Böcker utgivna av University of Minnesota Press

Based on the author's dissertation (Ph. D.)--Department of Art History and Communications Studies at McGill University. 2005.

Every time you wheel a shopping cart through one of Walmart s more than 10,000 stores worldwide, or swipe your credit card or purchase something online, you enter a mind-boggling logistical regime. Even if you ve never shopped at Walmart, its logistics have probably affected your life."TheRule of Logistics"makes sense of its spatial and architectur

Anglers are simply superior because of their contemplative pastime, according to Izaak Walton. And few who fish would disagree. In fact, the habit of amplifying the sport is documented at least as long ago as 75 A.D., when Plutarch wrote that Mark Antony faked a catch to impress Cleopatra. From Bible verse to Grandpa\u2019s latest whopper, fishing has figured in our spiritual and cultural lore, to say nothing of our cuisine, as far back as we remember, and nowhere is this truer, perhaps, than in the great north woods.A celebration of the sport in the land of 10,000 lakes and beyond, where the fish fry is a near-holy Friday ritual, the running of smelt heralds spring, and a village of ice-fishing huts springs up on every frozen lake, this irresistible book tells the full story from trivia to sacred tradition. Eric Dregni, who has entertained countless readers with enlightening tales of Midwest marvels, here shows his considerable skills as a raconteur and cultural historian of the fun and the facts of fishing in the Great Lakes region.Fishing contests and taxidermy, lures and earthworms, fishing scenes on beer cans, and the peculiar genre of fishing photographs: no detail is too small, reflection too deep, or bridge too far to escape his eye and ready wit, from gear madness to true grit, angling heroics to solitary pleasures, small-town festivals to sport-fishing meccas. And he has the images to prove it. Lavishly illustrated with postcards, advertisements, historical prints, and tourist snapshots, this book is an always fascinating, occasionally hilarious, and often oddly informative compendium of fishing lore destined to reel in the uninitiated and to occupy the aficionado in those long, empty hours between seasons.

Vinciane Despret argues that behaviors weidentify as separating humans from animals do not actually properly belong tohumans. Combining serious scholarship with humor, this book poses twenty-sixquestions that stretch our preconceived ideas about what animals do, what theythink about, and what they want.

Wake up, little one, a soft voice beckons, the world around you is already stirring. As Wake Up, Island gently rouses the sleepy child, it summons a world of nature coming to life on a summer island in the magical North Woods. Sunlit fingers touch the shores, pine trees stretch their limbs, and lichen warms on ancient rock. Doe and fawn rise from their grass bed and pearls of dew bead a spider\u2019s finely woven web. Mallards skim the water\u2019s surface. Ravens perch and gargle greetings, chickadees call dee, dee, dee, and a heron swoops—minnows flee! The moose and her calf wade, munching on plants. The red squirrel chatters. The black bear lazily scratches her back against a tree.Conjuring the morning life around a cabin fragrant with berry pancakes, this timeless book wakens the child in every reader to the wonders of nature that greet every new day in the charmed world of a northern woodland island.

Building Dignified Worldsinvestigates social movements that do not simply protest but actively forgefunctional alternatives. Gerda Roelvink takes actor network and performativitytheories of action as starting points for thinking about how contemporarycollectives bring the new into being.

For immigrants to America, from Europeans in the early twentieth century through later Latinos, Asians, and Caribbeans, gaining social and political ground has generally been considered an exercise in ethnic and racial solidarity. The experience of South Asian Americans, one of the fastest-growing immigrant populations in recent years, tells a diff

It makes me happy knowing that this smart, hard-working, and chronically cheerful woman is in the Elks Club that is the U.S. Senate, and when you read this book, you'll know why." Garrison Keillor"

Since the Neolithic era, artisans in East Asia have coated bowls, cups, boxes, baskets, and other utilitarian objects with a natural polymer distilled from the sap of the Rhus verniciflua, known as the lacquer tree. Lacquerware was, and still is, prized for its sheen—a lustrous beauty that artists learned to accentuate over the centuries with inlaid gold, silver, mother-of-pearl, and other precious materials.This tradition has undergone challenges over the past thirty years. A small but enterprising circle of lacquer artists has pushed the medium in entirely new and dynamic directions by creating large-scale sculptures—works that are both conceptually innovative and superbly exploitive of lacquer\u2019s natural virtues.┬áFeaturing thirty works by sixteen artists, this handsome publication details the first-ever exhibition of contemporary Japanese lacquer sculpture in the United States, shown at the Minneapolis Institute of Art.

From maps, monuments, and architectural features to stamps and currency, images of Native Americans have been used again and again on visual expressions of American national identity since before the country\u2019s founding. In the first in-depth study of this extraordinary archive, C\u00e9cile R. Ganteaume argues that these representations are not empty symbols but reflect how official and semi-official government institutions—from the U.S. Army and the Department of the Treasury to the patriotic fraternal society Sons of Liberty—have attempted to define what the country stands for. Seen collectively and studied in detail, American Indian imagery on a wide range of emblems—almost invariably distorted and bearing little relation to the reality of Native American–U.S. government relations—sheds light on the United States\u2019 evolving sense of itself as a democratic nation.┬áGeneration after generation, Americans have needed to define anew their relationship with American Indians, whose lands they usurped and whom they long regarded as fundamentally different from themselves. Such images as a Plains Indian buffalo hunter on the 1898 four-cent stamp and Sequoyah\u2019s likeness etched into glass doors at the Library of Congress in 2013 reveal how deeply rooted American Indians are in U.S. national identity. While the meanings embedded in these artifacts can be paradoxical, counterintuitive, and contradictory to their eras\u2019 prevailing attitudes toward actual American Indians, Ganteaume shows how the imagery has been crucial to the ongoing national debate over what it means to be an American. ┬áOfficially Indian is published in concert with the Americans exhibition, which opens October 26, 2017, at the National Museum of the American Indian in Washington, D.C. American Indians represent less than 1 percent of the U.S. population, yet names and images of Indians are everywhere: military weapons, songs, town names, advertising, and that holiday in November. Americans invites visitors to take a closer look, and to ask why. Featuring nearly 350 objects and images, from a Tomahawk missile to baking powder cans, Americans examines the staying power of four stories (Thanksgiving, Pocahontas, the Trail of Tears, and the Battle of Little Bighorn) that are woven into the fabric of both American history and contemporary life. By highlighting what has been remembered, contested, cherished, and denied about these stories, and why they continue to resonate, this exhibition shows that Americans have always been fascinated, conflicted, and profoundly shaped by their relationship to American Indians.

The most familiar fairy tales call to mind certain images: Little Red Riding Hood, Puss in Boots, Snow White, Cinderella, Rapunzel, Sleeping Beauty. Yet these visions often merely reflect illustrations encountered in classic tellings of the tales. The postcards gathered here by one of the world\u2019s foremost scholars of folk and fairy tales tell another story—of the remarkable range of interpretations and reimaginings these tales have inspired, captured, and conveyed picture by picture in this singular form. A pictorial history of fairy-tale postcards from the late nineteenth century to the present, Tales of Wonder presents a fascinating look at how key scenes of fairy tales have been rendered over time, suggesting a rethinking and reliving of the tales through the years.Drawn from the author\u2019s collection of more than three thousand fairy-tale postcards from around the world, these five hundred beautiful illustrations reproduce oil paintings, watercolors, photographs, ink drawings, and silhouettes—all evincing the myriad ways popular artists and their audiences have reimagined these tales. After an introduction and general history of fairy tales in postcards, the book features Jack Zipes\u2019s own translations of the most classical fairy tales in Europe and the United States, including versions by Charles Perrault and by Brothers Grimm.The fairy tale is not just once upon a time: it is, as fairy-tale postcard, a particular if not peculiar expression of a time, created by talented artists and innovative publishing companies. Tales of Wonder tells this intriguing history of the postcards as well as providing new perspectives on familiar stories.

This is the story of Miles Lord (1919–2016), who rose from humble beginnings on Minnesota\u2019s Iron Range to become one of the most colorful and powerful judges in the country, described as \u201can unabashed Prairie populist\u201d and \u201ca live-wire slayer of corporate behemoths.\u201d He cut a wide swath through history on his path to the bench: coming of age alongside a cadre of young Midwestern social-gospel progressives, including Hubert H. Humphrey, Eugene McCarthy, and Walter Mondale, in the days before they reached national fame; teaming with Bobby Kennedy as a hotshot prosecutor in pursuit of Jimmy Hoffa; and serving as the secret envoy between his friends Hubert and Eugene in their battle for the soul of the Democratic party in the historic 1968 presidential campaign. Later, after donning his black robe, he reshaped jurisprudence with precedent-breaking rulings—on issues ranging from women\u2019s rights to consumer protection to education reform—and breaking trail when he ordered the shutdown of the Reserve Mining Company in northern Minnesota, which was spewing its waste into Lake Superior, in the most sensational trial of the early environmental era.One of Judge Lord\u2019s landmark cases—and interlaced as a centerpiece narrative of this book—involved the Dalkon Shield intrauterine device, which caused horrific infections in thousands of women, resulting in infertility and sometimes death. Author Roberta Walburn served as the judge\u2019s law clerk during that litigation in 1983–84, and she provides a page-turning account (both an insider\u2019s view and an in-depth chronicle) of what was called \u201cone of the most disastrous episodes of American corporate misconduct.\u201d In the end, more than 200,000 women received nearly $3 billion in compensation, and the Fortune 500 defendant was left in ruins. But Judge Lord was hauled up on judicial misconduct charges for his no-holds-barred actions that were certainly provocative but also stand as a timely reminder, even (or especially) today, of the challenges in balancing the scales of justice for a legal system that too often skews to the rich and powerful.The author deftly weaves the Dalkon Shield drama into the larger story of the life of a one-of-a-kind man, crafting a sweeping and spirited true-life tale with not only her first-hand experiences as the judge\u2019s law clerk but also with unrestricted access to the judge\u2019s personal files. This is a rare and compelling portrait of a remarkable man and his place in both Minnesota and U.S. history.