William R. Catton, Jr., is professor of sociology at Washington State University and author of From Animistic to Naturalistic Sociology and more than seventy-five articles in such journals as American Sociologist, Social Science Quarterly, Journal of Forestry, and BioScience. ¿
"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.
Opening on a scene of tawdry sensationalism, this novel shifts decisively to a world of black middle-class respectability, defined by intellectual values, professional ambition, and an acute consciousness of class and racial identity.
Renders the furious ebb and flow of the two-day battle, capturing both the evolving strategies of each side and the horrendous experience of the fight. This book draws from hundreds of diaries, letters, memoirs, interviews, official reports, and regimental histories.
This book explores not only the meaning of dance in African American life but also the ways in which music, song, and dance are interrelated in African American culture. Beyond that it has been, finally, one of the most important means of cultural survival.
Discrimination by Design is a fascinating account of the complex social processes and power struggles involved in building and controlling space. Leslie Kanes Weisman offers a new framework for understanding the spatial dimensions of gender and race as well as class. She traces the social and architectural histories of the skyscraper, maternity hospital, department store, shopping mall, nuclear family dream house, and public housing high rise. Her vivid prose is based on exhaustive research and documents how each setting, along with public parks and streets, embodies and transmits the privileges and penalties of social caste. In presenting feminist themes from a spatial perspective, Weisman raises many new and important questions. When do women feel unsafe in cities, and why? Why do so many homeless people prefer to sleep on the streets rather than in city-run shelters? Why does the current housing crisis pose a greater threat to women than to men? How would dwellings, communities, and public buildings look if they were designed to foster relationships of equality and environmental wholeness? And how can we begin to imagine such a radically different landscape? In exploring the answers, the author introduces us to the people, policies, architectural innovations, and ideologies working today to shape a future in which all people matter. Richly illustrated with photographs and drawings, Discrimination by Design is an invaluable and pioneering contribution to our understanding of the issues of our time--health care for the elderly and people with AIDS, homelessness, racial justice, changing conditions of work and family life, affordable housing, militarism, energy conservation, and thepreservation of the environment. This thoroughly readable book provides practical guidance to policymakers, architects, planners, and housing activists. It should be read by all who are interested in understanding how the built environment shapes the experiences of their daily
"Founded in 1853, the Illinois Education Association (IEA) and its predecessors have played a vital role in shaping the Illinois public school system. Thomas J. Suhrbur's history covers the lifespan of the IEA within the larger story of state public education as a battleground for contentious social and economic issues. Suhrbur pays particular attention to the impact of race, gender, religion, and tax policy on the IEA and public schools. He also examines the IEA's evolution from a professional organization controlled by administrations and officials through its radical transformation into a teacher-led independent labor union. As a workers' organization, the IEA successfully fought for collective bargaining and organized K-12 and higher education while continually standing against right-wing efforts to privatize education and undermine public schools with vouchers, for-profit institutions, and tax credits. Multifaceted and up to date, Public Education and Social Reform tells the story of the organization and figures dedicated to sustaining and advancing Illinois public education"--
Feminist digital humanities offers opportunities for exploring, exposing, and revaluing marginalized forms of knowledge and enacting new processes for creating meaning. Lisa Marie Rhody and Susan Schreibman present essays that explore digital humanities practice as rich terrain for feminist creativity and critique. The editors divide the works into three categories. In the first section, contributors offer readings that demonstrate how feminist thought can be put into operation through digital practice or via analytical approaches, methodologies, and interpretations. A second section structured around infrastructure considers how technologies of knowledge creation, publication, access, and sharing can be formed or reformed through feminist values. The final section focuses on pedagogies and proposes feminist strategies for preparing students to become critical and confident readers with and against technologies. Aimed at readers in and out of the classroom, Feminist Digital Humanities reveals the many ways scholars have pushed beyond critique to practice digital humanities in new ways. Contributors: Daniela Agostinho, Monika Barget, Jenny Bergenmar, Susan Brown, Tanya E Clement, Katrine Dirckinck-Holmfeld, Jaime Lee Kirtz, Cecilia Lindhé, Laura Mandell, Lisa Marie Rhody, Mark Sample, Susan Schreibman, Andie Silva, Nikki L. Stevens, Ravynn K. Stringfield, Dhanashree Thorat, Nanna Bonde Thylstrup, Kristin Veel, Astrid von Rosen, and Jacqueline Wernimont
Feminist digital humanities offers opportunities for exploring, exposing, and revaluing marginalized forms of knowledge and enacting new processes for creating meaning. Lisa Marie Rhody and Susan Schreibman present essays that explore digital humanities practice as rich terrain for feminist creativity and critique. The editors divide the works into three categories. In the first section, contributors offer readings that demonstrate how feminist thought can be put into operation through digital practice or via analytical approaches, methodologies, and interpretations. A second section structured around infrastructure considers how technologies of knowledge creation, publication, access, and sharing can be formed or reformed through feminist values. The final section focuses on pedagogies and proposes feminist strategies for preparing students to become critical and confident readers with and against technologies. Aimed at readers in and out of the classroom, Feminist Digital Humanities reveals the many ways scholars have pushed beyond critique to practice digital humanities in new ways. Contributors: Daniela Agostinho, Monika Barget, Jenny Bergenmar, Susan Brown, Tanya E Clement, Katrine Dirckinck-Holmfeld, Jaime Lee Kirtz, Cecilia Lindhé, Laura Mandell, Lisa Marie Rhody, Mark Sample, Susan Schreibman, Andie Silva, Nikki L. Stevens, Ravynn K. Stringfield, Dhanashree Thorat, Nanna Bonde Thylstrup, Kristin Veel, Astrid von Rosen, and Jacqueline Wernimont
"In the nineteenth century, opera emerged as a Cantonese regional culture and soon followed the Chinese diaspora to San Francisco. Nancy Yunhwa Rao brings to light the ways Chinese theaters became woven into the financial, political, social, and family life of diaspora communities in California and beyond. Chinese opera theater found brick-and-mortar homes with San Francisco theaters like the Hing Chuen Yuen and the Donn Qui Yuen. But troupes had already taken Chinese theater to railroad workers, mining towns, and cities with established diaspora communities. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Inside Chinese Theater is an expert and eloquent journey into the early decades of Chinese opera in America"--
During the COVID-19 pandemic, thousands of workers lost their jobs in sectors from hospitality to transportation, while healthcare and frontline service workers faced a new world of brutal hours in unsafe and even deadly conditions. Yet, as the US economy reopened, workers experienced a rare moment of leverage as demand for labor and government support powered a surge of collective action that allowed working people to seek rights, respect, and power on the job through resignations, walkouts, strikes, and union organizing. The lessons and legacies of this upsurge in organizing continue to shape work, activism, and politics across the nation today. Nick Juravich and Steve Striffler edit a collection that examines the effects of the pandemic on workers. Sections of the book focus on specific impacts and government efforts to restructure the economy; the dramatic effect of the pandemic on the hospitality industry; educators' response on behalf of themselves and their students; frontline healthcare workers; and the innovative forms of labor organizing that emerged during and after COVID. Contributors: Carlos Aramayo, Kathleen Brown, Sandrine Etienne, Ismael García-Colón, Puya Gerami, Maura Hagan, Connor Harney, Devan Hawkins, Leigh Howard, Marian Moser Jones, Doris Joy, Nick Juravich, Eric Larson, Kathryn M. Meyer, Samir Sonti, Steve Striffler, Lia Warner, Andrew B. Wolf, and Jennifer Zelnick
"The founding and development of the Church of Jesus Christ of Latter-day Saints run parallel to the rise of the modern tax system and administrative state. Samuel D. Brunson looks at the relationships between the Church and various federal, state, local, and international tax regimes. The church and its members engage with the state as taxpayers and as members of a faith exempt from taxes. As Brunson shows, LDS members and the Church have at various times enacted, enforced, and collected taxes while also challenging taxes in the courts and politics. Brunson delves into the ways LDS members used their status as taxpayers to affirm themselves as citizens and how outsiders have attacked the Church's tax-exempt status to delegitimize it. Throughout, Brunson uses the daily interactions between the Latter-day Saints and taxation to explain important and inevitable holes in the wall between church and state. Enlightening and informed, Between the Temple and the Tax Collector provides general readers and experts alike with a new perspective on a fundamental issue"--
"Every four years, the Winter Olympics become a focal point for activism and resistance. But in the modern era, mere bids to host the Games have sparked fierce opposition from groups motivated by local or global concerns. Russell Field edits a collection that charts the evolution of protest around the Winter Games and illuminates the issues at the heart of anti-Olympic activism. The essays collectively explore the shifting dynamics and power relations between the civic coalitions that pursue the Winter Olympics and the social movements that oppose their efforts. The contributors look at specific Games impacted by dissent and probe the issues that swirled around failed and withdrawn bids. In addition, contributions on the contemporary Olympics describe current or future bids while delving into the campaigns demanding host nations pay attention to economic, social, humanitarian, and environmental concerns. A first-of-its-kind collection, Winters of Discontent profiles the wide range of activists and social movements that have organized against the Winter Olympics"--
"Every four years, the Winter Olympics become a focal point for activism and resistance. But in the modern era, mere bids to host the Games have sparked fierce opposition from groups motivated by local or global concerns. Russell Field edits a collection that charts the evolution of protest around the Winter Games and illuminates the issues at the heart of anti-Olympic activism. The essays collectively explore the shifting dynamics and power relations between the civic coalitions that pursue the Winter Olympics and the social movements that oppose their efforts. The contributors look at specific Games impacted by dissent and probe the issues that swirled around failed and withdrawn bids. In addition, contributions on the contemporary Olympics describe current or future bids while delving into the campaigns demanding host nations pay attention to economic, social, humanitarian, and environmental concerns. A first-of-its-kind collection, Winters of Discontent profiles the wide range of activists and social movements that have organized against the Winter Olympics"--
"A pioneer of architecture education in the United States, N. Clifford Ricker notably taught with an emphasis on construction and shop practice in his teaching. Marci S. Uihlein edits and elaborates on The Elements of Construction, the text on building materials that Ricker wrote and used in his teaching, but never published. The book is a window into the expanding possibilities of the late nineteenth-century, as Ricker continually revised The Elements of Construction to keep up with advances taking place in architecture, materials, and construction technology. In addition to providing the full text, Uihlein and the contributors trace Ricker's career and delves into his practice of teaching. She also surveys contemporary construction practices in Chicago and considers Ricker's text in the context of similar books of the time. Five chapters by subject experts examine specific topics: the state of skyscraper art in Chicago; construction technology publishing; the evolution of foundations in Chicago; masonry know-how and testing; and the teaching of iron and steel construction. An illuminating look at a field and a legacy, The Elements of Construction rediscovers a figure that shaped the teaching of architecture and trained a generation that forever changed Chicago"--
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