Böcker utgivna av University of Georgia Press

Beginning with a high schooler mesmerized by a stay on the Navajo and Hopi reservations and running through the founding of a major university department and the aftermath of a decision, a decade later, to forego permanent academic affiliations, Richard Price's story is told with honesty, humor, and insight into the inner workings of academic politics from the 1960s to the present.Inside/Outside relates his life as an anthropologist, historian, and Caribbeanist-from conducting predawn discussions with Maroon historians deep in the rainforest of Suriname to editing the world's first book series on Atlantic history and culture; from weekly meetings with Claude Le'vi-Strauss in Paris to long-term collaboration with Sidney Mintz; from adventures at sea with Martiniquan fishermen to negotiating the ivory towers of Harvard, Yale, and Johns Hopkins; from explorations of the art of Romare Bearden to number crunching from the Trans-Atlantic Slave Trade Database. It is a tale of life experiences and often-unconventional life decisions, inside (and outside) the academic world. Readers look over Price's shoulders-and those of his wife and research partner, Sally Price-as he developed the ideas for some of the twentieth- and twenty-first century's most important books in the fields of history, anthropology, and Caribbean studies.

Women's reproduction, including conception, pregnancy, childbirth, breastfeeding, and other physical acts of motherhood (as well as the rejection of those roles), played a critical role in the evolution and management of Cuba's population. While existing scholarship has approached Cuba's demographic history through the lens of migration, both forced and voluntary, Race and Reproduction in Cuba challenges this male-normative perspective by centering women in the first book-length history of reproduction in Cuba.Bonnie A. Lucero traces women's reproductive lives, as well as key medical, legal, and institutional interventions influencing them, over four centuries. Her study begins in the early colonial period with the emergence of the island's first charitable institutions dedicated to relieving poor women and abandoned white infants. The book's centerpiece is the long nineteenth century, when elite interventions in women's reproduction hinged not only on race but also legal status. It ends in 1965 when Cuba's nascent revolutionary government shifted away from enforcing antiabortion laws that had historically targeted impoverished women of color.Questioning how elite demographic desires-specifically white population growth and nonwhite population management-shaped women's reproduction, Lucero argues that elite men, including judges, physicians, philanthropists, and public officials, intervened in women's reproductive lives in racially specific ways. Lucero examines how white supremacy shaped tangible differences in the treatment of women and their infants across racial lines and outlines how those reproductive outcomes were crucial in sustaining racial hierarchies through moments of tremendous political, economic, and social change.

In Liberal White Supremacy, Angie Beeman argues that white supremacy is maintained not only by right-wing conservatives or stereotypically uneducated working-class racial bigots but also by progressives who operate from a liberal ideology of color-blindness, racism-evasiveness, and class elitism. This distinction provides insight on divisions among progressives at the local level, in community organizations, and at the national level, in the Democratic Party. By distinguishing between liberal and radical approaches to racism, class oppression, capitalism, and social movement tactics, Beeman shows how progressives continue to be limited by liberal ideology and perpetuate rather than dismantle white supremacy, all while claiming to be antiracist.She conceptualizes this self-serving process as "e;liberal white supremacy,"e; the tendency for liberal European Americans to constantly place themselves in the superior moral position in a way that reinforces inequality. Beeman advances what she calls action-oriented and racism-centered intersectional approaches as alternatives to progressive organizational strategies that either downplay racism in favor of a class-centered approach or take a talk-centered approach to racism without developing explicit actions to challenge it.

Poor Atlanta looks at the poor people's campaigns in Atlanta in the 1960s and 1970s, which operated in relationship to Sunbelt city- building efforts. With these efforts, city leaders aimed to prevent urban violence, staunch disinvestment, check white flight, and amplify Atlanta's importance as a business and transportation hub. As urban leaders promoted Forward Atlanta, a program to, in Mayor Ivan Allen Jr.'s words, "sell the city like a product," poor families insisted that their lives and living conditions, too, should improve. While not always operating within public awareness, antipoverty campaigns among the poor presented a regular and sometimes strident critique of inequality and Atlanta's uneven urban development. With Poor Atlanta, LeeAnn B. Lands demonstrates that, while eclipsed by the Black freedom movement, antipoverty organizing (including direct action campaigns, legal actions, lobbying, and other forms of activism) occurred with regularity from 1964 through 1976. Her analysis is one of the few citywide studies of antipoverty organizing in late twentieth-century America.

"A riveting story of faith, politics, and ideas, Liberty or Justice for All? brings to life four of America's greatest thinkers, whose dialogue across the ages has never been more relevant. The book traces a striking pattern--the vexed relationship of individual liberty to inclusive social justice--in an elaborate fabric, woven over more than three centuries of American history. Philip F. Gura begins his nimble tale with Jonathan Edwards, a fiery preacher who insisted that God would reward those who embraced social cooperation. One generation later, the Founding Fathers grounded their own project of civic renewal in rights and freedom. But if every citizen is guaranteed life, liberty, and the pursuit of happiness, does this mean America is a nation where the individual reigns supreme? America's young democracy soon found its prophet in Ralph Waldo Emerson, who preached a gospel of self-reliance, small government, and self-improvement. But with the coming of the Civil War, Emerson's triumphant individual became a cog in a vast war machine. Radical technological transformations convinced the psychologist-turned-philosopher William James that the self was more fragmented and fragile than Emerson believed. He found virtue in pluralism and diversity, seeing selfishness as the cardinal sin. Two world wars and several failed revolutions later, John Rawls, shaken by the divisions of Vietnam, sought to establish a new secular foundation for social cooperation. Over time, we have sought to hold these opposing value systems in delicate balance, promising both liberty and justice for all"--

"Mary Crovatt Hambidge (1885-1973) was an aspiring actress and a professional whistler on Broadway when she met Canadian-born Jay Hambidge (1867-1924), an artist, illustrator, and scholar. Their relationship would prove to be both a romantic and an artistic partnership. Jay Hambidge formulated his own artistic concept, known as Dynamic Symmetry, which stipulated that the compositional rules found in nature's symmetry should be applied to the creation of art. Mary Hambidge pioneered new techniques of weaving and dyeing fabric that merged Greek methods with Appalachian weaving and spinning traditions. The Hambidge Center for Creative Arts and Sciences, formed during the mid-1930s, provides an artists' community situated on six hundred rural acres in the north Georgia mountains where hundreds of visual artists, writers, potters, composers, dancers, and other artists have pursued their crafts. Dynamic Design details Jay Hambidge and Mary Crovatt Hambidge's cross-cultural and cross-historical explorations and examines their lasting contributions to twentieth-century art and cultural history. Virginia Gardner Troy illustrates how Jay and Mary were important independently and collectively, providing a wider understanding of their lives within the larger context of late nineteenth- and early twentieth-century art and design. They were from two different worlds, nearly a generation apart in age, and only together for ten years, but their lives intertwined at a pivotal moment in their development. They shared parallel goals to establish a place where they could integrate the arts and crafts around the principles of Dynamic Symmetry. Troy explores how this dynamic duo's ideas and artistic expressions have resonated with admirers throughout the decades and reflect the trends and complexities of American culture through various waves of cosmopolitanism, utopianism, nationalism, and isolationism. The Hambidges' prolific partnership and forward-thinking vision continue to aid and inspire generations of aspiring artists and artisans"--