Böcker utgivna av University of Nebraska Press

Simone Weil, the French philosopher, political activist, and religious mystic, was little known when she died in 1943. The aphorisms in this book reflect the religious philosophy of Weil's last years. This book shows why critics have called Weil "a great soul who might have become a saint" and "the outsider as saint, in an age of alienation".

Describes a love between two women in its totality, experienced as both a physical presence and a sense of infinity. This book also notes the contemporary emphasis on 'fictions of presence'.

Chronicles one man's journey through the fearful expanse of midlife in a quest for peace, parts, and a happy second fatherhood. With limited mechanical skills, and a cast of local experts, the author takes us down the rocky road of restoration to the headlong, heart-thrilling rush of open highway on his on his midnight-blue Millennium Flyer.

The first and second editions of The Masters took the unique approach of tackling Augusta National hole by hole. David Sowell returns to Augusta with this third edition, adding more history and updating each hole with additional stories of greatness and tales of woe for a new generation of golfers.

Tells the heart-wrenching story of the Columbia tragedy and the loss of the magnificent STS-107 crew.

Proposes that contemporary US queer culture is gothic at its core. Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought, Westengard argues that a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.

Despite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop's music in luxury cruise advertisements, Jeffrey T. Nealon argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central organizing use for the values of twentieth-century popular music: being authentic, being your own person, and being free. In short, not being like everybody else.Through a consideration of the shift in dominant modes of power in the American twentieth and twenty-first centuries, from what Michel Foucault calls a dominant "disciplinary" mode of power to a "biopolitical" mode, Nealon argues that the modes of musical "resistance" need to be completely rethought and that a commitment to musical authenticity or meaning--saying "no" to the mainstream--is no longer primarily where we might look for music to function against the grain.Rather, it is in the technological revolutions that allow biopolitical subjects to deploy music within an everyday set of practices (MP3 listening on smartphones and iPods, streaming and downloading on the internet, the background music that plays nearly everywhere) that one might find a kind of ambient or ubiquitous answer to the "attention capitalism" that has come to organize neoliberalism in the American present. In short, Nealon stages the final confrontation between "keepin' it real" and "sellin' out." 

This collection of poems examines the varied ways women navigate gender roles, while examining praise for success within roles where imagination about female ability is limited. The Kitchen-Dweller's Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another.

Beneath the earth's surface lies a world of eternal daylight - Pellucidar. Scattered throughout are communities of distrustful humans and the cities of the reptilian, highly evolved Mahars. The authors' discovery of Pellucidar and the struggle to unite the human communities and overthrow the Mahars is a tale of conquest, deceit, and wonder.

Rate your pain on a scale of one to ten. What about on a scale of spicy to citrus? Is it more like a lava lamp or a mosaic? Pain, though a universal element of human experience, is dimly understood and sometimes barely managed. Pain Woman Takes Your Keys, and Other Essays from a Nervous System is a collection of literary and experimental essays about living with chronic pain.

Offers an adulation of love as both mystery and revelation. This book is dedicated to defying "the widespread opinion that love wears out, like the diamond, in its own dust."

The author chronicles how basketball and hip hop have gone from being reviled by the American mainstream in the 1970s to being embraced and imitated globally today. For young black men, he argues, they represent a new version of the American dream, one embodying the hopes and desires of those excluded from the original version.

Offers a documented criticism of the assumptions and the effects of industrial agriculture. This book proposes practical remedies. It documents some trends in our ability to produce food.

Sylvia Beach was intimately acquainted with the expatriate and visiting writers of the Lost Generation, a label that she never accepted. This book evokes the zeitgeist of an era through its revealing glimpses of James Joyce, Ernest Hemingway, Scott Fitzgerald, Sherwood Anderson, Andre Gide, Ezra Pound, and others already famous or soon to be.

Looks into the early history of the baseball game and of the 150-year-old debate about its beginnings. This title tackles one stubborn misconception after another, debunking the enduring belief that baseball descended from the English game of rounders and revealing an explanation for the notorious myth - the Abner Doubleday-Cooperstown story.

In Of Corn and Catholicism Andrea Maria McComb Sanchez examines the development of the patron saint feast days among Eastern Pueblo Indians of New Mexico from the seventeenth century to the late nineteenth century. Focusing on the ways Pueblo religion intertwined with Spanish Catholicism, McComb Sanchez explores feast days as sites of religious resistance, accommodation, and appropriation. McComb Sanchez introduces the term "bounded incorporation" to conceptualize how Eastern Pueblo people kept boundaries flexible: as they incorporated aspects of Catholicism, they changed Catholicism as well, making it part of their traditional religious lifeways. McComb Sanchez uses archival and published primary sources, anthropological records, and her qualitative fieldwork to discuss how Pueblo religion was kept secret and safe during the violence of seventeenth-century Spanish colonialism in New Mexico; how Eastern Pueblos developed strategies of resistance and accommodation, in addition to secrecy, to deal with missionaries and Catholicism in the eighteenth and early nineteenth centuries; how patron saint feast days emerged as a way of incorporating a foreign religion on the Pueblo's own terms; and how, by the later nineteenth century, these feast days played significant roles in both Pueblo and Hispano communities through the Pueblos' own initiative.

Boston is a city known for its sports as well as its troubled racial reputation. But generations of Black athletes, teams, sportswriters, and front-office executives have exercised historic influence in Boston over the years as they advocated for racial integration and transformed their sports into modes of racial pride, resistance, and cultural expression. Race and Resistance in Boston goes beyond the familiar topics associated with the city's premiere professional teams, the Red Sox and Celtics, to recount the long history of Black sporting culture in the city. This collection of essays takes a closer look at Black Bostonians' involvement in sports as varied as soccer, cricket, boxing, baseball, golf, tennis, basketball, and hockey--and illuminates the effect of Boston's desegregation and busing crisis on scholastic athletics in the 1970s and 1980s. With personal reminiscences from former Patriot Devin McCourty and journalist Bijan Bayne and research from scholars of sport, Race and Resistance in Boston captures the intersection of Black history and sporting culture in America's City on a Hill.

Winner of the Sillerman First Book Prize for African Poets The poems in Leaked Footages carry urgent subjects, ranging from death to disappearance to grief to memory. Not only do the poems fulfill the tradition of witnessing often manifested in contemporary poets such as Garous Abdolmalekian and Ilya Kaminsky, but they extend that tradition by the medium through which they witness: the technical and the technological. Here, the camera, the closed-circuit TV, cinematographic techniques, and the cyborg are trusted for truth-telling. Reality is represented in footage seen through the eyes of multifaceted speakers. In Abu Bakr Sadiq's exploration of northern Nigeria in speculative poetry, the lyrical meets the chronicle. In this fusion of Afrofuturism with experimental poetic techniques, the reader witnesses a country ravaged by terrorism and the consequences of war, as well as the effects of these on those who survive. While the tone is grave with concern and conscience, the poems do not take the easy route of sentiment. Instead, attention is paid to structure--from the erasure poems that are informed by the theme of disappearance to the contrapuntal poems that are influenced by the testaments of leaving.

Taking Charge, Making Change gives voice to generations of Native people--from Crow Creek, Lower Brule, and other reservations in North Dakota and South Dakota--who shaped a school originally designed to foster Catholicism and assimilation. Local initiatives and collaboration transformed the Catholic Stephan Mission boarding school into the Crow Creek Tribal School, which now features both tribal traditions and American educational programs. Through archival research and interviews with parents, graduates, teachers, and staff at Crow Creek and the surrounding community, Robert W. Galler Jr. places Native students at the heart of the narrative, demonstrating multifaceted family connections at a nineteenth-century, on-reservation religious school that evolved into a tribally-run institution in the 1970s. He shows numerous ways that community members worked with Catholic leaders and ultimately transformed their mindsets and educational approaches over nearly a century. While recognizing the many challenges and tragedies that Native students endured, Galler highlights the creativity, collaborations, and contributions of the students and graduates to their communities. Taking Charge, Making Change shows how individuals and families helped to found the school, maintain enrollment, secure funding, and influence school policies. Its graduates went on to serve with distinction in the U.S. military, earned advanced degrees after college, joined and led tribal councils in North and South Dakota, helped their communities push back against federal policies, and continue to run their own education system.

Willie McCovey, known as "Stretch," played Major League Baseball from 1959 to 1980, most notably as a member of the San Francisco Giants for nineteen seasons. A fearsome left-handed power hitter, McCovey ranked second only to Babe Ruth in career home runs among left-handed batters, and tied for eighth overall with Ted Williams, at the time of his retirement. He was a six-time All-Star, three-time National League home run champion, and 1969 league MVP, and he was inducted into the Baseball Hall of Fame in 1986 in his first year of eligibility. Known as a dead-pull line-drive hitter, McCovey was called "the scariest hitter in baseball" by pitcher Bob Gibson. Born in Mobile, Alabama, McCovey encountered daunting hurdles, such as Jim Crow laws that prevented him from playing organized ball as a youth and playing for Major League managers such as Tom Sheehan and Alvin Dark who took a dim view of his abilities. But neither that nor other difficulties on the field--the platooning, the slights, the unrelenting injuries--seemed to affect McCovey as he remained grateful to be playing baseball. McCovey was the most treasured Bay Area icon of all, a humble, approachable superstar who earned the admiration of seemingly everyone he encountered. McCovey's life wasn't measured in his home run and RBI totals, though those were impressive. His greatest significance lay in the warmth and respect he extended and which others reciprocated. These elements elevated McCovey to a pantheon where relatively few athletes reside. He remains synonymous with not just the team he ennobled but also the city he represented. In A Giant among Giants, the first biography of McCovey, who passed away in 2018 at the age of eighty, Chris Haft tells the story of one of baseball's best hitters and most beloved players.