Böcker utgivna av University of Minnesota Press

Steve Mentz is professor of English at St. John’s University. He is the author of Shipwreck Modernity (Minnesota, 2015), At the Bottom of Shakespeare’s Ocean (2009), and Romance for Sale in Early Modern England (2006).

Tracing the erosion of democratic norms in the US and the conditions that make it possible Jonathan Beecher Field tracks the permutations of the town hall meeting from its original context as a form of democratic community governance in New England into a format for presidential debates and a staple of corporate governance. In its contemporary iteration, the town hall meeting models the aesthetic of the former but replaces actual democratic deliberation with a spectacle that involves no immediate electoral stakes or functions as a glorified press conference. Urgently, Field notes that though this evolution might be apparent, evidence suggests many US citizens don’t care to differentiate. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

An investigation of how-to guides for sensor technologies Sensors are increasingly common within citizen-sensing and DIY projects, but these devices often require the use of a how-to guide. From online instructional videos for troubleshooting sensor installations to handbooks for using and abusing the Internet of Things, the how-to genres and formats of digital instruction continue to expand and develop. As the how-to proliferates, and instructions unfold through multiple aspects of technoscientific practices, Jennifer Gabrys asks why the how-to has become one of the prevailing genres of the digital. How to Do Things with Sensors explores the ways in which things are made do-able with and through sensors and further considers how worlds are made sense-able and actionable through the instructional mode of citizen-sensing projects.Forerunners: Ideas FirstShort books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

Naa Oyo A. Kwate is associate professor of Africana studies and human ecology at Rutgers, The State University of New Jersey.

Matthew J. Wolf-Meyer is associate professor of anthropology at Binghamton University. He is author of The Slumbering Masses: Sleep, Medicine, and Modern American Life (Minnesota, 2012).

Jaroslav Andel is curator of the exhibition Back to the Sandbox, former artistic director of the DOX Center for Contemporary Art in Prague, and former director of the Museum of Modern and Contemporary Art of the National Gallery in Prague. He has written more than forty books and exhibition catalogues on modern and contemporary art.

"Anthropocene Poetics looks at contemporary anglophone poetry from Anthropocene, Plantationocene, and Multispecies perspectives, and sets out a poetics for thinking about 'geologic intimacy,' the deeply relational reality of 'sacrifice zones,' and processes of kin-making in a time of extinction"

Uncovering a vast maze of realities in the media theories of Marshall McLuhan The term "global village"-coined in the 1960s by Marshall McLuhan-has persisted into the twenty-first century as a key trope of techno-humanitarian discourse, casting economic and technical transformations in a utopian light. Against that tendency, this book excavates

In 1947, Theodor Adorno, one of the seminal European philosophers of the postwar years, announced his return after exile in the United States to a devastated Europe by writing "Philosophy of New Music". Presented with an introduction by distinguished translator, Robert Hullot-Kentor, this book looks at Adorno's illustrious and influential oeuvre.

In this critique, the author demonstrates the failure of international law to address the issues surrounding African self-determination during decolonization. The volume uses the case of Namibia to illuminate the general context of Africa.

This was the first work to have applied a systematised feminist theory to opera. It concentrates on the stories & text of opera, that perhaps have more relevence today in a growing literature than it had when it was the sacrilegious pioneering work.

Originally published: 1st ed. New York: Knopf, 1976.

Kathryn Yusoff is Professor of Inhuman Geography at Queen Mary University of London.

With the aim of widening the scope of Marxist theory, Henri Lefebvre finished Dialectical Materialism just before the beginning of World War II and the Resistance movement against the Vichy regime. As the culmination of Lefebvre\u2019s interwar activities, the book highlights the tension-fraught relationship between Lefebvre and the French Communist Party (PCF). For Lefebvre, unlike for the PCF, Marxism was above all a dynamic movement of theory and practice. Dialectical Materialism is an implicit response to Joseph Stalin\u2019s Dialectical and Historical Materialism and an attempt to show that the Stalinist understanding of the concept was dogmatic and oversimplified. This edition contains a new introduction by Stefan Kipfer, explaining the book\u2019s contemporary ramifications in the ever-expanding reach of the urban in the twentieth-century Western world.

First published in 1983. Routledge is an imprint of Taylor & Francis, an informa company.

Reprint. Originally published: New York: Free Press, c2006.

The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze''s thought.The first new collection of critical studies on Deleuze''s cinema writings in nearly a decade, Afterimages of Gilles Deleuze''s Film Philosophy provides original essays that evaluate the continuing significance of Deleuze''s film theories, accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research.Contributors: Raymond Bellour, Centre Nationale de Recherches Scientifiques; Ronald Bogue, U of Georgia; Giuliana Bruno, Harvard U; Ian Buchanan, Cardiff U; James K. Chandler, U of Chicago; Tom Conley, Harvard U; Amy Herzog, CUNY; András Bálint Kovács, Eötvös Loránd U; Patricia MacCormack, Anglia Ruskin U; Timothy Murray, Cornell U; Dorothea Olkowski, U of Colorado; John Rajchman, Columbia U; Marie-Claire Ropars-Wuilleumier, U Paris VIII; Garrett Stewart, U of Iowa; Damian Sutton, Glasgow School of Art; Melinda Szaloky, UC Santa Barbara.

Taking Walter Benjamin's famous image of the Angel of History blown into the future by "a storm from paradise" as his point of departure, Boyarin launches an examination of the role of memory in the study of knowledge, culture and power.