Böcker utgivna av University of California Press

Revealing and frank, this highly engaging biography tells the story of an American original, California's Big Daddy, Jesse Unruh (1922-1987), a charismatic man whose power reached far beyond the offices he held. Unruh, who was born into Texas sharecropper poverty, became a larger-than-life figure and a principal architect and builder of modern California-first as an assemblyman, then as assembly speaker, and finally, as state treasurer. He was also a great character: a combination of intelligence, wit, idealism, cynicism, woman-chasing vulgarity, charm, drunken excess, and political skill all wrapped up in one big package. He dominated the California capitol and extended his influence to Washington and Wall Street. He was close to Lyndon Johnson and the Kennedys, but closest to Robert Kennedy, and was in the Ambassador Hotel kitchen when Kennedy was shot. Bill Boyarsky gives a close-up look at this extraordinary political leader, a man who believed that politics was the art of the possible, and his era.

Located only blocks from Tokyo's glittering Ginza, Tsukiji-the world's largest marketplace for seafood-is a prominent landmark, well known but little understood by most Tokyoites: a supplier for countless fishmongers and sushi chefs, and a popular and fascinating destination for foreign tourists. Early every morning, the worlds of hi-tech and pre-tech trade noisily converge as tens of thousands of tons of seafood from every ocean of the world quickly change hands in Tsukiji's auctions and in the marketplace's hundreds of tiny stalls. In this absorbing firsthand study, Theodore C. Bestor-who has spent a dozen years doing fieldwork at fish markets and fishing ports in Japan, North America, Korea, and Europe-explains the complex social institutions that organize Tsukiji's auctions and the supply lines leading to and from them and illuminates trends of Japan's economic growth, changes in distribution and consumption, and the increasing globalization of the seafood trade. As he brings to life the sights and sounds of the marketplace, he reveals Tsukiji's rich internal culture, its place in Japanese cuisine, and the mercantile traditions that have shaped the marketplace since the early seventeenth century.

In this first social and cultural history of Japan's construction of Manchuria, Louise Young offers an incisive examination of the nature of Japanese imperialism. Focusing on the domestic impact of Japan's activities in Northeast China between 1931 and 1945, Young considers "e;metropolitan effects"e; of empire building: how people at home imagined and experienced the empire they called Manchukuo.Contrary to the conventional assumption that a few army officers and bureaucrats were responsible for Japan's overseas expansion, Young finds that a variety of organizations helped to mobilize popular support for Manchukuo-the mass media, the academy, chambers of commerce, women's organizations, youth groups, and agricultural cooperatives-leading to broad-based support among diverse groups of Japanese. As the empire was being built in China, Young shows, an imagined Manchukuo was emerging at home, constructed of visions of a defensive lifeline, a developing economy, and a settler's paradise.

In this classic work of American religious history, Robert Middlekauff traces the evolution of Puritan thought and theology in America from its origins in New England through the early eighteenth century. He focuses on three generations of intellectual ministers-Richard, Increase, and Cotton Mather-in order to challenge the traditional telling of the secularization of Puritanism, a story of faith transformed by reason, science, and business. Delving into the Mathers' private papers and unpublished writings as well as their sermons and published works, Middlekauff describes a Puritan theory of religious experience that is more creative, complex, and uncompromising than traditional accounts have allowed. At the same time, he portrays changing ideas and patterns of behavior that reveal much about the first hundred years of American life.

How do our ideas about dying influence the way we live? Life has often been envisioned as a journey, the river of time carrying us inexorably toward the unknown country-and in our day we increasingly turn to myth and magic, ritual and virtual reality, cloning and cryostasis in the hope of eluding the reality of the inevitable end. In this book a preeminent and eminently wise writer on death and dying proposes a new way of understanding our last transition. A fresh exploration of the final passage through life and perhaps through death, his work deftly interweaves historical and contemporary experiences and reflections to demonstrate that we are always on our way. Drawing on a remarkable range of observations-from psychology, anthropology, religion, biology, and personal experience-Robert Kastenbaum re-envisions life's forward-looking progress, from early-childhood bedtime rituals to the many small rehearsals we stage for our final separation. Along the way he illuminates such moments and ideas as becoming a "e;corpsed person,"e; going down to earth or up in flames, respecting or abusing (and eating) the dead, coping with "e;too many dead,"e; conceiving and achieving a "e;good death,"e; undertaking the journey of the dead, and learning to live through the scrimmage of daily life fully knowing that Eternity does not really come in a designer flask. Profound, insightful, often moving, this look at death as many cultures await it or approach it enriches our understanding of life as a never-ending passage.

Sunset Boulevard (1950) is one of the most famous films in the history of Hollywood, and perhaps no film better represents Hollywood's vision of itself. Billy Wilder collaborated on the screenplay with the very able Charles Brackett, and with D. M. Marshman Jr., who later joined the team. Together they created a film both allusive and literate, with Hollywood's worst excesses and neuroses laid out for all to see. After viewing Sunset Boulevard Louis B. Mayer exclaimed: "e;We should throw this Wilder out of town!"e; The New York Times, however, gave the movie a rave review, praising "e;that rare blend of pungent writing, expert acting, masterly direction, and unobtrusively artistic photography."e; The film was nominated for Best Picture, and Wilder won an Academy Award for Best Story and Best Screenplay.This facsimile edition of Sunset Boulevard makes it possible to get as much pleasure from reading the highly intelligent screenplay as from seeing the film. Jeffrey Meyers's introduction provides an intriguing array of background details about Wilder, the film's casting and production, and the lives of those connected to what has become a classic.

Each year thousands of men and women from more than sixty countries journey by foot and bicycle across northern Spain, following the medieval pilgrimage road known as the Camino de Santiago. Their destination is Santiago de Compostela, where the remains of the apostle James are said to be buried. These modern-day pilgrims and the role of the pilgrimage in their lives are the subject of Nancy Louise Frey's fascinating book.Unlike the religiously-oriented pilgrims who visit Marian shrines such as Lourdes, the modern Road of St. James attracts an ecumenical mix of largely well-educated, urban middle-class participants. Eschewing comfortable methods of travel, they choose physically demanding journeys, some as long as four months, in order to experience nature, enjoy cultural and historical patrimony, renew faith, or cope with personal trauma.Frey's anthropological study focuses on the remarkable reanimation of the Road that has gained momentum since the 1980s. Her intensive fieldwork (including making the pilgrimage several times herself) provides a colorful portrayal of the pilgrimage while revealing a spectrum of hopes, discontents, and desires among its participants, many of whom feel estranged from society. The Camino's physical and mental journey offers them closer community, greater personal knowledge, and links to the past and to nature.But what happens when pilgrims return home? Exploring this crucial question Frey finds that pilgrims often reflect deeply on their lives and some make significant changes: an artistic voice is discovered, a marriage is ended, meaningful work is found. Other pilgrims repeat the pilgrimage or join a pilgrims' association to keep their connection to the Camino alive. And some only remain pilgrims while on the road. In all, Pilgrim Stories is an exceptional prism through which to understand the desires and dissatisfactions of contemporary Western life at the end of the millennium."e;Feet are touched, discussed, massaged, [and] become signs of a journey well traveled: 'I did it all on foot!' . . . Pilgrims give feet a power and importance not recognized in daily life, as a causeway and direct channel to the road, the past, meaningful relations, nature, and the self."e;

In Living Letters of the Law, Jeremy Cohen investigates the images of Jews and Judaism in the works of medieval Christian theologians from Augustine to Thomas Aquinas. He reveals how-and why-medieval Christianity fashioned a Jew on the basis of its reading of the Bible, and how this hermeneutically crafted Jew assumed distinctive character and power in Christian thought and culture.Augustine's doctrine of Jewish witness, which constructed the Jews so as to mandate their survival in a properly ordered Christian world, is the starting point for this illuminating study. Cohen demonstrates how adaptations of this doctrine reflected change in the self-consciousness of early medieval civilization. After exploring the effect of twelfth-century Europe's encounter with Islam on the value of Augustine's Jewish witnesses, he concludes with a new assessment of the reception of Augustine's ideas among thirteenth-century popes and friars.Consistently linking the medieval idea of the Jew with broader issues of textual criticism, anthropology, and the philosophy of history, this book demonstrates the complex significance of Christianity's "e;hermeneutical Jew"e; not only in the history of antisemitism but also in the broad scope of Western intellectual history.

On Human Nature: A Gathering While Everything Flows brings together the late essays, autobiographical reflections, an interview, and a poem by the eminent literary theorist and cultural critic Kenneth Burke (1897-1993). Burke, author of Language as Symbolic Action, A Grammar of Motives, and Rhetoric of Motives, among other works, was an innovative and original thinker who worked at the intersection of sociology, psychology, literary theory, and semiotics. This book, a selection of fourteen representative pieces of his productive later years, addresses many important themes Burke tackled throughout his career such as logology (his attempt to find a universal language theory and methodology), technology, and ecology. The essays also elaborate Burke's notions about creativity and its relation to stress, language and its literary uses, the relation of mind and body, and more. Provocative, idiosyncratic, and erudite, On Human Nature makes a significant statement about cultural linguistics and is an important rounding-out of the Burkean corpus.

During the archaic and classical periods, Greek ideas about the dead evolved in response to changing social and cultural conditions-most notably changes associated with the development of the polis, such as funerary legislation, and changes due to increased contacts with cultures of the ancient Near East. In Restless Dead, Sarah Iles Johnston presents and interprets these changes, using them to build a complex picture of the way in which the society of the dead reflected that of the living, expressing and defusing its tensions, reiterating its values and eventually becoming a source of significant power for those who knew how to control it. She draws on both well-known sources, such as Athenian tragedies, and newer texts, such as the Derveni Papyrus and a recently published lex sacra from Selinous.Topics of focus include the origin of the goes (the ritual practitioner who made interaction with the dead his specialty), the threat to the living presented by the ghosts of those who died dishonorably or prematurely, the development of Hecate into a mistress of ghosts and its connection to female rites of transition, and the complex nature of the Erinyes. Restless Dead culminates with a new reading of Aeschylus' Oresteia that emphasizes how Athenian myth and cult manipulated ideas about the dead to serve political and social ends.

Lyn Hejinian is among the most prominent of contemporary American poets. Her autobiographical poem My Life, a best-selling book of innovative American poetry, has garnered accolades and fans inside and outside academia. The Language of Inquiry is a comprehensive and wonderfully readable collection of her essays, and its publication promises to be an important event for American literary culture. Here, Hejinian brings together twenty essays written over a span of almost twenty-five years. Like many of the Language Poets with whom she has been associated since the mid-1970s, Hejinian turns to language as a social space, a site of both philosophical inquiry and political address.Central to these essays are the themes of time and knowledge, consciousness and perception. Hejinian's interests cover a range of texts and figures. Prominent among them are Sir Francis Bacon and Enlightenment-era explorers; Faust and Sheherazade; Viktor Shklovsky and Russian formalism; William James, Hannah Arendt, and Martin Heidegger. But perhaps the most important literary presence in the essays is Gertrude Stein; the volume includes Hejinian's influential "e;Two Stein Talks,"e; as well as two more recent essays on Stein's writings.

Once lauded as the wave of the African future, Zambia's economic boom in the 1960s and early 1970s was fueled by the export of copper and other primary materials. Since the mid-1970s, however, the urban economy has rapidly deteriorated, leaving workers scrambling to get by. Expectations of Modernity explores the social and cultural responses to this prolonged period of sharp economic decline. Focusing on the experiences of mineworkers in the Copperbelt region, James Ferguson traces the failure of standard narratives of urbanization and social change to make sense of the Copperbelt's recent history. He instead develops alternative analytic tools appropriate for an "e;ethnography of decline."e;Ferguson shows how the Zambian copper workers understand their own experience of social, cultural, and economic "e;advance"e; and "e;decline."e; Ferguson's ethnographic study transports us into their lives-the dynamics of their relations with family and friends, as well as copper companies and government agencies.Theoretically sophisticated and vividly written, Expectations of Modernity will appeal not only to those interested in Africa today, but to anyone contemplating the illusory successes of today's globalizing economy.

In this pathbreaking and provocative analysis of the aesthetics of law, the historian, legal theorist, and musician Desmond Manderson argues that by treating a text, legal or otherwise, as if it were merely a sequence of logical propositions, readers miss its formal and symbolic meanings. Creatively using music as a model, he demonstrates that law is not a sterile, rational structure, but a cultural form to be valued and enhanced through rhetoric and metaphors, form, images, and symbols. To further develop this argument, the book is divided into chapters, each of which is based on a different musical form. Law, for Manderson, should strive for neither coherence nor integrity. Rather, it is imperfectly realized, constantly reinterpreted, and always in flux. Songs without Music is written in an original, engaging, and often humorous style, and exhibits a deep knowledge of both law and music. It successfully traverses several disciplines and builds an original and persuasive argument for a legal aesthetic. The book will appeal to a broad readership in law, political theory, literary criticism, and cultural studies.

The ancient Greeks were for the most part a rural, not an urban, society. And for much of the Classical period, war was more common than peace. Almost all accounts of ancient history assume that farming and fighting were critical events in the lives of the citizenry. Yet never before have we had a comprehensive modern study of the relationship between agriculture and warfare in the Greek world. In this completely revised edition of Warfare and Agriculture in Classical Greece, Victor Davis Hanson provides a systematic review of Greek agriculture and warfare and describes the relationship between these two important aspects of life in ancient communities. With careful attention to agronomic as well as military details, this well-written, thoroughly researched study reveals the remarkable resilience of those farmland communities.In the past, scholars have assumed that the agricultural infrastructure of ancient society was often ruined by attack, as, for example, Athens was relegated to poverty in the aftermath of the Persian and later Peloponnesian invasions. Hanson's study shows, however, that in reality attacks on agriculture rarely resulted in famines or permanent agrarian depression. Trees and vines are hard to destroy, and grainfields are only briefly vulnerable to torching. In addition, ancient armies were rather inefficient systematic ravagers and instead used other tactics, such as occupying their enemies' farms to incite infantry battle. Warfare and Agriculture in Classical Greece suggests that for all ancient societies, rural depression and desolation came about from more subtle phenomena-taxes, changes in political and social structure, and new cultural values-rather than from destructive warfare.

Dorothea Olkowski's exploration of the philosophy of Gilles Deleuze clarifies the gifted French thinker's writings for specialists and nonspecialists alike. Deleuze, she says, accomplished the "e;ruin of representation,"e; the complete overthrow of hierarchic, organic thought in philosophy, politics, aesthetics, and ethics, as well as in society at large. In Deleuze's philosophy of difference, she discovers the source of a new ontology of change, which in turn opens up the creation of new modes of life and thought, not only in philosophy and feminism but wherever creation is at stake.The work of contemporary artist Mary Kelly has been central to Olkowski's thinking. In Kelly she finds an artist at work whose creative acts are in themselves the ruin of representation as a whole, and the text is illustrated with Kelly's art. This original and provocative account of Deleuze contributes significantly to a critical feminist politics and philosophy, as well as to an understanding of feminist art.

Cari Beauchamp masterfully combines biography with social and cultural history to examine the lives of Frances Marion and her many female colleagues who shaped filmmaking from 1912 through the 1940s. Frances Marion was Hollywood's highest paid screenwriter-male or female-or almost three decades, wrote almost 200 produced films and won Academy Awards for writing "e;The Big House"e; and "e;The Champ."e;

Andre Gunder Frank asks us to ReOrient our views away from Eurocentrism-to see the rise of the West as a mere blip in what was, and is again becoming, an Asia-centered world. In a bold challenge to received historiography and social theory he turns on its head the world according to Marx, Weber, and other theorists, including Polanyi, Rostow, Braudel, and Wallerstein. Frank explains the Rise of the West in world economic and demographic terms that relate it in a single historical sweep to the decline of the East around 1800. European states, he says, used the silver extracted from the American colonies to buy entry into an expanding Asian market that already flourished in the global economy. Resorting to import substitution and export promotion in the world market, they became Newly Industrializing Economies and tipped the global economic balance to the West. That is precisely what East Asia is doing today, Frank points out, to recover its traditional dominance. As a result, the "e;center"e; of the world economy is once again moving to the "e;Middle Kingdom"e; of China. Anyone interested in Asia, in world systems and world economic and social history, in international relations, and in comparative area studies, will have to take into account Frank's exciting reassessment of our global economic past and future.

When the Berlin Wall fell, people who lived along the dismantled border found their lives drastically and rapidly transformed. Daphne Berdahl, through ongoing ethnographic research in a former East German border village, explores the issues of borders and borderland identities that have accompanied the many transitions since 1990. What happens to identity and personhood, she asks, when a political and economic system collapses overnight? How do people negotiate and manipulate a liminal condition created by the disappearance of a significant frame of reference?Berdahl concentrates especially on how these changes have affected certain "e;border zones"e; of daily life-including social organization, gender, religion, and nationality-in a place where literal, indeed concrete, borders were until recently a very powerful presence. Borders, she argues, are places of ambiguity as well as of intense lucidity; these qualities may in fact be mutually constitutive. She shows how, in a moment of headlong historical transformation, larger political, economic, and social processes are manifested locally and specifically. In the process of a transition between two German states, people have invented, and to some extent ritualized, cultural practices that both reflect and constitute profound identity transformations in a period of intense social discord. Where the World Ended combines a vivid ethnographic account of everyday life under socialist rule and after German reunification with an original investigation of the paradoxical human condition of a borderland.

This indispensable manual for present-day players of the one-keyed flute is the first complete method written in modern times. Janice Dockendorff Boland has compiled a manual that can serve as a self-guiding tutor or as a text for a student working with a teacher. Referencing important eighteenth-century sources while also incorporating modern experience, the book includes nearly 100 pages of music drawn from early treatises along with solo flute literature and instructional text and fingering charts. Boland also addresses topics ranging from the basics of choosing a flute and assembling it to more advanced concepts such as tone color and eighteenth-century articulation patterns.

In Haiti, History, and the Gods, Joan Dayan charts the cultural imagination of Haiti not only by reconstructing the island's history but by highlighting ambiguities and complexities that have been ignored. She investigates the confrontational space in which Haiti is created and recreated in fiction and fact, text and ritual, discourse and practice. Dayan's ambitious project is a research tour de force that gives human dimensions to this eighteenth-century French colony and provides a template for understanding the Haiti of today.In examining the complex social fabric of French Saint-Domingue, which in 1804 became Haiti, Dayan uncovers a silenced, submerged past. Instead of relying on familiar sources to reconstruct Haitian history, she uses a startling diversity of voices that have previously been unheard. Many of the materials recovered here-overlooked or repressed historical texts, legal documents, religious works, secret memoirs, letters, and literary fictions-have never been translated into English. Others, such as Marie Vieux Chauvet's radical novel of vodou, Fonds des Negres, are seldom used as historical sources.Dayan also argues provocatively for the consideration of both vodou rituals and narrative fiction as repositories of history. Her scholarship is enriched by the insights she has gleaned from conversations and experiences during her many trips to Haiti over the past twenty years. Taken together, the material presented in Haiti, History, and the Gods not only restores a lost chapter of Haitian history but suggests necessary revisions to the accepted histories of the New World.

Toxic waste, contaminated water, cancer clusters-these phrases suggest deception and irresponsibility. But more significantly, they are watchwords for a growing struggle between communities, corporations, and government. In No Safe Place, sociologists, public policy professionals, and activists will learn how residents of Woburn, Massachusetts discovered a childhood leukemia cluster and eventually sued two corporate giants. Their story gives rise to questions important to any concerned citizen: What kind of government regulatory action can control pollution? Just how effective can the recent upsurge of popular participation in science and technology be? Phil Brown, a medical sociologist, and Edwin Mikkelsen, psychiatric consultant to the plaintiffs, look at the Woburn experience in light of similar cases, such as Love Canal, in order to show that toxic waste contamination reveals fundamental flaws in the corporate, governmental, and scientific spheres.The authors strike a humane, constructive note amidst chilling odds, advocating extensive lay involvement based on the Woburn model of civic action. Finally, they propose a safe policy for toxic wastes and governmental/corporate responsibility. Woburn, the authors predict, will become a code word for environmental struggles.

With a keen eye for revealing details, Hillel J. Kieval examines the contours and distinctive features of Jewish experience in the lands of Bohemia and Moravia (the present-day Czech Republic), from the late eighteenth to the late twentieth century. In the Czech lands, Kieval writes, Jews have felt the need constantly to define and articulate the nature of group identity, cultural loyalty, memory, and social cohesiveness, and the period of "e;modernizing"e; absolutism, which began in 1780, brought changes of enormous significance. From that time forward, new relationships with Gentile society and with the culture of the state blurred the traditional outlines of community and individual identity. Kieval navigates skillfully among histories and myths as well as demography, biography, culture, and politics, illuminating the maze of allegiances and alliances that have molded the Jewish experience during these 200 years.

Barbara Newman reintroduces English-speaking readers to an extraordinary and gifted figure of the twelfth-century renaissance. Hildegard of Bingen (1098-1179) was mystic and writer, musician and preacher, abbess and scientist who used symbolic theology to explore the meaning of her gender within the divine scheme of things.With a new preface, bibliography, and discography, Sister of Wisdom is a landmark book in women's studies, and it will also be welcomed by readers in religion and history.

The once arid valleys and isolated coastal plains of California are today the center of fruit production in the United States. Steven Stoll explains how a class of capitalist farmers made California the nation's leading producer of fruit and created the first industrial countryside in America. This brilliant portrayal of California from 1880 to 1930 traces the origins, evolution, and implications of the fruit industry while providing a window through which to view the entire history of California.Stoll shows how California growers assembled chemicals, corporations, and political influence to bring the most perishable products from the most distant state to the great urban markets of North America. But what began as a compromise between a beneficent environment and intensive cultivation ultimately became threatening to the soil and exploitative of the people who worked it.Invoking history, economics, sociology, agriculture, and environmental studies, Stoll traces the often tragic repercussions of fruit farming and shows how central this story is to the development of the industrial countryside in the twentieth century.

Lee D. Baker explores what racial categories mean to the American public and how these meanings are reinforced by anthropology, popular culture, and the law. Focusing on the period between two landmark Supreme Court decisions-Plessy v. Ferguson (the so-called "e;separate but equal"e; doctrine established in 1896) and Brown v. Board of Education (the public school desegregation decision of 1954)-Baker shows how racial categories change over time.Baker paints a vivid picture of the relationships between specific African American and white scholars, who orchestrated a paradigm shift within the social sciences from ideas based on Social Darwinism to those based on cultural relativism. He demonstrates that the greatest impact on the way the law codifies racial differences has been made by organizations such as the NAACP, which skillfully appropriated the new social science to exploit the politics of the Cold War.

How does religious healing work, if indeed it does? In this study of the contemporary North American movement known as the Catholic Charismatic Renewal, Thomas Csordas investigates the healing practices of a modern religious movement to provide a rich cultural analysis of the healing experience. This is not only a book about healing, however, but also one about the nature of self and self- transformation. Blending ethnographic data and detailed case studies, Csordas examines processes of sensory imagery, performative utterance, orientation, and embodiment. His book forms the basis for a rapprochement between phenomenology and semiotics in culture theory that will interest anthropologists, philosophers, psychologists, physicians, and students of comparative religion and healing.

In the two decades after World War II, Germans on both sides of the iron curtain fought vehemently over American cultural imports. Uta G. Poiger traces how westerns, jeans, jazz, rock 'n' roll, and stars like Marlon Brando or Elvis Presley reached adolescents in both Germanies, who eagerly adopted the new styles. Poiger reveals that East and West German authorities deployed gender and racial norms to contain Americanized youth cultures in their own territories and to carry on the ideological Cold War battle with each other. Poiger's lively account is based on an impressive array of sources, ranging from films, newspapers, and contemporary sociological studies, to German and U.S. archival materials. Jazz, Rock, and Rebels examines diverging responses to American culture in East and West Germany by linking these to changes in social science research, political cultures, state institutions, and international alliance systems. In the first two decades of the Cold War, consumer culture became a way to delineate the boundaries between East and West. This pathbreaking study, the first comparative cultural history of the two Germanies, sheds new light on the legacy of Weimar and National Socialism, on gender and race relations in Europe, and on Americanization and the Cold War.

Opera developed during a time when the position of women-their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality-was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts-by Ovid, Virgil, Tacitus, and Diodorus Siculus-form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).

Lise Meitner (1878-1968) was a pioneer of nuclear physics and co-discoverer, with Otto Hahn and Fritz Strassmann, of nuclear fission. Braving the sexism of the scientific world, she joined the prestigious Kaiser Wilhelm Institute for Chemistry and became a prominent member of the international physics community. Of Jewish origin, Meitner fled Nazi Germany for Stockholm in 1938 and later moved to Cambridge, England. Her career was shattered when she fled Germany, and her scientific reputation was damaged when Hahn took full credit-and the 1944 Nobel Prize-for the work they had done together on nuclear fission. Ruth Sime's absorbing book is the definitive biography of Lise Meitner, the story of a brilliant woman whose extraordinary life illustrates not only the dramatic scientific progress but also the injustice and destruction that have marked the twentieth century.

In this thoughtful and engaging critique, geographer Martin W. Lewis and historian Karen Wigen reexamine the basic geographical divisions we take for granted, and challenge the unconscious spatial frameworks that govern the way we perceive the world. Arguing that notions of East vs. West, First World vs. Third World, and even the sevenfold continental system are simplistic and misconceived, the authors trace the history of such misconceptions. Their up-to-the-minute study reflects both on the global scale and its relation to the specific continents of Europe, Asia, and Africa-actually part of one contiguous landmass.The Myth of Continents sheds new light on how our metageographical assumptions grew out of cultural concepts: how the first continental divisions developed from classical times; how the Urals became the division between the so-called continents of Europe and Asia; how countries like Pakistan and Afghanistan recently shifted macroregions in the general consciousness.This extremely readable and thought-provoking analysis also explores the ways that new economic regions, the end of the cold war, and the proliferation of communication technologies change our understanding of the world. It stimulates thinking about the role of large-scale spatial constructs as driving forces behind particular worldviews and encourages everyone to take a more thoughtful, geographically informed approach to the task of describing and interpreting the human diversity of the planet.