Böcker utgivna av University of Washington Press

Elissa Washuta (Cowlitz) is assistant professor of creative writing at the Ohio State University. Theresa Warburton is a Mellon Postdoctoral Fellow in American studies and English at Brown University and assistant professor of English at Western Washington University.

Frederick L. Brown holds a PhD in history from the University of Washington and works on a contract basis as a historian for the National Park Service.

Mark Bender is professor of East Asian languages and literatures at Ohio State University. He is the author of Plum and Bamboo: China¿s Suzhou Chantefable Tradition and translator of Butterfly Mother: Miao (Hmong) Creation Epics from Guizhou, China. Aku Wuwu is a well-known poet and professor and associate dean of the College of Yi Studies, Southwest Nationalities University, Chengdu. Jjivot Zopqu is a local tradition-bearer in Liangshan Yi Autonomous Prefecture, Sichuan.

Charles R. Kim is Korea Foundation Associate Professor of Korean Studies at the University of Wisconsin¿Madison. Jungwon Kim is King Sejong Assistant Professor in the Department of East Asian Languages and Cultures at Columbia University. Hwasook Nam is an independent scholar who previously served as the James B. Palais Endowed Associate Professor at the University of Washington. Serk-Bae Suh is associate professor of Korean studies at the University of California, Irvine. The other contributors are Jung-hwan Cheon, Ho Kim, Sun-Chul Kim, Yerim Kim, George Kallander, Franklin Rausch, Youngju Ryu, and Young Chae Seo.

John Stratton Hawley is Claire Tow Professor of Religion at Barnard College, Columbia University. He is the author of A Storm of Songs: India and the Idea of the Bhakti Movement. Christian Lee Novetzke is professor of South Asian studies and comparative religion at the Jackson School of International Studies, University of Washington. He is the author of The Quotidian Revolution: Vernacularization, Religion, and the Premodern Public Sphere in India. Swapna Sharma is senior lecturer in Hindi at Yale University. The contributors are Gil Ben-Herut, Divya Cherian, John E. Cort, Richard H. Davis, Shrivatsa Goswami, Phyllis Granoff, Eben Graves, David L. Haberman, Manpreet Kaur, Aditi Natasha Kini, Joel Lee, Kiyokazu Okita, Heidi Pauwels, Karen Pechilis, William R. Pinch, and Tyler Williams.

A CHOICE OUTSTANDING ACADEMIC TITLEThe White Lotus War (1796¿1804) in central China marked the end of the Qing dynasty¿s golden age and the fatal weakening of the imperial system itself. What started as a local rebellion grew into a serious political crisis, as the central government was no longer able to operate its military machine.Yingcong Dai¿s comprehensive investigation reveals that the White Lotus rebels would have remained a relatively minor threat, if not for the Qing¿s ill-managed response. Dai shows that the officials in charge of the suppression campaign were half-hearted about the fight and took advantage of the campaign to pursue personal gains. She challenges assumptions that the Qing relied upon local militias to exterminate the rebels, showing instead that the hiring of civilians became a pretext for misappropriation of war funds, resulting in the devastatingly high cost of the war. The mishandled demilitarization of the militiamen prolonged the hostilities when many of the dismissed troops turned into rebels themselves. The war¿s long-term impact presaged the beginning of the disintegration of the Qing in the mid-nineteenth century and eruptions of the Taiping Rebellion and other uprisings.The White Lotus War will interest students and scholars of late imperial and modern Chinese history, as well as history buffs interested in the warfare of the early modern world.

Sugata Ray is associate professor of South and Southeast Asian Art at the University of California, Berkeley.

BuYun Chen is assistant professor of history at Swarthmore College.

Wilt L. Idema is professor emeritus of Chinese literature at Harvard University. He is the author of Chinese Vernacular Fiction: The Formative Period, coauthor of The Red Brush: Writing Women of Imperial China, and translator of Two Centuries of Manchu Women Poets: An Anthology and other works of traditional Chinese literature. Haiyan Lee is professor of East Asian languages and cultures and of comparative literature at Stanford University. She is the author of Revolution of the Heart: A Genealogy of Love in China, 1900¿1950, and The Stranger and the Chinese Moral Imagination.

Cole Roskam is associate professor of architectural history at the University of Hong Kong.

Nachiket Chanchani is associate professor in the Department of the History of Art and the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor.

Enclaves along the India-Bangladesh border have posed conceptual and pragmatic challenges to both states since Partition in 1947. These pieces of India inside of Bangladesh, and vice versa, are spaces in which national security, belonging, and control are shown in sharp relief. Through ethnographic and historical analysis, Jason Cons argues that these spaces are key locations for rethinking the production of territory in South Asia today. Sensitive Space examines the ways that these areas mark a range of anxieties over territory, land, and national survival and lead us to consider why certain places emerge as contentious, and often violent, spaces at the margins of nation and state.Offering lessons for the study of enclaves, lines of control, restricted areas, gray spaces, and other geographic anomalies, Sensitive Space develops frameworks for understanding the persistent confusions of land, community, and belonging in border zones. It further provides ways to think past the categories of sovereignty and identity to reimagine territory in South Asia and beyond.

Spanning more than five thousand years and representing a significant array of world cultures, this updated, beautifully reproduced volume showcases masterworks of ancient Mediterranean and American art; Asian, African, and European paintings, as well as Byzantine and Western Medieval Sculpture and the Decorative Arts.

Examines the tensions between the ethical and aesthetic imperatives in literary, artistic, and philosophical works about the Holocaust

Showcases the Native artifacts collected by Lewis and Clark during their epic exploration of North America. This illustrated book shows Native Americans as active participants in the outcome of the expedition, selecting objects of significance to bestow as gifts or use in trade, and skillfully negotiating their own strategic interests.