Böcker utgivna av University of Georgia Press

Following emancipation, African Americans continued their quest for an education by constructing schools and colleges for Black students, mainly in the U.S. South, to acquire the tools of literacy, but beyond this, to enroll in courses in the Greek and Latin classics, then the major curriculum at American liberal arts colleges and universities. Classically trained African Americans from the time of the early U.S. republic had made a link between North Africa and the classical world; therefore, from almost the beginning of their quest for a formal education, many African Americans believed that the classics were their rightful legacy. The Classics in Black and White is based extensively on the study of course catalogs of colleges founded for Black people after the Civil War by Black churches, largely White missionary societies and White philanthropic organizations. Kenneth W. Goings and Eugene O'Connor uncover the full extent of the colleges' classics curriculums and showcase the careers of prominent African American classicists, male and female, and their ultimately unsuccessful struggle to protect the liberal arts from being replaced by Black conservatives and White power brokers with vocational instruction such as woodworking for men and domestic science for women. This move to eliminate classics was in large part motivated by the very success of the colleges' classics programs. As Goings and O'Connor's survey of Black colleges' curriculums and texts reveals, the lessons they taught were about more than declensions and conjugations--they imparted the tools of self-formation and self-affirmation.

From Empire to Revolution is the first biography devoted to an in-depth examination of the life and conflicted career of Sir James Wright (1716-1785). Greg Brooking uses Wright's life as a means to better understand the complex struggle for power in both colonial Georgia and the larger British Empire. James Wright lived a transatlantic life, taking advantage of every imperial opportunity afforded him. He earned numerous important government posts and amassed an incredible fortune, totaling over £100,000 sterling. An England-born grandson of Sir Robert Wright, James Wright was raised in Charleston, South Carolina, following his father's appointment as the chief justice of that colony. Young James served South Carolina in a number of capacities, public and ecclesiastical, prior to his admittance to London's famed Gray's Inn to study law. Most notably, he was appointed South Carolina's attorney general and colonial agent to London prior to becoming the governor of Georgia in 1761. Wright's long imperial career delicately balanced dual loyalties to Crown and colony and offers a new perspective on loyalism and the American Revolution. Through this lens, Greg Brooking connects several important contexts in recent early American and British scholarship, including imperial and Atlantic history, Indigenous borderlands, race and slavery, and popular politics.

"Green City Rising is an ethnographic account of collective organizing for environmental justice in an era of growing concern about environmental and climate challenges. The conventional sustainability paradigm promises improved environmental conditions for all, such as fresh air and clean water, walkable and bikeable neighborhoods, green space access, and protection from climate crises. Yet, without particular interventions, the pursuit of such environmental amenities often contributes to displacement and further harm for communities that have historically borne the brunt of land theft, racial capitalism, and toxic industries. Drawing on the work of an alliance of grassroots organizations called the Portland Harbor Community Coalition (PHCC), Erin Goodling shows how communities have come together across lines of race and class to work for a more just, green future in Portland, Oregon. Green City Rising reveals that the violence of settler colonialism and white supremacy are far from endpoints: a collective vision for a better future is emerging, and ordinary people are building the understanding, skills, and relationships necessary to usher it in"--

"Launched in 2004, the Latin American regional institution of ALBA (Alianza Bolivariana para los Pueblos de Nuestra: Bolivarian Alliance for the Peoples of Our America) sought to overcome the historical legacies of neo-colonial domination by consecrating the values of cooperation, inclusive development, and popular power. As part of a region-wide effort among states and social movements to break the socio-ecologically destructive effects of capitalist agriculture, the elevation of food sovereignty - based on the protections of rural livelihoods, land redistribution and sustainable agricultural production (agroecology) - became a cornerstone of ALBA's development policy. And yet, these regional aspirations barely saw the light of day, while Venezuela (the beating heart of ALBA) experienced the worst food crisis in its history. How did this come to pass? Based on extensive fieldwork in Venezuela, where the majority of ALBA's food policies reside, Cultivating Socialism provides the first in-depth study of the ways in which peasants, workers and states attempted to redress the inequities of commercialised agriculture, and the limits and contradictions encountered on the road to a regional food sovereignty regime. The politics of food sovereignty within ALBA thus offers important lessons for how we might think about emancipatory politics today, and for the future"--

Mountain Time: A Field Guide to Astonishment is an essay collection that explores the inner and outer natures of remarkable human and nonhuman beings. It is a book about paying attention--with the mind and with the heart. The essays confront the ethical and personal challenges Renata Golden faced in a harsh and isolated environment and examine the power of nature to influence her understanding of the human spirit. The lessons she learned on the borders of Arizona, New Mexico, and Mexico jolted her out of her customary way of seeing the world--which is the transformative power of a thin place, where the borders between the sublime and the profane melt away. The essays call attention to the animals that are often shunned--pack rats, rattlesnakes, ants, prairie dogs, and other desert dwellers that some consider better dead than alive. Many of the animals in these essays are at risk of extinction. The essays honor these animals for the role they play in the wild world and for their unique abilities, such as cooperative societies and complex language skills. By recognizing the animals' value, Golden gives readers reasons to be moved to save them, if it's not too late.

"At Treasure Island, a humanly made island in the San Francisco Bay, a performance troupe dressed in hazmat suits articulate gestures that resemble toxic remediation. As they become more attuned to the site and to its history and ecology, enigmatic presences infiltrate their spacetime. Are they from the past, the present, or the future? What is the significance of their sudden arrival? What happens when historical and geological eras converge? Meanwhile, elsewhere, various earth scientists at sites around the globe search for the "golden spike": a telltale geologic marker that synchronously indicates a definitive time change in the strata-a change from the Holocene epoch to the Anthropocene. Within their data is Earth's biography, but how is humanity insinuated within this chronology? Throughout Presence, encounter and contact are the major elements of consequence, action, implication, and resounding significance. Encounter and contact between timeframes, cultures, ecologies, persons, intuitions, ways of living, and worlding. At these junctures are the moments of possibility-of violence and/or of budding community"--

With Central City's Joy and Pain, Jerome E. Morris explores complex social issues through personal narrative. He does so by blending social-science research with his own memoir of life in Birmingham, Alabama. As someone who lived in the Central City housing project for two transitional decades (1968-91) and whose family continued to reside there until 1999, when the city razed the community, the author provides us with the often unexplored bottom-up perspective on Black public-housing residents' experiences. As Morris's experiential and authoritative narrative voice unfolds in the pages of Central City's Joy and Pain, both the scholarly and lay reader are brought on a journey of what life is like for people who live and die at the intersection of race and poverty in a rapidly evolving southern urban center. The setting of a historic public-housing community provides a rich canvas on which to paint a world through the author's personal experience of growing up there--and his later observations as a researcher and academic. Through its syncopation of personal stories and scholarly research, Central City's Joy and Pain captures what it means to be Black, poor, and full of dreams. In this setting, dreams are realized by some and swallowed up for others in the larger historical, social, economic, and political context of African Americans' experiences during and after the civil rights movement.

With Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poem's ear toward a confluence of history, labor, and languages, while also enacting a kind of "telephone" between cultures. Invested in the circuitry and circuitous routes of migration and labor, Som's lyricism weaves together the narratives of his transnational communities, bringing to light what is overshadowed in the reckless transit of global capitalism and imagining a world otherwise-one attuned to the echo in the hecho, the oracle in the órale. .

Immigrant children first speak the language of their mothers, and in Toledo, Ohio's Little Syria neighborhood where Joseph Geha grew up, the first place he would go to find his mother would be the kitchen. Many of today's immigrants use Skype to keep in touch with folks back in the old country but in those "radio days" of old before the luxuries of hot running water or freezers, much less refrigeration, blenders, or microwaves, the kitchen was where an immigrant mother usually had to be, snapping peas or rolling grape leaves while she waited for the dough to rise. There, Geha's mother took special pride in the traditional Syro-Lebanese food she cooked, such as stuffed eggplant, lentil soup, kibbeh with tahini sauce, shish barak, and fragrant sesame cookies. As much a memoir as a cookbook, Kitchen Arabic illustrates the journey of Geha's early years in America and his family's struggle to learn the language and ways of a new world. A compilation of family recipes and of the stories that came with them, it deftly blends culture with cuisine. In her kitchen, Geha's mother took special pride in the Arabic dishes she cooked, cherishing that aspect of her heritage that, unlike language, has changed very little over time and distance. With this book, Geha shares how the food of his heritage sustained his family throughout that cultural journey, speaking to them--in a language that needs no translation--of joy and comfort and love.

"Mary Crovatt Hambidge (1885-1973) was an aspiring actress and a professional whistler on Broadway when she met Canadian-born Jay Hambidge (1867-1924), an artist, illustrator, and scholar. Their relationship would prove to be both a romantic and an artistic partnership. Jay Hambidge formulated his own artistic concept, known as Dynamic Symmetry, which stipulated that the compositional rules found in nature's symmetry should be applied to the creation of art. Mary Hambidge pioneered new techniques of weaving and dyeing fabric that merged Greek methods with Appalachian weaving and spinning traditions. The Hambidge Center for Creative Arts and Sciences, formed during the mid-1930s, provides an artists' community situated on six hundred rural acres in the north Georgia mountains where hundreds of visual artists, writers, potters, composers, dancers, and other artists have pursued their crafts. Dynamic Design details Jay Hambidge and Mary Crovatt Hambidge's cross-cultural and cross-historical explorations and examines their lasting contributions to twentieth-century art and cultural history. Virginia Gardner Troy illustrates how Jay and Mary were important independently and collectively, providing a wider understanding of their lives within the larger context of late nineteenth- and early twentieth-century art and design. They were from two different worlds, nearly a generation apart in age, and only together for ten years, but their lives intertwined at a pivotal moment in their development. They shared parallel goals to establish a place where they could integrate the arts and crafts around the principles of Dynamic Symmetry. Troy explores how this dynamic duo's ideas and artistic expressions have resonated with admirers throughout the decades and reflect the trends and complexities of American culture through various waves of cosmopolitanism, utopianism, nationalism, and isolationism. The Hambidges' prolific partnership and forward-thinking vision continue to aid and inspire generations of aspiring artists and artisans"--

What would we learn if animals could tell their own stories? ric Baratay, a pioneering researcher in animal histories in France, applies his knowledge of historical methodologies to give voice to some of the nineteenth and twentieth centuries most interesting animals. He offers brief yet innovative accounts of these animals lives in a way that challenges the readers thinking about animals. Baratay illustrates the need to develop a nonanthropocentric means of viewing the lives of animals and including animals themselves in the narrative of their lives. Animal Biographies launches an all-new investigation into the lives of animals and is a major contribution to the field of animal studies.This English translation of ric Baratays Biographies animales: Des Vies retrouves, originally published in France in 2017 (ditions du Seuil), uses firsthand accounts starting from the nineteenth century about specific animals who lived in Europe and the United States to reconstruct, as best as possible, their stories as they would have experienced them. History is, after all, not just the domain of humans. Animals have their own. Baratay breaks the model of human exceptionalism to give us the biographies of some of history and literatures most famous animals. The reader will catch a glimpse of storied lives as told by Modestine, the donkey who carried Robert Louis Stevenson through the Alps; Warrior, the World War I horse made famous in Steven Spielbergs War Horse; Islero, the bull who gored Spains greatest bullfighter; and others. Through these stories we discover their histories, their personalities, and their shared experiences with others of their species.