Böcker utgivna av University of Washington Press

"Early in 1892, more than seventeen Haida artists were commissioned to carve a model of their village of Skidegate on Haida Gwaii. The model, displayed at the 1893 World's Columbian Exposition in Chicago, is the only North American example of an aboriginal village systematically documented by its own nineteenth-century residents. It originally featured twenty-nine house and forty-three totem pole models; after the exposition, the model was dispersed and many pieces were lost over time. However, ten house and twenty-two totem pole models remain in Chicago in the collection of the Field Museum of Natural History, and two additional model houses with seven totem poles have been located in other collections. In this highly collaborative research project, Wright combines interviews with members of the Skidegate community today with close study of the extant parts of the model along with a review of the documentation collected in 1892 to bring both the model and the village and community it documents into full view. The community engaged research and resulting book offers valuable insights into Northwest Coast art history and will be a significant cultural resource for the Haida Nation"--

"Over the course of the sixteenth and early seventeenth centuries, Mughal court painters evolved from being mere illustrators of manuscripts and albums to mediating imperial visionary experience, assuming novel roles as imperial intimates. In Agents of Insight, Yael Rice traces this shift, demonstrating how royal artists created a new visual economy that featured highly naturalistic royal portraits, depictions of the emperors' dreams, and close, documentary studies of courtly gifts and rarities"--

"In 1771, the artist Luo Ping (1733-1799) left his native Yangzhou to relocate to the burgeoning hub of Beijing's Southern City. Over several decades, he became the favored artist of a cosmopolitan community of scholars and officials who were at the forefront of the empire's artistic life. Luo Ping's late production-a dazzling sequence of portraits, landscapes, views of the city and its social rituals-captured the pleasures and concerns of a changing world. As the last and youngest of the "Eight Eccentrics of Yangzhou," he is prominent in modern histories of late-imperial painting, where he often stands for the entire artistic world of the mid-Qing period: a commercially successful artist who, thanks to a vivid imagination and a versatile hand, created an eclectic array of pictures for an audience of aspiring urbanites. His painting In the Realm of Ghosts is one of the greatest paintings of the eighteenth century and of the late imperial period altogether. This study takes the reader into the vibrant artistic and literary cultures of Beijing outside the court and to the networks of scholars, artists, and entertainers that turned the Southern City into a place like no other in the Qing empire. At the center of this narrative lie Luo Ping's layered reflections on the medium of painting, its histories, and formal conventions. Close reading of the work of Luo Ping and his contemporaries reveals how this generation of experimental artists sought to reform literati painting, paving the way to developments in the nineteenth and twentieth centuries. Drawing on a vast range of textual and visual sources, The Ghost in the City offers a novel understanding of literati painting's involvement with the modern world"--

"The exquisite ceramic ware produced at the Imperial Porcelain Manufactory at Jingdezhen in southern China functioned as a kind of visual propaganda for the Qing dynasty (1644-1911) court. Through a detailed study of porcelain manufacture loosely structured around the career of the Manchu bannerman Tang Ying, who supervised ceramic production for the emperor, this volume considers the role of specialist officials in producing the technological knowledge and distinctive artistic forms that were essential to cultural policies of the Chinese state. Through fiscal management, technical experimentation, and design, these imperial technocrats facilitated rationalized manufacturing in precapitalist and preindustrial society. The volume draws on first-hand archaeological evidence from Jingdezhen, the foremost site of porcelain manufacture, as well as the voluminous Archive of the Imperial Handicraft Workshops to investigate a regional factory, the imperial design system, technological treatises, experiments deployed in porcelain manufacture, and court regulations. Grounded in methods for studying science and technology in society, as well as literary and art history, it contributes to scholarship on global empires and on the history of science and technology in China. In describing how the imperial state's intervention in industry has left a lingering imprint on modern China through its labor-intensive modes of production, the division of domestic and foreign markets, and a technocratic culture of centralization, it provides a new perspective for understanding the technology behind goods "made in China.""--

The creation of Seattle and the displacement of those who built itFrom the origins of the city in the mid-nineteenth century to the beginning of World War II, Seattle's urban workforce consisted overwhelmingly of migrant laborers who powered the seasonal, extractive economy of the Pacific Northwest. Though the city benefitted from this mobile labor forceconsisting largely of Indigenous peoples and Asian migrantsmunicipal authorities, elites, and reformers continually depicted these workers and the spaces they inhabited as troublesome and as impediments to urban progress. Today the physical landscape bears little evidence of their historical presence in the city.Tracing histories from unheralded sites such as labor camps, lumber towns, lodging houses, and so-called slums,Seattle from the Marginsshows how migrant laborers worked alongside each other, competed over jobs, and forged unexpected alliances within the marine and coastal spaces of the Puget Sound. By uncovering the historical presence of marginalized groups and asserting their significanceinthe development of the city, Megan Asaka offers a deeper understanding of Seattle'scomplex past.

A compact, full-colour field guide to the growing number of invasive plant species spreading across coastal BC and the Pacific Northwest, highlighting their hazards and uses.The spread of invasive plant species is a growing concern across the coastal Pacific Northwest. Invasive plants compete for space with native plants, alter the natural habitat, and even interfere with the diet of local wildlife. Hundreds of these species are so commonly seen in our backyards, forests, and roadsides, that many people do not even realize that these plants are not native to this region.Designed for amateur naturalists, gardeners, and foragers, Invasive Flora of the West Coast is a clear, concise, full-colour guide to identifying and demystifying more than 200 invasive plant species in our midst, from Scotch broom to Evening Primrose. Featuring colour photography, origin and etymology, safety tips and warnings, as well as common uses, this book is practical, user-friendly, and portable for easy, on-the-go identification.

Ying Zheng, founder of the Qin empire, is recognized as a pivotal figure in world history, alongside other notable conquerors such as Alexander the Great, Genghis Khan, and Julius Caesar. His accomplishments include conquest of the warring states of ancient China, creation of an imperial system that endured for two millennia, and unification of Chinese culture through the promotion of a single writing system.Only one biased historical account, written a century after his death in 210 BCE, narrates his biography. Recently, however, archaeologists have revealed the lavish pits associated with his tomb and documents that demonstrate how his dynasty functioned. Debates about the First Emperor have raged since shortly after his demise, making him an ideological slate upon which politicians, revolutionaries, poets, painters, archaeologists, and movie directors have written their own biases, fears, and fantasies.This book is neither a standard biography nor a dynastic history. Rather, it looks historically at interpretations of the First Emperor in history, literature, archaeology, and popular culture as a way to understand the interpreters as much as the subject of their interpretation.

"In Southeast Asia reversals of earlier agrarian reforms have rolled back "land-to-the-tiller" policies created in the wake of Cold War-era revolutions. This trend, marked by increased land concentration and the promotion of export-oriented agribusiness at the expense of smallholder farmers, exposes the convergence of capitalist relations and state agendas that expand territorial control within and across national borders. Through the lens of land capitalization, Turning Land into Capital examines the contradictions produced by superimposing twenty-first-century neoliberal projects onto diverse landscapes etched by decades of war and state socialism. Chapters in the book explore geopolitics, legacies of colonialism, ideologies of development, and strategies to achieve land justice in Cambodia, Laos, Myanmar, Thailand, and Vietnam. The resulting picture reveals the place-specific interactions of state and market ideologies, regional geopolitics, and local elites in concentrating control over land"--

Accompanying an exhibition at the Wallace Collection, this catalog will seek to examine relationships between these two works and their creation, focusing on establishing common threads drawn from contemporary French social and cultural history. When seen together, the two paintings acquire a new resonance, showing the imaginative and Parisian response of two very different painters to a new interest in scenes from everyday life. The paintings are examined in the context of a dozen further works by the artists, and prints, drawings, books and decorative art objects including oriental textiles and porcelain. This provides an opportunity to address undercurrent social history themes, such as the artists attitudes to fashion, interior decoration, and even the consumption of tea a pastime borne from the contemporary fashion in eighteenth-century France and Great Britain for anything oriental, influenced by new trade links with China.

Pierre-Auguste Renoir's La Loge (The Theatre Box), 1874, is one of the masterpieces of impressionism and a major highlight of The Courtauld Gallery's collection. Its depiction of an elegant couple on display in a loge epitomizes the Impressionists' interest in the spectacle of modern life. At the heart of the painting is the complex play of gazes enacted by these two figures. In turning away from the performance, Renoir focused instead upon theater as a social stage where status and relationships were on public display.

This book discusses each of these and illustrates all of them in color for the first time. It also provides a valuable biographical introduction with illustrations of related paintings and drawings by Bonington and his contemporaries. It will appeal not only to those who enjoy the work of this delightful artist but to anyone interested in British painting during one of its greatest eras.

English, French and Continental miniaatures from the 16th to 19th centuries, fully described and illustrated.

An inkstone, a piece of polished stone no bigger than an outstretched hand, is an instrument for grinding ink, an object of art, a token of exchange between friends or sovereign states, and a surface on which texts and images are carved. As such, the inkstone has been entangled with elite masculinity and the values of wen (culture, literature, civility) in China, Korea, and Japan for more than a millennium. However, for such a ubiquitous object in East Asia, it is virtually unknown in the Western world.Examining imperial workshops in the Forbidden City, the Duan quarries in Guangdong, the commercial workshops in Suzhou, and collectors¿ homes in Fujian, The Social Life of Inkstones traces inkstones between court and society and shows how collaboration between craftsmen and scholars created a new social order in which the traditional hierarchy of ¿head over hand¿ no longer predominated. Dorothy Ko also highlights the craftswoman Gu Erniang, through whose work the artistry of inkstone-making achieved unprecedented refinement between the 1680s and 1730sThe Social Life of Inkstones explores the hidden history and cultural significance of the inkstone and puts the stonecutters and artisans on center stage.

Seattle's first black resident was a sailor named Manuel Lopes who arrived in 1858 and became the small community's first barber. He left in the early 1870s to seek economic prosperity elsewhere, but as Seattle transformed from a stopover town to a full-fledged city, African Americans began to stay and build a community. By the early twentieth century, black life in Seattle coalesced in the Central District, a four-square-mile section east of downtown. Black Seattle, however, was never a monolith. Through world wars, economic booms and busts, and the civil rights movement, black residents and leaders negotiated intragroup conflicts and had varied approaches to challenging racial inequity. Despite these differences, they nurtured a distinct African American culture and black urban community ethos. With a new foreword and afterword, this second edition of The Forging of a Black Community is essential to understanding the history and present of the largest black community in the Pacific Northwest.

Constructed over a millennium from the fourth to fourteenth centuries CE near Dunhuang, an ancient border town along the Silk Road in northwest China, the Mogao Caves comprise the largest, most continuously created, and best-preserved treasure trove of Buddhist art in the world. Previous overviews of the art of Dunhuang have traced the caves' unilinear history. This book examines the caves from the perspective of space, treating them as physical and historical sites that can be approached, entered, and understood sensually. It prioritizes the actual experiences of the people of the past who built and used the caves.Five spatial contexts provide rich material for analysis: Dunhuang as a multicultural historic place; the Mogao Cave complex as an evolving entity; the interior space of caves; interaction of the visual program with architectural space; and pictorial space within wall paintings that draws viewers into an otherworldly time. With its novel approach to this repository of religious art, Spatial Dunhuang will be a must-read for anyone interested in Buddhist art and for visitors to Dunhuang.

Take a closer look into the secret worlds of the intertidal zoneA spectacular variety of life flourishes between the ebb and flow of high and low tide. Anemones talk to each other through chemical signaling, clingfish grip rocks and resist the surging tide, and bioluminescent dinoflagellatessingle-celled algaelight up disturbances in the shallow water like glowing fingerprints.This guidebook helps readers uncover the hidden workings of the natural world of the shoreline. Richly illustrated and accessibly written,Between the Tides in Washington and Oregonilluminates the scientific forces that shape the diversity of life at each beach and tidepoolperfect for beachgoers who want to knowwhy.Features include profiles of popular and off-the-beaten-track sites to visit along the Greater Salish Sea, Puget Sound, and Washington and Oregon coasts the fascinating stories behind both common and less familiar species a lively introduction to how coastal ecosystems work and why no two beaches are ever alike