Böcker utgivna av University of California Press

"A pathbreaking book that explodes essentialist views of the construction of Hindu and Muslim identities in pre-colonial India. Divya Cherian provocatively argues that the category of 'Hindu' was the primary locus for a system of radical othering that excluded Untouchables (and Muslims as Untouchables) through mechanisms of state, law, and everyday life."--Christian Lee Novetzke, Professor of South Asian and Religious Studies, University of Washington "Cherian offers a refreshingly different perspective on the history of caste and untouchability in India, enlarging the field of scholarship from its focus on the colonial era by telling us how pre-colonial configurations of power in the locality shaped the everyday experience of caste."--Gopal Guru, Political Theorist and Co-author of The Cracked Mirror and Experience, Caste, and the Everyday Social "This provocative and empirically rich study offers a plenitude of fascinating insights into aspects of western Indian history ca. 1800, ranging from kingship and caste hierarchy to punishments for crimes like abortion and alcohol consumption. Particularly significant and innovative is its focus on the critical role played by merchants in articulating social identities that became widespread in modern times. Mandating practices such as vegetarianism, non-violence toward animals, and the regulation of female chastity, increasingly influential Marwari merchants enhanced their status as Hindus by differentiating themselves from Untouchables more so than from Muslims."--Cynthia Talbot, author of The Last Hindu Emperor "Caste is the world's oldest and most resilient form of organized inequality, and the Outcaste represents its extreme expression. Through astute analysis of a unique state archive, Cherian acutely traces the linkages among caste, faith, law, merchant capitalism, and politics in eighteenth-century Marwar (today's Rajasthan). She shows how these lead to a reinforcement of Outcaste oppression, to mandating their quotidian humiliations, even to creating, against their 'specter, ' a new form of 'Hindu' identity. She has produced a punctiliously researched, powerfully argued, and beautifully constructed account of one chapter in a most painful--and ongoing--history of social oppression."--Sheldon Pollock, Raghunathan Professor Emeritus of South Asian Studies, Columbia University

"A groundbreaking volume, Incomplete establishes the feminist possibilities of the unfinished film, a capacious category encompassing works that are lost or fragmentary; projects that were unrealized, aborted, or thwarted; and films that are deliberately open-ended or ongoing. Surprisingly generative rather than a mark of failure, incompletion is a powerful site of possibility for feminist film scholarship and filmmaking. By creatively expanding the methodologies and theoretical frameworks of feminist attention to filmic incompletion, this volume expertly demonstrates the rich and varied potentialities of incompletion."--Allyson Nadia Field, author of Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity "Alix Beeston and Stefan Solomon's Incomplete exquisitely resists film studies scholarship's impulse to exalt 'whole' or 'complete' films. Instead, this impressive collection counsels us to recalibrate our understanding of incompleteness and fragmentation, attuning ourselves and the field of cinema and media studies to the radical possibilities of unfinished film projects. A model of feminist film scholarship, Incomplete's ingenious essays offer compelling accounts, deft theoretical pivots, and innovative approaches to women's film production, consumption, circulation, and authorship. An outstanding work, this collection is required reading for scholars of film history."--Samantha N. Sheppard, author of Sporting Blackness: Race, Embodiment, and Critical Muscle Memory on Screen "This fascinating book demonstrates the connection between feminism and film history as necessarily incomplete projects. The editors' brilliant concept is beautifully brought to fruition, if not completion, by the book's contributors, whose insights will set up sparks of continuing inquiry in its readers--which deserve to be many."--Patricia White, author of Women's Cinema, World Cinema: Projecting Contemporary Feminisms

"Lucidly written, lively, and fun to read, Fractured Tablets offers a new window into the tannaitic mind and the priorities at the foundation of the rabbinic movement from its inception."--Natalie B. Dohrmann, coeditor of Jews, Christians, and the Roman Empire: The Poetics of Power in Late Antiquity

"The authors' understanding and mastery of this topic is on display with this original, excellent work of scholarship."⏤Debbie Collier, Centre for Transformative Regulation of Work at the University of the Western Cape, South Africa "This book is an essential handbook for those invested in gender equality law and policy."⏤Catherine Fisk, Barbara Nachtrieb Armstrong Professor of Law, University of California, Berkeley School of Law "An inspirational title to further the advancement of comprehensive gender equality, which goes beyond formal and protective equality to substantive equality that underpins transformative laws, policies, and, above all, results on the ground."--Virginia Bras Gomes, Former Chairperson of the UN Committee on Economic, Social and Cultural Rights "Equality within Our Lifetimes makes a compelling case, based on both quantitative and qualitative data, on how and why gender equality benefits everyone. It demonstrates how a strong commitment to equality at all levels of government, evidenced by gender equal laws and policies with robust enforcement, can bring about behavior change that greatly benefits people and economies. Governments would be wise to heed this lesson and stop using culture as an excuse for lack of gender equal laws."--Yasmeen Hassan, Global Executive Director, Equality Now

"Disrupting the Patrón tells a story of the underrepresented peoples of Paraguay, of their endurance under multiple cycles of dispossession that threaten their existence, and of the various forms that their resistance takes."--Gabriela Valdivia, coauthor of Oil, Revolution, and Indigenous Citizenship in Ecuadorian Amazonia "By focusing on the racial and cultural implications of land and labor in Indigenous struggles in Paraguay, Joel E. Correia expands our focus on environmental concerns to include human rights, cultural rights, and the need for legal and political justice."--Nancy Postero, author of The Indigenous State: Race, Politics, and Performance in Plurinational Bolivia "In the Paraguayan Chaco, missionaries, settlers, and officials turned stolen Indigenous land into ranches where cattle is valued more than Indigenous people. Correia's vivid ethnography of the interstitial strategies and land reoccupations through which Enxet and Sanapaná people carry out a 'dialectics of disruption' makes a crucial and incisive contribution to our understanding of racialized geographies, settler capitalism, and environmental and Indigenous justice."--Gastón R. Gordillo, author of Rubble: The Afterlife of Destruction

"This is undoubtedly a work of major importance. Sure to form the indispensable basis for future research, whether on the conversion of the Mongols or even on conversion more generally, Brack's persuasive work lies at the cutting edge of current scholarship on the accommodation of the Mongols of the faiths of those they ruled."--Peter Jackson, author of The Mongols and the Islamic World: From Conquest to Conversion "Afterlife for the Khan is a scholarly work of the first importance that makes a major contribution to our understanding of Islam and Muslim kingship in the post-caliphal era. It is especially commendable for its interdisciplinarity. Brack reads deeply across Islamic and Inner Asian history, philosophy, art history, Sufism, and Buddhism."--A. Azfar Moin, author of The Millennial Sovereign: Sacred Kingship and Sainthood in Islam

"Amalia Mesa-Bains gathers the cherished items of a woman's life and transforms them into the sacred. In doing so, she confirms we are shamanas, visionaries, creators, culture keepers. Amalia Mesa-Bains's artistry is an alchemy of love."--Sandra Cisneros, author of Woman without Shame

New York Times Notable Book Los Angeles Times Book Prize Finalist Wall Street Journal--One of Five Best Artist Biographies "A nearly flawless account of a remarkable artist.... It is a compelling and accessible narrative for anyone even remotely interested in modern American art."--Michael Kammen, New York Times Book Review "Gail Levin has given us, with obvious erudition and admiration, Hopper the 'creative artist' and Hopper the reclusive, cranky, brilliantly thoughtful, impossibly egoistic, highly industrious man.... In this engaging instructive biography, we meet him and his wife Jo, learn of their emotionally intense time together, follow their careers, and, no small feat on the part of their biographer, are left with respect for those two, respect for what they separately and jointly accomplished--a tribute to them and the one who hands them over to us."--Robert Coles, Washington Post Book World "This biography is a masterpiece of its genre, magnificently well researched, scrupulous, exact, balanced, objective and providing cumulatively a real sense of daily life with Hopper and his wife, in the context of social, political, and artistic events of their time."--Bryan Robertson, Modern Painters "Few [late paintings] have the power of Hopper's Two Comedians (1966). The tremendous virtue of Gail Levin's 'intimate biography' is that it prepares us to feel that power."--Arthur Danto, The Nation "A definitive biography."--Robert Hughes, Time

"A monograph of paintings and films by Mike Henderson accompanying the artist's major retrospective exhibition "Mike Henderson: Before the Fire, 1965-1985"--

"It is a pleasure to see a scholarly anthology dedicated to the legendary Self Help Graphics & Art printmaking workshop. Highlighting the individuals, neighborhoods, and institutions who kept it thriving for decades, this thoroughly researched social history of art offers readers a refreshing view of art-centered community making, emphasizing cross-cultural, feminist, and queer perspectives."--Jennifer A. Gonzalez, coeditor of Chicano and Chicana Art: A Critical Anthology "An amazing collection of insightful essays on the critical role played by Self Help Graphics & Art over its fifty-year history in creating and nurturing an artistic community in East Los Angeles. By explaining the origins; networks of support; reach of art education; feminist, queer, and Central American collaborations; and reach of its art around the world, the editors have established the centrality of this institution of creativity and experimentation."--George J. Sánchez, author of Boyle Heights: How a Los Angeles Neighborhood Became the Future of American Democracy

"This timely and compelling history underscores the critical, enduring importance of New York Times v. Sullivan for not only freedom of expression but also racial justice and other equal rights movements."--Nadine Strossen, author of Hate: Why We Should Resist It with Free Speech, Not Censorship and past National President, American Civil Liberties Union "New York Times v. Sullivan is the most important Supreme Court decision about freedom of speech and freedom of the press. Samantha Barbas's terrific, riveting book shows that it also must be understood as a crucial decision about civil rights at a crucial moment of the civil rights movement."--Erwin Chemerinsky, Dean and Jesse H. Choper Distinguished Professor of Law, University of California, Berkeley, School of Law

"Drag: A British History is a foundational work. It tells a great story, commands a wide array of sources, and maintains a clear sense of purpose. Drag is of significant value to theater history, British studies, and cultural studies of drag."--Lisa Sigel, author of The People's Porn: A History of Handmade Pornography in America "This first sustained and systematic academic history of drag in nineteenth- and twentieth-century Britain is written with a clear sense of how drag's nature, reception, and regulation have changed radically over time and have varied dramatically depending on its content and location. A wonderful read that has the potential to make a real impact on academic and nonacademic audiences alike."--Matt Houlbrook, author of Queer London: Perils and Pleasures in the Sexual Metropolis, 1918-1957 "Erudite and extraordinarily informative, this is also an incredible read. Jacob Bloomfield's deep dive into the unfolding cavalcade of nineteenth- and twentieth-century theatrical history, queer cultures, evolving understandings of sex and gender, and the emotional thrill of masquerade is intellectually vibrant and compelling. A must-read for fans of drag, queer historians, and mavens of popular culture."--Michael Bronski, author of A Queer History of the United States "Bloomfield's meticulously researched and beautifully written history of British drag is a joy to read, illuminating, contextualizing, and, indeed, rescuing this neglected strand of sexual and cultural history."--Neil McKenna, author of Fanny and Stella: The Young Men Who Shocked Victorian England