Böcker utgivna av University of Washington Press

In 17 BCE the Han dynasty archivist Liu Xiang presented to the throne a collection of some seven hundred items of varying length, mostly quasi-historical anecdotes and narratives, that he deemed essential reading for wise leadership. Garden of Eloquence (Shuoyuan), divided into twenty books grouped by theme, follows a tradition of narrative writing on historical and philosophical themes that began seven centuries earlier. Long popular in China as a source of allusions and quotations, it preserves late Western Han views concerning history, politics, and ethics. Many of its anecdotes are attributed to Confucius¿s speeches and teachings that do not appear in earlier texts, demonstrating that long after Confucius¿s death in 479 BCE it was still possible for new ¿historical¿ narratives to be created.Garden of Eloquence is valuable as a repository of items that originally appeared in other early collections that are no longer extant, and it provides detail on topics as various as astronomy and astrology, yin-yang theory, and quasi-geographical and mystical categories. Eric Henry¿s unabridged translation with facing Chinese text and extensive annotation will make this important primary source available for the first time to Anglophone world historians.

"In the struggles for prison abolition, global anti-imperialism, immigrant rights, affordable housing, environmental justice, fair labor, and more, twenty-first-century Asian American activists are speaking out and standing up to systems of oppression. Creating emancipatory futures requires collective action and reciprocal relationships that are nurtured over time and forged through cross-racial solidarity and intergenerational connections, leading to a range of on-the-ground experiences. Bringing together grassroots organizers and scholar-activists, Contemporary Asian American Activism presents lived experiences of the fight for transformative justice and offers lessons to ensure the longevity and sustainability of organizing. In the face of imperialism, white supremacy, racial capitalism, heteropatriarchy, ableism, and more, the contributors celebrate victories and assess failures, reflect on the trials of activist life, critically examine long-term movement building, and inspire continued mobilization for coming generations"--

"From the 1950s through the 1970s, blue-collar Filipino Americans, or Pinoys, lived a hardscrabble existence. Immigrant parents endured blatant racism, sporadic violence, and poverty while their US-born children faced more subtle forms of racism, such as the low expectations of teachers and counselors in the public school system. In this collection of autobiographical essays, acclaimed novelist and short-story writer Peter Bacho centers the experiences of the Pinoy generation that grew up in Seattle's multiethnic neighborhoods, from the Central Area to Beacon Hill to Rainier Valley. He recounts intimate moments of everyday life: fishing with marshmallows at Madison Beach, playing bruising games of basketball at Madrona Park, and celebrating with his uncles in Chinatown as hundreds of workers returned from Alaska canneries in the fall. He also relates vivid stories of defiance and activism, including resistance to the union-busting efforts of the federal government in the 1950s and organizing for decent housing and services for elders in the 1970s. Sharing a life inextricably connected to his community and the generation that came before him, this memoir is a tribute to Filipino Seattle"--

Contextualizes Tokita's paintings and diary within the art community and Japanese America

Through empowered movement that centers the lives, stories, and dreams of marginalized women, Ananya Dance Theatre has revealed how the practice of and commitment to artistic excellence can catalyze social justice. With each performance, this professional dance company of Black, Brown, and Indigenous gender non-conforming women and femmes of color challenges heteronormative patriarchies, white supremacist paradigms, and predatory global capitalism. Their creative artistic processes and vital interventions have transformed the spaces of contemporary concert dance into sites of empowerment, resistance, and knowledge production.Drawing from more than fifteen years of collaborative dance-making and sustained dialogues based on deep alliances across communities of color, Dancing Transnational Feminisms offers a multigenre exploration of how dance can be intersectionally reimagined as practice, methodology, and metaphor for feminist solidarity. Blending essays with stories, interviews, and poems, this collection explores timely questions surrounding race and performance, gender and sexuality, art and politics, global and local inequities, and the responsibilities of artists toward their communities.

At sixty-two meters the Leshan Buddha in southwest China is the world¿s tallest premodern statue. Carved out of a riverside cliff in the eighth century, it has evolved from a religious center to a UNESCO World Heritage Site and popular tourist destination. But this Buddha does not stand alone: Sichuan is home to many cave temples with such monumental sculptures, part of a centuries-long tradition of art-making intricately tied to how local inhabitants made use of their natural resources with purpose and creativity. These examples of art embedded in nature have altered landscapes and have influenced the behaviors, values, and worldviews of users through multiple cycles of revival, restoration, and recreation. As hybrid spaces that are at once natural and artificial, they embody the interaction of art and the environment over a long period of time.This far-ranging study of cave temples in Sichuan shows that they are part of the world¿s sustainable future, as their continued presence is a reminder of the urgency to preserve culture as part of today¿s response to climate change. Temples in the Cliffside brings art history into close dialogue with current discourse on environmental issues and contributes to a new understanding of the ecological impact of artistic monuments.

"Louisiana Creole Peoplehood is a multivocal and collectively structured volume that intervenes against the erasure of Creole Indigeneity while foregrounding Black/Indian cultural sustainability. Divided into sections focused on sacred history, land, language, and cultural practices, contributors engage themes as varied as foodways, queer identity, health, historical trauma, gender, language revitalization, and diaspora. Offering up an understanding of Creole community identity formation and practice at the intersections of both African and Indigenous diasporas, the book combines scholarly analysis with interviews, essays, and autobiographic contributions-including integrating the perspectives of community members in response essays. Louisiana Creole Peoplehood explores the vital ways Afro-Indigenous peoples are asserting their right to exist amidst the backdrops of settler colonialism, anti-Black racism while promoting communal dialogue and community reciprocity"--

"Louisiana Creole Peoplehood is a multivocal and collectively structured volume that intervenes against the erasure of Creole Indigeneity while foregrounding Black/Indian cultural sustainability. Divided into sections focused on sacred history, land, language, and cultural practices, contributors engage themes as varied as foodways, queer identity, health, historical trauma, gender, language revitalization, and diaspora. Offering up an understanding of Creole community identity formation and practice at the intersections of both African and Indigenous diasporas, the book combines scholarly analysis with interviews, essays, and autobiographic contributions-including integrating the perspectives of community members in response essays. Louisiana Creole Peoplehood explores the vital ways Afro-Indigenous peoples are asserting their right to exist amidst the backdrops of settler colonialism, anti-Black racism while promoting communal dialogue and community reciprocity"--

Dynamic and diverse, Coast Salish culture is bound together by shared values and relations that generate a resilient worldview. Jesintel¿"to learn and grow together"¿characterizes the spirit of this book, which brings the cultural teachings of nineteen elders to new generations.Featuring interviews that share powerful experiences and stories, Jesintel illuminates the importance of ethical reciprocal relationships and the interconnectedness of places, land, water, and the spirit within all things. Elders offer their perspectives on language revitalization, Coast Salish family values and naming practices, salmon, sovereignty, canoe racing, and storytelling. They also share traumatic memories, including of their boarding school experiences and the epidemics that ravished their communities. Jesintel highlights the importance of maintaining relations and traditions in the face of ongoing struggles. Collaboration is at the heart of this work and informs how the editors and community came together to honor the boundless relations of Coast Salish people and their territories.Elders Interviewed: Tom Sampson (Tsartlip First Nation)Virginia Cross (Muckleshoot Tribe)Ernestine Gensaw (Lummi Nation)Steve and Gwen Point (Stó:l¿ Nation)Gene and Wendy Harry (Malahat Nation)Claude Wilbur (Swinomish Tribe)Richard Solomon (Lummi Nation)Elaine Grinell (Jamestown S¿Klallam Tribe)Arvid Charlie (Cowichan Nation)Amy George (Tsleil-Waututh Nation)Nancy Shippentower (Nisqually Tribe)Nolan Charles (Musqueam Indian Band)Andy de los Angeles (Snoqualmie Tribe)Jewell James (Lummi Nation)Kenny Moses Sr. Family (Tulalip Tribal Nation)Ramona Morris (Lummi Nation)

North Koreäs K¿mgangsan is one of Asiäs most celebrated sacred mountain ranges, comparable in fame to Mount Tai in China and Mount Fuji in Japan. Carving Status at K¿mgangsan marks a paradigm shift in the research about East Asian mountains by introducing an entirely new field: autographic rock graffiti. The book details how late Chos¿n (ca. 1600¿1900 CE) Korean elite travelers used K¿mgangsan to demonstrate their high social status by carving inscriptions, naming sites, and joining the literary pedigree of visitors to renowned locales. Such travel practices show how social competition emerged in the spatial context of a landscape. Hence, Carving Status at K¿mgangsan argues for an expansion of accepted historical narratives on travel and mountain space in premodern East Asia. Rather than interpreting pilgrimage routes as exclusively religious or tourist, in K¿mgangsan¿s case they were also an important site of collective memory.A journey to K¿mgangsan to view and contribute to its sites of memory was an endeavor that late Chos¿n Koreans hoped to achieve in their lives. Based on multidisciplinary research drawing on literary writings, court records, gazetteers, maps, songs, calligraphy, and paintings, Carving Status at K¿mgangsan is the first historical study of this practice. It will appeal to scholars in fields ranging from East Asian history, literature, and geography, to pilgrimage studies and art history.*Winner of the 2022 Patricia Buckley Ebrey Prize for a distinguished book on the history of China proper, Vietnam, Chinese Central Asia, Mongolia, Manchuria, Korea, or Japan, prior to 1800, sponsored by the American Historical Association

In Portland¿s harbor, environmental justice groups challenge the EPA for a more thorough cleanup of the Willamette River. Near Olympia, the Puyallup assert their tribal sovereignty and treaty rights to fish. Seattle housing activists demand that Amazon pay to address the affordability crisis it helped create. Urban Cascadia, the infrastructure, social networks, built environments, and non-human animals and plants that are interconnected in the increasingly urbanized bioregion that surrounds Portland, Seattle, and Vancouver, enjoys a reputation for progressive ambitions and forward-thinking green urbanism. Yet legacies of settler colonialism and environmental inequalities contradict these ambitions, even as people strive to achieve those progressive ideals.In this edited volume, historians, geographers, urbanists, and other scholars critically examine these contradictions to better understand the capitalist urbanization of nature, the creation of social and environmental inequalities, and the movements to fight for social and environmental justice. Neither a story of green disillusion nor one of green boosterism, Urban Cascadia and the Pursuit of Environmental Justice reveals how the region can address broader issues of environmental justice, Indigenous sovereignty, and the politics of environmental change.

In The City in Time, Pamela N. Corey provides new ways of understanding contemporary artistic practices in a region that continues to linger in international perceptions as perpetually ¿postwar.¿ Focusing on art from the last two decades, Corey connects artistic developments with social transformations as reflected through the urban landscapes of Ho Chi Minh City and Phnom Penh. As she argues, artists¿ engagements with urban space and form reveal ways of grasping multiple and layered senses and concepts of time, whether aligned with colonialism, postcolonial modernity, communism, or postsocialism.The City in Time traces the process through which collective memory and aspiration are mapped onto landscape and built space to shed light on how these vibrant Southeast Asian cities shape artistic practices as the art simultaneously consolidates the city as image and imaginary. Featuring a dynamic array of creative productions that include staged and documentary photography, the moving image, and public performance and installation, The City in Time illustrates how artists from Vietnam and Cambodia have envisioned their rapidly changing worlds.