Böcker utgivna av University of Minnesota Press

Avatar of girl power or sexual plaything? The ambiguity of being Lara.

Alphonso Lingis, traveller extraordinaire, discusses the trust that is inherent in travel and reflects on his many journeys. He finds a condition close to childlike innocence, where trust is ultimate and on the way discovers new truths about spirituality, masculinity, love, death, ecstasy and change.

Visually traces the construction of American masculinity following World War II.

Racial discrimination embodies inequality, exclusion, and injustice and as such has no place in a democratic society. And yet racial matters pervade nearly every aspect of American life, influencing where we live, what schools we attend, the friends we make, the votes we cast, the opportunities we enjoy, and even the television shows we watch. Joel Olson contends that, given the history of slavery and segregation in the United States, American citizenship is a form of racial privilege in which whites are equal to each other but superior to everyone else. In Olson's analysis we see how the tension in this equation produces a passive form of democracy that discourages extensive participation in politics because it treats citizenship as an identity to possess rather than as a source of empowerment. Olson traces this tension and its disenfranchising effects from the colonial era to our own, demonstrating how, after the civil rights movement, whiteness has become less a form of standing and more a norm that cements while advantages in the ordinary operations of modern society. To break this pattern, Olson suggests an "abolitionist-democratic" political theory that makes the fight against racial discrimination a prerequisite for expanding democratic participation.

The author of "Millions of Cats" presents this charming tale of two little field mice and their adventures in the big, wide world. Illustrations.

A dramatic account of three centuries of people and ships that sailed the Great LakesA popular history of navigation on the Great Lakes and life on their shores, The Long Ships Passing brings us aboard the crafts that have plowed the waves of the treacherous "five sisters" carrying the grain, lumber, and minerals that fed and built the cities of America. Walter Havighurst paints vivid pictures of life—and death—on the lakes, mysterious accounts of wooden ships and iron men that sank to freshwater graves, especially along the immigrant route where the wrecks lie thick. In rich and marvelous detail, this classic history recounts the saga of an inland marine empire.

Originally published: [Cleveland, OH]: The Arthur H. Clark Co., 1909.

An entertaining account of the golden era of lumber rafting, back in print!During the nineteenth century, pine logs were lashed together to form easily floatable rafts that traveled from Minnesota and Wisconsin down the Mississippi River to build the farms and towns of the virtually treeless lower Midwest. These huge log rafts were steered down the river by steamboat pilots whose skill and intimate knowledge of the river’s many hazards were legendary. Charles Edward Russell, a Pulitzer Prize-winning author, chronicles the history and river lore of seventy years of lumber rafting. "Russell deals with those decades during which the lumber business and the rafting of lumber grew and reached enormous proportions. But his story covers also the splendid phase of the river steamboat. Russell writes with a lively pen, and he has made a colorful and entertaining account." New York Times Book Review"Not a dull page in the book. Russell writes frontier history as it should be written." New York Herald TribuneFesler-Lampert Minnesota Heritage Series

A handsomely illustrated account, now in paperback for the first time.Regional/NatureA handsomely illustrated account, now in paperback for the first time.Florence Page Jaques and her husband, Francis Lee Jaques, who illustrates this classic with beautiful black-and-white nature drawings, experience an unusually thrilling winter vacation following the waterfowl migration. Beginning with a duck-hunting trip in Minnesota, Florence writes a lively and detailed account of their trip down the Mississippi flyway, through the White River bottom swamps in Arkansas, and around the Rainey Wildlife Sanctuary in the marshlands of Louisiana. "Mrs. Jaques’ text, like her observation, is artless and fresh. She observes in an instant, never coolly, and with like spontaneity sets both her observation and her reaction to it." Saturday Review"It is a hearty, outdoors book, full of wind and sky color, full of feeling for things and places." New York Herald Tribune Fesler-Lampert Minnesota Heritage Book SeriesTranslation Inquiries: University of Minnesota Press

Considers what this central European metropolis tells us about the changing nature of urban life.With the collapse of state socialism, the people of Budapest are rearranging their points of reference as the cityscape’s familiar signposts disappear. In what sense is the transformation of Budapest different from the experience of "Western" cities? What does all this mean if viewed, as this book suggests, as a part of global restructuring? Through Budapest’s example, Judit Bodnár shows how the postsocialist experience of east-central European cities offers a fresh and instructive view of our general farewell to modernity.Fin de Millénaire Budapest combines historical narratives and ethnographic accounts with quantitative evidence to create a richly detailed picture of a city subjected to the forces of great local and global change. In the privatizing of public space, the decline of manufacturing, the rapid growth of services, and the opening of opportunities for entrepreneurs, Bodnár captures global urban patterns-with a distinct, central European accent. In particular, she shows tensions between the liberating and fragmenting effects of the increasingly private use of urban space and some ways in which the new urban patterns both resemble and transcend cultural patterns from Budapest’s socialist past.

Whether as a gay man or as a postmodern performance artist ahead of his time, Wilde ultimately emerges here as the embodiment of the twentieth-century media-savvy artist who is both subject and object of the aesthetic and economic systems in which he is enmeshed.

Two decades ago, a father gave his daughter shoeboxes stuffed with old home movies. The daughter, a filmmaker, appropriated these family images, folding them into a film about mothers and daughters. The film, in turn, infiltrated the life of the family, creating a crack through which seeped the sexual secrets of three generations of women. In this sharply observed and visually rich book, Michelle Citron, one of the most influential independent woman filmmakers of our time, explores the life that surrounds an artist's work, its inner surprises, and the necessary fictions that shape it.Using essay, memoir, fiction, and images drawn from her family's home movies, Citron creates a series of moving narratives (even literally -- one chapter is also a flip book). She tells the story of her vital and fraught relationships with her strong-willed mother and grandmother; her transformative, near-fatal illness; life with the woman who has been her partner for twenty years; and her slow realization of the sexual abuse that marked her childhood. The book concludes with the scripts of two of Citron's best-known films, Daughter Rite and What You Take for Granted, works that resonate with and extend the themes of this book.Citron uses a series of leitmotivs that surface, disappear, and resurface: class, sexuality, incest, power, the transcendence of art, the role of the filmmaker, the ethics of autobiographical work. Hers is an account of an artist's growth and development. But here are also the lacerations of class mobility, the life-shaping power of the unspeakable, and the exquisite web of family ties. Throughout, she tests "the sly, fictitious nature of memoir against fiction's hard nugget oftruth", creating a book that both reveals and challenges this important genre.

This study aims to provide an examination of Yugoslavia's demise. The author's analysis interprets nationalism and populism as revolts against a new world system where abstract multinational financial and political institutions belie citizens' attempt at democratic participation.

Explores the cultural function of the concept of “the end.”Apocalyptic thought is hardly unique to the end of the twentieth century; it’s been a fixture of American culture for decades. Currently, the media are rife with omens and signs, and we’re bombarded with warnings that “the end is near.” But as James Berger argues here, the end never comes. There is always something left. In this study of the cultural pursuit of the end and what follows, Berger contends that every apocalyptic depiction leaves something behind, some mixture of paradise and wasteland. Combining literary, psychoanalytic, and historical methods, Berger mines these depictions for their weight and influence on current culture. He applies wide-ranging evidence-from science fiction to Holocaust literature, from Thomas Pynchon to talk shows, from American politics to the fiction of Toni Morrison-to reveal how representations of apocalyptic endings are indelibly marked by catastrophic histories. These post-apocalyptic visions reveal as much about our perception of the past as they do about conceptions of the future. Berger examines the role of such historical crises as slavery, the Holocaust, and the Vietnam War and describes how these traumas continue to generate cultural symptoms. The shadow of impending apocalypse darkens today’s vision of the future, but it’s a familiar shadow: traumas we have already experienced as a culture are recycled into visions of new endings. Our “endings” are already after the end. Berger demonstrates that post-apocalyptic representations are both symptoms and therapies. Contemporary culture continually draws on these traumatic histories, trying to forget, remember, deny, and recover. After the End puts these visions in context, revealing them in some cases as dangerous evasions, in others as crucial tools for cultural survival. ISBN 0-8166-2932-3 Cloth £00.00 $47.95xxISBN 0-8166-2933-1 Paper £00.00 $18.95x248 Pages 5 7/8 x 9 MarchTranslation Inquiries: University of Minnesota Press

Analyzing the symbolic roles Mae West has occupied, the author argues that she represents an orchestrated transgression of race, class and gender expectations. The book shows how icons of pop culture often distill contested social issues, serving diverse and even contradictory political roles.

In the 25 years since its original publication, Space and Place has not only established the discipline of human geography, but it has proven influential in such diverse fields as theater, literature, anthropology, psychology, and theology. Eminent geographer Yi-Fu Tuan considers the ways in which people feel and think about space, how they form attachments to home, neighborhood, and nation, and how feelings about space and place are affected by the sense of time. He suggests that place is security and space is freedom: we are attached to the one and long for the other. Whether he is considering sacred versus "biased" space, mythical space and place, time in experiential space, or cultural attachments to space, Tuan's analysis is thoughtful and insightful.