Böcker utgivna av University of Nebraska Press

Simone Weil, the French philosopher, political activist, and religious mystic, was little known when she died in 1943. The aphorisms in this book reflect the religious philosophy of Weil's last years. This book shows why critics have called Weil "a great soul who might have become a saint" and "the outsider as saint, in an age of alienation".

Describes a love between two women in its totality, experienced as both a physical presence and a sense of infinity. This book also notes the contemporary emphasis on 'fictions of presence'.

Chronicles one man's journey through the fearful expanse of midlife in a quest for peace, parts, and a happy second fatherhood. With limited mechanical skills, and a cast of local experts, the author takes us down the rocky road of restoration to the headlong, heart-thrilling rush of open highway on his on his midnight-blue Millennium Flyer.

The first and second editions of The Masters took the unique approach of tackling Augusta National hole by hole. David Sowell returns to Augusta with this third edition, adding more history and updating each hole with additional stories of greatness and tales of woe for a new generation of golfers.

Tells the heart-wrenching story of the Columbia tragedy and the loss of the magnificent STS-107 crew.

Proposes that contemporary US queer culture is gothic at its core. Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought, Westengard argues that a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.

Despite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop's music in luxury cruise advertisements, Jeffrey T. Nealon argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central organizing use for the values of twentieth-century popular music: being authentic, being your own person, and being free. In short, not being like everybody else.Through a consideration of the shift in dominant modes of power in the American twentieth and twenty-first centuries, from what Michel Foucault calls a dominant "disciplinary" mode of power to a "biopolitical" mode, Nealon argues that the modes of musical "resistance" need to be completely rethought and that a commitment to musical authenticity or meaning--saying "no" to the mainstream--is no longer primarily where we might look for music to function against the grain.Rather, it is in the technological revolutions that allow biopolitical subjects to deploy music within an everyday set of practices (MP3 listening on smartphones and iPods, streaming and downloading on the internet, the background music that plays nearly everywhere) that one might find a kind of ambient or ubiquitous answer to the "attention capitalism" that has come to organize neoliberalism in the American present. In short, Nealon stages the final confrontation between "keepin' it real" and "sellin' out." 

This collection of poems examines the varied ways women navigate gender roles, while examining praise for success within roles where imagination about female ability is limited. The Kitchen-Dweller's Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another.

Beneath the earth's surface lies a world of eternal daylight - Pellucidar. Scattered throughout are communities of distrustful humans and the cities of the reptilian, highly evolved Mahars. The authors' discovery of Pellucidar and the struggle to unite the human communities and overthrow the Mahars is a tale of conquest, deceit, and wonder.

Rate your pain on a scale of one to ten. What about on a scale of spicy to citrus? Is it more like a lava lamp or a mosaic? Pain, though a universal element of human experience, is dimly understood and sometimes barely managed. Pain Woman Takes Your Keys, and Other Essays from a Nervous System is a collection of literary and experimental essays about living with chronic pain.

Presents the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863-1950) and his people during momentous twilight years of the nineteenth century. It offers readers much more than a precious glimpse of a vanished time. Black Elk's searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres.

Offers an adulation of love as both mystery and revelation. This book is dedicated to defying "the widespread opinion that love wears out, like the diamond, in its own dust."

The author chronicles how basketball and hip hop have gone from being reviled by the American mainstream in the 1970s to being embraced and imitated globally today. For young black men, he argues, they represent a new version of the American dream, one embodying the hopes and desires of those excluded from the original version.

Offers a documented criticism of the assumptions and the effects of industrial agriculture. This book proposes practical remedies. It documents some trends in our ability to produce food.

Sylvia Beach was intimately acquainted with the expatriate and visiting writers of the Lost Generation, a label that she never accepted. This book evokes the zeitgeist of an era through its revealing glimpses of James Joyce, Ernest Hemingway, Scott Fitzgerald, Sherwood Anderson, Andre Gide, Ezra Pound, and others already famous or soon to be.