Böcker utgivna av University of New Mexico Press

Veteran journalist and author Sherry Robinson presents readers with the first full biography of New Mexico's first territorial governor, James Silas Calhoun. Robinson explores Calhoun's early life in Georgia and his military service in the Mexican War and how they led him west. Through exhaustive research Robinson shares Calhoun's story of arriving in New Mexico in 1849-a turbulent time in the region-to serve as its first Indian agent. Inhabitants were struggling to determine where their allegiances lay; they had historic and cultural ties with Mexico, but the United States offered an abundance of possibilities.An accomplished attorney, judge, legislator, and businessman and an experienced speaker and negotiator who spoke Spanish, Calhoun was uniquely qualified to serve as the first territorial governor only eighteen months into his service. While his time on the New Mexico political scene was brief, he served with passion, intelligence, and goodwill, making him one of the most intriguing political figures in the history of New Mexico.

Gertrude Stein and Laura Riding enjoyed a fascinating if brief three-year friendship via correspondence between 1927 and 1930, and in A Description of Acquaintance, Logan Esdale and Jane Malcolm make the letters available to a larger audience for the first time. Riding and Stein are important figures in twentieth-century poetry and poetics and are considered progenitors of later movements such as L=A=N=G=U=A=G=E poetry. The editors contextualize their relationship and its time period with an introduction; annotations to the letters; and supplementary materials, including pieces by Stein and Riding that exemplify their singular perspectives on modernism as well as their personal poetics. The book provides unique insight into Stein's and Riding's writing processes as well as the larger literary world around them, making it a must-read for anyone interested in twentieth-century poetry.

"Originally from Canada, Norma Cole is a revered writer and visual artist who has authored and translated over thirty books and chapbooks. Though highly esteemed internationally in both visual art and poetry circles, Cole's association with the New College of California and her influence on artists and poets has been overlooked by scholars. In "That Tongue Be Time," Dale M. Smith seeks to remedy this oversight by bringing together sixteen noted scholars, editors, and poets to examine Cole's poetry, translations, and visual art in order to place her within the larger scholarly conversation about contemporary poetry and poetics. The book also includes a number of black-and-white reproductions of Cole's art and a contextual introduction by Smith. "That Tongue Be Time" provides a groundbreaking look at Norma Cole's lasting influence on multiple generations of poets, visual artists, and scholars and should be on the shelf of anyone interested in contemporary poetry"--

"Originally from Canada, Norma Cole is a revered writer and visual artist who has authored and translated over thirty books and chapbooks. Though highly esteemed internationally in both visual art and poetry circles, Cole's association with the New College of California and her influence on artists and poets has been overlooked by scholars. In "That Tongue Be Time," Dale M. Smith seeks to remedy this oversight by bringing together sixteen noted scholars, editors, and poets to examine Cole's poetry, translations, and visual art in order to place her within the larger scholarly conversation about contemporary poetry and poetics. The book also includes a number of black-and-white reproductions of Cole's art and a contextual introduction by Smith. "That Tongue Be Time" provides a groundbreaking look at Norma Cole's lasting influence on multiple generations of poets, visual artists, and scholars and should be on the shelf of anyone interested in contemporary poetry"--

John Potts Slough, the Union commander at the Battle of Glorieta Pass, lived a life of relentless pursuit for success that entangled him in the turbulent events of mid-nineteenth-century America. As a politician, Slough fought abolitionists in the Ohio legislature and during Kansas Territory's fourth and final constitutional convention. He organized the 1st Colorado Volunteer Infantry after the Civil War broke out, eventually leading his men against Confederate forces at the pivotal engagement at Glorieta Pass. After the war, as chief justice of the New Mexico Territorial Supreme Court, he struggled to reform corrupt courts amid the territory's corrosive Reconstruction politics.Slough was known to possess a volcanic temper and an easily wounded pride. These traits not only undermined a promising career but ultimately led to his death at the hands of an aggrieved political enemy who gunned him down in a Santa Fe saloon. Recounting Slough's timeless story of rise and fall during America's most tumultuous decades, historian Richard L. Miller brings to life this extraordinary figure.

The Latino Big Bang in California presents a Spanish transcription and English translation of a diary written by Forty-Niner Justo Veytia, a Mexican immigrant seeking riches during California's Gold Rush. Veytia's diary offers insights into the dilemmas and choices of an adventurous and ambitious young mexicano and provides a detailed glimpse into the life of Latinos who participated in this tumultuous moment in California history. In doing so, Veytia's diary demonstrates that the US-Mexico War together with the Gold Rush constituted a Latino "big bang" in California that attracted large swaths of fortune seekers from across the Spanish-speaking world throughout the latter half of the nineteenth century. Combining archival research with quantitative methods to extrapolate demographic information about the persistent presence of Latino communities in California from the mid-nineteenth century to today, The Latino Big Bang in California shows how Latino migration and labor forever changed the course of California history.

Our buildings are making us sick. Our homes, offices, factories, and dormitories are, in some sense, fresh parasites on the sacred Earth, Nahasdzn. In search of a better way, author Jim Kristofic journeys across the Southwest to apprentice with architects and builders who know how to make buildings that will take care of us. This is where he meets the House Gods who are building to the sun so that we can live on Earth. Forever.In House Gods, Kristofic pursues the techniques of sustainable building and the philosophies of its practitioners. What emerges is a strange and haunting quest through adobe mud and mayhem, encounters with shamans and stray dogs, solar panels, tragedy, and true believers. It is a story about doing something meaningful, and about the kinds of things that grow out of deep pain. One of these things is compassion-from which may come solace. We build our buildings, we make our lives-we are the House Gods.

Silver Medalist at the 24th International Latino Book AwardsAlejandro Morales is a pioneer of Chicana and Chicano literature and the author of groundbreaking works including The Brick People, The Rag Doll Plagues, and River of Angels. His work, often experimental, was one of the first to depict harsh urban realities in the barrios-a break from much of the Chicana and Chicano fiction that had been published previously. Morales' relentless work has grown over the decades into a veritable menagerie of cultural testimonies, fantastic counterhistories, magical realism, challenging metanarratives, and flesh-and-blood aesthetic innovation. The fourteen essays included in this compendium examine Morales' novels and short stories. The editors also include a critical introduction; an interview between Morales, the editors, and fellow author Daniel Olivas; and a new comprehensive bibliography of Morales' writings and works about him-books, articles, book reviews, online resources, and dissertations. A Critical Collection on Alejandro Morales: Forging an Alternative Chicano Fiction is a must-read for understanding and appreciating Morales' work in particular and Chicana and Chicano literature in general.

Religion in the Américas explores the fluid, dynamic, and complex nature of religion across Latin America and its diasporic communities in the United States. Utilizing a transdisciplinary and trans-hemispheric lens, this groundbreaking anthology transcends traditional scholarly boundaries-geographical, disciplinary, and temporal-as it explores ideas and cultural practices that share a common history of Iberian colonialism. This robust collection of essays forges a dialogue among scholars throughout the Americas who represent a variety of disciplinary perspectives. The book is divided into five sections: "Fluidity in the Afro-Latine Diaspora," "Aesthetics in Las Américas," "Critical Feminist Epistemologies and Activism," "The Limits of Institutional Religion," and "Spiritual Invasions and Contagions." Throughout the volume, the concept of "experience" serves as a foundational lens, as chapters examine how individuals and communities actively interpret and negotiate their realities within diverse historical and social contexts. Focusing on religion as a culturally conditioned epistemic practice, Religion in the Américas invites readers to engage with religion in the Americas on multiple, intersecting levels of knowledge, including local insights, scholarly analyses, and the positionality and queries of readers themselves. The book's dialogical approach encourages not only continual reevaluation of the complexities of religious experience in the Americas but also creative innovation that will inspire new avenues of inquiry.

Religion in the Américas explores the fluid, dynamic, and complex nature of religion across Latin America and its diasporic communities in the United States. Utilizing a transdisciplinary and trans-hemispheric lens, this groundbreaking anthology transcends traditional scholarly boundaries-geographical, disciplinary, and temporal-as it explores ideas and cultural practices that share a common history of Iberian colonialism. This robust collection of essays forges a dialogue among scholars throughout the Americas who represent a variety of disciplinary perspectives. The book is divided into five sections: "Fluidity in the Afro-Latine Diaspora," "Aesthetics in Las Américas," "Critical Feminist Epistemologies and Activism," "The Limits of Institutional Religion," and "Spiritual Invasions and Contagions." Throughout the volume, the concept of "experience" serves as a foundational lens, as chapters examine how individuals and communities actively interpret and negotiate their realities within diverse historical and social contexts. Focusing on religion as a culturally conditioned epistemic practice, Religion in the Américas invites readers to engage with religion in the Americas on multiple, intersecting levels of knowledge, including local insights, scholarly analyses, and the positionality and queries of readers themselves. The book's dialogical approach encourages not only continual reevaluation of the complexities of religious experience in the Americas but also creative innovation that will inspire new avenues of inquiry.

The Sisyphean characters in The Problem You Have may not be pushing a giant rock up a hill, but they are unlikely to ever get where they are going. Yet despite knowing that, they push on and work with graceful resignation. In McBrearty's newest collection a diverse group of characters encounter turning points. A minor criminal seeking warmth on a frigid night climbs through a farmhouse window to discover more than he ever expected. A dying soldier recalls the man he left behind. In one horrible afternoon, a college professor realizes the only sanctuary is love. An over-the-hill pitcher refuses to get off the mound. A young couple meets the couple they never want to become. Some of the stories hold dark themes, yet McBrearty masterfully infuses the work with humor and compassion, rendering the characters within them relatable. Even with themes of loss or what might have been, the collection sings notes of what might yet be, for both the characters and the reader.

The Jemez Mountains are a quintessential New Mexico landscape. For centuries, Pueblo, Spanish, and Anglo cultures have mixed and melded here. Many ancient villages are scattered across the mesas and in the canyons below the Valles Caldera--the crater of a giant, slumbering volcano. Rocks and trees of this landscape tell stories of past eruptions, lava flows, droughts, floods, forest fires, and hot springs damming a river. People tell stories of conquistadores, pueblos, and priests, of battles for land and water, of farming and sheep herding, and of raiders, rustlers, forest rangers, and hippies.This book recounts some of these fascinating stories in forty brief chapters, with more than a hundred photographs, maps, and drawings. Matched photographs of the same views taken up to 150 years apart attest to striking change and apparent stasis. Major alterations have occurred in some places over the past two centuries due to human activity, and increasing climate change threatens further transformation.For those new to the Jemez Mountains, these stories and images will provide an introduction to the cultural and natural history of the area. Residents and longtime aficionados of the Jemez will find both familiar and surprising stories and will gain a renewed sense of the magnificence of this place.