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"This book explores the topic of how Muslims fit into the society of the crusader kingdom of Jerusalem of the twelfth and thirteenth centuries. By examining geographic, economic, legal, political, and cultural data, it argues that Muslims were not marginal or marginalized in the crusader period Levant, but formed an important often crucial community"--

George R. Anthonisen: Meditations on the Human Condition¿is a comprehensive volume documenting the arc of Anthonisen¿s artistic career spanning 65 years as a figurative sculptor. Well versed in history and current events, Anthonisen (b. 1936) creates visual dialogues, primarily in bronze, that investigate the human condition and people¿s capacity to destroy, to create, to question, and to make noble choices. He is known for his thoughtful and sometimes haunting content and for championing the elegance and strength of the female form. Career highlights include service as sculptor in residence at the Saint-Gaudens National Historical Park, and exhibitions at Dartmouth College, the National Academy of Design, the Woodmere Art Museum, the Philip and Muriel Berman Museum of Art at Ursinus College, Yale University, and the James A. Michener Art Museum. In the 1970s, Anthonisen won a national competition to execute a sculpture of Senator Ernest Gruening for the United States Capitol and Ursinus College commissioned a monumental World War II diptych from the artist. His sculpture, Death and Starvation, was installed at the World health Organization in Geneva, Switzerland in 1985. Anthonisen has lived and worked in Solebury, Bucks County, Pennsylvania, since establishing his studio there in 1971. Richly illustrated with more than 150 color and black-and-white plates, this book accompanies a major exhibition of the artist¿s work at the James A. Michener Art Museum in Doylestown, Pennsylvania. Essays by exhibition curator Lisa Tremper Hanover, Laura Turner Igoe, and Clarisse Fava-Piz provide personal and historical context for the artist and his work. Contributors: Lisa Tremper Hanover, Laura Turner Igoe, and Clarisse Fava-Piz

Explores the legacies of slavery in Southern cities along the Gulf and Atlantic coastsCities are fraught sites in the national imagination, turned into identity markers when "urban" and "rural" indicate tastes rather than places. Cities bring chaos, draining the lifeblood of the nation like a tick draws blood from its host, to paraphrase Thomas Jefferson's anti-urban polemics, which might have been written during any election year-centuries or months ago. Racism and anti-urbanism were born conjoined during the Revolution. Like their Atlantic coastal counterparts in the US North, Southern cities -similarly polyglot and cosmopolitan-resist the dominant, mutually inclusive prejudices of the nation that fails to contain them on its eroding, flooding coasts.Captive City explores the paths of slavery in coastal cities, arguing that captivity haunts the "hospitality" cultures of Charleston, New Orleans, Savannah, and Baltimore. It is not a history of urban slavery, but a literary reflection that argues for coastal cities as a distinct region that scrambles time, resisting the "post" in postindustrial and the "neo" in neoliberalism. Jennie Lightweis-Goff offers a cultural exploration bound by American literature, especially life-writing by the enslaved, as well as compelling reassessments of works by canonical writers such as Frederick Douglass, Harriet Jacobs, and Hector St. John de Crevecoeur.Lightweis-Goff reveals how the preserved yet fragile landscapes of these cities are haunted-not simply by the ghost tours that are signature stops for travelers in their historic districts-but by the echoes of slavery in their economies and built environments.

Reveals how, through auctions, early Americans learned capitalismAs the first book-length study of auctions in early America, America Under the Hammer follows this ubiquitous but largely overlooked institution to reveal how, across the eighteenth and early nineteenth centuries, price became an accepted expression of value. From the earliest days of colonial conquest, auctions put Native land and human beings up for bidding alongside material goods, normalizing new economic practices that turned social relations into economic calculations and eventually became recognizable as nineteenth-century American capitalism.Starting in the eighteenth century, neighbors collectively turned speculative value into economic "facts" in the form of concrete prices for specific items, thereby establishing ideas about fair exchange in their communities. This consensus soon fractured: during the Revolutionary War, state governments auctioned loyalist property, weaponizing local group participation in pricing and distribution to punish political enemies. By the early nineteenth century, suspicion that auction outcomes were determined by manipulative auctioneers prompted politicians and satirists to police the boundaries of what counted as economic exchange and for whose benefit the economy operated. Women at auctions-as commodities, bidders, or beneficiaries-became a focal point for gendering economic value itself. By the 1830s, as abolitionists attacked the public sale of enslaved men, women, and children, auctions had enshrined a set of economic ideas-that any entity could be coded as property and priced through competition-that have become commonsense understandings all too seldom challenged.In contrast to histories focused on banks, currencies, or plantations, America Under the Hammer highlights an institution that integrated market, community, and household in ways that put gender, race, and social bonds at the center of ideas about economic worth. Women and men, enslaved and free, are active participants in this story rather than bystanders, and their labor, judgments, and bodies define the resulting contours of the American economy.

In a letter to his wife, Abigail, John Adams judged the author of Common Sense as having "a better hand at pulling down than building." Adams's dismissive remark has helped shape the prevailing view of Tom Paine ever since. But, as Edward G. Gray shows in this fresh, illuminating work, Paine was a builder. He had a clear vision of success for his adopted country. It was embodied in an architectural project that he spent a decade planning: an iron bridge to span the Schuylkill River at Philadelphia.When Paine arrived in Philadelphia from England in 1774, the city was thriving as America's largest port. But the seasonal dangers of the rivers dividing the region were becoming an obstacle to the city's continued growth. Philadelphia needed a practical connection between the rich grain of Pennsylvania's backcountry farms and its port on the Delaware. The iron bridge was Paine's solution.The bridge was part of Paine's answer to the central political challenge of the new nation: how to sustain a republic as large and as geographically fragmented as the United States. The iron construction was Paine's brilliant response to the age-old challenge of bridge technology: how to build a structure strong enough to withstand the constant battering of water, ice, and wind.The convergence of political and technological design in Paine's plan was Enlightenment genius. And Paine drew other giants of the period as patrons: Benjamin Franklin, George Washington, Thomas Jefferson, and for a time his great ideological opponent, Edmund Burke. Paine's dream ultimately was a casualty of the vicious political crosscurrents of revolution and the American penchant for bridges of cheap, plentiful wood. But his innovative iron design became the model for bridge construction in Britain as it led the world into the industrial revolution.

The first comprehensive study of self-purchase in the United States from the American Revolution to the Civil WarEnslaved people lived in a world in which everything had a price. Even freedom. Freedom's Currency follows enslaved people's efforts to buy themselves out of slavery across the United States from the American Revolution to the Civil War. In the first comprehensive study of self-purchase in the nation, Julia Wallace Bernier reveals how enslaved people raised money, fostered connections, and made use of slavery's systems of value and exchange to wrest control of their lives from those who owned them. She chronicles the stories of famous fugitives like Frederick Douglass, who, with the help of friends and supporters, purchased his freedom to protect himself against the continued legal claims of his enslavers and the possibility of recapture. She also shows how enslaved fathers like Lunsford Lane and mothers like Elizabeth Keckley tried to secure lives for their families outside of slavery.Freedom's Currency argues that freedom played a central role in the social and economic lives of the enslaved and in the ways that these aspects of their lives overlapped. This intimate portrait of community illuminates the complexity of enslaved people's ideas about their place at the intersection of slavery and American capitalism and their attempts to value freedom above all. Given the stakes-liberation or remaining enslaved-it is an account of both triumph and devastating failure.

Illuminates the competing understandings of poison and power in the Atlantic worldBy the time of the opening of the Atlantic world in the fifteenth century, Europeans and Atlantic Africans had developed significantly different cultural idioms for and understandings of poison. Europeans considered poison a gendered "weapon of the weak" while Africans viewed it as an abuse by the powerful. Though distinct, both idioms centered on fraught power relationships. When translated to the slave societies of the Americas, these understandings sometimes clashed in conflicting interpretations of alleged poisoning events.In Poisoned Relations, Chelsea Berry illuminates the competing understandings of poison and power in the Atlantic World. Poison was connected to central concerns of life: to the well-being in this world for oneself and one's relatives; to the morality and use of power; and to the fraught relationships that bound people together. The social and relational nature of ideas about poison meant that the power struggles that emerged in poison cases, while unfolding in the extreme context of slavery, were not solely between enslavers and the enslaved-they also involved social conflict within enslaved communities.Poisoned Relations examines more than five hundred investigations and trials in four colonial contexts-British Virginia, French Martinique, Portuguese Bahia, and the Dutch Guianas-bringing a groundbreaking application of historical linguistics to bear on the study of the African diaspora in the Americas. Illuminating competing understandings of poison and power in this way, Berry opens new avenues of evidence through which to navigate the violence of colonial archival silences.

Explores the information and communication practices of the Portuguese empire in sixteenth- and seventeenth-century IndiaEmpire of Contingency explores the information and communication practices of the Portuguese empire in late sixteenth- and seventeenth-century India-a period during which Portuguese imperial ambitions were struggling for survival, while the Mughal empire was at the height of its power and influence. Jorge Flores uncovers the tenuous but ingenious apparatuses of intelligence through which the Estado da Índia (the "State of the Indies," the name given to the Portuguese political administrative unit in the region between the Cape of Good Hope and East Asia) endeavored to survive in a vast Indo-Persian world shaped by the influence and power of the Mughal empire.Detailing the complex relations that the officials of the Portuguese empire, particularly in Goa, the capital of the Estado da Índia, maintained with the Mughal empire as well as the sultanates of Ahmadnagar and Bijapur in the Deccan region-through information gathering, record-keeping, interpreting, and diplomatic correspondence-the book demonstrates how the Portuguese territories along the western coast of India were substantially incorporated into the vast Persianate cultural sphere spanning from Iran to Southeast Asia. The process of empire-building on the fringes of the Persianate world and the prolonged interaction with the Mughal empire, Ahmadnagar, and Bijapur, Flores argues, led to the irregular, non-linear, and incomplete assimilation of the Portuguese empire into Persianate India.Overturning teleological narratives that portray the workings of (European) empire as the unilateral imposition of power dynamics by a dominant, omniscient actor, Flores reveals how Portuguese imperial administrators were vulnerable participants in a network of relations involving multiple political powers-relations that required enormous bureaucratic and diplomatic effort to understand and successfully navigate. Showing how a European empire was drawn into the political practices and rituals of the Indo-Persian world, Flores decenters the lenses conventionally used to observe the Portuguese empire in Asia and helps us rethink its nature while questioning the boundaries of the Indo-Persian world.

An in-depth analysis of literary and cultural productions from Haiti and the Dominican Republic and their diasporasSpirals in the Caribbean responds to key questions elicited by the human rights crisis accelerated in 2013 by the Dominican Constitutional Court's Ruling 168-13, which denationalized hundreds of thousands of Dominicans of Haitian descent. Spirals details how a paradigm of permanent conflict between the two nations has its roots in reactions to the Haitian Revolution-a conflict between slavers and freedom-seekers-contests over which have been transmitted over generations, repeating with a difference. Anti-Haitian nationalist rhetoric hides this long trajectory. Through the framework of the Spiral, a concept at the core of a Haitian literary aesthetic developed in the 1960s called Spiralism, Sophie Maríñez explores representations of colonial, imperial, and national-era violence. She takes as evidence legislation, private and official letters, oral traditions, collective memories, Afro-indigenous spiritual and musical practices, and works of fiction, plays, and poetry produced across the island and its diasporas from 1791 to 2002.With its emphases on folk tales, responses to the 1937 genocide, the Constitution of the Dominican Republic, Afro-indigenous collective memories, and lesser-known literary works on the genocide of indigenous populations in the Caribbean, Spirals in the Caribbean will attract students, scholars, and general readers alike.

Expert analysis of American governance challenges and recommendations for reformTwo big ideas serve as the catalyst for the essays collected in this book. The first is the state of governance in the United States, which Americans variously perceive as broken, frustrating, and unresponsive. Editor James Perry observes in his Introduction that this perception is rooted in three simultaneous developments: government's failure to perform basic tasks that once were taken for granted, an accelerating pace of change that quickly makes past standards of performance antiquated, and a dearth of intellectual capital that generate the capacity to bridge the gulf between expectations and performance. The second idea hearkens back to the Progressive era, when Americans revealed themselves to be committed to better administration of their government at all levels—federal, state, and local.These two ideas—the diminishing capacity for effective governance and Americans' expectations for reform—are veering in opposite directions. Contributors to Public Service and Good Governance for the Twenty-First Century explore these central ideas by addressing such questions as: what is the state of government today? Can future disruptions of governance and public service be anticipated? What forms of government will emerge from the past and what institutions and structures will be needed to meet future challenges? And lastly, and perhaps most importantly, what knowledge, skills, and abilities will need to be fostered for tomorrow's civil servants to lead and execute effectively?Public Service and Good Governance for the Twenty-First Century offers recommendations for bending the trajectories of governance capacity and reform expectations toward convergence, including reversing the trend of administrative disinvestment, developing talent for public leadership through higher education, creating a federal civil service to meet future needs, and rebuilding bipartisanship so that the sweeping changes needed to restore good government become possible.Contributors: Sheila Bair, William W. Bradley, John J. DiIulio, Jr., Angela Evans, Francis Fukuyama, Donald F. Kettl, Ramayya Krishnan, Paul C. Light, Shelley Metzenbaum, Norman J. Ornstein, James L. Perry, Norma M. Riccucci, Paul R. Verkuil, Paul A. Volcker.

Over the course of the long eighteenth century, a network of some fifty women writers, working in French, English, Dutch, and German, staked out a lasting position in the European literary field. These writers were multilingual and lived for many years outside of their countries of origin, translated and borrowed from each others' works, attended literary circles and salons, and fashioned a transnational women's literature characterized by highly recognizable codes. Drawing on a literary geography of national types, women writers across Western Europe read, translated, wrote, and rewrote stories about exceptional young women, literary heroines who transcend the gendered destiny of their distinctive cultural and national contexts. These transcultural heroines struggle against the cultural constraints determining the sexualized fates of local girls.In Heroines and Local Girls, Pamela L. Cheek explores the rise of women's writing as a distinct, transnational category in Britain and Europe between 1650 and 1810. Starting with an account of a remarkable tea party that brought together Frances Burney, Sophie von La Roche, and Marie Elisabeth de La Fite in conversation about Stéphanie de Genlis, she excavates a complex community of European and British women authors. In chapters that incorporate history, network theory, and feminist literary history, she examines the century-and-a-half literary lineage connecting Madame de Maintenon to Mary Wollstonecraft, including Charlotte Lennox and Françoise de Graffigny and their radical responses to sexual violence. Neither simply a reaction to, nor collusion with, patriarchal and national literary forms but, rather, both, women's writing offered an invitation to group membership through a literary project of self-transformation. In so doing, argues Cheek, women's writing was the first modern literary category to capitalize transnationally on the virtue of identity, anticipating the global literary marketplace's segmentation of affinity-based reading publics, and continuing to define women's writing to this day.

"This book analyzes and theorize the presence and role of songs in Marcel Proust's novel AáI p0 s la recherche du temps perdu (In Search of Lost Time). While Proust and music is a well-established area, much of this work has tended to focus on large-scale forms such as symphonies and opera, on instrumental music, and on imaginary music presented in the novel. In Proust's Songbook, Jennifer Rushworth argues for the centrality of songs and lyrics in Proust's opus, analyzing the ways in which the author inserted songs at key turning points in his novel and how he drew inspiration from contemporary composers and theorists of song. Through close readings of five moments of song in AáI p0 s la recherche du temps perdu, Rushworth both highlights the songs in Proust's novel through attention to their lyrics, music, composers, and histories. She also interprets these episodes through theoretical reflections on the voice and on songs that draw particularly from the work of Reynaldo Hahn and Roland Barthes. Rushworth argues that songs in Proust's novel are connected and resonate with one another across the different volumes; that song for Proust is a solo, amateur, intimate affair; and that there is a blurred boundary between popular and art song through Proust's juxtapositions of songs and meditation on the notion of "mauvaise musique" (bad music). Song, for Proust, has a special relation to repetition and memory thanks to its typical brevity, and that song itself becomes a mode of resistance in la Recherche, on the part of characters to family and familial expectations, and, in formal terms, to the forward impetus of narrative. Rushworth also defines the songs in Proust's novel as songs of farewell, noting that to sing farewell is also a means to resist the very parting that is being expressed"--