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When Alex Haley's book Roots was published by Doubleday in 1976 it became an immediate bestseller. The television series, broadcast by ABC in 1977, became the most popular miniseries of all time, captivating over a hundred million Americans. For the first time, Americans saw slavery as an integral part of the nation's history. With a remake of the series in 2016 by A&E Networks, Roots has again entered the national conversation. In Making ';Roots,' Matthew F. Delmont looks at the importance, contradictions, and limitations of mass culture and examines how Roots pushed the boundaries of history. Delmont investigates the decisions that led Alex Haley, Doubleday, and ABC to invest in the story of Kunta Kinte, uncovering how Haley's original, modest book proposal developed into an unprecedented cultural phenomenon.

Many of American journalism's best-known and most cherished stories are exaggerated, dubious, or apocryphal. They are media-driven myths, and they attribute to the news media and their practitioners far more power and influence than they truly exert. In Getting It Wrong, writer and scholar W. Joseph Campbell confronts and dismantles prominent media-driven myths, describing how they can feed stereotypes, distort understanding about the news media, and deflect blame from policymakers. Campbell debunks the notions that the Washington Post's Watergate reporting brought down Richard M. Nixon's corrupt presidency, that Walter Cronkite's characterization of the Vietnam War in 1968 shifted public opinion against the conflict, and that William Randolph Hearst vowed to ';furnish the war' against Spain in 1898. This expanded second edition includes a new preface and new chapters about the first Kennedy-Nixon debate in 1960, the haunting Napalm Girl photograph of the Vietnam War, and bogus quotations driven by the Internet and social media.

Although better known for its sunny skies, Los Angeles suffers devastating flooding. This book explores a fascinating and little-known chapter in the city's history-the spectacular failures to control floods that occurred throughout the twentieth century. Despite the city's 114 debris dams, 5 flood control basins, and nearly 500 miles of paved river channels, Southern Californians have discovered that technologically engineered solutions to flooding are just as disaster-prone as natural waterways. Jared Orsi's lively history unravels the strange and often hazardous ways that engineering, politics, and nature have come together in Los Angeles to determine the flow of water. He advances a new paradigm-the urban ecosystem-for understanding the city's complex and unpredictable waterways and other issues that are sure to play a large role in future planning. As he traces the flow of water from sky to sea, Orsi brings together many disparate and intriguing pieces of the story, including local and national politics, the little-known San Gabriel Dam fiasco, the phenomenal growth of Los Angeles, and, finally, the influence of environmentalism. Orsi provocatively widens his vision toward other cities for which Los Angeles may offer a lesson-both of things gone wrong and a glimpse of how they might be improved.

Honorable Mention for the 2018 American Ethnological SocietySenior Book PrizeHonorable Mention for the 2017 Victor Turner Prize for Ethnographic Writing presented by the American Anthropological Association In 1963, Kenya gained independence from Britain, ending decades of white colonial rule.While tens of thousands of whites relocated in fear of losing their fortunes, many stayed. But over the past decade, protests, scandals, and upheavals have unsettled families with colonial origins, reminding them that their belonging is tenuous. In this book, Janet McIntosh looks at the lives and dilemmas of settler descendants living in post-independence Kenya. From clinging to a lost colonial identity to pronouncing a new Kenyan nationality, the public face of white Kenyans has undergone changes fraught with ambiguity. Drawing on fieldwork and interviews, McIntosh focuses on their discourse and narratives to ask: What stories do settler descendants tell about their claim to belong in Kenya? How do they situate themselves vis-a-vis the colonial past and anti-colonial sentiment, phrasing and re-phrasing their memories and judgments as they seek a position they feel is ethically acceptable? McIntosh explores contradictory and diverse responses: moral double consciousness, aspirations to uplift the nation, ideological blind-spots, denials, and self-doubt as her respondents strain to defend their entitlements in the face of mounting Kenyan rhetorics of ancestry.

When Alfred Kinsey's massive studies Sexual Behavior in the Human Male and Sexual Behavior in the Human Female appeared in 1948 and 1953, their detailed data spurred an unprecedented public discussion of the nation's sexual practices and ideologies. As they debated what behaviors were normal or average, abnormal or deviant, Cold War Americans also celebrated and scrutinized the state of their nation, relating apparent changes in sexuality to shifts in its political structure, economy, and people. American Sexual Character employs the studies and the myriad responses they evoked to examine national debates about sexuality, gender, and Americanness after World War II. Focusing on the mutual construction of postwar ideas about national identity and sexual life, this wide-ranging, shrewd, and lively analysis explores the many uses to which these sex surveys were put at a time of extreme anxiety about sexual behavior and its effects on the nation. Looking at real and perceived changes in masculinity, female sexuality, marriage, and homosexuality, Miriam G. Reumann develops the notion of "e;American sexual character,"e; sexual patterns and attitudes that were understood to be uniquely American and to reflect contemporary transformations in politics, social life, gender roles, and culture. She considers how apparent shifts in sexual behavior shaped the nation's workplaces, homes, and families, and how these might be linked to racial and class differences.

Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. Her essays, giving voice to "e;what goes without saying"e; on the subject-that cultural information so present and pervasive as to go unsaid-fill in some of the most intriguing blanks in our understanding of music's history. This much-anticipated collection, bringing together new and hard-to-find pieces by an acclaimed musicologist, mines the abundant casual texts of the period to show how Victorian-era people-English and others-experienced music and what they understood to be its power and its purposes. Solie's essays start from topics as varied as Beethoven criticism, Macmillan's Magazine, George Eliot's Daniel Deronda, opera tropes in literature, and the Victorian myth of the girl at the piano. They evoke common themes-including the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibility-and in turn suggest the complex links between the history of music and the history of ideas.

Religion is often viewed as a universally ancient element of the human inheritance, but in the Western Himalayas the community of Himachal Pradesh discovered its religion only after India became an independent secular state. Based on extensive ethnographic and archival work, BecomingReligiousinaSecularAge tells the story of this discovery and how it transformed a community's relations to its past and to its members, as well as to those outside the community. And, as Mark Elmore demonstrates, Himachali religion offers a unique opportunity to reimagine relations between religion and secularity. Elmore shows that modern secularity is not so much the eradication of religion as the very condition for its development. Showing us that to become a modern, ethical subject is to become religious, this book creatively augments our understanding of both religion and modernity.

"e;Now that I am seventy years of age, it is my prerogative to offer a summing up,"e; says Meron Benvenisti, internationally known author and columnist, Jerusalem native, and scion of Israel's founders. Born in Palestine in 1934 to a Sephardic father and an Ashkenazi mother, Benvenisti has enjoyed an unusual vantage point from which to consider his homeland's conflicts and controversies. Throughout his long and provocative career as a scholar, an elected official, and a respected journalist, he has remained intimately involved with Israel's social and political development. Part memoir and part political polemic, Son of the Cypresses threads Benvenisti's own story through the story of Israel. The result is a vivid, sharply drawn eyewitness account of pre-state Jerusalem and Israel's early years. He memorably sets the scene by recalling his father's emotional journey from Jewish Salonika in 1913 to Palestine, with all its attendant euphoria and frustration, and his father's pioneer dedication to inculcating Israeli youth with a "e;native's"e; attachment to the homeland. In describing the colorful and lively Jerusalem in which he grew up, Benvenisti recalls the many challenges faced by new Jewish immigrants, who found themselves not only in conflict with the Arab population but also with each other as Sephardim and Ashkenazim. He revisits his own public disagreements with both Zionists and Palestinians and shares indelible memories such as his boyhood experiences of the 1948 War. In remembering his life as an Israeli sabra, Benvenisti offers a vivid record of the historical roots of the conflict that persists today.

Domestic drug enforcement takes many forms, from the rural patrol officer who happens upon a small-scale mobile ';shake and bake' methamphetamine lab during a routine traffic stop, to the city narcotics detective who initiates a low-level buy-bust operation that nets a few hits of crack cocaine on the street corner, to the local, state, and federal agents working in multiagency task forces that coordinate a sting operation that nets thousands of kilos of near-pure cocaine being transported by tractor-trailer. Regardless of the form, there is a high probability that these authorities have exploited access to known offenders and exerted pressure on those individuals to gather inside information on illicit drug sales. These confidential informants provide intelligence on the inner workings of drug operations in exchange for leniency or remuneration, providing a relatively cheap source of intelligence that fuels much of the ongoing war on drugs. In other instances, law enforcement authorities will reach out to members of the criminal underworld who are willing to provide valuable intelligence in exchange for money.Despite the central role of informants in contemporary police operations, little is known about the shadowy relationships among law enforcement, snitches, and offenders. Based on ethnographic fieldwork in the narcotics, homicide, and street-level vice operations in two major metropolitan police departments,Speaking Truth to Powertakes readers to the front lines of the war on drugs to unravel this complex web of information exchange.

In this sequel to the acclaimed Damned Lies and Statistics, which the Boston Globe said "e;deserves a place next to the dictionary on every school, media, and home-office desk,"e; Joel Best continues his straightforward, lively, and humorous account of how statistics are produced, used, and misused by everyone from researchers to journalists. Underlining the importance of critical thinking in all matters numerical, Best illustrates his points with examples of good and bad statistics about such contemporary concerns as school shootings, fatal hospital errors, bullying, teen suicides, deaths at the World Trade Center, college ratings, the risks of divorce, racial profiling, and fatalities caused by falling coconuts. More Damned Lies and Statistics encourages all of us to think in a more sophisticated and skeptical manner about how statistics are used to promote causes, create fear, and advance particular points of view. Best identifies different sorts of numbers that shape how we think about public issues: missing numbers are relevant but overlooked; confusing numbers bewilder when they should inform; scary numbers play to our fears about the present and the future; authoritative numbers demand respect they don't deserve; magical numbers promise unrealistic, simple solutions to complex problems; and contentious numbers become the focus of data duels and stat wars. The author's use of pertinent, socially important examples documents the life-altering consequences of understanding or misunderstanding statistical information. He demystifies statistical measures by explaining in straightforward prose how decisions are made about what to count and what not to count, what assumptions get made, and which figures are brought to our attention. Best identifies different sorts of numbers that shape how we think about public issues. Entertaining, enlightening, and very timely, this book offers a basis for critical thinking about the numbers we encounter and a reminder that when it comes to the news, people count-in more ways than one.

With a wedding impending, the Taiwanese bride-to-be turns to bridal photographers, makeup artists, and hair stylists to transform her image beyond recognition. They give her fairer skin, eyes like a Western baby doll, and gowns inspired by sources from Victorian England to MTV.An absorbing consideration of contemporary bridal practices in Taiwan, Framing the Bride shows how the lavish photographs represent more than mere conspicuous consumption. They are artifacts infused with cultural meaning and emotional significance, products of the gender- and generation-based conflicts in Taiwan's hybrid system of modern matrimony. From the bridal photographs, the book opens out into broader issues such as courtship, marriage, kinship, globalization, and the meaning of the "e;West"e; and "e;Western"e; cultural images of beauty.Bonnie Adrian argues that in compiling enormous bridal albums full of photographs of brides and grooms in varieties of finery, posed in different places, and exuding romance, Taiwanese brides engage in a new rite of passage-one that challenges the terms of marriage set out in conventional wedding rites. In Framing the Bride, we see how this practice is also a creative response to U.S. domination of transnational visual imagery-how bridal photographers and their subjects take the project of globalization into their own hands, defining its terms for their lives even as they expose the emptiness of its images.

The Museum of Vertebrate Zoology (MVZ), located on the campus of the University of California, Berkeley, is a leading center of herpetological research in the United States. This monograph offers a brief account of the principal figures associated with the collection and of the most important events in the history of herpetology in the MVZ during its first 93 years, and lists all type specimens of recent amphibians and nonavian reptiles in the collection.Although the MVZ has existed since 1908, until 1945 there was no formal curator for the collection of amphibians and nonavian reptiles. Since that time Robert C. Stebbins, David B. Wake, Harry W. Greene, Javier A. Rodriguez-Robles (in an interim capacity), and Craig Moritz have served in that position.The herpetological collection of the MVZ was begun on March 13, 1909, with a collection of approximately 430 specimens from southern California and as of December 31, 2001, contained 232,254 specimens. Taxonomically, the collection is strongest in salamanders, accounting for 99,176 specimens, followed by "e;lizards"e; (squamate reptiles other than snakes and amphisbaenians, 63,439), frogs (40,563), snakes (24,937), turtles (2,643), caecilians (979), amphisbaenians (451), crocodilians (63), and tuataras (3). Whereas the collection's emphasis historically has been on the western United States and on California in particular, representatives of taxa from many other parts of the world are present.The 1,765 type specimens in the MVZ comprise 120 holotypes, three neotypes, three syntypes, and 1,639 paratopotypes and paratypes; 83 of the holotypes were originally described as full species. Of the 196 amphibian and nonavian reptilian taxa represented by type material, most were collected in Mexico (63) and California (USA, 54).The Appendix of the monograph presents a list of curators, graduate and undergraduate students, postdoctoral fellows, research associates, research assistants, curatorial associates, curatorial assistants, and visiting faculty who have conducted research on the biology of amphibians and reptiles while in residence in the Museum of Vertebrate Zoology as of December 31, 2001.

Between 1988 and 2013, the Chinese city of Zouping transformed from an impoverished town of 30,000 people to a bustling city of over 300,000, complete with factories, high rises, parks, shopping malls, and all the infrastructure of a wealthy East Asian city. FromVillage toCity paints a vivid portrait of the rapid changes in Zouping and its environs and in the lives of the once-rural people who live there. Despite the benefits of modernization and an improved standard of living for many of its residents, Zouping is far from a utopia; its inhabitants face new challenges and problems such as alienation, class formation and exclusion, and pollution. As he explores the city's transformation, Andrew B. Kipnis develops a new theory of urbanization in this compelling portrayal of an emerging metropolis and its people.

Our Energy Future is an introductory textbook for the study of energy production, alternative and renewable fuels, and ways to build a sustainable energy future. Jones and Mayfield explore the creation and history of fossil fuels, their impact on the environment, and how they have become critical to our society. The authors also outline how adopting sustainable biofuels will be key to the future of energy stability and discuss a number of renewable energy options and biofuel feedstocks that are replacements for petroleum-based products. Our society is consuming energy at an alarming rate, and the authors warn that continuing fuel-usage patterns could permanently damage the environment. This book emphasizes the importance of continued scientific, agricultural, and engineering development while it outlines the political and environmental challenges that will accompany a complete shift from fossil fuels to renewable energy and biomass. Our Energy Future is an accessible resource for undergraduate students studying biofuels and bioenergy.

Young minority men are often portrayed in popular media as victims of poverty and discrimination. A Dream Denieddelves deeper, investigating the social and cultural implications of the ';American dream' narrative for young minority men in the juvenile justice systems in Boston and Chicago. This book connects young male offenders' cycles of desistance and recidivism with normative assumptions about success and failure in American society, exposing a tragic disconnect between structural reality and juvenile justice policy. This book challenges us to reconsider how American society relates to its most vulnerable members, how it responds to their personal failures, and how it promises them a better future.

A good organizer is a social arsonist who goes around setting people on fire.Fred Ross Raised by conservative parents who hoped he would ';stay with his own kind,' Fred Ross instead became one of the most influential community organizers in American history. His activism began alongside Dust Bowl migrants, where he managed the same labor camp that inspired John Steinbeck's The Grapes of Wrath. During World War II, Ross worked for the release of interned Japanese Americans, and after the war, he dedicated his life to building the political power of Latinos across California. Labor organizing in this country was forever changed when Ross knocked on the door of a young Cesar Chavez and encouraged him to become an organizer. Until now there has been no biography of Fred Ross, a man who believed a good organizer was supposed to fade into the crowd as others stepped forward. In America's Social Arsonist, Gabriel Thompson provides a full picture of this complicated and driven man, recovering a forgotten chapter of American history and providing vital lessons for organizers today.

Slow Fade to Black completes Richard B. Jewell's richly detailed two-part history of the RKO film studio, which began with RKO Radio Pictures: A Titan Is Born, published in 2012. This second volume charts the studio's fortunes, which peaked during World War II, declined in the postwar period, and finally collapsed in the 1950s. Drawing on hard-to-access archival materials, Jewell chronicles the period from 1942 to the company's demise in 1957. Towering figures associated with the studio included Howard Hughes, Orson Welles, Charles Koerner, Val Lewton, Jane Russell, and Robert Mitchum. In addition to featuring an extraordinary cast of characters, the RKO story describes key aspects of entertainment history: Hollywood's collaboration with Washington, film noir, censorship, HUAC, the rise of independent film production, and the impact of television on film. Taken as a whole, Jewell's two-volume study represents the most substantial and insightful exploration of the Hollywood studio system to date.

Stealing the Show is a study of African American actors in Hollywood during the 1930s, a decade that saw the consolidation of stardom as a potent cultural and industrial force. Petty focuses on five performers whose Hollywood film careers flourished during this periodLouise Beavers, Fredi Washington, Lincoln ';Stepin Fetchit' Perry, Bill ';Bojangles' Robinson, and Hattie McDanielto reveal the ';problematic stardom' and the enduring, interdependent patterns of performance and spectatorship for performers and audiences of color. She maps howthese actorsthough regularly cast in stereotyped and marginalized rolesemployed various strategies of cinematic and extracinematic performance to negotiate their complex positions in Hollywood and to ultimately ';steal the show.' Drawing on a variety of source materials, Petty explores these stars' reception among Black audiences and theorizes African American viewership in the early twentieth century. Her book is an important and welcome contribution to the literature on the movies.

From the stony desolation of Jordan's desert, it is but a step through a doorway into the bath house of the Qusayr 'Amra hunting lodge. Inside, multicolored frescoes depict scenes from courtly life and the hunt, along with musicians, dancing girls, and naked bathing women. The traveler is transported to the luxurious and erotic world of a mid-eighth-century Muslim Arab prince. For scholars, though, Qusayr 'Amra, probably painted in the 730s or 740s, has proved a mirage, its concreteness dissolved by doubts about date, patron, and meaning. This is the first book-length contextualization of the mysterious monument through a compelling analysis of its iconography and of the literary sources for the Umayyad period. It illuminates not only the way of life of the early Muslim elite but also the long afterglow of late antique Syria.

What, exactly, is knowledge of music? And what does it tell us about humanistic knowledge in general? The Thought of Music grapples directly with these fundamental questionsquestions especially compelling at a time when humanistic knowledge is enmeshed in debates about its character and future. In this third volume in a trilogy on musical understanding that includes Interpreting Music and Expression and Truth, Lawrence Kramer seeks answers in both thought about music and thought in musicthinking in tones. He skillfully assesses musical scholarship in the aftermath of critical musicology and musical hermeneutics and in view of more recent concerns with embodiment, affect, and performance. This authoritative and timely work challenges the prevailing conceptions of every topic it addresses: language, context, and culture; pleasure and performance; and, through music, the foundations of understanding in the humanities.The publisher gratefully acknowledges the Joseph Kerman Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

The stars have always called us, but only for the past forty years or so have we been able to respond by traveling in space. This book explores the human side of spaceflight: why people are willing to brave danger and hardship to go into space; how human culture has shaped past and present missions; and the effects of space travel on health and well-being. A comprehensive and authoritative treatment of its subject, this book combines statistical studies, rich case histories, and gripping anecdotal detail as it investigates the phenomenon of humans in space-from the earliest spaceflights to the missions of tomorrow. Drawing from a strong research base in the behavioral sciences, Harrison covers such topics as habitability, crew selection and training, coping with stress, group dynamics, accidents, and more. In addition to taking a close look at spacefarers themselves, Spacefaring reviews the broad organizational and political contexts that shape human progress toward the heavens. With the ongoing construction of the International Space Station, the human journey to the stars continues, and this book will surely help guide the way.

In Works and Days, one of the two long poems that have come down to us from Hesiod, the poet writes of farming, morality, and what seems to be a very nasty quarrel with his brother Perses over their inheritance. In this book, Anthony T. Edwards extracts from the poem a picture of the social structure of Ascra, the hamlet in northern Greece where Hesiod lived, most likely during the seventh century b.c.e. Drawing on the evidence of trade, food storage, reciprocity, and the agricultural regime as Hesiod describes them in Works and Days, Edwards reveals Ascra as an autonomous village, outside the control of a polis, less stratified and integrated internally than what we observe even in Homer. In light of this reading, theconflict between Hesiod and Perses emerges as a dispute about the inviolability of the community's external boundary and the degree of interobligation among those within the village. Hesiod's Ascra directly counters the accepted view of Works and Days, which has Hesiod describing a peasant society subordinated to the economic and political control of an outside elite. Through his deft analysis, Edwards suggests a new understanding of both Works and Days and the social and economic organization of Hesiod's time and place.

The Los Angeles Times called the first volume of The Gold and the Blue "e;a major contribution to our understanding of American research universities."e; This second of two volumes continues the story of one of the last century's most influential figures in higher education. A leading visionary, architect, leader, and fighter for the University of California, Clark Kerr was chancellor of the Berkeley campus from 1952 to 1958 and president of the university from 1958 to 1967. He saw the university through its golden years-a time of both great advancement and great conflict. This absorbing memoir is an intriguing insider's account of how the University of California rose to the peak of scientific and scholarly stature and how, under Kerr's unique leadership, it evolved into the institution it is today. In Volume II: Political Turmoil, Kerr turns to the external and political environment of the 1950s and 1960s, contrasting the meteoric rise of the University of California to the highest pinnacle of academic achievement with its troubled political context. He describes his attempts to steer a middle course between attacks from the political Right and Left and discusses the continuing attacks on the university, and on him personally, by the state Un-American Activities Committee. He provides a unique point of view of the Free Speech Movement on the Berkeley campus in the fall of 1964. He also details the events of January 1967, when he was dismissed as president of the university by the Board of Regents.

This book charts a comparative history of Latin America's national cinemas through ten chapters that cover every major cinematic period in the region: silent cinema, studio cinema, neorealism and art cinema, the New Latin American Cinema, and contemporary cinema. Schroeder Rodrguez weaves close readings of approximately fifty paradigmatic films into a lucid narrative history that is rigorous in its scholarship and framed by a compelling theorization of the multiple discourses of modernity. The result is an essential guide that promises to transform our understanding of the region's cultural history in the last hundred years by highlighting how key players such as the church and the state have affected cinema's unique ability to help shape public discourse and construct modern identities in a region marked by ongoing struggles for social justice and liberation.

A theoretically sophisticated and illuminating reading of Tacitus, especially the Histories, this work points to a new understanding of the logic of Roman rule during the early Empire.Tacitus, in Holly Haynes' analysis, does not write about the reality of imperial politics and culture but about the imaginary picture that imperial society makes of these concrete conditions of existence-the "e;making up and believing"e; that figure in both the subjective shaping of reality and the objective interpretation of it. Haynes traces Tacitus's development of this fingere/credere dynamic both backward and forward from the crucial year A.D. 69. Using recent theories of ideology, especially within the Marxist and psychoanalytic traditions, she exposes the psychic logic lurking behind the actions and inaction of the protagonists of the Histories. Her work demonstrates how Tacitus offers penetrating insights into the conditions of historical knowledge and into the psychic logic of power and its vicissitudes, from Augustus through the Flavians.By clarifying an explicit acknowledgment of the difficult relationship between res and verba, in the Histories, Haynes shows how Tacitus calls into question the possibility of objective knowing-how he may in fact be the first to allow readers to separate the objectively knowable from the objectively unknowable. Thus, Tacitus appears here as going further toward identifying the object of historical inquiry-and hence toward an "e;objective"e; rendering of history-than most historians before or since.

Reversible Destiny traces the history of the Sicilian mafia to its nineteenth-century roots and examines its late twentieth-century involvement in urban real estate and construction as well as drugs. Based on research in the regional capital of Palermo, this book suggests lessons regarding secretive organized crime: its capacity to reproduce a subculture of violence through time, its acquisition of a dense connective web of political and financial protectors during the Cold War era, and the sad reality that repressing it easily risks harming vulnerable people and communities. Charting the efforts of both the judiciary and a citizen's social movement to reverse the mafia's economic, political, and cultural power, the authors establish a framework for understanding both the difficulties and the accomplishments of Sicily's multifaceted antimafia efforts.

Throughout the twentieth century, neuronal researchers knew the adult human brain to be a thoroughly fixed and immutable cellular structure, devoid of any developmental potential. Plastic Reason is a study of the efforts of a few Parisian neurobiologists to overturn this rigid conception of the central nervous system by showing that basic embryogenetic processesmost spectacularly the emergence of new cellular tissue in the form of new neurons, axons, dendrites, and synapsescontinue in the mature brain. Furthermore, these researchers sought to demonstrate that the new tissues are still unspecific and hence literally plastic, and that this cellular plasticity is constitutive of the possibility of the human. Plastic Reason, grounded in years of fieldwork and historical research, is an anthropologist's account of what has arguably been one of the most sweeping events in the history of brain researchthe highly contested effort to consider the adult brain in embryogenetic terms. A careful analysis of the disproving of an established truth, it reveals the turmoil that such a disruption brings about and the emergence of new possibilities of thinking and knowing.

Drawing on the life stories of 266 migrants in South China, Choi and Peng examine the effect of mass rural-to-urban migration on family and gender relationships, with a specific focus on changes in men and masculinities. They show how migration has forced migrant men to renegotiate their roles as lovers, husbands, fathers, and sons. They also reveal how migrant men make masculine compromises: they strive to preserve the gender boundary and their symbolic dominance within the family by making concessions on marital power and domestic division of labor, and by redefining filial piety and fatherhood. The stories of these migrant men and their families reveal another side to China's sweeping economic reform, modernization, and grand social transformations.

This book addresses a fundamental dilemma in religious studies. Exploring the tension between humanistic and social scientific approaches to thinking and writing about religion, Daniel Gold develops a line of argument that begins with the aesthetics of academic writing in the field. He shows that successful writers on religion employ characteristic aesthetic strategies in communicating their visions of human truths. Gold examines these strategies with regard to epistemology and to the study of religion as a collective endeavor.

Preaching Islamic Renewal examines the life and work of Muhammad Mitwalli Sha'rawi, one of Egypt's most beloved and successful Islamic preachers. His wildly popular TV program aired every Friday for years until his death in 1998. At the height of his career, it was estimated that up to 30 million people tuned in to his show each week. Yet despite his pervasive and continued influence in Egypt and the wider Muslim world, Sha'rawi was for a long time neglected by academics. While much of the academic literature that focuses on Islam in modern Egypt repeats the claim that traditionally trained Muslim scholars suffered the loss of religious authority, Sha'rawi is instead an example of a well-trained Sunni scholar who became a national media sensation. As an advisor to the rulers of Egypt as well as the first Arab television preacher, he was one of the most important and controversial religious figures in late-twentieth-century Egypt. Thanks to the repurposing of his videos on television and on the Internet, Sha'rawi's performances are still regularly viewed. Jacquelene Brinton uses Sha'rawi and his work as a lens to explore how traditional Muslim authorities have used various media to put forth a unique vision of how Islam can be renewed and revived in the contemporary world. Through his weekly television appearances he popularized long held theological and ethical beliefs and became a scholar-celebrity who impacted social and political life in Egypt.