Böcker utgivna av University of Wales Press

This is not a stuffy anthology of poetry. It offers a new way of viewing the Welsh past, showing how some aspects of it are best accessed through the words of its renowned poets.

A History of Money looks at how money as we know it developed through time. Starting with the barter system, the basic function of exchanging goods evolved into a monetary system based on coins made up of precious metals and, from the 1500s onwards, financial systems were established through which money became intertwined with commerce and trade, to settle by the mid-1800s into a stable system based upon Gold. This book presents its closing argument that, since the collapse of the Gold Standard, the global monetary system has undergone constant crisis and evolution continuing into the present day.

Having worked on projects around the world, strengthening and restoring historically significant structures from Windsor Castle to the parliament buildings in Canada, Peter James brings insight to the structural engineering of ancient Egypt. After fourteen years working on the historic buildings and temples of Egypt, and most recently the world's oldest pyramid, he now presents some of the more common theories surrounding the 'collapsing' pyramid - along with new and innovative projections on the construction of the pyramids and the restoration of some of Cairo's most monumental structures from the brink of ruin. The decoding of historic construction from a builder's perspective is examined and explained - at times against many existing theories - and the book provides a new outlook on long-held assumptions, to embrace modern theories in a bid to preserve the past.

In this novel, Peredur defies both his mother's hostility and his brothers' lack of concern to seek out the truth of his father's death and to take part in a protest against the 1969 Investiture that goes violently wrong. Only at the end when Amy Parry faces death can reconciliation be achieved.

This is the first book-length study of the poetry and journal writings of Gillian Clarke in their entirety; it is the first extensive examination of her work published in this century, and the first full account of how her work has developed in the course of her career as a writer and teacher. In addressing timely and highly relevant themes in Clarke's work, which have been relatively overlooked until now, the book highlights and re-examines her importance for today's readers. Discussing the energy, subtlety and originality of her works, the author commends Clarke as an innovative, politically-alert and scientifically and cosmologically-aware Welsh writer of global significance.

This book adopts an Eastern or Chinese perspective on Alexis de Tocqueville's political thought, highlighting the 'aristocratic' nature of his theory of freedom; and, as it does to, it takes the great traveller of nineteenth-century Europe to the East. What would that traveller see in China? What kind of freedom would be identified in Chinese social contexts? And how would Confucianism figure in today's politics? This book departs from the usual present-day distinction between democracy and authoritarianism, to analyse how 'equality of conditions' has affected both China and the West, albeit in different forms. It rejects the 'End of History' perspective as both false and dangerous, arguing in the Tocquevillian spirit that 'democracy', although inevitable for human societies, it is not an 'end' but rather a condition according to which we must adjust ourself in order to stay free, whether in the West or in the East.

The British economy altered radically between 1934 and 1947. Some of the most dramatic changes were in Wales as its struggling private-sector-led economy was supplanted by one dominated by the state. Initial changes were barely noticeable as pre-war rearmament had little impact on its economy and labour market - yet wartime demands for munitions and raw materials prompted the state to govern an all-encompassing mobilisation that upended its relations with business and eliminated unemployment. New factories employed many thousands of people, agriculture was modernised and metal manufacturing thrived, although coal mining remained mired in crisis. As the war ended, lessons learnt during the conflict helped guide the government as it reconverted the economy to peacetime while retaining a dominant role. This book is the first to fully set out and explore these linkages in Wales between government planning, workplaces and their employees.

Ours is an age of precarity, with fear and anxiety coming to define the twenty-first century; politically, economically and socially, neoliberal systems and policies dominate globally. Traditional frameworks of protection have consequently been dismantled, and existential insecurity is increasingly passed from nations and institutions to individuals. Against this backdrop, the Gothic mode of fiction is experiencing a new ascendancy, strengthening the argument that the Gothic represents the best literary mode to address this age of precarity. Examining twenty-first-century Gothic fiction's engagement with the most pressing issues of our age, the readers of this volume will consider the oppression and existential entrapment experienced by marginalised populations in the provincial China of the late 1970s, and observe a modern-day Frankenstein's creature occasion violence and destruction across Baghdad post the 2003 Iraq War. They will also discover vampires (representatives of a voracious, toxic economic model) in an alternate Mexico City, encounter a nomadic group traversing the only remaining wilderness in a near-future North America devastated as a result of the climate crisis, and be haunted by a spectral migrant who died in their efforts to flee political oppression in Vietnam.

Dafydd Elis-Thomas, The Rt Hon. the Lord Elis-Thomas of Nant Conwy, is an outstanding Welsh public figure. His political career spans from his first election as a Westminster MP for Plaid Cymru in 1974 at the age of twenty-seven, until May 2021 when he finally retired after twenty-two years of service as a member of the Senedd in Cardiff. Both controversial and magnetic, his life is captured in this biography. He has been branded a 'maverick', an 'intellectual acrobat' and a 'political chameleon' - as well as being labelled a 'terrorist' for his interventions in Northern Ireland, and a 'traitor' for opposing nationalism. As the first Presiding Officer of the National Assembly for Wales, he helped stabilise the new institution and embedded devolution during its first tentative decade. His career has often been marked by controversy, and this is what makes his story remarkable - just as his political life has proved to be unpredictable.

The music industry as you've never seen it before - from the bottom.  Music. We all love it. We can't live without it! But what exactly is it? Why is it so awesome? And who are the mysterious figures who create it, perform it and keep us all stocked up with the good stuff? What's it really like to be in a band and just how bad is the music industry?  In his new book, rock'n'roll underdog James Kennedy takes us on a tour through the hidden lives of the every-day musician - this isn't hotel room trashing but how 99% of musicians live in the real world. Blowing away the usual mythologies and pulling no punches, Loud Medicine is a rough and ready rollercoaster ride - OK, transit van ride - into the secret world of the modern day musician.   It's also an exposé of music's many enemies, a manifesto for change and a love letter to everyone's favourite medicine. There will be rants, dramas, a cast of dysfunctionals, big ideas, industry scam shockers, truth-bombs, f-bombs, the likely crucifixion of a beloved music icon or two -  and yes, of course, there will be road stories. So come and squeeze in amongst the drum cases and warm beers, and let's hit the road!

The literatures of medieval Wales and Ireland are among the richest vernacular traditions of medieval Europe. From a large corpus of poetry and prose, key texts such as the Welsh Mabinogion, the Irish sagas, Celtic Latin literature, chronicles, saints' lives and court poetry have established their place within the written legacy of medieval Europe. This collection of original essays by leading Celtic scholars, writing in honour of Catherine McKenna, Professor of Celtic at Harvard University, goes beyond the familiar canon of medieval Celtic literatures to showcase a wide range of Welsh and Irish texts that are compelling in their literary imagination and technical innovation.

Who are the queer figures, past and present, who shape Wales? Discover the diverse array of LGBTQ+ figures who have shaped Wales, in a tour of how they shape both their fields and drive forward queer representation.  Embark on a journey that takes us from the Marquis of Anglesey, through the lives of the Ladies of Llangollen, to artist Gwen John, to pioneering writer Jan Morris and playwright Peter Gill. Celebrate queer entertainers from Ivor Novello and H from Steps, to sporting icons from Gareth Thomas to Jess Fishlock. This book takes you on a whirlwind tour from culture and sport to politics and activism, marking the breadth and variety of queer achievement.  Spanning historic milestones of the past to iconic drag queens of the present, Queer Welsh Icons is a jubilant exploration of the rich tapestry of queer identity in Wales.

Fieldnotes from Celtic Palestine embodies a new type of sociological writing that weaves ethnography with memoir as well as fusing other convention-breaking literary forms, styles and devices. In its innovative analysis of the rhetorical power of the creative works of four Celtic witnesses to the conflict in Palestine, three Irish and one Welsh, it explores how the creative practitioner may effectively engage in political persuasion and activism without compromising their art. The book also reflects upon a series of encounters in the field between the author and various individuals - political prisoners, diplomats, members of terrorist organisations, members of the security services, journalists and politicians, and also ordinary people making their lives in a society profoundly shaped by brutal ethno-political occupation and conflict. Amongst these encounters is that of being served tea by the daughter of a Hamas suicide bomber, and that of being taken to Jewish settlements regarded as illegal under international law.

The elemental pull of water is irresistible, whether it's to bathe, swim, shower, splash about, sail or simply paddle. We are drawn to it not just for pleasure but for its healing and wellbeing benefits. Destinations, from holy wells to mysterious lakes and enchanted rivers, also have spiritual meaning and are shrouded in myths and folklore. In The Water Remedy, Clare Gogerty offers a guide to some of the best places in Wales and the UK to enjoy being with water, inspiring us to see beyond its day-to-day domestic use so that we can benefit from its spiritual and restorative powers. Discover the difference that our rivers and seas, lakes and springs, wells and waterways can all make to our wellbeing

Ar drothwy trichanmlwyddiant ei enedigaeth, mae'r gyfrol hon yn cyflwyno'r astudiaeth lawn gyntaf o Thomas Pennant, y naturiaethwr a'r teithiwr o Sir y Fflint, ar gyfer cynulleidfa Gymraeg ei hiaith. Er gwaethaf ei fri rhyngwladol yn ei ddydd, esgeuluswyd Pennant yn ddiweddarach gan ei gydwladwyr mewn cof niwlog fel 'teithiwr'. Cynigir yma ddarlun mwy cymhleth sy'n cydnabod ei le fel un o feddylwyr polymathig yr Oleuedigaeth, â'i ddiddordebau'n rhychwantu byd natur, celf a hynafiaethau. Edrychir ar y Cymry allweddol a ddylanwadodd ar ei waith - o Forrisiaid Môn, sylfaenwyr Cymdeithas y Cymmrodorion, hyd at John Lloyd, rheithor rhadlon Caerwys, a'r artist Moses Griffith o Ben Llyn. Wrth bendroni sut y ciliodd Pennant o olwg ei gyd-Gymry, ystyrir argyfwng adroddiad y Llyfrau Gleision a'r wleidyddiaeth ieithyddol a ddaeth yn ei sgil, cyn ymddangosiad cyfieithiad llawn yn y Gymraeg o'r Teithiau yng Nghymru, ganrif wedi marwolaeth yr awdur.

Beyond the Lesbian Vampire is a groundbreaking dive into the pervasive cinematic archetype of the violent lesbian, examining this historically problematic figure within cultural and cinematic imagination - from witch to vampire to murderer - and identifying her resurgence in seven popular and critically acclaimed films of the late 2010s. Each case study depicts unpunished multidimensional lesbian characters trending toward more justifiable narrative reasons for violence; additionally, they reference past iterations of this archetype's 'innate' desire for violence, particularly so for the lesbian vampire. The combination of excessive citation alongside narrative shift gestures towards a reclamation of the lesbian vampire within queer horror, as the author weaves textual analysis and scholarly debate around lesbianism's queerness and homonormativity to reveal the cultural salience of the violent lesbian, and of the queer fears and pleasures she evokes. Beyond the Lesbian Vampire is a vital contribution to lesbian studies, horror studies, queer studies and feminist studies.

This is an in depth exploration of how the Gothic literature boom of the late-eighteenth century was a response and reaction to the expansion of the British empire, and to the continued periods of war in the second half of the century. The Gothic has often been discussed in relation to the French Revolution as a literature of terror, but The Gothic at War demonstrates how the works of Gothic writers such as Horace Walpole, Charlotte Smith and Ann Radcliffe were also a literature of conflict. This study places a particular focus on masculinity and national identity, analysing how the representations of war and the figure of the soldier in the Gothic of the era allowed women writers in particular to explore anxieties about manliness and nationality.

Written in honour of Professor Huw Pryce, this volume brings together exciting new research on writing and performing the history of Wales, from the Middle Ages to the modern period. Each chapter offers a different perspective on the theme of historical writing and remembrance. The first section (Texts and their Histories) focuses on the creation and function of medieval historical texts; a wide range of texts are investigated here, including chronicles and narrative histories, charters, and the Welsh triads. The second section (History and Identity) concerns the relationship between writing history and identity construction; chapters consider different aspects of this theme, including the role of bishops in writing history and the use of names to construct ethnic identities. The third and final section (Memory and Nation) widens the lens to investigate strategies of remembrance and the performance of history; this includes essays on the Eisteddfod, tattoos of historical individuals and the role of historical pageants in twentieth-century nation building. Taken together, the contributions to the volume offer new insights into Welsh historical writing and perceptions of the past throughout the ages.

Un o brif seiliau hunaniaeth genedlaethol y Cymry yn ystod y cyfnod modern cynnar oedd eu hanes - roedd eu dealltwriaeth o'u gorffennol yn cynnig iddynt amlinelliad o'r hyn a oedd yn eu diffinio. Mae'r gyfrol hon yn archwilio naratifau hanes yn ôl damcaniaeth cof diwylliannol. Wrth ystyried testunau sy'n trafod hanes y Cymry fel cof diwylliannol cenedlaethol (hynny yw, dealltwriaeth o'r gorffennol a oedd yn diffinio'r genedl Gymreig), teflir goleuni o'r newydd ar hunaniaeth Gymreig. Mewn cyfnod o newidiadau crefyddol, gwleidyddol a deallusol arwyddocaol, felly, cafodd y gorffennol Cymreig ei ail-ddyfeisio yn ôl daliadau'r awduron; ac, o graffu ar sut yr aethpwyd ati i ddiffinio'r genedl trwy gofnodi'r gorffennol, amlygir inni arwyddocâd cofio'r gorffennol.

Discover the power of our relationship with Y Môr (the sea) along the Wales Coast Path. Matthew Yeomans takes us on journeys along the official walking trail, which in its entirety covers 870 miles (1400 km) of the Welsh coastline. He uncovers how the sea has shaped our lives through history; how Wales's rich mythology, literature and culture has been influenced by this fluid force, and the growing role that the sea plays in our lives.  Along the way, Seascape challenges us to face the realities of climate change and how we will need to adapt where and how we live. Only by recovering a healthy relationship with the sea can we meet our future challenges and unlock opportunities for better ways of living.

This volume covers aspects of Ludwig Wittgenstein's time in Swansea between 1942 and 1947. It considers his interaction with Rush Rhees, his stimulus for the Swansea School, and his broader influence on students, academics and a plethora of writers from a range of disciplines and interests. The contributors view Wittgenstein's philosophy and legacy from different perspectives, which include explanations and assessments of Wittgenstein's time and work at Swansea; historical and cultural scene setting; analyses of the Swansea School; literary comparisons; ideological evaluations; and a range of intimate reflections and commentaries. The volume editor additionally offers some psychogeographical observations in consideration of Wittgenstein's present-day significance to Swansea.

Intersectional analysis of the issue of migration in Wales. A Welcoming Nation? addresses current debates around migration in, from, and through Wales. It includes a range of migratory perspectives to better understand the diverse lived experiences of migrants, and the policies, measures, and approaches at work across various scales and sectors in Wales that shape their everyday lives. The volume adopts an intersectional approach to explore these experiences, which is central to understanding the multiple and complex ways in which exclusion and marginalization take place. To this end, the volume is not just a book about migration, but a way in which migratory experiences and statuses can intersect with other factors such as age, gender, race, and sexuality. This volume draws on new and emerging work to understand migration in Wales, including contributors from various career stages and different disciplines.

The first comprehensive architectural history of the work of Sir Percy Thomas and the significant British architecture firm that sustained his legacy into the twenty-first century. Sir Percy Thomas was the most important twentieth-century architect in Wales, renowned for interwar civic buildings such as Swansea Guildhall and the Temple of Peace in Cardiff. His architectural practice, Sir Percy Thomas & Son, designed much of the post-1945 welfare state and industry in Wales and beyond. In the late twentieth century, the Percy Thomas Partnership specialized in complex healthcare, industrial, and public buildings, becoming an international practice. This comprehensive, meticulously researched history examines the architecture of Percy Thomas in depth for the first time and explores its wider social and political significance. Arguing that the practice sustained an ethical approach to architecture as a national service for the benefit of society, this book gives new insights into the role of the architect and the changing relationships between the built environment and the state throughout the century. Its unique perspective from Wales promises to reshape our understanding of modern architecture.

What did medieval people call the animals they lived and worked with? Why did they give them the names they did? This book sets out to answer these questions. Drawing evidence from literary, documentary and material sources, it surveys the surviving evidence of pet-naming from the period, as well as examining the labels given to livestock and working animals, and the folk-names given to wild birds and beasts. Alongside building up a corpus of names, the conventions that directed animal naming in the Middle Ages are considered, as well as how proper nouns behaved when given to non-human organisms. Through its inquiry, the book lays bare the period's larger attitudes towards animals, their functions and identities, and at the same time sheds light on how the Middle Ages conceived the natural world as a whole and its relationship with human beings and their culture.

This is a historical and structural study of the Stalker Film. As a subcategory of the more general Slasher Film, the Stalker Film is often characterised by an off-screen presence that dominates the visual field, and by a recuring combination of character and plot functions. The Stalker Film responds to an ongoing cultural conflict narrativised as the fight to protect self and community, and does so within a specific 1978-81 historical period. As a postmodern work, the surface material of the Stalker Film alludes to past and ongoing cultural forms, to Alfred Hitchcock's Psycho, for example, to the theories of Sigmund Freud, or even to Laura Mulvey on the male gaze. These forms are not used to enlighten but are exploited to maximum visceral effect. Positioned at the rise of the Reagan era, the Stalker Film questions the Horror Film genre and engages a mass audience response.

This book is the first extended study of the importance of Gothic for an appreciation of the Brontës' writing. It resituates Gothic from the mode that gives the pleasing sensation of terror to being the source of the Brontës' deepest preoccupations - it is the mode they use to register anxieties and fears. This monograph, through a consideration of Gothic states and places, explores the Brontës' creative work with the genre. The author argues that to read the Brontës as Gothic poets and novelists is also to read them as post-Romantics, as they respond to the Gothic imaginations of such Romantic poets as Wordsworth, Coleridge and Shelley. Gothic in the Brontës, then, is not merely a collection of tropes or even an aesthetic, but a way in which they read the world.

Mary Elizabeth Braddon's The Factory Girl (1863) was a cheap serial intended for working-class readers. The sprawling plot centres on Laura Leslie and her daughter, Dora, who are the targets of a diverse cast of villains. After Laura's tragic death, Dora and her adoptive mother start a new life working in a cotton mill, but Dora's beauty attracts unwelcome attention, putting them in danger. Dora is the classic factory girl, a nineteenth-century revision of the Gothic heroine. Republished in the US in both newspapers and as a book, and translated into French, the novel has been out of print since the 1860s. This edition reproduces the original Halfpenny Journal text and illustrations, and adds a scholarly introduction placing the novel in numerous cultural contexts, including the rise of sensation fiction; nineteenth-century popular theatre; the transformation of the genre of the Gothic; and the backdrop of the Industrial Revolution.

This is the first monographic study of the Semanario Erudito, one of the most important of the erudite periodicals published in late eighteenth-century Spain. The goal of its editor, Antonio Valladares de Sotomayor (1737-1820), was to recover the history of Spain and make it available to his readers for them to learn, and learn from. The book begins with a discussion of Valladares's life and works, before presenting the history of his periodical - specifically, the process of requesting permission to publish it, who printed it, who sold it, and who read it. Documents from Spain's Archivo Histórico Nacional illuminate the censorship process undertaken by each work he wished to publish. The documents also show that the censors' concerns were often not ideological, and that they worked to facilitate the publication of documents they considered valuable but problematic. The second half of the book examines what Valladares published, and his reasons for doing so.

The work of the map-maker and historian Humphrey Llwyd (1527-68) were a crucial contribution to a new vision of Britain in the early modern period. It lies close to the roots of the emerging ideology of British Empire, and Llwyd's influence is to be found in the works of major English poets such as Edmund Spenser and Michael Drayton. His history of medieval Wales, Cronica Walliae, shaped Welsh historical traditions for centuries to come. Llwyd is also the earliest extant source for the legend of Prince Madoc, whose twelfth-century voyage to America shaped British fantasies of the New World from the reign of Elizabeth to the nineteenth century. This is the first book-length study of Llwyd's works, influence and intellectual milieu, and contributions from scholars in the fields of history, geography and literary studies cover the range of Llwyd's achievement as a cartographer, historian and chorographer of Wales and Britain.