Classifying Christians investigates late antique Christian heresiologies as ethnographies that catalogued and detailed the origins, rituals, doctrines, and customs of the heretics in explicitly polemical and theological terms. Oscillating between ancient ethnographic evidence and contemporary ethnographic writing, Todd S. Berzon argues that late antique heresiology shares an underlying logic with classical ethnography in the ancient Mediterranean world. By providing an account of heresiological writing from the second to fifth century, Classifying Christians embeds heresiology within the historical development of imperial forms of knowledge that have shaped western culture from antiquity to the present.
During the fourth century A.D., theological controversy divided Christian communities throughout the Eastern half of the Roman Empire. Not only was the truth about God at stake, but also the authority of church leaders, whose legitimacy depended on their claims to represent that truth. In this book, Galvao-Sobrinho argues that out of these disputes was born a new style of church leadership, one in which the power of the episcopal office was greatly increased. The author shows how these disputes compelled church leaders repeatedly to assert their orthodoxy and legitimacy-tasks that required them to mobilize their congregations and engage in action that continuously projected their power in the public arena. These developments were largely the work of prelates of the first half of the fourth century, but the style of command they inaugurated became the basis for a dynamic model of ecclesiastical leadership found throughout late antiquity.
In the wake of the conquests of Alexander the Great, the ancient world of the Bible-the ancient Near East-came under Greek rule, and in the land of Israel, time-old traditions and Greek culture met. But with the accession of King Antiochos IV, the soft power of culture was replaced with armed conflict, and soon the Jews rebelled against their imperial masters, as recorded in the Biblical books of the Maccabees. Whereas most scholars have dismissed the biblical accounts of religious persecution and cultural clash, Sylvie Honigman combines subtle literary analysis with deep historical insight to show how their testimony can be reconciled with modern historical analysis by conversing with the biblical authors, so to speak, in their own language to understand the way they described their experiences. Honigman contends that these stories are not mere fantasies but genuine attempts to cope with the massacre that followed the rebellion by giving it new meaning. This reading also discloses fresh political and economic factors.
"As someone who attended and participated in the 1999 Interactive Fictions conference, which in many ways consolidated more than a decade of theorizing about and experimenting with digital media, I was uncertain what to expect from Transmedia Frictions. What I found was a rich collection that looks both backward to reconstruct the paths not taken in digital theory and forward to imagine alternative ways of framing issues of medium specificity, digital identities, embodiment, and space/place. This collection is sure to transform how we theorize--and teach--the next phases of our profound and prolonged moment of media transition."--Henry Jenkins, author of Convergence Culture: Where Old and New Media Collide "This anthology is both an essential document in the history of new media studies and a springboard for critical future work in this field. The breadth of this impressive work is itself instructive about our twenty-first-century academic and scholarly goals."--Mark J. Williams, coeditor of Interfaces: Studies in Visual Culture series
"This book is a godsend. More than that, it's a perfect example of precisely the kind of research that is most needed now, at a moment when human rights have never been more delegitimized on the international stage and abuses more rampant across the Middle East and North Africa."--Mark LeVine, author of Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam "Clear, concise, accessible, and detailed, this unique book sheds extensive light on how and why al-Haq developed as it did. And in doing so it offers original material on the Israeli occupation of the Palestinian territories, the development of the human rights movement in Palestine and globally, and the creation and management of civil society organizations."--Mouin Rabbani, coeditor of Jadaliyya and former Senior Analyst and Special Advisor on Palestine, International Crisis Group
"This is one of those books of such obvious importance that it leaves you wondering why no one has ever thought to do this before. Bringing together the many texts and traditions of Perpetua and Felicitas, this volume does a great service to scholarship."--Paul Middleton, author of The Violence of the Lamb: Martyrs as Agents of Divine Judgement in the Book of Revelation "What happened to the reputations of the martyrs Perpetua and Felicitas after their deaths? This fine book provides answers to that question, offering a compilation of sources from the familiar to the obscure, along with introductory analyses of each text that are always helpful and often extraordinarily insightful. It's a must for researchers."--Joyce E. Salisbury, author of Perpetua's Passion: Death and Memory of a Late Roman Woman
It is often assumed that surrealism did not survive beyond the Second World War and that it struggled to take root in America. This book challenges both assumptions, arguing that some of the most innovative responses to surrealism in the postwar years took place not in Europe or the gallery but in the United States, where artistic and activist communities repurposed the movement for their own ends. Far from moribund, surrealism became a form of political protest implicated in broader social and cultural developments, such as the Black Arts movement, the counterculture, the New Left, and the gay liberation movement. From Ted Joans to Marie Wilson, artists mobilized surrealism's defining interests in desire and madness, the everyday and the marginalized, to craft new identities that disrupted gender, sexual, and racial norms. Remade in America ultimately shows that what began as a challenge to church, family, and state in interwar Paris was invoked and rehabilitated to diagnose and breach inequalities in postwar America.
"Painstakingly researched and richly illustrated, this pioneering work presents some major insights into Ottoman textiles, showing how markets and manufacturers, not just patrons and sultans, influenced their production. This book is a powerful appeal to discard the belief that written sources tell the whole story: objects themselves have so much to teach us!"--Suraiya Faroqhi, author of Artisans of Empire: Crafts and Craftspeople under the Ottomans and A Cultural History of the Ottomans: The Imperial Elite and Its Artefacts "This book skillfully guides the reader on a journey into the long history of Ottoman textiles, considering magnificent, mundane, and rare artifacts. With an innovative emphasis on craft and a transnational perspective, Phillips reaches beyond the Ottomans' well-known relationship with Italy to investigate their connections with Iran, Egypt, Eastern Europe, and, most importantly, India, providing a wide-ranging analysis of Ottoman textile culture."--Giorgio Riello, Professor of Early Modern Global History, European University Institute "Phillips's study is based not only on an impressive amount of work but also on an impressive conceptualization of the place of textiles within an early modern world that stretched from England in the West to India in the East. It is a brilliant and engaging book that brings the study of textiles into the mainstream of art history--where it belongs."--Scott Redford, Nasser D. Khalili Professor of Islamic Art and Archaeology, School of Oriental and African Studies, University of London
Migrating Tales situates the Babylonian Talmud, or Bavli, in its cultural context by reading several rich rabbinic stories against the background of Greek, Syriac, Arabic, Persian, and Mesopotamian literature of late antiquity and the early Middle Ages, much of it Christian in origin. In this nuanced work, Richard Kalmin argues that non-Jewish literature deriving from the eastern Roman provinces is a crucially important key to interpreting Babylonian rabbinic literature, to a degree unimagined by earlier scholars. Kalmin demonstrates the extent to which rabbinic Babylonia was part of the Mediterranean world of late antiquity and part of the emerging but never fully realized cultural unity forming during this period in Palestine, Syria, Mesopotamia, and western Persia. Kalmin recognizes that the Bavli contains remarkable diversity, incorporating motifs derived from the cultures of contemporaneous religious and social groups. Looking closely at the intimate relationship between narratives of the Bavli and of the Christian Roman Empire, Migrating Tales brings the history of Judaism and Jewish culture into the ambit of the ancient world as a whole.
"Utilizing rich ethnographic fieldwork, Perla Issa provides an engaging analysis of Palestinian factions in the refugee camp of Nahr el-Bared. Her book illuminates the centrality of political factions to quotidian social interactions and the rhythms of everyday life."--Adam Hanieh, author of Money, Markets, and Monarchies: The Gulf Cooperation Council and the Political Economy of the Contemporary Middle East "How do political factions maintain centrality in Palestinian political life even when they are widely unpopular and even delegitimized? How are such factions reproduced in the face of widespread condemnation? The questions that animate this manuscript are vitally important."--Ilana Feldman, author of Life Lived in Relief: Humanitarian Predicaments and Palestinian Refugee Politics "The implications of Issa's theoretical frame, methodological approach, and empirical findings are significant for Palestinian studies. It is the first granular study of how political factions are produced and one of the rare few on Nahr al-Bared camp, which was viciously destroyed in 2007, then partially rebuilt." -- Bershara Doumani, author of Family LIfe in the Ottoman Mediterranean: A Social History
"The focus on safety is a brilliant narrative choice that allows the text to quickly jump to the heart of many of the most contentious issues in nuclear power regulation and politics over the past fifty years."--Robert Lifset, author of Power on the Hudson: Storm King Mountain and the Emergence of Modern American Environmentalism "I know of no other book that so authoritatively recounts how the very notion of safety was forged in the US nuclear industry over the decades."--Sonja D. Schmid, author of Producing Power: The Pre-Chernobyl History of the Soviet Nuclear Industry "An authoritative insider account of the different technical approaches taken to assess the risks of nuclear power accidents. It also examines the disputes over the reliability and relevance of these approaches, and whether they could be implemented in the field by the industry."--John Krige, Regents Professor Emeritus, Georgia Institute of Technology
"Worlds of Care is a powerful and admirably candid deep dive into the experiences of men raising kids with significant cognitive and physical disabilities. By blending intimate accounts of his own experiences with insightful ethnographic research, Jackson casts light on a long-neglected realm of human experience."--Steve Silberman, author of NeuroTribes: The Legacy of Autism and the Future of Neurodiversity "Many men are caring, supporting, championing their children with disabilities. Aaron J. Jackson's warm, rich, and nuanced account provides a welcome window into their lives and challenges us all to rethink who we are and who we can be."--Tom Shakespeare, Professor of Disability Research at London School of Hygiene and Tropical Medicine "Worlds of Care is the rare book that advances scholarship, addresses significant contemporary issues, and is poignantly personal in a very accessible read. Aaron J. Jackson leverages his experience and ethnographic research on fathers caring for their disabled children to provide compelling analysis regarding the fraught relationship between masculinity and care."--Maurice Hamington, Professor of Philosophy, Portland State University "Worlds of Care draws you deep into the everyday embodied experiences of fathers caring for children with major disabilities in a world that too often turns a blind eye. Richly and reflexively observed, analytically inspiring and utterly moving, this is an ethnographic tale with gravitas that will stay with you."--Tamara Kohn, Professor of Anthropology, University of Melbourne "Intellectually, Jackson provides us with rich phenomenological insights into the experience of fathers bringing up children with profound cognitive disabilities. Moreover, at a personal level, he has given us a perceptive and profoundly moving insight into the disruptions that the care of such children brings to family life."--Bob Simpson, Professor of Anthropology, Durham University, UK
"This pioneering sociology of knowledge of the Armenian genocide is critical for understanding the background to Turkish denial as the final stage of genocide. Savelsberg's epistemic study is a warning against a revived shade of an Orwellian order, with its 'alternative realities' and 'post-truths.'"--Dr. Claire Mouradian, Centre National de la Recherche Scientifique, Paris "Knowledge denial is a deadly phenomenon and an urgent problem. Confronting the Armenian genocide, Joachim Savelsberg illuminates how mass harm has been negated or acknowledged, through painstaking research, unrivaled expertise, and ethical commitment."--Lois Presser, author of Inside Story: How Narratives Drive Mass Harm "Savelsberg has done a brilliant job in this very unique work that for the first time analyzes the Armenian genocide from the vantage point of knowledge construction. He aptly brings in the standpoints of Armenians and Turks on the one side and analyzes the layering of knowledge through interaction to sedimentation and finally to rituals. A must-read for all interested in collective violence, social movements, and sociology of knowledge."--Fatma Müge Göçek, author of Denial of Violence: Ottoman Past, Turkish Present, and Collective Violence against the Armenians, 1789-2009
All animals must eat. But who eats who, and why, or why not? Because insects outnumber and collectively outweigh all other animals combined, they comprise the largest amount of animal food available for potential consumption. How do they avoid being eaten? From masterful disguises to physical and chemical lures and traps, predatory insects have devised ingenious and bizarre methods of finding food. Equally ingenious are the means of hiding, mimicry, escape, and defense waged by prospective prey in order to stay alive. This absorbing book demonstrates that the relationship between the eaten and the eater is a central-perhaps the central-aspect of what goes on in the community of organisms. By explaining the many ways in which insects avoid becoming a meal for a predator, and the ways in which predators evade their defensive strategies, Gilbert Waldbauer conveys an essential understanding of the unrelenting coevolutionary forces at work in the world around us.
"What a treasured compilation of essays, interviews, and thoughts about one of the most important artists of the late twentieth century! Jordana Moore Saggese, an accomplished Basquiat scholar in her own right, has selected a broad spectrum of key writings that, in their entirety, capture a comprehensive art history which will be of lasting value to artists, scholars, and admirers of Jean-Michel Basquiat's exuberant, redolent, exegetic paintings."--Richard J. Powell, author of Going There: Black Visual Satire "This indispensable volume offers a set of vital documents critical for the analysis of the work and career of Jean-Michel Basquiat, who was mythologized early on and barely understood even after he passed. This extraordinary, riveting scholarly reader is a significant contribution to the fields of contemporary art, American art, and the discipline of art history at large."--Sarah Elizabeth Lewis, Associate Professor, History of Art and Architecture and African and African American Studies, Harvard University "An artist with a rare and acute understanding of the power of language, Basquiat withheld his words, sous rature, disassembling them, scattershot and specific, to allow hidden meanings and associations. Saggese does a splendid job gathering them here through his interviews and notebooks along with the insights of contemporaneous critics and the recollections of his contemporaries. A vital compendium for future scholarship."--Carlo McCormick, critic and curator "An invaluable survey of critical writing on the praxis of art phenomenon Jean-Michel Basquiat, including his own textual obsessions--which presents a varied yet precise chronology of his short but art history-changing career."--Diego Cortez, curator
"Smith's book brings together a broad variety of interesting artworks, some of them hardly known, by one of the most important artists of the last fifty years. Her deep research reveals the connections between Oldenburg's art and the fascinating postwar decades that thoroughly changed American urban life."--Joshua Shannon, author of The Disappearance of Objects: New York Art and the Rise of the Postmodern City "Smith persuasively argues that Oldenburg's ebullient interventions in public space result from a unique perspective on the ordinary, pedestrian life of the street. The more I think about this book, the more I am convinced that Oldenburg--an immigrant and an erstwhile Midwesterner--is the quintessentially American sculptor."--Miguel de Baca, author of Memory Work: Anne Truitt and Sculpture "A thoughtful and illuminating account of the city as both the material and the subject of Claes Oldenburg's art. Smith builds on substantive archival and historical research to uncover hitherto unexplored aspects of the artist's project, presenting Oldenburg as an artist whose work is inextricably connected to the spaces, personages, and tensions of postwar urban experience."--Michael Lobel, Professor of Art History, Hunter College and the Graduate Center, CUNY
"Through the close study of works by select artists, including Gego, Otero, and Djanira, Kaira M. Cabañas constructs a true genealogy of the art of Latin America through--to use her own very precise expression--immanent vitalities, questioning and reformulating its supposed specificity in a truly fascinating way."--Manuel Borja-Villel, Director, Museo Nacional Centro de Arte Reina Sofía, Madrid "Cabañas is a vigorous voice in modern art history, and this book, with its theoretical edge, asks crucial questions not only about art history but also about identity, power, and modern alienation through its trailblazing analysis of Latin American cultural expressions. Bringing together her knowledge of world art and history, Cabañas instills new vitality into our understanding of our uncanny world."--Serge Guilbaut, author of How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War "With characteristic brilliance and clarity, Cabañas demonstrates the value of the new materialisms for art history--and vice versa--through incisive analyses of modernist and contemporary artistic practices in, of, and from Brazil and Venezuela. This theoretically rigorous study will resonate in disciplinary and interdisciplinary conversations alike."--Jennifer Josten, author of Mathias Goeritz: Modernist Art and Architecture in Cold War Mexico "Cabañas offers a welcome counterpoint to the superficial assimilation of complex philosophical discussions, building her category of 'immanent vitality' from a theoretically informed (but not determined) reading of art from the last seven decades. Her book functions as a manifesto for the epistemological actuality of art history."--Sérgio B. Martins, author of Constructing an Avant-Garde: Art in Brazil, 1949-1979
"Contains a wealth of new information and brings a fresh perspective to the subject."--Peter Laki, editor of Bartók and His World "Provides a critically sophisticated treatment of the Hungarian composer, musical ethnologist, and pedagogue Zoltán Kodály. Kodály emerges as more surprising, more flawed, more human, and more impressive than his besainted reputation in his native Hungary and his relative scholarly neglect elsewhere has allowed until now."--David E. Schneider, author of Bartók, Hungary, and the Renewal of Tradition
Daisetsu Teitarп̿ Suzuki was a key figure in the introduction of Buddhism to the non-Asian world. Many outside Japan encountered Buddhism for the first time through his writings and teaching, and for nearly a century his work and legacy have contributed to the ongoing religious and cultural interchange between Japan and the rest of the world, particularly the United States and Europe. This fourth volume of Selected Works of D. T. Suzuki brings together a range of Suzukiâ¿s writings in the area of Buddhist studies. Based on his text-critical work in the Chinese canon, these essays reflect his commitment to clarifying MahÄ?yÄ?na Buddhist doctrines in Indian, Chinese, and Japanese historical contexts. Many of these innovative writings reflect Buddhological discourse in contemporary Japan and the Westâ¿s pre-war ignorance of MahÄ?yÄ?na thought. Included is a translation into English for the first time of his "MahÄ?yÄ?na Was Not Preached by Buddha." In addition to editing the essays and contributing the translation, Mark L. Blum presents an introduction that examines how Suzuki understood MahÄ?yÄ?na discourse via Chinese sources and analyzes his problematic use of Sanskrit.
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