Böcker utgivna av University of Washington Press

Nachiket Chanchani is associate professor in the Department of the History of Art and the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor.

Enclaves along the India-Bangladesh border have posed conceptual and pragmatic challenges to both states since Partition in 1947. These pieces of India inside of Bangladesh, and vice versa, are spaces in which national security, belonging, and control are shown in sharp relief. Through ethnographic and historical analysis, Jason Cons argues that these spaces are key locations for rethinking the production of territory in South Asia today. Sensitive Space examines the ways that these areas mark a range of anxieties over territory, land, and national survival and lead us to consider why certain places emerge as contentious, and often violent, spaces at the margins of nation and state.Offering lessons for the study of enclaves, lines of control, restricted areas, gray spaces, and other geographic anomalies, Sensitive Space develops frameworks for understanding the persistent confusions of land, community, and belonging in border zones. It further provides ways to think past the categories of sovereignty and identity to reimagine territory in South Asia and beyond.

Examines the tensions between the ethical and aesthetic imperatives in literary, artistic, and philosophical works about the Holocaust

Pearls on a String presents the arts of historical Islamic cultures by focusing on specific people and relationships among cultural tastemakers, especially painters, calligraphers, poets, and their patrons. Through a series of chapters, the book spotlights certain historical moments from across the Islamic world. Each chapter pivots around patrons and their social networks. These independent sections allow different voices and perspectives to emerge, enabling the reader to see that Islamic societies are not monolithic but made up of a tapestry of individuals with distinct and varying views. Pearls on a String pays particular attention to individuals from different sectors of society, giving voice to anonymous artists and translators, merchants, and women of the harem. Islamic historical sources reinforce the bookΓÇÖs themes of writing in Islamic societies, artistic patronage, biographical traditions, and human connectivity.

Showcases the Native artifacts collected by Lewis and Clark during their epic exploration of North America. This illustrated book shows Native Americans as active participants in the outcome of the expedition, selecting objects of significance to bestow as gifts or use in trade, and skillfully negotiating their own strategic interests.

When American forces arrived in Vietnam, they found themselves embedded in historic village and frontier spaces already shaped by many past conflicts. American bases and bombing targets followed spatial and political logics influenced by the footprints of past wars in central Vietnam. The militarized landscapes here, like many in the worlds historic conflict zones, continue to shape post-war land-use politics.Footprints of War traces the long history of conflict-produced spaces in Vietnam, beginning with early modern wars and the French colonial invasion in 1885 and continuing through the collapse of the Saigon government in 1975. The result is a richly textured history of militarized landscapes that reveals the spatial logic of key battles such as the Tet Offensive.Drawing on extensive archival work and years of interviews and fieldwork in the hills and villages around the city of Hue to illuminate wars footprints, David Biggs also integrates historical Geographic Information Systems (GIS) data, using aerial, high-altitude, and satellite imagery to render otherwise placeless sites into living, multidimensional spaces. This personal and multilayered approach yields an innovative history of the lasting traces of war in Vietnam and a model for understanding other militarized landscapes.

This slipcased boxed set contains the two volumes: Art AIDS America, published in 2015 to coincide with the original exhibit at the Tacoma Art Museum, and the new book Art AIDS America Chicago. Art AIDS America included work by Keith Haring, David Wojnarowicz, Peter Hujar, Robert Mapplethorpe, among many others. Taken together, these two volumes are a stunning overview of the artistic response over the last thirty years to the AIDS epidemic in America, with voices from every community impacted by the crisis.

Christopher Sanford, MD, MPH is associate professor in the Departments of Family Medicine and Global Health at the University of Washington, and a family medicine physician who specializes in tropical medicine and travelers¿ health. His research interests include medical education in low-resource settings and health risks of urban centers in low-income nations.

Lynn Fujiwara is associate professor at the University of Oregon. She is the author of Mothers without Citizenship: Asian Immigrant Families and the Consequences of Welfare Reform. Shireen Roshanravan is associate professor of American ethnic studies at Kansas State University. She is the coeditor of Speaking Face to Face / Hablando Cara a Cara: The Visionary Philosophy of Mar¿Lugones.

Lynn Fujiwara is associate professor at the University of Oregon. She is the author of Mothers without Citizenship: Asian Immigrant Families and the Consequences of Welfare Reform. Shireen Roshanravan is associate professor of American ethnic studies at Kansas State University. She is the coeditor of Speaking Face to Face / Hablando Cara a Cara: The Visionary Philosophy of Mar¿Lugones.

Meg Frisbee is assistant professor of history at Metropolitan State University of Denver.

Andrew Schonebaum is associate professor of Chinese literature at the University of Maryland. He is the coeditor of Approaches to Teaching ¿The Story of the Stone¿ (Dream of the Red Chamber).

Kevin Whalen is assistant professor of history at the University of Minnesota, Morris.

Desperate for laborers to keep the trains moving during World War II, the U.S. and Mexican governments created a now mostly forgotten bracero railroad program that sent a hundred thousand Mexican workers across the border to build and maintain railroad lines throughout the United States, particularly the West. Although both governments promised the workers adequate living arrangements and fair working conditions, most bracero railroaders lived in squalor, worked dangerous jobs, and were subject to harsh racial discrimination. Making matters worse, the governments held a percentage of the workers earnings in a savings and retirement program that supposedly would await the men on their return to Mexico. However, rampant corruption within both the railroad companies and the Mexican banks meant that most workers were unable to collect what was rightfully theirs.Historian Erasmo Gamboa recounts the difficult conditions, systemic racism, and decades-long quest for justice these men faced. The result is a pathbreaking examination that deepens our understanding of Mexican American, immigration, and labor histories in the twentieth-century U.S. West.

Kishonna L. Gray is assistant professor in the Department of Gender and Women's Studies and Communication at the University of Illinois¿Chicago. She is the author of Race, Gender, and Deviance in Xbox Live: Theoretical Perspectives from the Virtual Margins and a featured blogger and podcaster with ¿Not Your Mama¿s Gamer.¿ David J. Leonard is a professor at Washington State University. He is the author of several books, including Playing While White: Privilege and Power on and off the Field. Follow him on twitter @drdavidjleonard.

Caste and gender are complex markers of difference that have traditionally been addressed in isolation from each other, with a presumptive maleness present in most studies of Dalits (untouchables) and a presumptive upper-casteness in many feminist studies. In this study of the representations of Dalits in the print culture of colonial north India, Charu Gupta enters new territory by looking at images of Dalit women as both victims and vamps, the construction of Dalit masculinities, religious conversion as an alternative to entrapment in the Hindu caste system, and the plight of indentured labor.The Gender of Caste uses print as a critical tool to examine the depictions of Dalits by colonizers, nationalists, reformers, and Dalits themselves and shows how differentials of gender were critical in structuring patterns of domination and subordination.

From cedar totem poles to high-tech video installations, downtown Seattle sparkles with hundreds of artworks adorning plazas, lobbies, parks, and waterfront piers and paths. This impressive collection, comprising works by artists with regional or international reputations (and often both), has expanded rapidly as Seattle¿s urban core has grown.The explosive development of South Lake Union in recent years has brought major works by Jaume Plensa, Julie Speidel, Annie Han and Daniel Mihalyo, Buster Simpson, Jenny Heishman, and more. The Seattle Art Museum¿s ten-year-old Olympic Sculpture Park provides a breathtaking setting for Richard Serräs monumental Wake and Beverly Pepper¿s ever-changing Perre¿s Ventaglio III, and links the downtown waterfront to Myrtle Edwards Park, which features Michael Heizer¿s once-maligned and now beloved Adjacent, Against, Upon.To tell the lively stories of those who commissioned and created these artworks, James Rupp interviewed and corresponded with more than ninety artists, also drawing from newspaper reviews, books, catalogs, and artist statements. Photographs by Miguel Edwards, all new to this book, showcase the pieces¿ street-level presentation and help the reader understand the larger impact of each work in its neighborhood context. This comprehensive guide offers detailed information about the individual works of art, organized by downtown neighborhood, and featuring:More than 350 artworksOver 300 color photographs9 detailed area maps for self-guided toursUnique descriptions of each artworkBiographies of all the artistsPerfect for art and architecture lovers, as well as visitors and newcomers to the city, Art in Seattle¿s Public Spaces showcases the wealth of urban art to be freely enjoyed by all.A Michael J. Repass Book