Böcker utgivna av University of Washington Press

Accompanying an exhibition at the Wallace Collection, this catalog will seek to examine relationships between these two works and their creation, focusing on establishing common threads drawn from contemporary French social and cultural history. When seen together, the two paintings acquire a new resonance, showing the imaginative and Parisian response of two very different painters to a new interest in scenes from everyday life. The paintings are examined in the context of a dozen further works by the artists, and prints, drawings, books and decorative art objects including oriental textiles and porcelain. This provides an opportunity to address undercurrent social history themes, such as the artists attitudes to fashion, interior decoration, and even the consumption of tea a pastime borne from the contemporary fashion in eighteenth-century France and Great Britain for anything oriental, influenced by new trade links with China.

Pierre-Auguste Renoir's La Loge (The Theatre Box), 1874, is one of the masterpieces of impressionism and a major highlight of The Courtauld Gallery's collection. Its depiction of an elegant couple on display in a loge epitomizes the Impressionists' interest in the spectacle of modern life. At the heart of the painting is the complex play of gazes enacted by these two figures. In turning away from the performance, Renoir focused instead upon theater as a social stage where status and relationships were on public display.

This book discusses each of these and illustrates all of them in color for the first time. It also provides a valuable biographical introduction with illustrations of related paintings and drawings by Bonington and his contemporaries. It will appeal not only to those who enjoy the work of this delightful artist but to anyone interested in British painting during one of its greatest eras.

English, French and Continental miniaatures from the 16th to 19th centuries, fully described and illustrated.

An inkstone, a piece of polished stone no bigger than an outstretched hand, is an instrument for grinding ink, an object of art, a token of exchange between friends or sovereign states, and a surface on which texts and images are carved. As such, the inkstone has been entangled with elite masculinity and the values of wen (culture, literature, civility) in China, Korea, and Japan for more than a millennium. However, for such a ubiquitous object in East Asia, it is virtually unknown in the Western world.Examining imperial workshops in the Forbidden City, the Duan quarries in Guangdong, the commercial workshops in Suzhou, and collectors¿ homes in Fujian, The Social Life of Inkstones traces inkstones between court and society and shows how collaboration between craftsmen and scholars created a new social order in which the traditional hierarchy of ¿head over hand¿ no longer predominated. Dorothy Ko also highlights the craftswoman Gu Erniang, through whose work the artistry of inkstone-making achieved unprecedented refinement between the 1680s and 1730sThe Social Life of Inkstones explores the hidden history and cultural significance of the inkstone and puts the stonecutters and artisans on center stage.

Seattle's first black resident was a sailor named Manuel Lopes who arrived in 1858 and became the small community's first barber. He left in the early 1870s to seek economic prosperity elsewhere, but as Seattle transformed from a stopover town to a full-fledged city, African Americans began to stay and build a community. By the early twentieth century, black life in Seattle coalesced in the Central District, a four-square-mile section east of downtown. Black Seattle, however, was never a monolith. Through world wars, economic booms and busts, and the civil rights movement, black residents and leaders negotiated intragroup conflicts and had varied approaches to challenging racial inequity. Despite these differences, they nurtured a distinct African American culture and black urban community ethos. With a new foreword and afterword, this second edition of The Forging of a Black Community is essential to understanding the history and present of the largest black community in the Pacific Northwest.

Constructed over a millennium from the fourth to fourteenth centuries CE near Dunhuang, an ancient border town along the Silk Road in northwest China, the Mogao Caves comprise the largest, most continuously created, and best-preserved treasure trove of Buddhist art in the world. Previous overviews of the art of Dunhuang have traced the caves' unilinear history. This book examines the caves from the perspective of space, treating them as physical and historical sites that can be approached, entered, and understood sensually. It prioritizes the actual experiences of the people of the past who built and used the caves.Five spatial contexts provide rich material for analysis: Dunhuang as a multicultural historic place; the Mogao Cave complex as an evolving entity; the interior space of caves; interaction of the visual program with architectural space; and pictorial space within wall paintings that draws viewers into an otherworldly time. With its novel approach to this repository of religious art, Spatial Dunhuang will be a must-read for anyone interested in Buddhist art and for visitors to Dunhuang.

Take a closer look into the secret worlds of the intertidal zoneA spectacular variety of life flourishes between the ebb and flow of high and low tide. Anemones talk to each other through chemical signaling, clingfish grip rocks and resist the surging tide, and bioluminescent dinoflagellatessingle-celled algaelight up disturbances in the shallow water like glowing fingerprints.This guidebook helps readers uncover the hidden workings of the natural world of the shoreline. Richly illustrated and accessibly written,Between the Tides in Washington and Oregonilluminates the scientific forces that shape the diversity of life at each beach and tidepoolperfect for beachgoers who want to knowwhy.Features include profiles of popular and off-the-beaten-track sites to visit along the Greater Salish Sea, Puget Sound, and Washington and Oregon coasts the fascinating stories behind both common and less familiar species a lively introduction to how coastal ecosystems work and why no two beaches are ever alike

In 17 BCE the Han dynasty archivist Liu Xiang presented to the throne a collection of some seven hundred items of varying length, mostly quasi-historical anecdotes and narratives, that he deemed essential reading for wise leadership. Garden of Eloquence (Shuoyuan), divided into twenty books grouped by theme, follows a tradition of narrative writing on historical and philosophical themes that began seven centuries earlier. Long popular in China as a source of allusions and quotations, it preserves late Western Han views concerning history, politics, and ethics. Many of its anecdotes are attributed to Confucius¿s speeches and teachings that do not appear in earlier texts, demonstrating that long after Confucius¿s death in 479 BCE it was still possible for new ¿historical¿ narratives to be created.Garden of Eloquence is valuable as a repository of items that originally appeared in other early collections that are no longer extant, and it provides detail on topics as various as astronomy and astrology, yin-yang theory, and quasi-geographical and mystical categories. Eric Henry¿s unabridged translation with facing Chinese text and extensive annotation will make this important primary source available for the first time to Anglophone world historians.

"In the struggles for prison abolition, global anti-imperialism, immigrant rights, affordable housing, environmental justice, fair labor, and more, twenty-first-century Asian American activists are speaking out and standing up to systems of oppression. Creating emancipatory futures requires collective action and reciprocal relationships that are nurtured over time and forged through cross-racial solidarity and intergenerational connections, leading to a range of on-the-ground experiences. Bringing together grassroots organizers and scholar-activists, Contemporary Asian American Activism presents lived experiences of the fight for transformative justice and offers lessons to ensure the longevity and sustainability of organizing. In the face of imperialism, white supremacy, racial capitalism, heteropatriarchy, ableism, and more, the contributors celebrate victories and assess failures, reflect on the trials of activist life, critically examine long-term movement building, and inspire continued mobilization for coming generations"--

"From the 1950s through the 1970s, blue-collar Filipino Americans, or Pinoys, lived a hardscrabble existence. Immigrant parents endured blatant racism, sporadic violence, and poverty while their US-born children faced more subtle forms of racism, such as the low expectations of teachers and counselors in the public school system. In this collection of autobiographical essays, acclaimed novelist and short-story writer Peter Bacho centers the experiences of the Pinoy generation that grew up in Seattle's multiethnic neighborhoods, from the Central Area to Beacon Hill to Rainier Valley. He recounts intimate moments of everyday life: fishing with marshmallows at Madison Beach, playing bruising games of basketball at Madrona Park, and celebrating with his uncles in Chinatown as hundreds of workers returned from Alaska canneries in the fall. He also relates vivid stories of defiance and activism, including resistance to the union-busting efforts of the federal government in the 1950s and organizing for decent housing and services for elders in the 1970s. Sharing a life inextricably connected to his community and the generation that came before him, this memoir is a tribute to Filipino Seattle"--

Contextualizes Tokita's paintings and diary within the art community and Japanese America

Through empowered movement that centers the lives, stories, and dreams of marginalized women, Ananya Dance Theatre has revealed how the practice of and commitment to artistic excellence can catalyze social justice. With each performance, this professional dance company of Black, Brown, and Indigenous gender non-conforming women and femmes of color challenges heteronormative patriarchies, white supremacist paradigms, and predatory global capitalism. Their creative artistic processes and vital interventions have transformed the spaces of contemporary concert dance into sites of empowerment, resistance, and knowledge production.Drawing from more than fifteen years of collaborative dance-making and sustained dialogues based on deep alliances across communities of color, Dancing Transnational Feminisms offers a multigenre exploration of how dance can be intersectionally reimagined as practice, methodology, and metaphor for feminist solidarity. Blending essays with stories, interviews, and poems, this collection explores timely questions surrounding race and performance, gender and sexuality, art and politics, global and local inequities, and the responsibilities of artists toward their communities.

At sixty-two meters the Leshan Buddha in southwest China is the world¿s tallest premodern statue. Carved out of a riverside cliff in the eighth century, it has evolved from a religious center to a UNESCO World Heritage Site and popular tourist destination. But this Buddha does not stand alone: Sichuan is home to many cave temples with such monumental sculptures, part of a centuries-long tradition of art-making intricately tied to how local inhabitants made use of their natural resources with purpose and creativity. These examples of art embedded in nature have altered landscapes and have influenced the behaviors, values, and worldviews of users through multiple cycles of revival, restoration, and recreation. As hybrid spaces that are at once natural and artificial, they embody the interaction of art and the environment over a long period of time.This far-ranging study of cave temples in Sichuan shows that they are part of the world¿s sustainable future, as their continued presence is a reminder of the urgency to preserve culture as part of today¿s response to climate change. Temples in the Cliffside brings art history into close dialogue with current discourse on environmental issues and contributes to a new understanding of the ecological impact of artistic monuments.