Böcker utgivna av University of Iowa Press

Thirty-five years and many acres after planting his first patch of prairie flowers, Carl Kurtz is considered one of the deans of the great tallgrass prairie revival. The Prairie Enthusiast called the 2001 edition of his book a "readable and understandable introduction to prairie and the general steps in carrying out a reconstruction." Now this second edition reflects his increased experience with reconstructing and restoring prairie grasslands.Kurtz has completely revised every chapter of the first edition, from site selection and harvest to soil preparation, seeding, postplanting mowing, burning, and growth and development. He has written new chapters on establishing prairie in old pastureland and on the judicious use of herbicides, including a table that shows particular problem species, the types of herbicides that are most effective at controlling them, and the timing and method of treatment. New photographs illustrate species and steps, and Kurtz has expanded the question-and-answer section and updated the references and the section on midwestern seed sources and services.Tallgrass prairie is critical wildlife habitat and an important element in flood control and stream water treatment. The process of reconstructing and restoring prairie grasslands has made great strides in recent decades. Carl Kurtz's indispensable, step-by-step guide to creating a diverse and well-established prairie community provides both directions and encouragement for individual landowners as well as land managers working with government agencies and nonprofit organizations that have taken up the task of reconstructing and restoring native grasslands.

An essential introduction to a rapidly growing field of study, The Fan Fiction Studies Reader gathers in one place the key foundational texts of the fan studies corpus, with a focus on fan fiction. Collected here are important texts by scholars whose groundbreaking work established the field and outlined some of its enduring questions.

This collection examines the problems and challenges of formulating national theatre histories. The essayists included here provide an international context for national theatre histories as well as studies of individual nations.

Elayne Zorn documents the remarkable transformation of the isolated rocky Taquile island into a community-controlled enterprise that now provides a model for indigenous communities worldwide.

For fifty years, the music, words, story, and fans of Bob Dylan have fascinated David Gaines. Talking with students, exchanging Dylan trivia with fellow fans, or cheering on fan musicians doing Dylan covers during the Dylan Days festival, Gaines shows that, for many people, being a fan of popular culture couples serious critical and creative engagement with heartfelt commitment.

In Control Bird Alt Delete, the reader is invited to explore strange landscapes: some based on the ruins of New England and others following the architectural prints of the unconscious. The reader walks through woods filled with cellar holes, rock walls, and lilac bushes, and is made to think of people gone missing.

This novella and collection of stories is a moving portrait of American domestic life of the last half-century. Often spanning generations, the stories are defined by subtle shifts in both family relationships and the ways in which we reconfigure them in memory and mind.

Providing a synthesis of New York's artistic and literary worlds, this book uses social and philosophical problems involved in reading a coterie to propose a language for understanding the poet, art critic, and Museum of Modern Art curator, Frank O'Hara. It situates O'Hara within a range of debates about art's possible relations to its audience.

Charles Lamb, one of the most engaging personal essayists of all time, began publishing his Elia essays in the ""London Magazine"" in 1820; they were so immediately popular that a book-length collection was published in 1823. This edition of the text features useful annotation throughout.

An anthology of 100 poems, written by physicians, exploring the connections between medicine and poetry.

Real musicians don't sign autographs, date models, or fly in private jets. They spend their lives in practice rooms and basement clubs or toiling in the obscurity of coffee-shop gigs, casino jobs, and the European festival circuit. The ten linked stories in Power Ballads are devoted to the working musician. By turns melancholy and hilarious, it is not only a deeply felt look at the lives of musicians but also an exploration of the secret music that plays inside us all.

Reveals how tectonic shifts in US monetary policy - from the Coinage Act of 1834 to the abolition of the domestic gold standard in 1933-34 - correspond to strategic changes by American writers who renegotiated the value of racial difference.

In these intertwined essays on art, music, and identity, Aisha Sabatini Sloan, the daughter of African American and Italian American parents, examines the experience of her mixed-race identity. Embracing the far-ranging stimuli of her media-obsessed upbringing, she grasps at news clippings, visual fragments, and lyrics from past and present in order to weave together a world of sense.

In Must a Violence, the tones and personalities vary widely but trust is always placed in the five senses. These poems gather and relay extraordinary sense data, from inaudible sounds to long-absent smells. These deeply musical poems demand the reader attend to their sounds: to the waveforms, repetitions, durations, and delicate interrelationships of words.