Böcker utgivna av University of Wales Press

OPEN ACCESS: To read the ePDF version of this book free of charge, click the below link: https://www.uwp.co.uk/app/uploads/9781837720187_WEB.pdfThis short study presents the history of the founding of the University of Wales Press, and the work that it accomplished during the first half of the twentieth century. It describes a formative period in the publishing and wider cultural history of modern Wales, and provides a snapshot of the work of a variety of the nation's most influential scholars and authors during this era. Detailing the key role played by famous literary figures and historians such as T. H. Parry-Williams, W. J. Gruffydd and R. T. Jenkins in the work of the Press Board between 1922 and 1953, it discusses some of the main works and series that were published under the Press's name during these years. The work of the Press is placed in the wider context of the development of modernism internationally, and of Welsh nationalism, between the world wars.

A hundred modern Spanish, Catalan and Galician sonnets, with lively translations into English sonnets and critical commentaries. A general introduction to the genre is followed by summaries of the historical and literary backgrounds and of the problems facing the translator of sonnets.

A collection of essays that explore how humans understood their relationship with the environment in the Middle Ages. Using written and visual evidence from c.1150-1500 CE--including medical, literary, and scientific works--the essays in this collection address the relationship between the human and the "natural" at a time when new worlds, new texts, and new religious experiences reshaped the individual and collective relationship with the cosmos.

Financial Gothic offers three main critical perspectives: that finance can and should be understood as a gothic phenomenon; that contemporary American finance is a product the slave trade; and that American gothic monsters symbolise both the financial market and enslavement.

Mae John Jones, Gellilyfdy, sir y Fflint (c.1580-1658) yn enwog fel ysgrifydd medrus a dibynadwy a gopiodd nifer helaeth o destunau canoloesol, mewn llaw galigraffig hardd. Mae ei gopiau o farddoniaeth a rhyddiaith ganoloesol yn arbennig o werthfawr i'r ysgolhaig Cymraeg, gan nad yw ei ffynonellau'n aml wedi goroesi. Ond nid copiwr yn unig oedd John Jones. Pan oedd yng ngharchar y Fflyd yn Llundain yn ystod y 1630au cynnar, cynhyrchodd restrau o dros 7,000 o eiriau wedi eu trefnu'n thematig dan 130 o benawdau, gan eu cofnodi'n daclus mewn tair llawysgrif. Mae'r geirfau hyn, a gyhoeddir yma am y tro cyntaf, yn cynnwys geiriau am sawl agwedd ar fywyd bob dydd: y ty a'i gynnwys; crefftwyr traddodiadol a'u hoffer; dyn, ei gorff a'i afiechydon, a'r gemau a'r chwaraeon a'i difyrrai; a byd natur, gan gynnwys rhestrau maith o enwau coed, llysiau, pysgod ac adar. Rhydd y geirfau gipolwg gwerthfawr i ni ar fywyd ac iaith gwr bonheddig o sir y Fflint ar ddechrau'r ail ganrif ar bymtheg, yn ogystal ag ychwanegu'n fawr at eirfa Gymraeg hysbys y cyfnod.

This book takes a journey around the world to demonstrate how plants influence people's lives. From mealtimes to belief systems, from addictions to medical support, plants are instrumental in organising what people do, and what it means to be human.

This volume demonstrates how contemporary American horror by women writers (and those whose output has been identified as women's fiction) is not limited to sparkling vampires, but is in fact a pulsating field bursting with genre-defying works spanning the last three decades.

The first study of the pioneer of open-air museums in Britain, putting his work as scholar and curator into the international context of the twentieth century. Extensive synopsis and translations from Welsh makes Peate's work accessible to an entirely new audience.

This is the first collection of articles to analyse and theorise Gothic literature from the Middle East/North Africa region. It brings together nine chapters on diverse Gothic works in the major Middle Eastern languages - Arabic, Hebrew, Persian and Turkish.

This book, the first on Blaxploitation horror films such as Blacula, compares them with both mainstream horror movies and canonical Gothic stories. While conventional horror movies adapt the classic monsters of Gothic fiction, Blaxploitation horror films radically transform them.

This book explores Kant's influence on the development of biology and his importance for contemporary issues in philosophy of biology. Establishing Kant-inspired approaches toward these issues helps to develop new perspectives that critically examine underlying assumptions in biology.

What can one Welsh hill farm tell us about how we can help nature to thrive?In recent times, farming has often been viewed as harmful to nature and the environment, causing friction between those wanting to protect wildlife and the farmers whose livelihoods depend on upon the land. Conservationists and governments frequently propose well-meaning ideas and policies to enable farming and conservation to work together, but all-too-often these do not have the intended results. At the heart of this is a lack of understanding about the realities of farming life and managing the land for nature. In this captivating debut, conservationist David Elias explores a farm in the Eryri (Snowdonia) National Park and unpacks what it shows us about the gritty reality of trying to reconcile hill farming and caring for nature. Visiting through the seasons, he forms a deep relationship with the land and the people who work it, coming to understand their particular way of life, history and concerns about the future. It is also a farm rich in nature and he brings his experienced eye to how its habitats and wildlife have been shaped by changing farming practices over the generations. Through lyrical prose and first-hand conversations with farmers, Elias also shows what current government policies have achieved ‿ or not achieved ‿ and why it is so important for us to understand what it really takes ensure farming families remain on the land while simultaneously allowing nature to flourish.

Since 2007, Afro-Puerto Rican women have been revising the foundational myths of the island and the diaspora to create a new vision of family as a national allegory that includes powerful Black protagonists. Novelists Mayra Santos-Febres and Dahlma Llanos-Figueroa tell the diaspora's history, beginning with trans-Atlantic slavery. Santos-Febres's allegories use sadomasochism and healing in the novels Fe en disfraz and La amante de Gardel. Short story writers Arroyo Pizarro's las Negras and Yvonne Denis-Rosario's Capa prieto chronicle the struggle to create and preserve an empowering history of slavery and Black people on the island and in the diaspora. Llanos-Figueroa's Daughters of the Stone envisages a sugar plantation in which Afrodescendants are free and respected. They remake the 'great Puerto Rican family' to give greater agency to Afro-Puerto Ricans and include the diaspora in a 'fractal family'. While liberating, these novels also depict the traumas wrought by both the maintenance and the dissolution of patriarchal, heteronormative, colonial and racist structures.

Fifteen comprehensive essays by leading historians on the careers and duties of those eminent figures in eighteenth-century English society: the bishops of the established Church. Bishops in Wales, Ireland, Scotland and the colonies all have their own chapters.

This collection aims to resurrect the long-forgotten penny dreadfuls and revivify their significance in Gothic studies.

This is a comprehensive study of the impact of censorship on theatre in twentieth-century Spain, analysing changes in censorship from the Second Republic to the post-Franco transition to democracy, and illuminating the ideological underpinnings, the effects on the industry and the responses of theatremakers.

This book is a literary history of existentialism in Latin America. While primarily a literary study, indispensable (if underappreciated) figures of existential philosophy in Latin America are introduced to the discussion.

Queer for Fear analyses the relationship queer people have to horror film, building upon decades of theory that previously emphasised horror's queerness as being subtextual, allegorical and figurative. This groundbreaking interdisciplinary empirical study of the LGBTQ+ community not only offers the first inclusive understanding of the horror-loving queer spectator's opinions, habits and tastes, but also evidences how and why queers have a distinctive relationship to horror. Leveraging original survey data, in-depth oral histories and theory, Petrocelli evidences that queer people have ontological connections to the horror genre, and concludes that horror is queer to the queer spectator. This study also establishes that queer spectators actively engage with horror to work through their trauma, knowingly have a camp relationship to horror, and joyously commune through horror screenings featuring drag performance. Queer for Fear is an overdue contribution to the fields of queer, film, horror, trauma, camp and live cinema studies.

In the nineteenth century, Cornwall was seen as a foreign nation on England's doorstep and imagined as a haunted place, full of ghosts, ghouls, monsters, and legends. This book explores how Gothic authors drew on this to create a Cornish Gothic tradition.

Gothic literature is very popular today, and many places have become tourist attractions because they are either connected to Gothic fictions or because they generate new Gothic storytelling experiences. This book explores the socio-political significance of Gothic tourism in England.

Following studies of Lovecraft and Stephen King, this book pays overdue attention to King's equally prolific contemporary, Britain's Ramsey Campbell. Focusing on neglected longer fictions, the book Ramsey Campbell discusses the writer's prose style and treatment of Gothic, interpreting his work theoretically.

A fascinating and exhilarating look at the many ways we love, and are loved. Following on from his bestselling The History of Wales in Twelve Poems, M. Wynn Thomas turns his attention in A Map of Love to poems from Wales and reflects on what they have to say on the age-old subject of love in its many and varied forms. Featuring twelve pieces dating from the fourteenth century to the present, this absorbing collection deliberately veers far from clichéd verses with its poems of regret and of mourning; straight love and gay love; bawdy verses of passion and desire, and gentle meditations on motherhood and marriage. It features anonymous and lesser-known writers as well as household names such as Gillian Clarke and R. S. Thomas, and it includes a previously unpublished poem by Emyr Humphreys. With original illustrations by Ruth Jên Evans throughout, this short but powerful collection will appeal to anyone interested in people and their complex relationships.

The Society for the Reformation of Manners in Hull was formed in 1698 by religiously-inspired mariners, merchants and tradesmen who aimed to hinder the spread of sin and wickedness in their town. Their methods included initiating prosecutions against their neighbours' transgressions, and sponsoring sermons on the subject of spiritual reformation. Unlike other religious societies of this period, the majority of the leading members in the Hull society were Dissenters from the Church of England. For many nonconformists, the period represented a providential 'now or never' moment for moral reform. The Society's activities shed considerable light on the degree to which High Churchmen were willing to tolerate the Toleration. An exceptional survival for a regional society for the reformation of manners, this volume presents their records in full for the first time, with an introductory essay analysing its origins, membership, methods, and ultimate decline.

This is My Truth is the first edited collection of Aneurin Bevan's writings in the socialist magazine Tribune. Showcasing Bevan's analysis of politics, society and the world, it provides readers with the opportunity to read Bevan in his own words.

Isaiah Berlin, a prominent public intellectual of the second half of the twentieth century, is examined in historical context for the first time as a thinker deeply influenced by, and deeply reactive against, the British Idealists.