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This new collection views Russian music through the Greek triad of';the Good, the True, and the Beautiful' to investigatehow the idea of nation embeds itself in the public discourse about music and other arts with results at times invigorating, at times corrupting. In our divided, postCold War, and now post9/11 world, Russian music, formerly a quiet corner on the margins of musicology, has become a site of noisy contention. Richard Taruskin assesses the political and cultural stakes that attach to it in the era of Pussy Riot and renewed international tensions, before turning to individual cases from the nineteenth century to the present. Much ofthe volume is devoted to the resolutely cosmopolitan but inveterately Russian Igor Stravinsky, one of the major forces in the music of the twentieth century and subject of particular interest to composers and music theorists all over the world. Taruskin here revisits him for the first time since the 1990s, when everything changed for Russia and its cultural products. Other essays are devoted to the cultural and social policies of the Soviet Union and their effect on the music produced there as those policies swung away from Communist internationalism to traditional Russian nationalism; to the musicians of the Russian postrevolutionary diaspora; andto the tension between the compelling artistic quality of works such as Stravinsky's Sacre du Printemps or Prokofieff's Zdravitsa and the antihumanistic or totalitarian messages they convey. Russian Music at Home and Abroad addresses these concerns in a personal and critical way, characteristically demonstrating Taruskin's authority and ability tobring living history out of the shadows.

Under Ptolemy II Philadelphus, who ruled Egypt in the middle of the third century B.C.E., Alexandria became the brilliant multicultural capital of the Greek world. Theocritus's poem in praise of Philadelphus-at once a Greek king and an Egyptian pharaoh-is the only extended poetic tribute to this extraordinary ruler that survives. Combining the Greek text, an English translation, a full line-by-line commentary, and extensive introductory studies of the poem's historical and literary context, this volume also offers a wide-ranging and far-reaching consideration of the workings and representation of poetic patronage in the Ptolemaic age. In particular, the book explores the subtle and complex links among Theocritus's poem, modes of praise drawn from both Greek and Egyptian traditions, and the subsequent flowering of Latin poetry in the Augustan age. As the first detailed account of this important poem to show how Theocritus might have drawn on the pharaonic traditions of Egypt as well as earlier Greek poetry, this book affords unique insight into how praise poetry for Ptolemy and his wife may have helped to negotiate the adaptation of Greek culture that changed conditions of the new Hellenistic world. Invaluable for its clear translation and its commentary on genre, dialect, diction, and historical reference in relation to Theocritus's Encomium, the book is also significant for what it reveals about the poem's cultural and social contexts and about Theocritus' devices for addressing his several readerships.COVER IMAGE: The image on the front cover of this book is incorrectly identified on the jacket flap. The correct caption is: Gold Oktadrachm depicting Ptolemy II and Arsinoe (mid-third century BCE; by permission of the Museum of Fine Arts, Boston).

Enlightenment writers, revolutionaries, and even Napoleon discussed and wrote about France's tiny Jewish population at great length. Why was there so much thinking about Jews when they were a minority of less than one percent and had little economic and virtually no political power? In this unusually wide-ranging study of representations of Jews in eighteenth-century France-both by Gentiles and Jews themselves-Ronald Schechteroffers fresh perspectives on the Enlightenment and French Revolution, on Jewish history, and on the nature of racism and intolerance. Informed by the latest historical scholarship and by the insights of cultural theory, Obstinate Hebrews is a fascinating tale of cultural appropriation cast in the light of modern society's preoccupation with the "e;other."e; Schechter argues that the French paid attention to the Jews because thinking about the Jews helped them reflect on general issues of the day. These included the role of tradition in religion, the perfectibility of human nature, national identity, and the nature of citizenship. In a conclusion comparing and contrasting the "e;Jewish question"e; in France with discourses about women, blacks, and Native Americans, Schechter provocatively widens his inquiry, calling for a more historically precise approach to these important questions of difference.

Long-haul trucks have been described as sweatshops on wheels. The typical long-haul trucker works the equivalent of two full-time jobs, often for little more than minimum wage. But it wasn't always this way. Trucking used to be one of the best working-class jobs in the United States.The Big Rigexplains how this massive degradation in the quality of work has occurred, and how companies achieve a compliant and dedicated workforce despite it. Drawing on more than 100 in-depth interviews and years of extensive observation, including six months training and working as a long-haul trucker, Viscelli explains in detail how labor is recruited, trained, and used in the industry. He then shows how inexperienced workers are convinced to lease a truck and to work as independent contractors. He explains how deregulation and collective action by employers transformed trucking's labor markets--once dominated by the largest and most powerful union in US history--into an important example of the costs of contemporary labor markets for workers and the general public.

Encountering Povertychallenges mainstream frameworks of global poverty by going beyond the claims that poverty is a problem that can be solved through economic resources or technological interventions. By focusing on the power and privilege that underpin persistent impoverishment and using tools of critical analysis and pedagogy, the authors explore the opportunities for and limits of poverty action in the current moment.Encountering Povertyinvites students, educators, activists, and development professionals to think about and act against inequality by foregrounding, rather than sidestepping, the long history of development and the ethical dilemmas of poverty action today.

Tracing the rise and development of the Ghanaian video film industry between 1985 and 2010, Sensational Movies examines video movies as seismographic devices recording a culture and society in turmoil. This book captures the dynamic process of popular filmmaking in Ghana as a new medium for the imagination and tracks the interlacing of the medium's technological, economic, social, cultural, and religious aspects. Stepping into the void left by the defunct state film industry, video movies negotiate the imaginaries deployed by state cinema on the one hand and Christianity on the other. Birgit Meyer analyzes Ghanaian video as a powerful, sensational form. Colliding with the state film industry's representations of culture, these movies are indebted to religious notions of divination and revelation. Exploring the format of "e;film as revelation,"e; Meyer unpacks the affinity between cinematic and popular Christian modes of looking and showcases the transgressive potential haunting figurations of the occult. In this brilliant study, Meyer offers a deep, conceptually innovative analysis of the role of visual culture within the politics and aesthetics of religious world making.

In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself-the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises.

How has Latino immigration transformed the South? In what ways is the presence of these newcomers complicating efforts to organize for workplace justice? Scratching Out a Living takes readers deep into Mississippi's chicken processing plants and communities, where large numbers of Latin American migrants were recruited in the mid-1990s to labor alongside an established African American workforce in some of the most dangerous and lowest-paid jobs in the country. As America's voracious appetite for chicken has grown, so has the industry's reliance on immigrant workers, whose structural position makes them particularly vulnerable to exploitation. Based on the author's six years of collaboration with a local workers' center, this book explores how Black, white, and new Latino Mississippians have lived and understood these transformations. Activist anthropologist Angela Stuesse argues that people's racial identifications and relationships to the poultry industry prove vital to their interpretations of the changes they are experiencing. Illuminating connections between the area's long history of racial inequality, the industry's growth and drive to lower labor costs, immigrants' contested place in contemporary social relations, and workers' prospects for political mobilization, Scratching Out a Living paints a compelling ethnographic portrait of neoliberal globalization and calls for organizing strategies that bring diverse working communities together in mutual construction of a more just future.

Returned follows transnational Mexicans as they experience the alienation and unpredictability of deportation, tracing the particular ways that U.S. immigration policies and state removals affect families. Deportationan emergent global order of social injusticereaches far beyond the individual deportee, as family members with diverse U.S. immigration statuses, including U.S. citizens, also return after deportation or migrate for the first time. The book includes accounts of displacement, struggle, suffering, and profound loss but also of resilience, flexibility, and imaginings of what may come. Returned tells the story of the chaos, and design, of deportation and its aftermath.

Floyd Levin, an award-winning jazz writer, has personally known many of the jazz greats who contributed to the music's colorful history. In this collection of his articles, published mostly in jazz magazines over a fifty-year period, Levin takes us into the nightclubs, the recording studios, the record companies, and, most compellingly, into the lives of the musicians who made the great moments of the traditional jazz and swing eras. Brilliantly weaving anecdotal material, primary research, and music analysis into every chapter, Classic Jazz: A Personal View of the Music and the Musicians is a gold mine of information on a rich segment of American popular music. This collection of articles begins with Levin's first published piece and includes several new articles that were inspired by his work on this compilation. The articles are organized thematically, beginning with a piece on Kid Ory's early recordings and ending with a newly written article about the campaign to put up a monument to Louis Armstrong in New Orleans. Along the way, Levin gives in-depth profiles of many well-known jazz legends, such as Jelly Roll Morton, Duke Ellington, and Louis Armstrong, and many lesser-known figures who contributed greatly to the development of jazz. Extensively illustrated with previously unpublished photographs from Levin's personal collection, this wonderfully readable and extremely personal book is full of information that is not available elsewhere. Classic Jazz: A Personal View of the Music and the Musicians will be celebrated by jazz scholars and fans everywhere for the overview it provides of the music's evolution, and for the love of jazz it inspires on every page.

With a fine-tuned ethnographic sensibility, Janis H. Jenkins explores the lived experience of psychosis, trauma, and depression among people of diverse cultural orientations, revealing how mental illness engages fundamental human processes of self, desire, gender, identity, attachment, and interpretation. Extraordinary Conditions illuminates the cultural shaping of extreme psychological suffering and the social rendering of the mentally ill as nonhuman or not fully human. Jenkins contends that mental illness is better characterized in terms of struggle than symptoms and that culture is central to all aspects of mental illness from onset to recovery. Her analysis refashions the boundaries between the ordinary and the extraordinary, the routine and the extreme, and the healthy and the pathological. This book asserts that the study of mental illness is indispensable to the anthropological understanding of culture and experience, and reciprocally that understanding culture and experience is critical to the study of mental illness.

The title of this unique insider's look at a crucial decade of Sino-American interchange derives from a Chinese expression that describes a relationship of two people whose lives are intimately intertwined but who do not fundamentally communicate with each other. David M. Lampton, former president of the National Committee on U.S.-China Relations, demonstrates that while the United States and China have enormous interests at stake in their bilateral relationship, neither has been particularly deft in dealing with the other. His fascinating account shows how the processes of globalization, along with the development of international regimes and multilateral organizations, have brought America and China increasingly close in the global bed. At the same time, their respective national institutions, interests, popular perceptions, and the very characters of their two peoples, assure that the nations continue to have substantially different dreams. Lampton explores the reasons why the Sino-American relationship is so difficult for both nations to manage and suggests ways it can be more effectively conducted in the future. His unique experience in China-nearly thirty years as a scholar, as the head of a policy-oriented exchange organization, and as director of Washington think-tank research programs-enabled him to spend extended periods with Chinese leaders and see them as they encountered America, as well as to observe U.S. leaders as they tried to come to grips with Chinese circumstances. Among many other key events, Lampton witnessed firsthand the aftermath of Tiananmen Square, successive congressional battles over most-favored-nation tariff treatment, the end of the Bush era and the rocky beginning of the Clinton administration, the death of Deng Xiaoping and Jiang Zemin's transition to power, the reversion of Hong Kong to Chinese sovereignty, and the Asian financial crisis that unfolded from mid-1997 to the end of the decade. Lampton's careful documentary research is supplemented by interviews and accounts of his personal interaction throughout the period with leaders and key players in Washington, Beijing, Taipei, and Hong Kong. The book thus represents a singular combination of historical research, policy analysis, and personal observation, and offers guidance for those in both America and China who must shape this critical relationship in the twenty-first century.

Wild Mammals of Wyoming and Yellowstone National Park provides the scholar, conservationist, and interested lay reader with information on the state's 117 wild mammalian species from grizzly bears to pygmy shrews. It describes the history of mammalogy in Wyoming, the zoogeography of Wyoming mammals, and the prehistoric mammals of Wyoming. It also characterizes the habitats of Wyoming mammals and addresses the conservation and management of mammals in the region. Expanding beyond the traditional field guide, Steven W. Buskirk emphasizes taxonomic classification, geographic range, and conservation status for mammalian species. Introductory sections are provided for each order and family, and individual species accounts organize a wealth of data ranging from habitat associations to field measurements in an easy-to-use format. Featuring color species photos, continental and state-scale distribution maps, and a comprehensive bibliography with nearly 1,000 references, Wild Mammals of Wyoming and Yellowstone National Park is an indispensable resource for wildlife and conservation biologists and mammalogists working in this region.

In this lively and intellectually engaging book, Galit Hasan-Rokem shows that religion is shaped not only in the halls of theological disputation and institutions of divine study, but also in ordinary events of everyday life. Common aspects of human relations offer a major source for the symbols of religious texts and rituals of late antique Judaism as well as its partner in narrative dialogues, early Christianity, Hasan-Rokem argues. Focusing on the "e;neighborhood"e; of the Galilee that is the birthplace of many major religious and cultural developments, this book brings to life the riddles, parables, and folktales passed down in Rabbinic stories from the first half of the first millennium of the Common Era.

Microcredit is part of a global trend of financial inclusion that brings banking services, especially small loans, to the world's poor. In this book, Caroline Schuster explores Paraguayan solidarity lending as a window into the tensions between social development and global finance.Social Collateraltracks collective debt across the commercial society and smuggling economies at the Paraguayan border by examining group loans made to women by nonprofit development programs. These highly regulated loans are secured through mutual support and peer pressuresocial collateralrather than through physical collateral. This story of social collateral necessarily includes an interwoven account about the feminization of solidarity lending. At its core is an economy of genderfrom pink-collar financial work, to men's committees, to women smugglers. At stake are interdependencies that bind borrowers and lenders, financial technologies, and Paraguayan development in ways that structure both global inequality and global opportunity.

While becoming less relevant in the United States, shopping malls are booming throughout urban Latin America. But what does this mean on the ground? Are shopping malls a sign of the region's ';coming of age'? El Mall is the first book to answer these questions and explore how malls and consumption are shaping the conversation about class and social inequality in Latin America. Through original and insightful ethnography, Dvila shows that class in the neoliberal city is increasingly defined by the shopping habits of ordinary people. Moving from the global operations of the shopping mall industry to the experience of shopping in places like Bogot, Colombia, El Mall is an indispensable book for scholars and students interested in consumerism and neoliberal politics in Latin America and the world.

Of the twenty-three Brazilian policemen interviewed in depth for this landmark study, fourteen were direct perpetrators of torture and murder during the three decades that included the 1964-1985 military regime. These "e;violence workers"e; and the other group of "e;atrocity facilitators"e; who had not, or claimed they had not, participated directly in the violence, help answer questions that haunt today's world: Why and how are ordinary men transformed into state torturers and murderers? How do atrocity perpetrators explain and justify their violence? What is the impact of their murderous deeds-on them, on their victims, and on society? What memories of their atrocities do they admit and which become public history?

A woman with hypertension refuses vegetables. A man with diabetes adds iron-fortified sugar to his coffee. As death rates from heart attacks, strokes, and diabetes in Latin America escalate, global health interventions increasingly emphasize nutrition, exercise, and weight loss-but much goes awry as ideas move from policy boardrooms and clinics into everyday life. Based on years of intensive fieldwork, The Weight of Obesity offers poignant stories of how obesity is lived and experienced by Guatemalans who have recently found their diets-and their bodies-radically transformed. Anthropologist Emily Yates-Doerr challenges the widespread view that health can be measured in calories and pounds, offering an innovative understanding of what it means to be healthy in postcolonial Latin America. Through vivid descriptions of how people reject global standards and embrace fatness as desirable, this book interferes with contemporary biomedicine, adding depth to how we theorize structural violence. It is essential reading for anyone who cares about the politics of healthy eating.

Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odeon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odeon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odeon to flourish highlights the benefit of close and innovative examination of society's institutions.

The theory of law and economics that dominates American jurisprudence today views the market as rational and individuals as driven by the desire to increase their wealth. It is a view riddled with misconceptions, as Jeanne Lorraine Schroeder demonstrates in this challenging work, which looks at contemporary debates in legal theory through the lens of psychoanalysis and continental philosophy. Through metaphors drawn from classical mythology and interpreted via Lacanian psychoanalysis and Hegelian philosophy, Schroeder exposes the hidden and repressed erotics of the market. Her work shows how the predominant economic analysis of markets and the standard romantic critique of markets are in fact mirror images, reflecting the misconception that reason and passion are inalterably opposed.

The surprising final chapter of a great American life. When the first volume of Mark Twain's uncensored Autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist's life and times. This third and final volume crowns and completes his life's work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads. Created from March 1907 to December 1909, these dictations present Mark Twain at the end of his life: receiving an honorary degree from Oxford University; railing against Theodore Roosevelt; founding numerous clubs; incredulous at an exhibition of the Holy Grail; credulous about the authorship of Shakespeare's plays; relaxing in Bermuda; observing (and investing in) new technologies. The Autobiography's "e;Closing Words"e; movingly commemorate his daughter Jean, who died on Christmas Eve 1909. Also included in this volume is the previously unpublished "e;Ashcroft-Lyon Manuscript,"e; Mark Twain's caustic indictment of his "e;putrescent pair"e; of secretaries and the havoc that erupted in his house during their residency. Fitfully published in fragments at intervals throughout the twentieth century, Autobiography of Mark Twain has now been critically reconstructed and made available as it was intended to be read. Fully annotated by the editors of the Mark Twain Project, the complete Autobiography emerges as a landmark publication in American literature. Editors: Benjamin Griffin and Harriet Elinor Smith Associate Editors: Victor Fischer, Michael B. Frank, Amanda Gagel, Sharon K. Goetz, Leslie Diane Myrick, Christopher M. Ohge

At the turn of the past century, the main function of a newspaper was to offer ';menus' by which readers could make sense of modern life and imagine how to order their daily lives. Among those menus in the mid-1910s were several that mediated the interests of movie manufacturers, distributors, exhibitors, and the rapidly expanding audience of fans. This writing about the movies arguably played a crucial role in the emergence of American popular film culture, negotiating among national, regional, and local interests to shape fans' ephemeral experience of moviegoing, their repeated encounters with the fantasy worlds of ';movieland,' and their attractions to certain stories and stars. Moreover, many of these weekend pages, daily columns, and film reviews were written and consumed by women, including one teenage girl who compiled a rare surviving set of scrapbooks. Based on extensive original research, Menus for Movieland substantially revises what moviegoing meant in the transition to what we now think of as Hollywood.

This study transforms our understanding of Roman love elegy, an important and complex corpus of poetry that flourished in the late first century b.c.e. Sharon L. James reads key poems by Propertius, Tibullus, and Ovid for the first time from the perspective of the woman to whom they are addressed-the docta puella, or learned girl, the poet's beloved. By interpreting the poetry not, as has always been done, from the stance of the elite male writers-as plaint and confession-but rather from the viewpoint of the women-thus as persuasion and attempted manipulation-James reveals strategies and substance that no one has listened for before.

This extended monograph examines the work of the radical journalist Kotoku Shusui and Japan's anti-imperialist movement of the early twentieth century. It includes the first English translation of Imperialism (Teikokushugi), Kotoku's classic 1901 work. Kotoku Shusui was a Japanese socialist, anarchist, and critic of Japan's imperial expansionism who was executed in 1911 for his alleged participation in a plot to kill the emperor. His Imperialism was one of the first systematic criticisms of imperialism published anywhere in the world. In this seminal text, Kotoku condemned global imperialism as the commandeering of politics by national elites and denounced patriotism and militarism as the principal causes of imperialism. In addition to translating Imperialism, Robert Tierney offers an in-depth study of Kotoku's text and of the early anti-imperialist movement he led. Tierney places Kotoku's book within the broader context of early twentieth-century debates on the nature and causes of imperialism. He also presents a detailed account of the different stages of the Japanese anti-imperialist movement. Monster of the Twentieth Century constitutes a major contribution to the intellectual history of modern Japan and to the comparative study of critiques of capitalism and colonialism.

';Meldahl takes the reader on a tour of coastal Southern California, deftly explaining its complex geologic history, coastal geology, surfing spots, and the processes that shape them. Richly illustrated and told with great humor and enlightening analogies,Surf, Sand, and Stoneis easily accessible yet contains valuable resources for those who want to delve deeper.'Mark Johnsson, staff geologist, California Coastal CommissionSurf, Sand, and Stoneis an entertaining and very readable explanation of the complex geology and oceanography of the Southern California coast. Meldahl must be an excellent teacher as he has a real gift for writing about complex topics in a comfortable, engaging, and fascinating manner. Gary Griggs, Director, Institute of Marine Sciences, UC Santa Cruz Southern California is sandwiched between two tectonic plates with an ever-shifting boundary. Over the last several million years, movements of these plates have dramatically reshuffled the Earth's crust to create rugged landscapes and seascapes riven with active faults. Movement along these faults triggers earthquakes and tsunamis, pushes up mountains, and lifts sections of coastline. Over geologic time, beaches come and go, coastal bluffs retreat, and the sea rises and falls.Nothing about Southern California's coast is stable.Surf, Sand, and Stone tells the scientific story of the Southern California coast: its mountains, islands, beaches, bluffs, surfing waves, earthquakes, and related phenomena. It takes readers from San Diego to Santa Barbara, revealing the evidence for how the coasts features came to be and how they are continually changing. With a compelling narrative and clear illustrations, Surf, Sand, and Stone outlines how the coast will be altered in the future and how we can best prepare for it.

Christians under Covers shifts how scholars and popular media talk about religious conservatives and sex. Moving away from debates over homosexuality, premarital sex, and other perceived sexual sins, Kelsy Burke examines Christian sexuality websites to show how some evangelical Christians use digital media to promote the idea that God wants married, heterosexual couples to have satisfying sex lives. These evangelicals maintain their religious beliefs while incorporating feminist and queer language into their talk of sexualityencouraging sexual knowledge, emphasizing women's pleasure, and justifying marginal sexual practices within Christian marriages. This illuminating ethnography complicates the boundaries between normal and subversive, empowered and oppressed, and sacred and profane.

Possessors and Possessed analyzes how and why museums-characteristically Western institutions-emerged in the late-nineteenth-century Ottoman Empire. Shaw argues that, rather than directly emulating post-Enlightenment museums of Western Europe, Ottoman elites produced categories of collection and modes of display appropriate to framing a new identity for the empire in the modern era. In contrast to late-nineteenth-century Euro-American museums, which utilized organizational schema based on positivist notions of progress to organize exhibits of fine arts, Ottoman museums featured military spoils and antiquities long before they turned to the "e;Islamic"e; collections with which they might have been more readily associated. The development of these various modes of collection reflected shifting moments in Ottoman identity production. Shaw shows how Ottoman museums were able to use collection and exhibition as devices with which to weave counter-colonial narratives of identity for the Ottoman Empire. Impressive for both the scope and the depth of its research, Possessors and Possessed lays the groundwork for future inquiries into the development of museums outside of the Euro-American milieu.

Little of the historiography of third-century Athens survives, and much of what we know-or might know-about the period has come down to us in inscriptions carved by Attic stonemasons of the time. In this book Stephen Tracy, the world's preeminent expert in this area, provides new insight into an unsettled and obscure moment in antiquity.

Much like the United States, the countries of Western Europe have experienced massive immigration in the last three decades. Spain, in particular, has been transformed from an immigrant-exporting country to one receiving hundreds of thousands of new immigrants. Today, almost 13 percent of the country's population is foreign-born. Spanish Legacies, written by internationally known experts on immigration, explores how the children of immigrantsthe second generationare coping with the challenges of adaptation to Spanish society, comparing their experiences with those of their peers in the United States. Using a rich data set based on both survey and ethnographic material, Spanish Legacies describes the experiences of growing up by the large population of second-generation youths in Spain and the principal outcomes of the processfrom national self-identification and experiences of discrimination to educational attainment and labor-market entry. The study is based on a sample of almost 7,000 second-generation students who were interviewed in Madrid and Barcelona in 2008 and then followed and re-interviewed four years later. A survey of immigrant parents, a replacement sample for lost respondents in the second survey, and a survey of native-parentage students complement this rich data set. Outcomes of the adaptation process in Spain are systematically presented in five chapters, introduced by real-life histories of selected respondents drawn by the study's ethnographic module. Systematic comparisons with results from the United States show a number of surprising similarities in the adaptation of children of immigrants in both countries, as well as differences marked by contrasting experiences of discrimination, self-identities, and ambition.

Exceptional States examines new configurations of marriage, immigration, and sovereignty emerging in an increasingly mobile Asia where Cold War legacies continue to shape contemporary political struggles over sovereignty and citizenship. Focused on marital immigration from China to Taiwan, the book documents the struggles of these women and men as they seek acceptance and recognition in their new home. Through tracing parallels between the predicaments of Chinese marital immigrants and the uncertain future of the Taiwan nation-state, the book shows how intimate attachments and emotional investments infuse the governmental practices of Taiwanese bureaucrats charged with regulating immigration and producing citizenship and sovereignty. Its attention to a group of immigrants whose exceptional status has become necessary to Taiwan's national integrity exposes the social, political, and subjective consequences of life on the margins of citizenship and sovereignty.