Böcker utgivna av University of Minnesota Press

Originally published in 1995, Advances was first written by Jacques Derrida as a long foreword to a book by one of his most promising former students, the philosopher Serge Margel\u2019s Le Tombeau du Dieu Artisan (The Tomb of the Craftsman). What Derrida uncovers for us is Margel\u2019s own unique theory of the promise in relation to an an-archic, pre-chronological temporality, in conjunction with Margel\u2019s radical rereading of Plato\u2019s Timaeus. As Derrida states right away, Margel\u2019s reading is a new one, a new reading of the Demiurge. A new promise. A new advance. In this magisterial late essay by Derrida, what the reader soon discovers is in part a conversation with his former student, as well as an opening for a new reflection on our current ecological and political crises that are all the more urgent today where the possibility of giving ourselves death as a human race and the end of the world is now, within an era of climate change, more real than ever.As part of Univocal\u2019s Pharmakon series, this essay, itself published in advance, becomes a brief but powerful light pointing toward Univocal\u2019s forthcoming publication of the translation of Serge Margel\u2019s Le Tombeau du Dieu Artisan. \u201cOnce again the Timaeus, of course, but a different Timaeus, a new Demiurge, I promise.\u201d

Thomas \u201cFats\u201d Waller was a legendary stride pianist, a wildly entertaining comedic singer, and the composer of such classic melodies as \u201cHoneysuckle Rose,\u201d \u201cAin\u2019t Misbehavin\u2019,\u201d and hundreds more. This is the intimate, behind-the-scenes story of his exuberant life, as told by his son, Maurice Waller. The public knew him as a charming, rascally, and effervescent showman. Friends like Duke Ellington, Count Basie, Louis Armstrong, Irving Berlin, and George Gershwin knew him as a serious piano stylist and composer. Maurice Waller reveals the rarely seen side of Fats as a family man, struggling to juggle domestic affairs with the demands of being one of the era\u2019s busiest jazz men. From his earliest days as a child prodigy to his wild nights playing Harlem rent parties to his appearances on stages around the world and his eventual commercial success, it\u2019s all here. Few stories capture the frenetic energy of the age quite as well as the life story of this rollicking, hard living jazz icon.

Several sacred artifacts have gone missing from the Minnesota Red Earth Reservation and the suspect list is continuously growing. While it could be the racists from the bordering town, or a young man struggling with problems at home, or the county coroner and his cronies, the need for answers and apprehending the culprit is amplified when Jed Morriseau, the Tribal Chairman, is murdered. Investigating these mysterious occurrences because of tribal traditions and the honor of her family, Renee LaRoche works to track down the people responsible. But can she maintain her intense investigation as well as her new relationship with Samantha Salisbury, the visiting women\u2019s studies professor at the white college nearby? Renee is caught between the traditions of her tribe and efforts to help her chimook lover accept their cultural differences. 

In Voices of Rondo, real-life stories illuminate the northern urban Black experience during the first half of the twentieth century, through the memories and reflections of residents of Saint Paul\u2019s historic Rondo community. We glimpse the challenges of racism and poverty and share the victories of a community that educated its children to become strong, to find personal pride, and to become the next generation of leaders in Saint Paul and beyond.

In Making Things and Drawing Boundaries, critical theory and cultural practice meet creativity, collaboration, and experimentation with physical materials as never before. Foregrounding the interdisciplinary character of experimental methods and hands-on research, this collection asks what it means to “make” things in the humanities. How is humanities research manifested in hand and on screen alongside the essay and monograph? And, importantly, how does experimentation with physical materials correspond with social justice and responsibility? Comprising almost forty chapters from ninety practitioners across twenty disciplines, Making Things and Drawing Boundaries speaks directly and extensively to how humanities research engages a growing interest in “maker” culture, however “making” may be defined.Contributors: Erin R. Anderson; Joanne Bernardi; Yana Boeva; Jeremy Boggs; Duncan A. Buell; Amy Burek; Trisha N. Campbell; Debbie Chachra; Beth Compton; Heidi Rae Cooley; Nora Dimmock; Devon Elliott; Bill Endres; Katherine Faull; Alexander Flamenco; Emily Alden Foster; Sarah Fox; Chelsea A. M. Gardner; Susan Garfinkel; Lee Hannigan; Sara Hendren; Ryan Hunt; John Hunter; Diane Jakacki; Janelle Jenstad; Edward Jones-Imhotep; Julie Thompson Klein; Aaron D. Knochel; J. K. Purdom Lindblad; Kim Martin; Gwynaeth McIntyre; Aurelio Meza; Shezan Muhammedi; Angel David Nieves; Marcel O’Gorman; Amy Papaelias; Matt Ratto; Isaac Record; Jennifer Reed; Gabby Resch; Jennifer Roberts-Smith; Melissa Rogers; Daniela K. Rosner; Stan Ruecker; Roxanne Shirazi; James Smithies; P. P. Sneha; Lisa M. Snyder; Kaitlyn Solberg; Dan Southwick; David Staley; Elaine Sullivan; Joseph Takeda; Ezra Teboul; William J. Turkel; Lisa Tweten.

La paperson is also K. Wayne Yang, an associate professor of ethnic studies at the University of California, San Diego.

Rekindling Deleuze's opposition to what is intolerable about this world

Excavates a theory of cinema in Derrida's writing on love, narcissism, echopoiesis, and fluidity

"Originally published in French as La pensaee marxiste et la ville. Copyright 1972 by Casterman."

Welcome to Milton High School, where fear is a teacher s best tool and every student is a soldier in the war on terror. A struggling public school outside the nation s capital, Milton sat squarely at the center of two trends: growing fear of resurgent terrorism and mounting pressure to run schools as job training sites. In response, the school esta

"The Anarchist Roots of Geography" sets the stage for a radical politics of possibility and freedom through a discussion of the insurrectionary geographies that suffuse our daily experiences. By embracing anarchist geographies as kaleidoscopic spatialities that allow for non-hierarchical connections between autonomous entities, Simon Springer confi

San Diego, California, is frequently viewed as a model for American urban revitalization. It looks like a success story: blight and poverty replaced by high rises and jobs. But David J. Karjanen shows that the much-touted job opportunities for poor people have been concentrated in low-paying service work as the cost of living in San Diego has soare

Childhood has never been available to all. In her opening chapter of "For the Children?," Erica R. Meiners stakes the claim that childhood is a racial category often unavailable to communities of color. According to Meiners, this is glaringly evident in the U.S. criminal justice system, where the differentiation between child and adult often equate