by one man foreclosed most avenues of, and even appreciation for, competition. Melanie Racette-Campbell examines how Rome's elite men navigated this liminal moment between Republic and Empire, and shows that the process was neither linear nor uniform. Already in the late Republic, prior to Augustus's rise to power, cracks in the hegemonic concept of masculinity were starting to show. Careful reading of contemporary texts reveals a decades-long process as tumultuous and unsteady as the political events they echoed, one in which multiple and competing strategies for reconceiving the nature of masculinity were tested, employed, discarded, and adopted in a complex public-private discourse. The eventual reconstitution of a definition of Roman manhood was not easily agreed upon. Masculinity in both the Republic and the Empire are well studied subjects, but by shining a light on the precise moment of transition Racette-Campbell unveils the precise complexity, contours, and nuances of the Augustan crisis of masculinity.

The story of Don Juan first appeared in writing in seventeenth-century Spain, reaching Russia about a century later. Its real impact, however, was delayed until Russia's most famous poet, Alexander Pushkin, put his own, unique, and uniquely inspirational, spin on the tale. Published in 1830, TheStone Guest is now recognized, with other Pushkin masterpieces, as part of the Russian literary canon. Alexander Burry traces the influence of Pushkin's brilliant innovations to the legend, which he shows have proven repeatedly fruitful through successive ages of Russian literature, from the Realist to the Silver Age, Soviet, and contemporary periods. Burry shows that, rather than creating a simple retelling of an originally religious tale about a sinful, consummate seducer, Pushkin offered open-ended scenes, re-envisioned and complicated characters, and new motifs that became recursive and productive parts of Russian literature, in ways that even Pushkin himself could never have predicted.

Literary scholars largely agree that the Romantic period altered the definition of tragedy, but they have confined their analyses to Western European authors. Maksim Hanukai introduces a new, illuminating figure to this narrative, arguing that Russia's national poet, Alexander Pushkin, can be understood as a tragic Romantic poet, although in a different mold than his Western counterparts. Many of Pushkin's works move seamlessly between the closed world of traditional tragedy and the open world of Romantic tragic drama, and yet they follow neither the cathartic program prescribed by Aristotle nor the redemptive mythologies of the Romantics. Instead, the idiosyncratic and artistically mercurial Pushkin seized upon the newly unstable tragic mode to develop multiple, overlapping tragic visions. Providing new, innovative readings of such masterpieces as The Gypsies, Boris Godunov, The Little Tragedies, and The Bronze Horseman, Hanukai sheds light on an unexplored aspect of Pushkin's work, while also challenging reigning theories about the fate of tragedy in the Romantic period.

Equals in Learning and Piety is an intellectual history of the 'Yan Taru (Associates) movement, a women-led Islamic educational organization that continues to this day in both northern Nigeria and in the United States. Drawing on extensive scholarship across disciplines including history, Islamic studies, anthropology, gender and women's studies, and literary studies-and alongside rigorous ethnographic research and interviews with leading Nigerian Muslim scholars-Beverly Mack argues that this formidable Muslim women's movement consolidated the religious and social order established by the Sokoto Jihad in the early nineteenth century. Mack shows how women scholars instructed rural Hausa and Fulani women in Muslim ethics, doctrine, traditions, and behavior that followed and replaced the traumatic experience of warfare unleashed by the Jihad. She shows that these unique social engagements shaped people's agency in the dynamic process of social change throughout the nineteenth century. Women imaginatively reconciled Muslim reformist doctrines and traditional practices in Nigeria, and these doctrines have continued to be influential in the diaspora, especially among Black American Muslims in the United States in the twenty-first century. With this major investigation of a little-studied phenomenon, Mack demonstrates the importance of women to the religious, political, and social transformation of Nigerian Muslim society.

As state economic policies promote integration under a single logic of modernist development, many impoverished groups remain on the margins. Development in Spirit explores the practices employed by communities on the fringes of such nation-building projects. Using an everyday political economy lens, Seb Rumsby demonstrates how seemingly powerless actors actively engage with larger forces, shaping their experience of development in ways that are underexamined but have far-reaching consequences. Following state-led market reforms in the 1980s, Vietnam experienced stunning economic transformation. But for the Hmong communities of the country's north and central highlands, the benefits proved elusive. Instead, the Hmong people have pursued their own alternative paths to development. Rumsby shows how mass conversion to Christianity led to a case of "unplanned development" that put the Hmong on a trajectory of simultaneous integration into the market economy and resistance to state authority. Many of the strategies community members employ are tied to the Christianization of everyday life. Religious actors play complex and often contradictory roles in facilitating networks of exchange, challenging or enforcing gender norms, promoting communalism and enforcing discipline, and shaping local ideas about progress. They are influenced by national and transnational religious networks, especially US-produced radio broadcasts by Hmong American Christians and local converts. This compelling account provides fresh theoretical and empirical insights into the interplay of religion, neoliberal development, and marketization across the world.

The internet brings new urgency to the study of folklore. The digital networks we use every day amplify the capacity of legends to spread swiftly, define threats, and inform action. Using the case of a particularly popular digital bogeyman known as the Slender Man, Andrew Peck brings the study of legends into the twenty-first century. Peck explains not only how legends circulate in the digital swirl of the internet but also how the internet affects how legends seep into our offline lives and into the mass media we consume. What happens, he asks, when legends go online? How does the internet enable the creation of new legends? How do these ideas go viral? How do tradition and technology interact to construct collaborative beliefs? Peck argues that the story of the Slender Man is really a story about the changing nature of belief in the age of the internet. Widely adopted digital technologies, from smartphones to social media, offer vast potential for extending traditional and expressive social behaviors in new ways. As such, understanding the online landscape of contemporary folklore is crucial for grasping the formation and circulation of belief in the digital age. Ultimately, Peck argues that advancing our comprehension of legends online can help us better understand how similar belief genres-like fake news, conspiracy theories, hoaxes, rumors, meme culture, and anti-expert movements-are enabled by digital media.

Chasing leads, Sheriff Dave Cubiak suddenly finds himself amid a troupe of live-action role players living in an ersatz Camelot. In a setting where pretense in the norm, Cubiak must determine if suspects are who they say they are or if their made-up identities conceal a ruthless killer.

Redeeming Objects traces the afterlives of things. Out of the rubble of World War II and the Holocaust, the Federal Republic of Germany emerged, and with it a foundational myth of the "economic miracle." In this narrative, a new mass consumer society based on the production, export, and consumption of goods would redeem West Germany from its Nazi past and drive its rebirth as a truly modern nation. Turning this narrative on its head, Natalie Scholz shows that West Germany's consumerist ideology took shape through the reinvention of commodities previously tied to Nazism into symbols of Germany's modernity, economic supremacy, and international prestige. Postwar advertising, film, and print culture sought to divest mass-produced goods-such as the Volkswagen and modern interiors-of their fascist legacies. But Scholz demonstrates that postwar representations were saturated with unacknowledged references to the Nazi past. Drawing on a vast array of popular and highbrow publications and films, Redeeming Objects adds a new perspective to debates about postwar reconstruction, memory, and consumerism.

Newly divorced, Virginia Bigelow is struggling with pressing financial debt, the frustration of a stalled teaching career, an increasingly isolated and lonely existence, and the challenges of being a single parent to an autistic child. When she learns that Travis Lee Hilliard, the man who murdered her father in the 1980s, has been released from prison, she drops everything and sets out on an ill-conceived journey to confront him in order to mete out the justice she feels he deserves.Meanwhile, having spent three decades serving a life sentence for murdering the California preacher who rescued him from the streets, Travis thinks of himself as a reformed man. Traveling from Folsom Prison to his new home in the Mojave Desert, a remote location with minimal temptations, he struggles to reconcile his past and embrace his newfound freedom. But there are more challenges to staying on the straight and narrow than he ever could have imagined.Virginia's and Travis's braided narratives slowly tighten as they approach their inevitable collision. Unflinching, compassionate, and gripping, this bold novel evocatively examines the ambiguities wrought by both violence and redemption.

Opening with "Hors d'oeuvres" and closing with a "Feast," the stories in Cravings pulse with longing, missed opportunities, recriminations, and joy. Garnett Kilberg Cohen leads readers through acutely crafted explorations of the way events shape and change our lives, sometimes for the better and sometimes in ways that haunt us forever. Love, friendship, childhood, parenthood, and leaving home-all these experiences of desire, driven by the unrelenting passage of time-form the heart of this charismatic collection. Kilberg Cohen's captivating and vulnerable characters often recognize their shortcomings and past mistakes, but cannot always rise above them. One woman learns to forgive her husband's ex; another fears her love of salty snacks caused a family tragedy. A stoic rural community drives a newcomer out of town; a young man's entire life is colored by a traumatic childhood event at a zoo. Focusing on the specific, unforgettable moments that reveal our connections to one another, Cravings offers an expansive vision of humanity that lingers long after the final page is turned.

In 2010, Blake Geoffrion became the first player from the University of Wisconsin hockey team to receive the Hobey Baker Award, recognizing him as the best player in men's college hockey. Blake was a rising scion of hockey royalty, descendant of legendary Canadian players Howie Morenz and Bernie "Boom Boom" Geoffrion, and he would soon be the first fourth-generation player to reach the NHL. His professional career promised to cement his family's storied legacy on ice. But in 2012, while playing for the Montreal Canadiens' minor league team beneath Morenz's and Boom Boom's retired numbers, Geoffrion suffered a devastating injury that ended his career-and nearly his life. With sure-footed and swift-moving prose, Sam Jefferies tells Geoffrion's story against the backdrop of modern North American hockey. Thorough research and scores of interviews fuel this tale of soaring success and terrible tragedy, offering insight not only into one man's athletic journey but also into the rise of American hockey on the national and international stage. Geoffrion's brief career, marked by tribulation and triumph, illustrates the subtle but omnipresent currents of American media, sports labor, and the interplay between college and professional athletics. It tells the story of what was, what is, and what may yet be for the fastest game on earth.

The characters-young and old, queer and straight, contemporary and historical-who inhabit Lynn C. Miller's stories often find themselves in defining moments and crisis situations. As they search through the archives of memory, truth, and experience, they seek to understand not only the past and present but themselves.Stretching the definition of "archive," Miller builds interconnected webs that surprise, much like the seemingly random papers collected in a box of materials. Fraught relationships, mistaken identities, mysterious disappearances, and the search for love play out in these stories. Friendships are celebrated, ex-husbands cross the line, and Gertrude Stein attempts to write her memoir. An unusual collection that proves greater than the sum of its parts, The Lost Archive will haunt readers with the intensity of its vision.

The characters who inhabit Sarah Layden's short story collection are on the verge of change-if only they could see themselves and their situations with greater clarity. Caught in the midst of crises, they stumble toward the future without fully understanding their past. Layden's deft, spare prose sketches worlds and lives with telling details, juggling disparate strands of identity and often revealing the deeper truths in unexpected moments of epiphany.A bride-to-be puts on her detective hat when her groom goes missing. A woman returns to college after escaping an abusive marriage, only to discover her professor is a fraud. Reunited at a high school reunion, two former classmates completely misinterpret a critical incident from a decade prior. These and other characters find themselves lonely and in limbo, their self-identity as blurry as the old photographs they cling to with stubborn intensity.Set mostly in the Midwest and upstate New York, Imagine Your Life Like This captures everyday Americans in all their discontent, misunderstandings, and dogged determination for a better world.

Ronya Othmann's debut novel narrates the coming of age of Leyla, a Yazidi-Kurdish-German girl. She spends the school year in her mother's home country of Germany but travels every summer to her father's home village in Syria, near the Turkish border. She knows its smells and tastes. She knows its stories. She knows where the Yazidi villagers keep their suitcases hidden, should they need to escape again. And she watches from afar, horrified, as ISIS troops move on the village, threatening the lives of her grandparents, aunts, uncles, cousins, and friends.Leyla's sexual awakening proves far less traumatic than her growing disenchantment with her German classmates and friends, who appear completely indifferent to the fate of her Yazidi community. Thoughtful and poignant, The Summers addresses issues of gender, sexuality, cultural difference, politics, and identity. Othmann draws readers into multiple worlds, ultimately revealing the hopes and dreams that bind us all together when forces threaten to tear us apart.

While trying to drum up additional work, down-on-his-luck handyman Don Lank spies an imitation Tiffany lamp shining in the front window of a house. He offers the elderly widow who answers the door $800 for it-knowing he can sell it to a dealer for several hundred dollars more than that. Only the lamp turns out to be real-and worth at least $15,000.Feeling both delighted by and guilty about his good fortune, Don returns most of the money to the original owner, Millie Prall. He also offers to make a few repairs around her deteriorating house-making it easier and safer for her to navigate the space in the wake of her husband's death. As Millie's dementia worsens, Don finds his life more and more enmeshed with hers, driving her to medical appointments, shopping for her groceries, cooking her meals, handling her finances, and increasingly overseeing her care-while simultaneously trying to repair his relationships with his father, his ex-wife, and his stepkids.In this quietly mesmerizing novel, no one, including the protagonist, is ever entirely sure of their motivations. Existing in the liminal spaces between altruism and greed, This Room Is Made of Noise deftly explores the shades of gray that lie between our desires and our demons.

For more than 150 years, individuals have traveled the countryside with pen, paper, tape recorders, and even video cameras to document versions of songs, music, and stories shared by communities. As technologies and methodologies have advanced, the task of gathering music has been taken up by a much broader group than scholars. The resulting collections created by these various people can be impacted by the individual collectors' political and social concerns, cultural inclinations, and even simple happenstance, demonstrating a crucial yet underexplored relationship between the music and those preserving it.Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre Ní Chonghaile argues for a culturally equitable framework that considers negotiation, collaboration, canonization, and marginalization to fully understand the immensely important process of musical curation. In presenting four substantial, historically valuable collections from the nineteenth and twentieth centuries, she illustrates how understanding the motivations and training (or lack thereof) of individual music collectors significantly informs how we should approach their work and contextualize their place in the folk music canon.