Böcker utgivna av University of Iowa Press

Bringing together penetrating conversations between poets of different generations as they explore process and poetics, poetry's influence on other art forms, and the political and social aspects of their work, this title restores poesis to the center of poetry.

An essential introduction to a rapidly growing field of study, The Fan Fiction Studies Reader gathers in one place the key foundational texts of the fan studies corpus, with a focus on fan fiction. Collected here are important texts by scholars whose groundbreaking work established the field and outlined some of its enduring questions.

Collects both personal essays and representative poems by women born after 1960 whose careers were influenced - directly or indirectly - by the women who preceded them. This collection features poets who describe a new kind of influence, one less hierarchical, less patriarchal, and less anxious than forms of mentorship in the past.

Looks back through the twentieth century in order to confront issues of self and community in veterans' literature, exploring how war and the military have shaped the identities of Ernest Hemingway, James Salter, and Tim O'Brien, three of the twentieth century's most respected authors.

For fifty years, the music, words, story, and fans of Bob Dylan have fascinated David Gaines. Talking with students, exchanging Dylan trivia with fellow fans, or cheering on fan musicians doing Dylan covers during the Dylan Days festival, Gaines shows that, for many people, being a fan of popular culture couples serious critical and creative engagement with heartfelt commitment.

In Control Bird Alt Delete, the reader is invited to explore strange landscapes: some based on the ruins of New England and others following the architectural prints of the unconscious. The reader walks through woods filled with cellar holes, rock walls, and lilac bushes, and is made to think of people gone missing.

This novella and collection of stories is a moving portrait of American domestic life of the last half-century. Often spanning generations, the stories are defined by subtle shifts in both family relationships and the ways in which we reconfigure them in memory and mind.

Providing a synthesis of New York's artistic and literary worlds, this book uses social and philosophical problems involved in reading a coterie to propose a language for understanding the poet, art critic, and Museum of Modern Art curator, Frank O'Hara. It situates O'Hara within a range of debates about art's possible relations to its audience.

Charles Lamb, one of the most engaging personal essayists of all time, began publishing his Elia essays in the ""London Magazine"" in 1820; they were so immediately popular that a book-length collection was published in 1823. This edition of the text features useful annotation throughout.

An anthology of 100 poems, written by physicians, exploring the connections between medicine and poetry.

Real musicians don't sign autographs, date models, or fly in private jets. They spend their lives in practice rooms and basement clubs or toiling in the obscurity of coffee-shop gigs, casino jobs, and the European festival circuit. The ten linked stories in Power Ballads are devoted to the working musician. By turns melancholy and hilarious, it is not only a deeply felt look at the lives of musicians but also an exploration of the secret music that plays inside us all.

In these intertwined essays on art, music, and identity, Aisha Sabatini Sloan, the daughter of African American and Italian American parents, examines the experience of her mixed-race identity. Embracing the far-ranging stimuli of her media-obsessed upbringing, she grasps at news clippings, visual fragments, and lyrics from past and present in order to weave together a world of sense.

In Must a Violence, the tones and personalities vary widely but trust is always placed in the five senses. These poems gather and relay extraordinary sense data, from inaudible sounds to long-absent smells. These deeply musical poems demand the reader attend to their sounds: to the waveforms, repetitions, durations, and delicate interrelationships of words.