Böcker utgivna av University of Minnesota Press

Shannon¿Gibney¿is a writer, educator, activist, and the author of See No Color, a young adult novel that won the Minnesota Book Award in Young People’s Literature. She is faculty in English at Minneapolis College, where she teaches writing. She has been a Bush Artist and McKnight Writing Fellow. Her critically acclaimed novel Dream Country follows more than five generations of an African-descended family as they crisscross the Atlantic, both voluntarily and involuntarily. Kao Kalia Yang is author of The Latehomecomer: A Hmong Family Memoir, winner of two Minnesota Book Awards and a finalist for the PEN USA Award in Creative Nonfiction and the Asian Literary Award in Nonfiction. Her second book, The Song Poet, won a Minnesota Book Award and was a finalist for the National Book Critics Circle Award, the Chautauqua Prize, the PEN USA Award in Nonfiction, and the Dayton’s Literary Peace Prize. ¿

Werner Herzog has produced, written, and directed more than seventy films, including Nosferatu the Vampyre; Aguirre, the Wrath of God; Fitzcarraldo; and Grizzly Man. He grew up in a remote mountain village in Bavaria and now lives in Los Angeles, California. His books Of Walking in Ice and Scenarios I and II are also published by Minnesota. ¿ Krishna Winston is Marcus L. Taft Professor of German Language and Literature at Wesleyan University. ¿

A comprehensive update of the classic from the state’s foremost expert In the nearly half-century since the first publication of the landmark Birds in Minnesota, the state and its bird populations have undergone dramatic changes. This newly revised, expanded edition reflects those changes as well as the most recent advances in birding, making it the indispensable resource for birdwatchers in Minnesota, both passionate amateur and professional. Featuring full-color photographs and more than one thousand distribution maps, the updated Birds in Minnesota describes where and during which season the 443 species of birds in the state can be found. Introductory comments by Carrol L. Henderson of the Minnesota DNR and Kim R. Eckert, author of A Birder’s Guide to Minnesota, along with the expert contributions of David Cahlander of the Minnesota Ornithologists’ Union, further enhance this new edition for today’s Minnesota birders. This edition of Birds in Minnesota is the essential birding reference—at once authoritative and user-friendly, comprehensive and concise, eminently practical and a delight to peruse.

Leading scholars historicize and theorize technology’s role in architectural design Although the question of technics pervades the contemporary discipline of architecture, there are few critical analyses on the topic. Design Technics fills this gap, arguing that the technical dimension of design has often been flattened into the broader celebratory rhetoric of innovation. Bringing together leading scholars in architectural and design history, the volume’s contributors situate these tools on a broader epistemological and chronological canvas. The essays here construct histories—some panoramic and others unfolding around a specific episode—of seven techniques regularly used by the designer in the architectural studio today: rendering, modeling, scanning, equipping, specifying, positioning, and repeating.Starting with observations about the epistemological changes that have unfolded in the discipline in recent decades but seeking to offer a more expansive meaning for technics, the volume casts new light on concepts such as form, experience, and image that have played central roles in historical architectural discourses. Among the questions addressed: How was the concept of form immanent in practices of scanning since the late nineteenth century? What was the historical relationship between rendering and experience in Enlightenment discourses? How did practices of specifying reconfigure the distinction between intellectual and manual labor? What kind of rationality is inherent in the designer’s constant clicking of the mouse in front of her screen? In addressing these and other questions, this engaging and timely collection thereby proposes technics as a site for historical and philosophical reflection not only for those engaged in architectural design but also for any scholar working in the humanities today.Contributors: Lucia Allais, Edward Eigen, Orit Halpern, John Harwood, Matthew C. Hunter, and Michael Osman.

Michael Schumacher has written four previous books on Great Lakes shipwrecks: Mighty Fitz,¿November’s Fury, Torn in Two (all from Minnesota), and Wreck of the Carl D.¿He has written narratives for twenty-five Great Lakes shipwreck and lighthouse documentary films. He lives in Wisconsin.

Matthew Schneider-Mayerson is assistant professor of environmental studies at Yale–NUS College and author of Peak Oil: Apocalyptic Environmentalism and Libertarian Political Culture.¿ Brent Ryan Bellamy studies and teaches science fiction, American literature and cultures, and energy humanities and is coeditor of Materialism and the Critique of Energy. Kim Stanley Robinson is the author of nineteen science fiction novels, including the Mars trilogy.

"Bourgeois in the Flesh examines how late 20th and early 21st century African American literary texts grapple with the dilemma of black bourgeois subjectivity"--

Chan Poling is a founding member of the seminal New Wave rock group The Suburbs and the popular jazz/cabaret trio The New Standards. His work in theater includes scores for the Tony Award-winning troupe Theatre de la Jeune Lune and¿the Ivey Award-winning Glensheen. He has been reviewed, featured, and lauded in the New York Times, The New Yorker, Time Magazine, Vogue, and Rolling Stone, among many others. ¿ Lucy Michell is a musician and artist whose illustrations can be found on countless band posters, album covers, kids’ menus, and even T-shirts for Target. She has written and performed with Twin Cities darlings Lucy Michelle and the Velvet Lapelles, pop rock crew Little Fevers, and in collaboration with Chan Poling and John Munson. ¿

A collection of scholarship on monsters and their meaning—across genres, disciplines, methodologies, and time—from foundational texts to the most recent contributions Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche.Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises.Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.