Böcker utgivna av University of Notre Dame Press

Explores how queens functioned as imaginative figures in Anglo-Saxon texts. Focusing on pre-Conquest works, this book argues that Anglo-Saxon writers drew upon accounts of legendary royal wives to construct cultural ideals of queenship during a time when that institution was undergoing profound change.

BACK COVER¿From its early beginnings, the Keough-Naughton Institute¿s goal has been clear and unwavering: to bring Ireland to Notre Dame and Notre Dame to Ireland. As director of the Keough-Naughton Institute for Irish Studies, I am pleased to introduce a book that shares the same goal and to celebrate Notre Dame¿s lasting ties to Ireland, ties that have only been made stronger by distance and years.¿ ¿Christopher Fox, Director, Keough-Naughton Institute for Irish Studies"A beautifully illustrated and written book with a sharp eye on both Irish history and the massive importance of the Irish American link. It wonderfully captures the return of Notre Dame to their ancestral home for a never-to-be-forgotten clash with Navy. This book puts you right there."¿Niall O'Dowd, founder of IrishCentral.com and Irish America magazine FLAP COPYNotre Dame's Happy ReturnsDublin, the Experience, the GameBrian Ó Conchubhair and Susan Mullen Guibert Photography by Matt CashoreThe University of Notre Dame's connection with Ireland has been entrenched in Notre Dame¿s heritage and identity since the founding of the university in 1842. The university is also closely associated with Ireland through its renowned football team, the Fighting Irish. When some thirty-five thousand Americans descended on Dublin, Ireland, for the Emerald Isle Classic football game between Notre Dame and Navy (played on September 1, 2012) at Aviva Stadium, the relationship between Notre Dame and the land and its people was celebrated throughout Dublin and the rest of Ireland. Now both the allure of Ireland and the excitement of the Emerald Isle Classic football game are brought together in Notre Dame¿s Happy Returns: Dublin, the Experience, the Game. Senior University Photographer Matt Cashore took thousands of photographs for this book, and has selected nearly two hundred of his favorite shots for this large-format collection, capturing the sights, historic places, and cultural riches that make Ireland special for fans of the Fighting Irish.Woven together with brief cultural and historical captions by Brian Ó Conchubhair and Susan Mullen Guibert, Notre Dame¿s Happy Returns contains dozens of full-page photographs of Ireland¿s capital city. Ranging from art and architecture to spectacular views of Dublin Castle, Saint Patrick¿s Cathedral, Trinity College, Casino Marino, Saint Stephen¿s Green, shops, pubs, and other notable landmarks, the photographs capture the mythical attraction of one of Europe¿s most vibrant cities and offer readers a glimpse of its rich history. The photographs and text also highlight the university¿s commitment to scholarship through the Keough-Naughton Institute for Irish Studies, Notre Dame¿s Catholic tradition of service in Ireland, and the extraordinary beauty of the countryside beyond Dublin. In addition, the book explores the introduction of American football in Ireland and Notre Dame¿s role in elevating the sport there, and contains a special section on the 2012 Notre Dame¿Navy game in Dublin.As travel guide, sports book, and lush photographic essay all in one, Notre Dame¿s Happy Returns is a must have for those who attended the Notre Dame¿Navy game in Aviva Stadium as well as for all Notre Dame football fans. It will also be of interest to graduates, subway alumni, members of the Notre Dame family, and university supporters for whom Ireland is a spiritual and ancestral home.Brian Ó Conchubhair is associate professor of Irish Language and Literature and a fellow of the Keough-Naughton Institute for Irish Studies at the University of Notre Dame. A native of County Kerry, Ireland, he has published on Irish history, culture, politics, and language.Susan Mullen Guibert is assistant director in Notre Dame¿s Office of Public Relations. She is coauthor of Clashmore Mike Dublin to Dome.Matt Cashore is the senior university photographer for the University of Notre Dame. His photos have been published in Sports Illustrated, the New York Times, and ESPN The Magazine. His most recent book, with text by Lawrence S. Cunningham, is The Chapels of Notre Dame (University of Notre Dame Press, 2012).

From Knowledge to Beatitude is a collection of original essays on the intersection between Christian theology and spiritual life primarily in the twelfth and thirteenth centuries, especially in the Parisian School of St. Victor, which honors the influential work of Grover A. Zinn, Jr. Written by distinguished scholars from various fields of medieval studies, these essays range from the study of the exegetical school of twelfth-century St. Victor and medieval glossed Bibles to the medieval cultural reception of women visionaries, preachers, and crusaders. Although focused on St. Victor, they provide analyses of Christian themes up to the modern period. A common thread is Zinn''s careful attention to the connections between medieval spirituality and biblical studies, the origin of these ideas, and their lasting influence in Christian culture. The essays take us from Hugh of St. Victor''s foundation-material culture-to the "beatitude" of a wider understanding of Victorine culture and its lasting legacy.This volume is a fitting tribute to a generous scholar, teacher, and mentor. It will appeal to historians, scholars of religion and theology, and art historians.Contributors: Raymond Clemens, Catherine Delano-Smith, Walter Cahn, William Clark, Thomas Waldman, Franklin T. Harkins, Lesley Smith, Hugh Feiss, Boyd Taylor Coolman, Dale M. Coulter, Marcia L. Colish, Dominique Poirel, Barbara Newman, Rachel Fulton Brown, Jeremy Adams, Frans van Liere, E. Ann Matter

In these companion volumes of essays, Jewish and Christian scholars examine from historical, theological and aesthetic perspectives, the practices and intricate interrelationships of Passover and Easter.

In Debating Medieval Natural Law: A Survey, Riccardo Saccenti examines and evaluates the major lines of interpretation of the medieval concepts of natural rights and natural law within the twentieth and early twenty-first centuries and explains how the major historiographical interpretations of ius naturale and lex naturalis have changed. His bibliographical survey analyzes not only the chronological evolution of various interpretations of natural law but also how they differ, in an effort to shed light on the historical debate and on the medieval roots of modern human rights theories. Saccenti critically examines the historical analyses of the major historians of medieval political and legal thought while addressing how to further research on the subject. His perspective interlaces different disciplinary points of view: history of philosophy, as well as history of canon and civil law and history of theology. By focusing on a variety of disciplines, Saccenti creates an opportunity to evaluate each interpretation of medieval lex naturalis in terms of the area it enlightens and within specific cultural contexts. His survey is a basis for future studies concerning this topic and will be of interest to scholars of the history of law and, more generally, of the history of ideas in the twentieth century.

In Reason, Tradition, and the Good, Jeffery L. Nicholas addresses the failure of reason in modernity to bring about a just society, a society in which people can attain fulfillment. Developing the critical theory of the Frankfurt School, Nicholas argues that we rely too heavily on a conception of rationality that is divorced from tradition and, therefore, incapable of judging ends. Without the ability to judge ends, we cannot engage in debate about the good life or the proper goods that we as individuals and as a society should pursue. Nicholas claims that the project of enlightenment-defined as the promotion of autonomous reason-failed because it was based on a deformed notion of reason as mere rationality, and that a critical theory of society aimed at human emancipation must turn to substantive reason, a reason constituted by and constitutive of tradition. To find a reason capable of judging ends, Nicholas suggests, we must turn to Alasdair MacIntyre's Thomistic-Aristotelianism. Substantive reason comprises thinking and acting on the set of standards and beliefs within a particular tradition. It is the impossibility of enlightenment rationality to evaluate ends and the possibility of substantive reason to evaluate ends that makes the one unsuitable and the other suitable for a critical theory of society. Nicholas's compelling argument, written in accessible language, remains committed to the promise of reason to help individuals achieve a good and just society and a good life. This requires, however, a complete revolution in the way we approach social life.

Louis IX, king of France from 1226 to 1270 and twice crusader, was canonized in 1297. He was the last king canonized during the medieval period, and was both one of the most important saints and one of the most important kings of the later Middle Ages. In Blessed Louis, the Most Glorious of Kings: Texts Relating to the Cult of Saint Louis of France, M. Cecilia Gaposchkin presents six previously untranslated texts that informed medieval views of St. Louis IX: two little-known but early and important vitae of Saint Louis; two unedited sermons by the Parisian preacher Jacob of Lausanne (d. 1322); and a liturgical office and proper mass in his honor-the most commonly used liturgical texts composed for Louis' feast day-which were widely copied, read, and disseminated in the Middle Ages. Gaposchkin's aim is to present to a diverse readership the Louis as he was known and experienced in the Middle Ages: a saint celebrated by the faithful for his virtue and his deeds. She offers for the first time to English readers a typical hagiographical view of Saint Louis, one in counterbalance to that set forth in Jean of Joinville's Life of Saint Louis. Although Joinville's Life has dominated our views of Louis, Joinville's famous account was virtually unknown beyond the French royal court in the Middle Ages and was not printed until the sixteenth century. His portrayal of Louis as an individual and deeply charismatic personality is remarkable, but it is fundamentally unrepresentative of the medieval understanding of Louis. The texts that Gaposchkin translates give immediate access to the reasons why medieval Christians took Louis to be a saint; the texts, and the image of Saint Louis presented in them, she argues, must be understood within the context of the developing history of sanctity and sainthood at the end of the Middle Ages.

David J. Leigh explores the innovative influences of the Book of Revelation and ideas of an end time on fiction of the twentieth century, and probes philosophical, political, and theological issues raised by apocalyptic writers from Walker Percy, C. S. Lewis, and Charles Williams to Doris Lessing, Thomas Pynchon, Don DeLillo. Leigh tackles head on a fundamental question about Christian-inspired eschatology: Does it sanction, as theologically sacred or philosophically ultimate, the kind of "last battles" between good and evil that provoke human beings to demonize and destroy the other? Against the backdrop of this question, Leigh examines twenty modern and postmodern apocalyptic novels, juxtaposing them in ways that expose a new understanding of each. The novels are clustered for analysis in chapters that follow seven basic eschatological patterns--the last days imagined as an ultimate journey, a cosmic battle, a transformed self, an ultimate challenge, the organic union of human and divine, the new heaven and new earth, and the ultimate way of religious pluralism. For religious novelists, these patterns point toward spiritual possibilities in the final days of human life or of the universe. For more political novelists--Ralph Ellison, Russell Hoban, and Salman Rushdie among them--the patterns are used to critique political or social movements of self-destruction. Beyond the twenty novels closely analyzed, Leigh makes pertinent reference to many more as well as to reflections from theologians Jürgen Moltmann, Zachary Hayes, Wolfhart Pannenberg, and Paul Ricoeur. Both a guidebook and a critical assessment, Leigh's work brings theological concepts to bear on end-of-the-world fiction in an admirably clear and accessible manner.

Contains essays that focus on the Frankish realms in the eight and ninth centuries. This volume also examines different methods and genres of historical writing in relation to the perceptions of time and chronology. It also explores the significance of Rome in Carolingian perceptions of the past.

Brings together more than one hundred treasures of the Baroque age from museum collections throughout the US Midwest. The volume presents a fascinating and representative selection of Italian, Dutch, Flemish, and French drawings in Midwestern repositories, offering new insights on many of these works of art.

A significant body of scholarship addresses pre-Norman Irish life and history, including the archaeology, art, and architecture from the time of St. Patrick (d. 493) to the arrival of the Normans in the twelfth century. While the place of the church and its organization in pre-Norman Ireland have been extensively studied, relatively little has been published on the eucharistic liturgy as celebrated in the pre-Norman church or on the attitudes of its worshippers to the Eucharist. But, as Neil Xavier O'Donoghue notes, many of Ireland's national treasures-including the Ardagh Chalice, the Book of Kells, and Cormac's Chapel-date from this time and are directly connected with the celebration of the Eucharist. Additionally, many of the textual and archaeological sources for the study of pre-Norman Ireland-saints' lives, penitentials, monastic rules, manuscripts, eucharistic vessels, church buildings, and ecclesiastical complexes-directly relate to the Eucharist. There has been no attempt to provide a useful synthesis since F. E. Warren's 1881 Liturgy and Ritual of the Celtic Church. O'Donoghue's The Eucharist in Pre-Norman Ireland provides a necessary, updated synthesis, one that incorporates advances made in liturgical studies and liturgical theology since the early twentieth century. In addition to reassessing and supplementing the texts discussed by Warren, O'Donoghue considers the social dimension of the Eucharist, its treatment in art and architecture, and its treatment as reflected by the spirituality of the time, placing this new analysis within a better understood Western European cultural and liturgical context. Most importantly, O'Donoghue shows that pre-Norman Ireland was very much a part of the Western (Gallican) liturgical tradition; he argues that what we know of the Eucharist in Ireland must be integrated into what we know of it in Britain and Gaul in order to understand the central role of the Eucharist in the Christianization of the West.

In The Four Cardinal Virtues, Joseph Pieper delivers a stimulating quartet of essays on the four cardinal virtues. He demonstrates the unsound overvaluation of moderation that has made contemporary morality a hollow convention and points out the true significance of the Christian virtues.

This work investigates the distinctiveness of virtues as illuminated by Christian practise using a discussion of Aristotle's ethics with contemporary scholars. It contrasts non-Christian accounts of virtue with Christian accounts of key virtues, including obedience, hope, courage, and patience.

Benedict XVI's writing as priest-professor, bishop, head of the Congregation for the Doctrine of the Faith, and now pope has shaped Catholic theological thought in the twentieth century. In Explorations in the Theology of Benedict XVI, a multidisciplinary group of scholars treat the full scope of Benedict's theological oeuvre, including the Augustinian context of his thought; his ecclesiology; his theologically grounded approach to biblical exegesis and Christology; his unfolding of a theology of history and culture; his liturgical and sacramental theology; his theological analysis of political and economic developments; his use of the natural law in ethics and conscience; his commitment to a form of interreligious dialogue from a place of particularity; and his function as a public, catechetical theologian.

This important philosophical reflection on love and sexuality from a broadly Christian perspective is aimed at philosophers, theologians, and educated Christian readers. Alexander R. Pruss focuses on foundational questions on the nature of romantic love and on controversial questions in sexual ethics on the basis of the fundamental idea that romantic love pursues union of two persons as one body. One Body begins with an account, inspired by St. Thomas Aquinas, of the general nature of love as constituted by components of goodwill, appreciation, and unitiveness. Different forms of love, such as parental, collegial, filial, friendly, fraternal, or romantic, Pruss argues, differ primarily not in terms of goodwill or appreciation but in terms of the kind of union that is sought. Pruss examines romantic love as distinguished from other kinds of love by a focus on a particular kind of union, a deep union as one body achieved through the joint biological striving of the sort involved in reproduction. Taking the account of the union that romantic love seeks as a foundation, the book considers the nature of marriage and applies its account to controversial ethical questions, such as the connection between love, sex, and commitment and the moral issues involving contraception, same-sex activity, and reproductive technology. With philosophical rigor and sophistication, Pruss provides carefully argued answers to controversial questions in Christian sexual ethics.

Apophasis has become a major topic in the humanities, particularly in philosophy, religion, and literature. This two-volume anthology gathers together most of the important historical works on apophaticism and illustrates the diverse trajectories of apophatic discourse in ancient, modern, and postmodern times.

This work is Maritain's masterpiece. Published as ""Distinguer pour unir, ou Les degres du savoir"" in 1932, the book proposes a hierarchy of forms of knowledge that culminates in mystical experience and that wisdom which is a gift of the Holy Ghost. His inspiration is St Thomas Aquinas.

Shows the extent of the influence of the 12th-century Calabrian Abbot, Joachim of Fiore, from the 13th to the 16th centuries and demonstrates the continuity between medieval and Renaissance thought in the field of prophecy. The author pinpoints the most original aspects of his theology.

The Summa Contra Gentiles is not merely the only complete summary of Christian doctrine that St. Thomas has written, but also a creative and even revolutionary work of Christian apologetics composed at the precise moment when Christian thought needed to be intellectually creative in order to master and assimilate the intelligence and wisdom of the Greeks and the Arabs. In the Summa Aquinas works to save and purify the thought of the Greeks and the Arabs in the higher light of Christian Revelation, confident that all that had been rational in the ancient philosophers and their followers would become more rational within Christianity. This exposition and defense of divine truth has two main parts: the consideration of that truth that faith professes and reason investigates, and the consideration of the truth that faith professes and reason is not competent to investigate. The exposition of truths accessible to natural reason occupies Aquinas in the first three books of the Summa. His method is to bring forward demonstrative and probable arguments, some of which are drawn from the philosophers, to convince the skeptic. In the fourth book of the Summa St. Thomas appeals to the authority of the Sacred Scripture for those divine truths that surpass the capacity of reason. The present volume is the second part of a treatise on the hierarchy of creation, the divine providence over all things, and man's relation to God. Book 1 of the Summa deals with God; Book 2, Creation; and Book 4, Salvation.

In Miserere Mei, Clare Costley King'oo examines the critical importance of the Penitential Psalms in England between the end of the fourteenth and the beginning of the seventeenth century. During this period, the Penitential Psalms inspired an enormous amount of creative and intellectual work: in addition to being copied and illustrated in Books of Hours and other prayer books, they were expounded in commentaries, imitated in vernacular translations and paraphrases, rendered into lyric poetry, and even modified for singing. Miserere Mei explores these numerous transformations in materiality and genre. Combining the resources of close literary analysis with those of the history of the book, it reveals not only that the Penitential Psalms lay at the heart of Reformation-age debates over the nature of repentance, but also, and more significantly, that they constituted a site of theological, political, artistic, and poetic engagement across the many polarities that are often said to separate late medieval from early modern culture.Miserere Mei features twenty-five illustrations and provides new analyses of works based on the Penitential Psalms by several key writers of the time, including Richard Maidstone, Thomas Brampton, John Fisher, Martin Luther, Sir Thomas Wyatt, George Gascoigne, Sir John Harington, and Richard Verstegan. It will be of value to anyone interested in the interpretation, adaptation, and appropriation of biblical literature; the development of religious plurality in the West; the emergence of modernity; and the periodization of Western culture. Students and scholars in the fields of literature, religion, history, art history, and the history of material texts will find Miserere Mei particularly instructive and compelling.

The topic of Shakespeare and religion is a perennial one, and the recent "turn to religion" in historical and literary scholarship has pushed it to the fore. Besides speculating about Shakespeare''s personal religious beliefs and allegiance, historians and literary critics writing about early modern England are reexamining the religious dynamics of the period and emphasizing the ways in which old, new, and emerging religious cultures coexisted in conflicting hybrid and unstable forms. The contributors to Shakespeare and Religion: Early Modern and Postmodern Perspectives deal with the topic of Shakespeare and religion from two points of view not always considered complementary--that of the historical approach to Shakespearean drama in its early modern contexts, and that of postmodern philosophy and theology. The first illuminates the culture-specific features of the plays, whereas the second emphasizes their transhistorical qualities and the relevance of the deep religious and philosophical issues surfacing in early modern culture to contemporary religious struggles and awareness. "Religion has assumed a surprising centrality in contemporary Shakespeare studies, generating an abundance of historical insights alongside a burgeoning interest in the spiritual possibilities of the plays for us today. This collection eschews either take on the field, preferring a more comprehensive view. It brings together nearly all the people one would most want to read on the topic, and the essays are notable for their lively seriousness. Here, the topic of Shakespeare and religion is a burning brand with which to illuminate the past and the present. A stimulating book"! -- Ewan Fernie, The Shakespeare Institute, University of Birmingham "Shakespeare and Religion: Early Modern and Postmodern Perspectives is lively, provocative, and original, and sure to occupy an important scholarly place within ongoing efforts to reinterpret religion in Shakespeare''s works and world. The authors push scholarship on religion and Shakespeare past new historicism in productive, compelling directions." --Phebe Jensen, Utah State University "This collection brings together a distinguished body of scholars to consider Shakespeare''s treatment of religious issues, as read against his times and our own. Its essays offer innovative, sharp, and sometimes startling revaluations of familiar texts and topics, likely to capture the interest of students as well as academic researchers. The recent ''turn to religion'' in early modern literary studies, and the related move towards seeing Shakespeare as an author deeply engaged with religious matters, is powerfully exemplified in these pages." --Alison E. M. Shell, University College London

Water and the Word focuses on a genre of literature written for the education of the Carolingian clergy: Carolingian baptismal instructions. This literature has never been brought together and studied collectively in the context of the books in which it circulated. This comprehensive study has three major objectives. One is to describe the codices in which the baptismal instructions are found, in order to show with what other kinds of material the baptismal tracts were associated and where, how, and by whom these codices were intended to be used. Another is to bring together the baptismal texts and study them systematically. Finally, a third objective is to interpret the Carolingian Reform in light of the baptismal instructions and the manuscripts in which they were copied. Volume 1 of this two-volume set is devoted to analysis and interpretation of the material in volume 2. It is divided into three parts. The first part is concerned with the manuscript context of the baptismal instructions. In the second, the baptismal expositions themselves are analyzed. Part 3 of volume 1 offers some conclusions about the Carolingian Reform. Volume 2 contains the Latin text of sixty-six manuscripts.

Joseph A. Dane's What Is a Book? is an introduction to the study of books produced during the period of the hand press, dating from around 1450 through 1800. Using his own bibliographic interests as a guide, Dane selects illustrative examples primarily from fifteenth-century books, books of particular interest to students of English literature, and books central to the development of Anglo-American bibliography. Part I of What Is a Book? covers the basic procedures of printing and the parts of the physical book-size, paper, type, illustration; Part II treats the history of book-copies-from cataloging conventions and provenance to electronic media and their implications for the study of books. Dane begins with the central distinction between a "e;book-copy"e;-the particular, individual, physical book-and a "e;book"e;-the abstract category that organizes these copies into editions, whereby each copy is interchangeable with any other. Among other issues, Dane addresses such basic questions as: How do students, bibliographers, and collectors discuss these things? And when is it legitimate to generalize on the basis of particular examples? Dane considers each issue in terms of a practical example or question a reader might confront: How do you identify books on the basis of typography? What is the status of paper evidence? How are the various elements on the page defined? What are the implications of the images available in an online database? And, significantly, how does a scholar's personal experience with books challenge or conform to the standard language of book history and bibliography? Dane's accessible and lively tour of the field is a useful guide for all students of book history, from the beginner to the specialist.

In this volume of essays John Howard Yoder projects a vision of Christian social ethics rooted in historical community and illuminated by scripture. Drawing upon scriptural accounts of the early church, he demonstrates the Christian community's constant need for reform and change. Yoder first examines the scriptural and theoretical foundations of Christian social ethics. While personally committed to the "e;radical reformation"e; tradition, he eschews "e;denominational"e; categorization and addresses Christians in general. The status of Christian community, he argues, cannot be separated from the doctrinal content of beliefs and the moral understanding of discipleship. As a result, the Christian's voluntary commitment to a particular community, as distinct from secular society, offers him valuable resources for practical moral reasoning. From a historical perspective, Yoder reviews the efforts of sixteenth-century radical (or Anabaptist) reformers to return to the fundamental ethical standards of the New Testament, and to disengage the community, as a biblically rooted call to faith that does not imply withdrawal from the pluralistic world. Rather, radical commitment to Christianity strengthens and renews the authentic human interests and values of the whole society. His analyses of democracy and of civil religion illustrate how Christianity must challenge and embrace the wider world.

Unarguably, Jean-Luc Marion is the leading figure in French phenomenology as well as one of the proponents of the so-called ""theological turn"" in European philosophy. In this volume, Kevin Hart has assembled a stellar group of philosophers and theologians to examine Marion's work - especially his later work - from a variety of perspectives.

American-born Cardinal Aloisius Muench (1889-1962) was a key figure in German and German-American Catholic responses to the Holocaust, Jews, and Judaism between 1946 and 1959. He was arguably the most powerful American Catholic figure and an influential Vatican representative in occupied Germany and in West Germany after the war. In this carefully researched book, which draws on Muench's collected papers, Suzanne Brown-Fleming offers the first assessment of Muench's legacy and provides a rare glimpse into his commentary on Nazism, the Holocaust, and surviving Jews. She argues that Muench legitimized the Catholic Church's failure during this period to confront the nature of its own complicity in Nazism's anti-Jewish ideology. The archival evidence demonstrates that Muench viewed Jews as harmful in a number of very specific ways. He regarded German Jews who had immigrated to the United States as "e;aliens,"e; he believed Jews to be "e;in control"e; of American policy-making in Germany, he feared Jews as "e;avengers"e; who wished to harm "e;victimized"e; Germans, and he believed Jews to be excessively involved in leftist activities. Muench's standing and influence in the United States, Germany, and the Vatican hierarchies gave sanction to the idea that German Catholics needed no examination of conscience in regard to the Church's actions (or inactions) during the 1940s and 1950s. This fascinating story of Muench's role in German Catholic consideration-and ultimate rejection-of guilt and responsibility for Nazism in general and the persecution of European Jews in particular will be an important addition to scholarship on the Holocaust and to church history.

The Soul as Virgin Wife presents the first book-length study to give a detailed account of the theological and mystical teachings written by women themselves, especially by those known as beguines, which have been especially neglected. Hollywood explicates the difference between the erotic and imagistic mysticism, arguing that Mechthild, Porete, and Eckhart challenge the sexual ideologies prevalent in their culture and claim a union without distinction between the soul and the divine. The beguines' emphasis in the later Middle Ages on spiritual poverty has long been recognized as an important influence on subsequent German and Flemish mystical writers, in particular the great German Dominican preacher and apophatic theologian Meister Eckhart. In The Soul as Virgin Wife, Amy Hollywood presents the first book-length study to give a detailed textual account of these debts. Through an analysis of Magdeburg's The Flowing Light of the Godhead, Marguerite Porete's Mirror of Simple Souls, and the Latin commentaries and vernacular sermons of Eckhart, Hollywood uncovers the intricate web of influence and divergence between the beguinal spiritualities and Eckhart.

This text presents the findings of a theological consultation held in 1996, which discussed the future of the Christian Church. It describes how small communities can enrich the life of the Church by drawing together people of diverse cultures and economic situations for spiritual renewal.

In the Proslogion, St. Anselm presents a philosophical argument for the existence of God. Anselm's proof, known since the time of Kant as the ontological argument for the existence of God, has played an important role in the history of philosophy and has been incorporated in various forms into the systems of Descartes, Leibniz, Hegel, and others.Included in this edition of the Proslogion are Gaunilo's "A Reply on Behalf of the Fool" and St. Anselm's "The Author's Reply to Gaunilo." All three works are in the original Latin with English translation on facing pages. Professor Charlesworth's introduction provides a helpful discussion of the context of the Proslogion in the theological tradition and in Anselm's own thought and writing.